With Vieni, o Notte, Francesca Aspromonte signs her first recording for Apart� with an all-Scarlatti program. Together with Arsenale Sonoro and Boris Begelman, she explores three cantatas (sometimes described as serenate) in which the composer makes the night the stage for his characters' thwarted loves. He gives them arias and recitatives that are painful, contemplative, or searing, complemented by two sonate a quattro with madrigalian lines, whose quartet performance by Arsenale Sonoro highlights the bold harmonic shifts, the shadows, and the light. The album closes with All'hor che stanco il sole, a world-premiere recording - a musical meditation on love and loss. Here, Aspromonte unfolds a mastery of line and text that reveals the full sensuality of this music.

James Richman is the first musician since Leonard Bernstein to graduate Harvard, Julliard and the Curtis Institute of Music, studying conducting with Herbert Blomstedt, piano with Horszowski, and harpsichord with Kenneth Gilbert. He is considered one of today's leading conductors of Baroque music and opera. James was made a Chevalier in the Ordre des Arts et des Lettres by the French government in 1995 in recognition of his contributions to the field of music. Rameau's Pi�ces de Clavacin was composed over a period of 20 years, the first collection, or book appearing in 1706. These pieces showcase Rameau's lyrical and expressive style, often featuring intricate ornamentation and elegant melodies. The collection is considered a major work in Baroque keyboard repertoire, reflecting Rameau's mastery in both composition and harmony.

Philip Glass's science fiction music drama, 1000 Airplanes on the Roof, premiered in 1988 at the Vienna International Airport (Hangar No.3). This one-act melodrama contains a text by renowned playwright and frequent Glass collaborator, David Henry Hwang, and originally featured set designs and projections by Jerome Sirlin. When Virgin records released the piece in 1989, the very curious decision was made to totally omit the Hwang text. The original score by Glass, was presented without the context of the drama. Following Third Angle New Music's 2023 staged production at the Evergreen Aviation & Space Museum - directly beneath Howard Hughes' infamous "Spruce Goose" - they endeavored to record this rarely-staged work. As the original recording was largely misunderstood, it is presented here for the first time with both the music and drama as one would hear it in the theater, alongside an additional music-only experience. Volume 1 includes the complete music drama with Hwang's text performed by Ithica Tell as M, and the sound design used in their staged production. Volume 2 presents the entire musical experience including vocals, but without the text and theatrical elements. The beautiful package design by Madeline Sorenson is a play on the formats of old science fiction trade paperbacks.

Life Stories brings together soprano Claire Booth and pianist J�ms Coleman in a vibrant program exploring the borderland between classical song and cabaret. At it's center is Zo� Martlew's Hotel Babylon, a contemporary cycle written for Booth: seven sharply drawn character studies that trace a playful yet unsettling journey through temptation, vice and redemption. Blending cabaret, expressionism, tango and baroque echoes, Martlew's music creates a modern counterpart to Schoenberg's Brettl-Lieder, reimagined for the 21st century. Surrounding this new work is a constellation of composers who also navigate the everyday and the existential through song. Gershwin's The Man I Love and I Got Rhythm offer melodic clarity and bittersweet simplicity; Eisler's Hollywooder Liederbuch excerpts deliver intimate, politically charged reflections from the composer's American exile; and Poulenc's Banalit�s reveals profound emotion beneath it's surface wit and elegance. Earl Wild's piano transcriptions of Gershwin bring Romantic virtuosity into dialogue with the album's lyrical core. The program concludes with Thomas Ad�s' Life Story, a candid, fragmented setting of Tennessee Williams that mirrors the fragile human connections running through the disc. Together, these works form a compelling portrait of storytelling in song-by turns ironic, tender, biting, and deeply humane.

Pierre Gallon's new program portrays a night of music, hovering between fantasies and poetic dreams of the English Renaissance. His keyboards - harpsichords, a virginal and a toy piano - create a mosaic of nocturnal visions, interspersed with the fantastic and unexpected. As a contemporary counterpoint, Bernard Foccroulle's Night (2023) reveals the light of a new dawn.

Founded in 2016, the Sypniewski Trio brings together Magdalena, Anna and Caroline Sypniewski. For "Origines", their first album, the three sisters return both to the birth of the string trio and to the origins of their own ensemble. The programme includes Purcell's fantasias for viols - intimate pieces enriched by the musicians' historically informed performance practice - alongside trios by Sibelius and Beethoven (the third of the Op. 9 set, the most ardent and innovative of his works in the genre), as well as Kaija Saariaho's intense Cloud Trio. These varied musical landscapes offer the Sypniewski sisters the opportunity to play with virtuosity on the paradox of the trio format, where individuality and cohesion serve a single musical narrative, which they shape with precision and poetry in a spirit of total commitment.

Gustavo Gimeno and the Toronto Symphony Orchestra ascend the heights of two of Bart�k's musical peaks: his dazzling Concerto for Orchestra and infamous Miraculous Mandarin, here presented in it's complete version. As a pendant, the sediments by Canadian composer Emilie Cecilia LeBel, commissioned by the Orchestra, is a fascinating meditation on nature, it's stratas, and the collective memory it holds within.

Exclusive Japanese reissue from Universal. During his brief 54-year life, Carl Richter made an indelible mark on the history of Bach performance, recording 76 of Bach's church cantatas and one secular cantata, along with monumental works such as the Matthew Passion and the John Passion. His extraordinary achievements remain a benchmark for excellence in interpreting Bach's music.

Exclusive Japanese reissue from Universal. During his brief 54-year life, Carl Richter made an indelible mark on the history of Bach performance, recording 76 of Bach's church cantatas and one secular cantata, along with monumental works such as the Matthew Passion and the John Passion. His extraordinary achievements remain a benchmark for excellence in interpreting Bach's music.

Exclusive Japanese reissue from Universal. During his brief 54-year life, Carl Richter made an indelible mark on the history of Bach performance, recording 76 of Bach's church cantatas and one secular cantata, along with monumental works such as the Matthew Passion and the John Passion. His extraordinary achievements remain a benchmark for excellence in interpreting Bach's music.

Exclusive Japanese reissue from Universal. During his brief 54-year life, Carl Richter made an indelible mark on the history of Bach performance, recording 76 of Bach's church cantatas and one secular cantata, along with monumental works such as the Matthew Passion and the John Passion. His extraordinary achievements remain a benchmark for excellence in interpreting Bach's music.

With her new album, State of Matter, acclaimed Polish cellist and composer Dobrawa Czocher pushes her artistry into new territories. Composed amidst a move from Warsaw to the Baltic coast, surrounded by the ocean's horizon and dense forestry, the album reflects curiously on what lies beyond and embracing the unknown. It is an ode to the courage to grow through uncertainty. The music unfolds as a journey of emotional phases, a narrative arc from the internal introspective questioning of "Monologue," to a sonic leap into motion with the rhythmic propulsion of "Blue", and the cyclical farewell in "Goodbye". Known for her atmospheric, emotionally rich compositions, Czocher has expanded her sound world, while holding true to her classical roots. She uses percussive cello techniques, Moog synthesizers, non-analog electronics, and her own voice instrumentally and without lyrics, creating a texture of expression. Recorded at the historic Studio S4 at Polish Radio in Warsaw with engineer Mateusz Danek, State of Matter balances technical craft with expressive spontaneity, it's driven by Czocher's tension between precision and intuition. It is a work that breathes, pulses, and listens back. State of Matter marks a turning point in Dobrawa Czocher's creative path-an album that reflects not only where she is, but where she dares to go.

Commemorating the 270th anniversary of Mozart's birth in 2026, the "MOZART COLORS 100" collection by Deutsche Grammophon and Decca is a masterful fusion of high-fidelity audio and innovative visual curation. By organizing 94 essential recordings and six genre-specific masterpieces into a spectrum of 12 thematic colors, the series transforms the act of listening into a mood-based experience, allowing the "jacket color" to guide the listener through Mozart's immense versatility-from his precocious childhood works to his universally beloved classics. The technical presentation is equally impressive, featuring the SHM-CD format for superior sound resolution housed in elegant, color-coordinated cardboard sleeves that appeal to tactile collectors. With insightful new commentary by Mai Takano and approachable branding by Toshiyuki Hirata, this 100-title series successfully modernizes a historical legacy, making the 2026 anniversary both a luxury for audiophiles and a welcoming entry point for new fans of the "Wunderkind."

Commemorating the 270th anniversary of Mozart's birth in 2026, the "MOZART COLORS 100" collection by Deutsche Grammophon and Decca is a masterful fusion of high-fidelity audio and innovative visual curation. By organizing 94 essential recordings and six genre-specific masterpieces into a spectrum of 12 thematic colors, the series transforms the act of listening into a mood-based experience, allowing the "jacket color" to guide the listener through Mozart's immense versatility-from his precocious childhood works to his universally beloved classics. The technical presentation is equally impressive, featuring the SHM-CD format for superior sound resolution housed in elegant, color-coordinated cardboard sleeves that appeal to tactile collectors. With insightful new commentary by Mai Takano and approachable branding by Toshiyuki Hirata, this 100-title series successfully modernizes a historical legacy, making the 2026 anniversary both a luxury for audiophiles and a welcoming entry point for new fans of the "Wunderkind."

Commemorating the 270th anniversary of Mozart's birth in 2026, the "MOZART COLORS 100" collection by Deutsche Grammophon and Decca is a masterful fusion of high-fidelity audio and innovative visual curation. By organizing 94 essential recordings and six genre-specific masterpieces into a spectrum of 12 thematic colors, the series transforms the act of listening into a mood-based experience, allowing the "jacket color" to guide the listener through Mozart's immense versatility-from his precocious childhood works to his universally beloved classics. The technical presentation is equally impressive, featuring the SHM-CD format for superior sound resolution housed in elegant, color-coordinated cardboard sleeves that appeal to tactile collectors. With insightful new commentary by Mai Takano and approachable branding by Toshiyuki Hirata, this 100-title series successfully modernizes a historical legacy, making the 2026 anniversary both a luxury for audiophiles and a welcoming entry point for new fans of the "Wunderkind."

This first volume of Jae-Hyuck Cho's complete Mozart piano sonata cycle reflects the pianist's belief that Mozart's keyboard writing is inseparable from the vocal world of his operas - music that should feel sung, alive, breathing and vividly expressive. Cho approaches these works as dialogues filled with wit, drama and character, seeking not perfection but truth in every phrase. The program begins with the Sonata in C major, K.545, whose apparent simplicity reveals Mozart's precision and elegance. The Fantasia in C minor, K.475, and the Sonata in C minor, K.457, follow as powerful companion works: improvisatory, unpredictable and stormy, yet touched by tenderness. Cho presents them as a single expressive journey, from the Fantasia's restless soliloquy to the Sonata's theatrical sweep, aria-like Adagio and fiercely driven finale. The Sonata in B-flat major, K.333, closes the album with it's lyrical generosity and classical poise - a radiant counterpart to the emotional turbulence of the C-minor pieces. Recorded with Grammy winning producer Michael Fine, this release introduces a cycle shaped by Cho's conviction that Mozart's piano music speaks, laughs and sighs with the freedom and spontaneity of song.

Commemorating the 270th anniversary of Mozart's birth in 2026, the "MOZART COLORS 100" collection by Deutsche Grammophon and Decca is a masterful fusion of high-fidelity audio and innovative visual curation. By organizing 94 essential recordings and six genre-specific masterpieces into a spectrum of 12 thematic colors, the series transforms the act of listening into a mood-based experience, allowing the "jacket color" to guide the listener through Mozart's immense versatility-from his precocious childhood works to his universally beloved classics. The technical presentation is equally impressive, featuring the SHM-CD format for superior sound resolution housed in elegant, color-coordinated cardboard sleeves that appeal to tactile collectors. With insightful new commentary by Mai Takano and approachable branding by Toshiyuki Hirata, this 100-title series successfully modernizes a historical legacy, making the 2026 anniversary both a luxury for audiophiles and a welcoming entry point for new fans of the "Wunderkind."

Commemorating the 270th anniversary of Mozart's birth in 2026, the "MOZART COLORS 100" collection by Deutsche Grammophon and Decca is a masterful fusion of high-fidelity audio and innovative visual curation. By organizing 94 essential recordings and six genre-specific masterpieces into a spectrum of 12 thematic colors, the series transforms the act of listening into a mood-based experience, allowing the "jacket color" to guide the listener through Mozart's immense versatility-from his precocious childhood works to his universally beloved classics. The technical presentation is equally impressive, featuring the SHM-CD format for superior sound resolution housed in elegant, color-coordinated cardboard sleeves that appeal to tactile collectors. With insightful new commentary by Mai Takano and approachable branding by Toshiyuki Hirata, this 100-title series successfully modernizes a historical legacy, making the 2026 anniversary both a luxury for audiophiles and a welcoming entry point for new fans of the "Wunderkind."

Mozart Colors 100 Series - Released to commemorate the 270th anniversary of Wolfgang Amadeus Mozart's birth (1756-1791), this special series from the legendary classical labels Deutsche Grammophon and Decca presents 100 carefully selected titles showcasing the breadth of Mozart's music. The collection includes 94 classic recordings from the labels' catalogs, along with 6 best-of compilations organized by genre such as symphonies, chamber music, opera/vocal works, orchestral works, concertos, and instrumental music. Each release features a distinct color-themed jacket design, with 12 core colors representing different moods and musical impressions, allowing listeners to choose music that matches their mood, while the full series showcases 100 unique color variations in it's artwork. Presented in paper sleeve packaging with SHM-CD format for enhanced audio quality, the series also includes new liner notes and commentary on the color themes by writer Mai Takano, along with a friendly series logo illustrated by Toshiyuki Hirata, offering both longtime fans and newcomers a visually striking way to explore Mozart's timeless music.

Commemorating the 270th anniversary of Mozart's birth in 2026, the "MOZART COLORS 100" collection by Deutsche Grammophon and Decca is a masterful fusion of high-fidelity audio and innovative visual curation. By organizing 94 essential recordings and six genre-specific masterpieces into a spectrum of 12 thematic colors, the series transforms the act of listening into a mood-based experience, allowing the "jacket color" to guide the listener through Mozart's immense versatility-from his precocious childhood works to his universally beloved classics. The technical presentation is equally impressive, featuring the SHM-CD format for superior sound resolution housed in elegant, color-coordinated cardboard sleeves that appeal to tactile collectors. With insightful new commentary by Mai Takano and approachable branding by Toshiyuki Hirata, this 100-title series successfully modernizes a historical legacy, making the 2026 anniversary both a luxury for audiophiles and a welcoming entry point for new fans of the "Wunderkind."