Free jazz collective Irreversible Entanglements return with their second Impulse! Recording, Future Present Past. Largely recorded at the historic Van Gelder Studio, the album sees the quintet meld atmospheric jazz, global music traditions and spoken word into our shared story of existence - futures full of possibility, the present with all it's uncertainties, and pasts as wellsprings of ancestral wisdom.

MAKE SOMEONE HAPPY

SOMETHIN' TO RELAX WITH

Convergence: Live in China is the new album from William Hooker, featuring world-renowned musician and composer John King. It was captured from the duo's 2024 performance at the B10 Festival in Shenzhen. In tune with the open-hearted engagement and palpable respect of the audience, they deliver an exhilarating hour of improvisation. Hooker's thunderous drumming is blanketed by sheets of distorted guitar from King, both playing with formidable intensity. Recorded direct from the soundboard on 10/25/2024, the concert is available in vinyl, CD, and digital formats, with the latter two including three bonus pieces from the performance. Convergence: Live in China is the new album from William Hooker, featuring world-renowned musician and composer John King. It was captured from the duo's 2024 performance at the B10 Festival in Shenzhen. In tune with the open-hearted engagement and palpable respect of the audience, they deliver an exhilarating hour of improvisation. Hooker's thunderous drumming is blanketed by sheets of distorted guitar from King, both playing with formidable intensity. Recorded direct from the soundboard on 10/25/2024, the concert is available in vinyl, CD, and digital formats, with the latter two including three bonus pieces from the performance. Convergence: Live in China is the new album from William Hooker, featuring world-renowned musician and composer John King. It was captured from the duo's 2024 performance at the B10 Festival in Shenzhen. In tune with the open-hearted engagement and palpable respect of the audience, they deliver an exhilarating hour of improvisation. Hooker's thunderous drumming is blanketed by sheets of distorted guitar from King, both playing with formidable intensity. Recorded direct from the soundboard on 10/25/2024, the concert is available in vinyl, CD, and digital formats, with the latter two including three bonus pieces from the performance. Convergence: Live in China is the new album from William Hooker, featuring world-renowned musician and composer John King. It was captured from the duo's 2024 performance at the B10 Festival in Shenzhen. In tune with the open-hearted engagement and palpable respect of the audience, they deliver an exhilarating hour of improvisation. Hooker's thunderous drumming is blanketed by sheets of distorted guitar from King, both playing with formidable intensity. Recorded direct from the soundboard on 10/25/2024, the concert is available in vinyl, CD, and digital formats, with the latter two including three bonus pieces from the performance.

At the Jazz Showcase is the first ever release of piano legend Ahmad Jamal's trio featuring bassist John Heard and longtime drummer Frank Gant captured live at Joe Segal's Jazz Showcase in Chicago, IL on March 20-21, 1976. The 2-CD set was mastered from the original tapes. The deluxe package includes newly curated liner notes

Crazy World is the bold and genre-blurring new album from As Is, the NY-based project fronted by vocalist Stacey Schulman and guitarist Al Schulman. This stunning release fuses vocal jazz with poetic commentary, rich orchestration, and experimental textures - including two compositions that creatively integrate AI-generated instrumentation. From the soaring opener "From This Very Moment On" featuring Grammy-nominated artist Kokayi, to a haunting jazz reinterpretation of "Tiny Dancer", and the aching balladry of "A House Is Not a Home", Crazy World balances technical artistry with emotional urgency. With appearances by Jeff "Tain" Watts, Gil Goldstein, Corcoran Holt, and a full string section, the album delivers both depth and dynamism. Tracks like "PrAilude" and "Children's Games" explore the intersection of humanity and machine - using Suno AI to challenge how we perceive musical authorship, while still grounded in melodic integrity and lyrical intention. Whether you're a jazz collector, audiophile, or a fan of modern vocalists pushing boundaries, Crazy World is a daring, deeply musical experience.

Gerald Albright launched his solo career in the infancy of what became the smooth jazz format, with Just Between Us in 1987 and has been a core part of the genre with chart-topping albums, countless radio hits and as a member of many all star tours, including Guitars & Saxes and Groovin' For Grover.

SHAPESHIFTER

Limited Edition 2-CD Digipak Remastered audio transferred from the original tapes Deluxe 2-LP Set Also Available Includes exclusive photos by Hugo Peeters and a special essay by renowned jazz author Kevin Whitehead Limited Edition 2-CD Digipak

VIEWPOINT

Alight Upon the Lake: Live at the Jazz Showcase is a previously unissued recording of woodwind multi-instrumentalist icon Yusef Lateef featuring pianist Kenny Barron, bassist Bob Cunningham and drummer Albert "Tootie" Heath captured live at Joe Segal's Jazz Showcase in Chicago, IL in June of 1975. The 3-CD set was mastered from the original tapes by engineer Matthew Lutthans.

In 2005, Fr�d�ric Galliano, founder of the Frikyiwa label, decided to put it on hold for a few years. In his archives, many albums recorded during his years of travels in Africa remain unreleased. In the context of the reactivation of the Frikyiwa label, the album Lionel and St�phane Belmondo feat. K�ba K�b� Diolas Orchestra: "Calypso Diola" is therefore being released today. It was in the heart of Casamance, in the village of Bignona, that this album was recorded, in a house typical of the region, built of earth, with thick walls producing a warm acoustic open to the outside world. Fr�d�ric Galliano's idea was to bring together the Belmondo brothers with Diola culture, renowned for it's distinctive percussion combining wood and struck metal, as well as singular instruments such as the ekontine (a four-string guitar) or Diola flutes. The vocal melodies typical of Casamance are also strong markers of this album, recorded over a few days, live and in an improvisational approach inherent to jazz. Often composed as duos, with the exception of "Osoforal," recalling a certain 1960s jazz, the tracks of the album are marked by an artistic direction that presents the Belmondo brothers in a more stripped-down light than usual. Composed of duos or slow tempos, these tracks and their particular recording approach give this album an original colour in which each part expresses it's own specificity of improvised jazz and Diola culture. Sometimes tinged with humour (Bach to Casamance or Calypso Diola) or with greater softness (Casa Sport), what we are given here is a truly original and creative recording. It is also important to place this album in it's context: recorded in 2002, it was at the time quite unprecedented to have this kind of in situ encounter between European and African musicians. It should therefore be listened to in this specific light. It nonetheless remains both contemporary and timeless.

Charlie Parker's music has been recorded, studied, debated, and canonized for more than seventy years. Which is precisely why paying tribute to Bird still takes a lot of nerve. There is no safe middle ground. You either bring something new to the conversation, or you risk being drowned out by history. On Another Kind of Bird, Richard Baratta does not tiptoe around this dilemma. Joined by arranger and pianist Bill O'Connell, Baratta revisits Parker's music with a clear sense of purpose and a refusal to play it safe, delivering bold reimaginings propelled by a powerhouse ensemble. Baratta anchors the session with his working band, then raises the stakes. On select tracks, saxophonists Eric Alexander, Abraham Burton, and Craig Handy join regular altoist Vincent Herring to form a dynamic horn section that adds muscle and urgency to the music. Parker emerges here not as relic, but as catalyst: energized, expanded, and unmistakably alive.

MANY MOODS OF BUDDY COLE: SEVEN CLASSIC ALBUMS

Bay Area guitarist George Cotsirilos returns to the intimate language of solo nylon-string guitar on "In the Wee Hours," illuminating beloved standards and two original compositions with patience and depth. Recorded largely in unedited first takes over several years, his seventh recording on OA2 unfolds with the quiet authority and refined lyricism that have defined Cotsirilos's career-from his celebrated quartet release Refuge to earlier trio and solo recordings praised for their fluidity and swing. Here, classics such as "Come Sunday," "Haunted Heart," and the title ballad are rendered with a meticulous touch and subtle dynamic shadings that reveal the hidden architecture of each melody. Alternating between exquisite instruments by Jos' Ram�rez and Alberto Morales, Cotsirilos draws out warm, singing tones that blur the line between jazz phrasing and classical resonance. "- an impeccable sense of timing especially in revealing the hidden rhythms of complex melodies. His approach to harmony is whimsical, but patently beautiful at all times." - All About Jazz " - an unerring sense of swing and melody. His solos, while displaying accuracy and technique, are filled with soul." Vintage Guitar Magazine

VIEWPOINT

JJ Sansaverino / CONVERSATIONS JJ is excited to release his sixth album, Conversations. Written and produced between New York City and Miami, the project was inspired by his international touring and the many meaningful conversations he's had with people from around the world along the way. The album brings together an incredible lineup of musicians, including Lin Rountree, Maxi Priest, Billy Ray Sheppard, the KeyNotes, Etienne Lytle, and Samuel Gonzalez, along with world-class talent from across the United States. JJ's signature blend of urban club grooves continues to define his sound, helping him stand out in the smooth jazz genre. His melodic, expressive guitar work lingers long after the music ends, while the infectious grooves make it impossible not to get up and dance. Sounds Like: Norman Brown, Peter White, George Benson, Adam Hawley, Jonathan Butler. With six highly acclaimed albums, more than 50 touring dates per year, a #1 Billboard single, and multiple charting hits, New York guitarist JJ Sansaverino has spent the past thirty-five years reaching millions of fans around the world with his signature "Benson meets Santana" musical style. An innovative composer and electrifying performer, JJ brings a "take no prisoners" attitude to the stage night after night, blending Smooth Jazz, Traditional Jazz, Blues, R&B, and Reggae into a vibrant live experience. A graduate and award winner from Berklee College of Music, he has shared the stage with numerous international artists and even performed at Sir Paul McCartney's wedding in 2002. His festival appearances include the Berks Jazz Festival, Rehoboth Jazz Festival, Blue Note Jazz Festival, Seabreeze Jazz Festival, Mallorca Jazz Festival, Orlando Jazz Festival, Algarve Jazz Festival, Lake Arbor Jazz Festival, Cancun Jazz Festival, Arizona Jazz Festival, and many more. JJ continues his international touring through 2026 in support of his sixth album, Conversations, released by Innervision Records. The album follows a series of successful radio hits including "Style and Elegance," "Keep Your Head Up," and "Ride With Me," which have all topped the Billboard charts. One of JJ's recent collaborations is with reggae icon Maxi Priest. Together they created the powerful original song "Blessed With A Melody," which has already topped both the Jazz and Reggae charts. JJ continues writing and recording new music while enjoying the success of his 19th radio single, "Let It Go," which is quickly climbing the charts

Bassist and composer Gabriel Espinosa's "The Brazilian Project" is the realization of a lifelong devotion to the music that first stirred his imagination in the 1960s, when the sounds of Jobim, Joao Gilberto and Sergio Mendes reshaped the global jazz landscape. Raised in Mexico on boleros and the Beatles, Espinosa later found in bossa nova a language of melodic grace and rhythmic subtlety that would define his artistic path through Berklee, North Texas State, and to his present home in Iowa. For his eighth solo album, his bass is set aside while his compositions are brought vividly to life by a Brazil-based nonet, with scintillating arrangements by trombonist Rafael Rocha and flugel hornist Bruno Santos. Recorded in Rio de Janeiro and enhanced by the Tallinn Studio Orchestra, the album radiates warmth, elegance, and rhythmic vitality. The Brazilian Project stands as a joyful summit in Espinosa's decades-long journey-an inspired cross-cultural collaboration that honors tradition while speaking in a fresh, contemporary voice. "Bossa nova literally means "new tendency" or "new thing". Gabriel Espinosa renews the genre with his imaginative compositions and top-class musicians." Music Web International " - a mellifluous musical expedition led by this mature bassist, who crafts his music with utmost confidence and grace - The depth of emotion of his music is truly touching." - Latin Jazz Net

Alto saxophonist and flutist Alan Braufman first emerged as a singular voice in New York's 1970s loft-jazz scene with his 1975 debut Valley of Search, a record that would later be recognized as a landmark of spiritual and free jazz. After decades outside the spotlight, Braufman returned with a new wave of acclaim, releasing two highly regarded albums in 2020 and 2024 that reestablished him as both an essential elder and a vital contemporary presence-long described as "a legend in free music" (Gilles Peterson / BBC). Recorded in a single day in the fall of 2025, Anthem for Peace is a fully new studio album that captures Braufman in the present tense. Leading a quartet with vibraphonist Patricia Brennan, bassist Luke Stewart, and drummer Chad Taylor, he delivers concise, hook-forward compositions that move fluidly between gospel-tinged anthems, buoyant post-bop, and hypnotic, eastern-influenced themes. Brennan's vibraphone-shimmering acoustically and occasionally treated electronically-adds depth and color, while Stewart and Taylor form a deeply locked, responsive rhythm section. The result is music that is "playful and light, yet texturally dense" (NPR): optimistic, focused, and driven by a clear sense of forward motion.

STRATA ACT (JOY CONTEMPORARY)