Marc Riordan and Jon Leland make music together as Ragger. The two began collaborating in 2017 after being invited by Cameron Stallones to form the current trio lineup of his long-running experimental project Sun Araw. They approach Ragger with a very specific scope of material in mind: the ragtime compositions of Scott Joplin and his contemporaries, presented in synthetic tones for synthesizers and electronic V drums. Hausu Mountain proudly introduces Ragger to the world with their first album, Euphonic Sounds. Riordan and Leland play precise and complicated music with tumbling melodies flecked with ornamented details that spiral over busy percussion patterns - but they present the keyboard and drums in bright electronic voices that wouldn't be out of place in a Super Nintendo game soundtrack. Marc Riordan's synths shimmer with detail in the upper register tones and bump with heavy-hitting bass, as the low, mid, and high voices interact in a state of tight counterpoint that highlights the complexity of ragtime as it was originally composed. His attention to detail in synth voice selection and programming positions Ragger as a funhouse mirror reflection of tone-obsessed stalwarts of the experimental underground like Emeralds or Oneohtrix Point Never - not to mention the duo's participation in Sun Araw as that project continues to dig deeper into synthesis with each new album. With his cascading electronic tom-tom fills and flurries of synthetic woodblocks clicking beneath FM synth cymbal crashes, Jon Leland's drum performances bring to mind a giant steam-powered calliope instrument with it's pistons pumping as innumerable mallets strike row after row of miniature drum heads. This style makes the drums feel like just as much of a lead instrument as Riordan's synths, as both instrumentalists lock into a tight symbiosis as they work through the winding architectures of their ragtime tune selections.

A Jazz Landmark of the Black Diaspora Reborn First released in 1971 as part of BYG Records' groundbreaking Actuel series, Jacques Coursil's Black Suite remains one of the boldest expressions of the Black Diaspora's creative and political awakening. Recorded in Paris on June 10, 1969, this visionary work now returns in a newly restored and remastered edition, revealing it's full depth and clarity for the first time in decades. Featuring a transatlantic ensemble - Jacques Coursil, Anthony Braxton, Arthur Jones, Burton Greene, Beb Gu�rin, and Claude Delcloo - Black Suite bridges the radical spirit of the American avant-garde and the intellectual fire of postcolonial Europe. Across two long, meditative movements, Coursil transforms jazz into a language of liberation, evoking the writings of Frantz Fanon, L�opold S�dar Senghor, and Aim� C�saire as well as the fierce energy of the Civil Rights era. "Black Suite is a work of Black Excellence." - Kevin Le Gendre Born in Paris to Martiniquan parents, Coursil embodied the dialogue between African, Caribbean, and African-American identities, turning sound into philosophy and music into movement. With it's blend of intellect, emotion, and resistance, Black Suite stands alongside the seminal works of Pharoah Sanders, Eddie Gale, and Frank Lowe - timeless statements of self-definition and artistic freedom. Half a century later, Black Suite still speaks powerfully to our time: a sound of struggle and pride, of beauty and becoming - still unbroken.

LIVE AT THE KEYSTONE KORNER

Ond of which is now available. Belgian harpsichordist Mario Sarrechia plays the solo part in the two concertos BWV 105Johann Sebastian Bach wrote six harpsichord concertos and compiled them in a volume around 1738. Most of his concertos for one or more harpsichords are probably arrangements of earlier concertos, mostly by Bach himself. The 'grand seigneur of early music' Sigiswald Kuijken combines Bach's six harpsichord concertos and the three double concertos for two harpsichords with the two violin concertos and the double concerto for two violins, which Bach also arranged as harpsichord concertos. All twelve concertos appear in a series of three CDs, the sec2 & 1058, Taiwanese harpsichordist Hsiu-Tzu Ryanas in the concerto BWV 1056, and Sigiswald Kuijken himself takes the solo in the violin concerto BWV 1042. Sigiswald Kuijken casts all the orchestral parts as soloists, as is customary with La Petite Bande and as was probably also practised by Bach - a theory that Kuijken underpins with ample evidence.

LINDSEY WEBSTER is the undisputed queen of Smooth/Contemporary Jazz vocalists. She is the first vocalist to score 4 #1 smooth jazz radio hits in a row, and continues to garner the most plays and highest chart positions of any smoothjazz vocalist! MUSIC IN ME, featuring a star-studded Grammy winning cast, elevates Lindsey Webster's sensuous artistry to a new level. Highlights include Lindsey and Stokley's reimagining of the classic "Two Hearts," her romantic duet with Anthony Hamilton, "Best In Me," and much more!

Midway through Martin Luther King, Jr.'s historic speech at the 1963 March on Washington, a voice rang out from behind him: "Tell them about the dream, Martin!" That voice belonged to Mahalia Jackson, King's close friend and one of the most revered gospel singers of the 20th century. Glorious Mahalia, a visionary tribute to Jackson's life by the internationally renowned Kronos Quartet, uses that moment as a springboard to explore the depth of Jackson's musical craft and it's impact on the Civil Rights Movement, including her relationship with Clarence Jones and Studs Terkel, other luminaries of the time. Featuring compositions by Stacy Garrop and Zachary James Watkins, a new arrangement of Jackson's astonishing version of the Antonio Haskell composition "God Shall Wipe All Tears Away," and archival audio of Jackson's voice, the album illuminates Jackson's historic artistry and advocacy.

The superlative Pygmalion chorus are at the center of this new recording of the St. John Passion. Their striking presence radiates throughout the work, their exemplary articulation and collective energy moulding the drama and carrying it's emotional charge. Rapha�l Pichon's flexible yet precise direction restores it's original dramatic arc, instilling the peerless team of soloists with the same demandingly high standards of musical narrative and truth. This Passion wins out through it's clarity of gesture and compellingly forceful actualization.

STELLA

Singer/songwriter/actress Dana Fuchs recorded this live performance on October 6, 2025 at Godset in Denmark.

Always on the lookout for new musical adventures, alto saxophonist Angelika Niescier is one of the most prominent voices on the European jazz scene. Her discography reveals close ties to the New York scene, where she has collaborated with musicians such as Tyshawn Sorey, Chris Tordini and Gerald Cleaver. More recently, she has turned her attention to the Midwest, specifically Chicago, and found a key partner in cellist Tomeka Reid, with whom she released the acclaimed album Beyond Dragons in 2023, together with Savannah Harris. With Chicago Tapes, Niescier expands this circle to include some of Chicago's most influential and exciting musicians. "Through such artistic exchanges, Niescier has built a fascinating career by continually forming new partnerships and nonchalantly adapting her own language to the needs of each new context, without ever compromising or dampening her voice. Chicago Tapes captures a new chapter in this journey, and judging by what we hear here, we can only hope that her connection to Chicago is just beginning," writes Peter Margasak in the liner notes.

With his first vinyl release in over 30 years, Jim Snidero has selected his favorite cuts from two critically acclaimed sax trio recordings, "For All We Know" and "Bird Feathers," with jazz greats Peter Washington on bass and Joe Farnsworth on drums. The result is a deeply satisfying set that demonstrates why Snidero placed in the top five of the alto saxophone category in the 2024 DownBeat Magazine International Critics Poll. Equally divided between a homage to the great Charlie Parker and three beautifully interpreted standards, this swinging trio projects a warm maturity that is further accentuated by the analog 180-gram vinyl format.

HIPERBOREA

STARS ALIGNED

SMOOVE VIBES is the electrifying new release from acclaimed Baltimore vibraphonist and multi-instrumentalist Warren Wolf. Blending jazz, soul, and groove-based rhythms, this self-produced album showcases Wolf's mastery across instruments-from vibraphone and drums to Fender Rhodes and vocals-recorded largely in his home studio. Joined by longtime collaborators Brent Birckhead, Elan Troutman, Terence Cunningham, Brandon Lane, and Imani-Grace Cooper, Wolf delivers a vibrant, accessible jazz experience that's both musically rich and irresistibly smooth. Featuring reimagined classics and standout originals like "Will the Real Kenny Gee Please Stand Up?", Smoove Vibes is a must-have for fans of groove-forward contemporary jazz.

LOST TAPE - 1980

In 1786, Haydn composed The Seven Last Words of Christ for orchestra. Ten years later he produced a stunning choral version, which Justin Doyle and the RIAS Chamber Choir and Konzerthausorchester Berlin now invite us to rediscover. Together with four exceptional soloists, they reveal all the dramatic power of the work, it's expressive intensity and liturgical fervour.

Intimate is exactly what it's title promises: a quiet, close-up musical conversation shaped by subtlety, warmth, and emotional honesty. On this new album, Andrea Motis reveals her most delicate and refined side, placing her voice at the center while weaving in understated trumpet lines within an intimate acoustic setting.

With "Love Is Simple," Jeremy Pelt returns to the art of balladry, distilling eight deeply felt performances into his first vinyl-only anthology and shining a light on one of the most quietly persuasive sides of his artistry. Drawn from his HighNote recordings, the set favors emotional honesty over grandstanding, pairing a few familiar titles with lesser-known gems that reward close listening. From Pelt's own disarmingly direct title track to relaxed, assured readings of songs by Rodgers & Hart, Jule Styne, Adams & Strouse, and Marian McPartland, the music unfolds with patience, grace, and a deep sense of purpose. Recorded primarily at the legendary Rudy Van Gelder Studio and featuring a heavyweight cast including George Cables, Buster Williams, Billy Hart and others, these sessions offer a rare balance of warmth and clarity, leaving plenty of room for breath, nuance, and atmosphere. Long celebrated as one of jazz's most eloquent ballad players, Pelt bares his soul here with confidence and restraint, offering a retrospective that feels timeless without ever sounding self-conscious. "Love Is Simple" marks his first appearance on LP, a format perfectly suited to music that asks you to slow down, lean in, and stay awhile.

An oceanic dialogue between two composers from the first wave of the modern musical era: such is Aline Piboule's daring new solo venture. Here the epic La Mer sprays it's rainbow of colors as idiomatically as if Debussy had written it for solo piano, like D'un cahier d'esquisses and the famous Clair de lune. In echo, John Ireland's piano triptychs, Sarnia and Decorations, conjure up the Channel Islands in bewitching musical poetry.

BEING