ANDVAKE

After their first recording, Nuits parisiennes, Manon Galy and Jorge Gonzalez Buajasan open the door to the inner worlds of Romanticism. Surrounding Mendelssohn's rare Sonata in F major MWV Q 26 (his only mature violin sonata), Brahms's Second, and Grieg's Third are a few poetic and intimate gems, such as Sibelius's Berceuse and Fibich's Po�me. Between "melancholy waltz and languorous vertigo," violin and piano become the exalted yet nostalgic voice of the composers' most personal confidences.

BIRTHDAY CONCERT '95

LIMINAL

* Janel Leppin - cello, CP-70 *Larry Ferguson - drums * Anthony Pirog - guitar * Brian Settles - tenor saxophone * Luke Stewart - bass * A composer and cellist who's honed a singular synthesis of composition, orchestration and improvisation, while heavily involved for decades with Washington D.C.'s vibrant new music, jazz, rock and improvised music scenes, Janel Leppin releases the third album by her acclaimed Ensemble Volcanic Ash. The five-piece group melds an illustrious array of D.C. talent into a glimmering expressive organism that surges, expands, ebbs and dances in multiple directions at once. "Cinematic. Unrelenting. Brash. Tender. These are just a few terms that might help capture the majesty and mystique of... cellist Janel Leppin's Ensemble Volcanic Ash." - Capital Bop - Mike Johnson is the long time leader, composer and guitarist of the legendary US avant/progressive outfit THINKING PLAGUE, originally formed in 1982. Appearing with a number of alumni of 'the Plague', including vocalist Elaine diFalco and reedman Mark Harris included in the 'band', and also featuring a string and brass section, this very much has the musically dense and lyrically very dark Thinking Plague sound that Mike has always delivered! "... some of the most rhythmically complex, texturally inventive, and melodically challenging popular music of the last 30 years, and somehow makes it all sound easy and natural." - All Music Guide - "Thinking Plague are exciting and ridiculous in equal measure, as good Prog rock should be." - Wire

Bach's St. John Passion is the earliest surviving Passion or Oratorio by J.S Bach and was first performed in 1724. This version consists of two sections and retains this structure in the versions and revisions that followed in 1725, 1730, 1736 and 1749. Bach added several numbers in the 1749 version, but several arias from the revisions are found only in the appendices of modern editions. So, there is no 'final' version crafted by the composer as there is for the later St. Matthew Passion, no single manuscript as there is for the Brandenburg Concertos, nor a revised printed edition as exists for the Goldberg Variations. What we do have are Bach's various attempts as he went from performance to performance, to try to grasp what he was aiming for - consciously and unconsciously. There is much that is operatic in the music, and the thought that the St. John Passion is Bach's opera is hardly an original one. This recording uses the new edition by musicologist Malcolm Bruno.

Tom Kitt, a Grammy, Tony, and Emmy Award winner, masterfully explores mental illness and family through the electrifying and emotionally charged score of Next to Normal, a Pulitzer Prize-winning musical that has gripped audiences for 15 years. Now, the Original London Cast Album captures the stellar performances from it's recent West End run. Grammy nominee Caissie Levy (Frozen on Broadway, Les Mis�rables, Ghost) delivers a phenomenal, Olivier-nominated performance, while Jack Wolfe (Shadow and Bone, The Witcher, The Magic Flute) earned an Olivier Award for his captivating portrayal. The music delves into a range of musical styles, from rock to poignant ballads, effectively conveying the characters' complex emotional states. Some of the notable and popular songs that resonate with audiences include "I Miss the Mountains," a powerful expression of a character's struggle with her treatment; "You Don't Know," a raw and intense rock number; and "I'm Alive," a song that explores themes of grief and connection.

SYNESTHESIA

BLAME IT ON MY AGE

Electrical Field of Love is the brilliant new release from Harriet Tubman - the long-running trio of guitarist Brandon Ross, bassist Melvin Gibbs, and drummer JT Lewis, joined here by the fervent voice and imagination of Grammy-nominee Georgia Anne Muldrow. Described as "black music at it's best" by NPR, Tubman has been a band that creates it's unique sound world through it's exploration of all tributaries of what the Art Ensemble of Chicago called "Great Black Music, Ancient to the Future." Jazz, funk, psychedelia, doom metal, soul, dub, and electronics are just some of what the group amalgamates through their creative process into it's own mystic brew. Into this vortex enters Muldrow, whose shared devotion to exploring black music in all of it's multivariate forms melds seamlessly into the Tubman aesthetic. She moves freely within the music, with her voice by turns incantatory, declarative, and spectral. Moments of raw propulsion resolve to space and rare beauty. Throughout, the emphasis is on listening - musicians responding in real time, shaping form through insight rather than formula, moving with the force of electric Miles, the ooze of the heaviest Funkadelic, and the sharpened edge of the Black Rock aesthetic. Through collective creativity, the convergence of these kindred spirits results in music that feels both deeply grounded and yet, inspiringly exploratory.

Modern jazz guitarist Alex Wintz returns with Collage-a soul-stirring, groove-laden exploration of growth, memory, and life's unpredictable rhythms. Featuring acclaimed players Victor Gould (piano), Matt Penman (bass), and Jimmy Macbride (drums), this vibrant collection of originals and select covers reflects Wintz's journey through marriage, fatherhood, and the road-tested life of a touring musician. From the joyful propulsion of "Pondhop" to the reflective warmth of "Better Half," Collage offers a rich sonic palette that bridges modern jazz, blues, and world influences. A must-have for fans of Pat Metheny, Julian Lage, and Lionel Loueke, this album highlights Wintz's deep compositional voice and masterful guitar tone. Recommended If You Like: Joshua Redman, Etienne Charles, Gilad Hekselman. For Fans Of: Modern jazz, lyrical guitar, small group interplay, NYC jazz scene

AUNTIE MELVA'S WORKSHOP DUB

Thomas Kelly made his concerto debut performing Mozart's Piano Concerto No.24 with the orchestra of the Purcell School. He was just 9 years old. Since then, Thomas has studied with Dmitri Alexeev at the Royal College of Music, and awarded the RCM's highest accolade for a pianist, the Benjamin Britten Fellowship. Thomas has many awards from international competitions and has a wide repertoire embracing both core and lesser known areas of the piano repertoire. His debut album is a daunting program of organ works arranged by great pianists for their instrument.

The daughter of 'Cats In The Cradle' singer Harry Chapin, Jen Chapin is a New York urban folk singer/songwriter and activist with an appetite for social justice. In 2008, accompanied solely by her husband, bassist Stephan Crump, and saxophonist Chris Cheek, she created reVisions in which she reimagined a collection of Stevie Wonder songs to offer social commentary on Barack Obama's historic rise to power. As much a testament to Chapin's unique artistic sensibility as a celebration of the enduring appeal and relevance of Wonder's songs, ReVisions, which also includes two self-penned numbers, puts a new spin on Wonder classics like 'Masterblaster (Jammin'),' 'You Haven't Done Nothin',' 'Higher Ground' and 'Village Ghetto Land.' Bolstered with new liner notes featuring a recent interview with Jen Chapin, ReVisions: The Songs Of Stevie Wonder is reissued in 2026 as part of the Chesky Original Masters series on 180g One Step Pressing Vinyl LP and SACD Hybrid Stereo.

SAN PAOLO DI GALATINA

STUPA

KEEP HYMNS ALIVE BLOOD SONGS

The term 'spectrum' is usually associated with physics. When white light hits a prism, it breaks down into the full spectrum of rainbow colors. These colors have always existed but only become visible through refraction. Music is similar. The pieces on this album are like a prism, unfolding the fundamental human emotions into their infinite facets, and creating a tribute to the timeless power of music, that resonates with the entire color palette of the human soul. The selection of pieces therefore follows an inner logic: that of emotion, timbre, and the moment. Each piece unfolds it's own microcosm and invites the listener to lose themselves within it. Esther Birringer's new album is a must for lovers of the piano, and an essential playlist addition.

* Janel Leppin - cello, guitar, bass, Prophet-5, piano - "Janel Leppin is one of the most restlessly creative forces in 21st century jazz and rock." - AllMusic - Cellist, composer and improvisor Janel Leppin has performed and / or recorded with a huge number of artists, including the Sun Ra Arkestra, Eyvind Kang, Susan Alcorn, Priests and Marissa Nadler and leads her acclaimed group Ensemble Volcanic Ash. Slowly Melting is a solo album of deep possibilities and deeper results, featuring the cello.

Four ordinary boys. A harmless prank gone awry. Their childhood innocence forever shattered, they vow to avenge it's loss in the haunting drama�Sleepers. Sentenced to spend time at a reform school for their reckless behavior, four basically good boys from a bad neighborhood suffer a horrible fate while there. Forced to perform unspeakable acts by the very adults entrusted to watch over them, the young quartet barely survives the ordeal. A decade and a half later, nothing can erase the painful memories. But neighborhood justice, with a little support from a loyal priest, helps even the score. Academy Award-winners Robert de Niro and Dustin Hoffman team up with international superstars Kevin Bacon, Brad Pitt and Jason Patric, along with Academy Award-winning director Barry Levinson (Rain Man), in this compelling drama of shocking retribution. 883929842858 WHV1000858282UHD 45954955 29.17 34.99 .36 WARNER HOME VIDEO ULTRA HD MOVIE MYSTERY / SUSPENSE / THRILLER 04/21/2026 https://mediacdn.aent-m.com/prod-img/500/31/4490131-3520847.jpg 191 1 N CARLOS,ANTONIO / YOUNGE,ADRIAN ANTONIO CARLOS & JOCAFI JID026 Antonio Carlos & Jocafi, the legendary duo from Bahia whose music has embodied the soul of Brasil for over five decades, return with a bold new collaboration: Jazz Is Dead 026. Introduced to Adrian Younge and Ali Shaheed Muhammad by Beto Barreto of Baiana System, the meeting was instant magic. The first time we met, it was like family," they recall. That kinship led Younge and Muhammad to invite the duo to Los Angeles, where they carried a handful of ideas and created new songs on the spot-an intuitive, improvisatory process that defines the Jazz Is Dead ethos. The story of Antonio Carlos & Jocafi begins in Salvador at the close of the 1960s, when the pair first joined forces as composers and performers. In 1971, their debut album Muita Zorra! Introduced Brasil to a sound that was both rooted in Bahia's folk traditions and attuned to the modern pulse of samba, funk, and MPB. From that record came Voc� Abusou, an anthem that became one of the most recorded songs in the history of Brasilian popular music. The duo quickly distinguished themselves through their ability to channel the everyday life, humor, and struggles of Bahia into universal songs that resonated across the country and beyond. Through the 1970s and 1980s, Ant�nio Carlos & Jocafi wrote and recorded music that blended the sacred and the profane, Afro-Brasilian traditions and urban funk, biting satire and joyous celebration. Their compositions were picked up by some of the greatest voices of their generation: Clara Nunes, Gal Costa, Maria Creuza, and S�rgio Mendes among them. They also contributed to television and cinema, writing theme songs that became part of Brasil's cultural fabric. Despite their success, they remained deeply tied to Bahia, drawing constant inspiration from Salvador's streets, the Mercado Modelo, the rhythms of candombl�, and the irreverent humor of the people. Now, with Jazz Is Dead 026, Ant�nio Carlos & Jocafi reaffirm their creative vitality while introducing their timeless Bahian spirit to a new generation. "Adrian's love for Brasil is greater than that of many Brasilians," they say, noting how deeply he listens, studies, and channels the rhythms, stories, and feelings of their culture. The result is an album that bridges Salvador's Mercado Modelo with the global stage, weaving Bahia's folkloric traditions into Jazz Is Dead's analog soul. This collaboration stands not only as a continuation of their journey but also as a testament to the enduring power of Bahia's music-a sound that carries history, resistance, and joy in every beat. From Voc� Abusou to Jazz Is Dead 026, Ant�nio Carlos & Jocafi remain essential voices in the evolving story of Brasilian music.