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Alfred Brendel - My Musical Life

Supraphon

Available as DVD

~~$42.99~~ $32.99

Jan 15, 2021

When, in December 2008, six decades into his illustrious career, Alfred Brendel bade farewell to an emotional Viennese audience, it was not a “full stop”, as it may have appeared at that moment. Rather a “semicolon”. With more time on his hands, the celebrated pianist went on to focus on other activities – writing (essays on music, poetry), giving lectures, leading masterclasses. In January 2021, Brendel will celebrate his 90th birthday, possessing profound knowledge and experience, as well as a great zest for learning new things. And also a sense of humour, which he has often turned against himself. Precious few artists have influenced the perception and performance of music as much as Brendel has. He was the first to have recorded the complete Beethoven piano works, he succeeded in bringing Franz Schubert’s music back to the concert stage, among other achievements. Of late, Brendel has often visited Prague to give lectures and masterclasses at the Rudolfinum, highlights of which are captured on the present release. Beethoven, Mozart and Schubert are the figures he, as a pianist, treasures most. The autobiographical lecture My Musical Life provides the viewer with a glimpse of the universe full of paradox that gave rise to the legend called Brendel – unveiling the sources of his inspiration, education and artistry, that formed his vision of the world.

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Alfred Brendel - My Musical Life

~~$42.99~~ $32.99
DVD

Supraphon

Jan 15, 2021

SU7141-9

Alfred Cortot - The Warner Classics Edition

WARNER CLASSICS

Available as CD

$83.75

Sep 15, 2023

His exceptional touch and sense of phrasing, his deep and personal understanding of the most varied repertoires, or even the legendary trio he formed together with Jacques Thibaud and Pablo Casals, made Alfred Cortot the greatest pianist of his time. Master of many disciples, notably the brilliant Dinu Lipatti, Samson François and Clara Haskil, Cortot also had a lasting influence on the Russian piano school through Samuil Feinberg and Heinrich Neuhaus, the latter himself being the revered teacher of Sviatoslav Richter.

All of the recordings in this set had undergone careful sound restoration in 2012, in order to respect as closely as possible the original sound. The remastering was carried out under the expert control of Mr. Guthrie Luke, a former disciple of Alfred Cortot who attended many recording sessions by Cortot. These recordings do not represent a "complete" edition: the many rolls engraved by the artist for Duo-Art, Aeolian and Pleyela labels have not been reproduced here, most of them doubling the 78-RPM repertoire. The first recordings are acoustic; and the ones with an electric microphone appeared as early as 1926.

Alfred Cortot - The Warner Classics Edition

$83.75
CD

WARNER CLASSICS

Sep 15, 2023

WCL747194.2

Op. 2 / Bohren, Chaarts Chamber Aartists

Sony Masterworks

Available as CD

~~$12.98~~ $6.49

Apr 21, 2017

Opus 2 - the second album of violinist Sebastian Bohren & Chaarts Chamber Artists for RCA Red seal. A singular combination of Mendelssohn’s early, rarely performed violin concerto in D minor with works by Hartmann, Respighi & Schubert. The Violin Concerto in D minor was composed when Mendelssohn was just 13, and has remained popular since its rediscovery in the middle of the 20th century by Yehudi Menuhin. The Concerto funebre for violin and strings has established itself as Karl Amadeus Hartmann's most familiar work. Hartmann (1905-1963) discovered new and individual solutions that confirm the importance of his concertos as significant and original contributions to the development of this form in the 20th-century. “Old dances and arias”, Suite No. 3 - masterpieces of Ottorino Respighi. His Antiche danze ed arie, free arrangements of arias and dances from the sixteenth and seventeenth centuries, enables listeners to rediscover forgotten rhythms and tones. Franz Schubert wrote the Rondo for Violin and Strings, D 438 in 1816. Like the roughly contemporary Adagio and Rondo concertante in F major, D 487, the work is a concertante piece designed to highlight the skills of the violin soloist. The piece was unpublished during the composer's lifetime, not seeing publication until 1897, when Breitkopf & Härtel published it in an edition edited by Eusebius Mandyczewski.

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Op. 2 / Bohren, Chaarts Chamber Aartists

~~$12.98~~ $6.49
CD

Sony Masterworks

Apr 21, 2017

88985394972

Mahler: Des Knaben Wunderhorn / Schoene, Philharmonia Octet Prague

Supraphon

Available as CD

~~$31.99~~ $23.99

Mar 24, 2023

Gustav Mahler’s cycle Des Knaben Wunderhorn features on innumerable recordings – so why yet another one? Because it is … entirely different. Peter Schöne, a baritone with an immense sense for songs, the winner of prestigious international competitions (Franz Schubert Kammermusikwettbewerb in Graz, ARD in Munich), accepted the invitation to work with PhilHarmonia Octet Prague, whose members have performed with leading European orchestras (Czech Philharmonic, Berliner Philharmoniker, WDR Sinfonieorchester Köln). After presenting arrangements of Modest Mussorgsky’s Pictures at an Exhibition and a suite from Leoš Janácek’s opera From the House of the Dead, the Mahler project currently represents the apex of the Czech wind ensemble’s endeavour to extend their repertoire and make it even more intriguing. Even though essentially intimate, Mahler’s songs have often been closely linked with symphonies, which also applies to the Des Knaben Wunderhorn collection. Of the 24 pieces, PhilHarmonia Octet Prague have recorded ten, those best suited to a wind ensemble. Opting for wind instruments makes sense, given that in his childhood Mahler’s musical vocabulary was formed in part by listening frequently to the Jihlava military band. His music is interwoven with military motifs, with wind instruments being afforded a prominent position. The chamber arrangements on the new album show an interesting path between the piano and orchestral versions, and allow for highlighting the colourfulness and intimacy of Mahler’s songs. Mahler’s songs, extraordinarily colourful and intimate

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Mahler: Des Knaben Wunderhorn / Schoene, Philharmonia Octet Prague

~~$31.99~~ $23.99
CD

Supraphon

Mar 24, 2023

SU4322-2

GHOST LIGHT - BY JOHN NEUMEIER

EUROARTS

Available as Blu-Ray

$27.99

Jun 25, 2021

A touching evening (BR Classic) A centuries-old tradition. The ghost light is a single lamp that illuminates the stage when the theatre is not in use. Legend has it that the light shines to protect the actors, patrons and the theater from misfortune and ghosts. The Ghost Light shows the solitude that continues to shine on stage while waiting for the audience to return after this unusual season. The Hamburg Ballet was one of the first international companies to return to their studios after the lockdown, with the premiere of John Neumeier's choreography Ghost Light with solo piano music by Franz Schubert, performed live on stage by star pianist David Fray. John Neumeier's new ballet explores the possibilities of dancing among the limitations of the * pandemic. It is developed in fragments with more or less fleeting impressions from the everyday life of dancers. Ghost Light is an ensemble ballet that I develop in fragments. It is comparable to individual instrumental parts of a symphony... How the individual parts ultimately combine to form a work will depend on the moment when we are allowed to come close again on stage. (John Neumeier) Internationally recognized and awarded for his ballet choreography, John Neumeier has been the ballet director and chief choreographer of the Hamburg Ballet since 1973, and since 1996. Ballet Director at the Hamburg State Opera and guest choreographer at other venues. He is also director of the ballet school he founded in Hamburg. Choreography, Stage, Lighting and Costums: John Neumeier Costumes from Lady of the Camellias and The Nutcracker: Jrgen Rose Music by Franz Schubert David Fray piano

GHOST LIGHT - BY JOHN NEUMEIER

$27.99
Blu-Ray

EUROARTS

Jun 25, 2021

ERAR265814BR

Beethoven: The Late String Quartets Arranged For String Orchestra / Tonnensen, Camerata Nordica

BIS

Available as CD

$39.99

Feb 25, 2014

Like few other works, Beethoven's late string quartets have gained an almost undisputed standing as the very apex of their genre. Not many of Beethoven's contemporaries would have accorded them this: the composer Louis Spohr called them 'indecipherable, uncorrected horrors' and the quartets were widely regarded as the monstrous products of a madness which at best could be excused by the composer's deafness. One of the first to recognize them for the masterpieces that they are was Franz Schubert, who after having heard a performance of Quartet No.14 in C sharp minor is reported to have said 'After this, what is left for us to write?' Composers after Schubert have been as awestruck by this music, with Stravinsky famously describing the Große Fuge as 'an absolutely contemporary piece of music that will be contemporary forever.' The feeling that Beethoven in these works was giving form to a universal music which transcends genre conventions have also inspired many to adapt various of the quartets for larger forces, including the conductors Dmitri Mitropoulos and Arturo Toscanini. On the present recordings, originally released by the Altara label in 2006, it is the Norwegian violinist Terje Tønnesen's adaptations we hear, performed by himself and his Swedish string ensemble Camerata Nordica. Besides providing the greater dynamic spectrum that a larger ensemble can bring to the music, Tønnesen's main aim has been to strengthen the contrasts between intimate passages and fuller textures by employing solo players in certain passages, as in a concerto grosso. He and Camerata Nordica has also reinstated the Große Fuge in its proper context: that amazing 15 minute monolith was originally intended as the finale of Op.130, but proved indigestible to contemporary audiences and critics - one of whom described it as 'as incomprehensible as Chinese' - and was replaced by an easy-going rondo following a request from Beethoven's publisher.

Beethoven: The Late String Quartets Arranged For String Orchestra / Tonnensen, Camerata Nordica

$39.99
CD

BIS

Feb 25, 2014

BIS-1096

Paganinni: 24 Capricci / Roberto Noferini

Tactus

Available as CD

~~$29.99~~ $20.99

Oct 14, 2014

Roberto Noferini performs the brilliant and alluring 24 Caprices of Paganini on an instrument and bow of Paganini's time.

"The electricity I feel when I'm dealing with the magic harmony" Paganini wrote on 15, January 1832 in a letter to his friend Luigi Guglielmo-Germi. There could be no better definition of Paganini's musical temperament. After hearing Paganini play in a concert, Franz Schubert wrote: "I have heard the voice of an angel." And Franz Liszt's comment was: "How much passion, how much suffering in those four strings." How can we imagine Paganini's art today, at such a distance in time, unless we refer to the impressions of his contemporaries, of the people who had the chance to see him, listen to him and be thrilled by his music? The search for a performance that endeavors to be as near as possible to the magic of a live concert of this great Genoese musician can only start from here. In order to attempt this feat of moving musically back two centuries, it is necessary to aquire to the wood, horsehair strings and bow technique within painstaking attention to the directions left by Paganini in his original scores (this was in fact the advice of violinist Artur Grumiaux.) To all this we add the talent of a present-day virtuoso who is less subject to the harsh law of time and can find another way of bringing back to our time the masterpieces of the past. - Tactus

Established in 1986 by Serafino Rossi, Tactus is devoted to the discovery and preservation of the enormous and still unexplored Italian classical music repertoire, from Gregorian chants to Contemporary Classics.

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Paganinni: 24 Capricci / Roberto Noferini

~~$29.99~~ $20.99
CD

Tactus

Oct 14, 2014

TC781690

Schubert, Maja Solveig Kjelstrup Ratkje, Benjamin Britten, J

Available as Blu-Ray with SACD

$44.99

Mar 31, 2015

Perhaps the greatest single characteristic of Franz Schubert's Rosamunde Quartet (1823) is the elusive, longing and perhaps even tragically unconsummated atmosphere that pervades the entire work. Only in the Andante are we really allowed to relax in it's peaceful serenity. The ambiguity in the title of Maja Ratkje's Tale of Lead and Light (2011) reflects the dread which pervaded Oslo in the summer of 2011, and the life-affirming light of Beethoven's opus 59/1 which inspired Maja's work. It is a tribute to Benjamin Britten's inherent "joie de vivre" that optimism and love triumph in his Second String Quartet (1945), composed just after the 2nd World War. The quartet reaches it's emotional climax in the magnificent Chacony, a passacaglia with no less than 21 variations, inspired by Henry Purcell. Britten's 2nd string quartet received it's premiere on the 21st November 1945, 250 years to the day after Henry Purcell's death. Recording Joseph Haydn's Op. 76 No. 5 on our debut CD in 2008 inspired us to include the complete opus, arguably Haydn's greatest string quartet collection, in our repertoire as soon as possible. The heart of the Emperor Quartet, Opus 76/3 is also the most well known movement, Poco adagio. Haydn composed the psalm that he subsequently used as the theme of this movement after a prolonged stay in England. Something of a celebrity, Haydn mingled with the royals, and his admiration for the British national anthem inspired him to compose a tribute to Emperor Francis II. It was later used first as the Austrian and then as the German national anthem. Haydn used a musical cryptogram of the first line of the Anthem, "Gott erhalte Franz den Kaiser" to create the opening theme of the first movement, using the first letters of each word in the German text. G e f d k/c, are the exact musical notes of the main theme in the Allegro. The simplest ideas are often the best!. Hybrid SACD Pure Audio Blu-ray two-disc-box at the price of one ordinary Blu-ray 5.1 SURROUND STEREO produced in DXD (Digital eXtreme Definition 352kHz/24bit) by Lindberg Lyd, Norway The compact disc looks like a normal CD and plays on all standard players and computers.

Schubert, Maja Solveig Kjelstrup Ratkje, Benjamin Britten, J

$44.99
Blu-Ray with SACD

2L

Mar 31, 2015

2L105SABD

DANCE FANTASIES

Antes Edition

Available as CD

$24.99

Jul 14, 2017

Great piano composers did not confine themselves to writing piano sonatas. Many of them wrote dances, too: minuets, sarabandes, gavottes and particularly waltzes. The tradition of great composers writing and arranging dances starts with Bach and Rameau, encompasses Mozart, Schubert, Brahms and Tchaikovsky and ends with Maurice Ravel, Sergei Prokofiev and Dmitri Shostakovich, whose Waltz No. 2 is regularly played on German classical radio stations. The only problem was that these dances were too easy for the virtuoso pianists, which is why some of these artists turned unassuming minuets waltzes and polkas into glittering virtuosic pieces which could be played only by professional pianists. One of the greatest pianists of all time was also a great arranger of music, Leopold Godowsky. This American virtuoso of Polish extraction arranged hundreds of pieces by other composers, especially works by Chopin and the waltz king Johann Strauss, and turned them into sparkling studies and encores, that test the technique and stamina of even the most accomplished player. The Viennese pianist and Beethoven pupil Carl Czerny, for generations the specter of all piano students and today remembered for his etudes, is also the composer of a charming arrangement of Franz Schubert’s bittersweet mourning waltz. Catherine Gordeladze, a native of Tiflis, Georgia, today lives and works out of Frankfurt, Germany. Ms. Gordeladze studied the piano in her native Georgia, Frankfurt and Weimar and is the winner of prestigious prizes and competitions. She has been playing with renowned orchestras in major concert venues all over the world. The artist gives piano recitals in many countries and is also much sought after as a chamber music partner. In her award-winning albums, which have been praised by critics and the public alike, the pianist concentrates on challenging virtuoso pieces apart from the mainstream repertoire.

DANCE FANTASIES

$24.99
CD

Antes Edition

Jul 14, 2017

BM319300

Xavier de Maistre: Christmas Harp

Sony Masterworks

Available as CD

~~$11.98~~ $8.99

Oct 22, 2021

"The harp and Christmas: this is a perfect fit, as the warm and elegant sound of the harp creates a very special atmosphere. I carefully selected various well-known Christmas tunes which are transcribed for solo harp, but I find it important to add lesser-known melodies as well – many of them reflecting different Christmas traditions." -Xavier de Maistre

"All the works that are included in Christmas Harp bear the hallmarks of harpists and composers who have been intimately familiar with their instrument. It was Xavier de Maistre himself who undertook the arrangement of the "Dance of the Sugar-Plum Fairy" from the Nutcracker Suite by Pyotr Tchaikovsky (1840-93). The arrangement of "The Waltz of the Flowers" was prepared by the young Russian harpist and composer Alexander Boldachev, as was the transcription of "Carol of the Bells." The Welsh harpist and composer John Thomas (1826–1913) left a substantial body of work, including a transcription of the Ave Maria by Franz Schubert (1797–1828). The French harp virtuoso Alphonse Hasselmans (1845–1912) [wrote] the Conte de Noël that de Maistre is performing here. One of Hasselmans’s pupils was Carlos Salzedo (1885–1961), who studied with Hasselmans for a year before being accepted into his harp class at the Conservatoire at the age of only thirteen. His works feature in the lion’s share of the pieces that are included in this album. Particularly delightful are his concert variations on the opening carol O Tannenbaum, where he may be said to pull out all the stops in his desire to show how much music lies hidden in this number’s apparently simple twelve bars." -Thomas Otto

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Xavier de Maistre: Christmas Harp

~~$11.98~~ $8.99
CD

Sony Masterworks

Oct 22, 2021

19439884632

Joachim Raff: Chamber Music, Vol. 1 / Leipzig String Quartet

MDG

Available as CD

$23.99

Jan 15, 2021

Joachim Raff was an autodidact. Having grown up in Switzerland, he first tried his hand with moderate success in numerous places as a composer of salon pieces. Franz Liszt became aware of the young man's talents and hired him as a kind of private secretary. In Weimar Raff orchestrated some of Liszt's early symphonic poems and gained his appreciation. This first recording by the Leipzig String Quartet shows that this was no accident. Raff's first two quartets are large-format works which reveal great ambitions. By the time Raff composed his first quartet in 1855, he was already beginning to emancipate himself from Liszt and the narrow circle of his friends. The "Neudeutsche Verein" had just been founded when Raff left him for Wiesbaden, in financially uncertain circumstances but artistic independence. And indeed, Raff's music cannot be pigeonholed either in the "New German" or the "Brahmsian" category - perhaps the reason why he was admired by such diverse colleagues as Richard Strauss, Peter Tchaikovsky or even Franz Liszt. His first quartet op. 77 was premiered by the famous Hellmesberger Quartet, who had already offered the podium to Franz Schubert and the late Beethoven. The second quartet op. 90 was also quickly adopted by the Viennese. The turning away from a harmonically fixed formal scheme is a trend-setting move; chromaticism and free harmony gain the upper hand over schoolmasterly counterpoint. Self-marketing was not Raff's thing. Rather prim in his private life, he rarely performed publicly, though he was an excellent pianist. He also gave his work away rather than negotiate reasonable fees. As founding director of the Hoch'sche Conservatory in Frankfurt he nevertheless enjoyed great recognition among his contemporaries. To rekindle this in our time, the new recording of the Leipzig String Quartet is a highly welcome beginning.

Joachim Raff: Chamber Music, Vol. 1 / Leipzig String Quartet

$23.99
CD

MDG

Jan 15, 2021

3072187-2

PIANO SONATAS 15 & 19 / 16 GERMAN DANCES

ALTO

Available as CD

$11.49

Jan 13, 2009

Classical Music

PIANO SONATAS 15 & 19 / 16 GERMAN DANCES

$11.49
CD

ALTO

Jan 13, 2009

AOTL1040.2

Krufft: Sonatas For Bassoon And Fortepiano / Wouter Verschuren, Kathryn Cok

Challenge Classics

Available as CD

$18.99

Jan 02, 2009

KRUFFT Bassoon Sonatas: in F; in Bb, “Grande” • Wouter Verschuren (bn); Kathryn Cok (fp) (period instruments) • CHALLENGE 72313 (61:32)

The name of Nikolaus von Krufft (1779–1818) might have been better known had he lived past the age of 39. As it happened, it simply wasn’t to be. He apparently succumbed to exhaustion while burning the candle at both ends. By day Krufft was a civil servant, and by night a composer. His musical legacy is small, and includes sonatas for violin, bassoon, and horn, plus a set of 24 preludes and fugues for piano after Sebastian Bach. Krufft’s Lieder are his most significant accomplishments, comprising his most influential body of work, which exerted a large influence on Franz Schubert.

The sonatas recorded here date from 1807 and 1818, respectively, and are certainly among the most difficult works from the era, surpassing the technical demands made on the soloist by Mozart in his Bassoon Concerto. Krufft places the instruments on equal footing, challenging not only the bassoonist but also the fortepianist with leaps of more than two-and-one-half octaves and dazzlingly brilliant runs. Both sonatas, though written in the early years of Romanticism, and clearly Classical in tone, owe more to the ghosts of Haydn and Mozart than to the youthful and muscular works of Beethoven.

The performances turned in here are about as good as one could want with virtuosic, elegant, and seamless playing from both participants. The light tone of Wouter Verschuren’s 1810 Cuvillier bassoon is nicely matched by the sparkling character of Gerard Tuinman’s 2007 copy of an 1805 Walther and Sohn fortepiano played by Kathryn Cok; and the recorded sound faithfully reproduces the unique tonal qualities of each of the instruments.

For the most part, the appeal of this compact disc will probably be limited, but those who are bitten by the bug certainly won’t be disappointed.

FANFARE: Michael Carter

Krufft: Sonatas For Bassoon And Fortepiano / Wouter Verschuren, Kathryn Cok

$18.99
CD

Challenge Classics

Jan 02, 2009

CC72313

Mozart - Beethoven: Septets / Lucerne Festival Orchestra Soloists

Accentus Music

Available as CD

~~$27.99~~ $20.99

Feb 12, 2021

"How did Ludwig van Beethoven become a great symphonist? A milestone on his way there is marked by the Septet, which he composed in 1799, on the threshold of a new century, for this large-scale chamber work, with its mixed instrumentation of winds and strings, already assembles an orchestra ""en miniature"". At the same time, however, Beethoven thus founded a new genre of ensemble music, which was to be followed by numerous composers from Franz Schubert to Johannes Brahms and Jean Françaix with nonets, octets, sextets or quintets. Beethoven's radiant and entertaining septet combines logic with catchiness and offers a spiritual musical conversation. And it is in this discipline that the soloists of the Lucerne Festival Orchestra, who are dedicated to making music in friendship, are masters. They also prove this in the Nannerl Septet, which Wolfgang Amadeus Mozart probably created in 1776 for the name day of his sister Maria Anna: artfully playful music of the best festive and champagne mood."

REVIEW:

Mozart’s Divertimento in D (K 251) is buoyant and fortunately classical all the way, with no attempt to ramp it up and make it loud or romantic. This is pleasant music, hardly world-shattering, but it is played with obvious respect and affection. The Lucerne soloists make a good case for Beethoven’s Septet, emphasizing its Mozartean qualities. The theme and variations (IV) are the high point, as the musicians patiently and gracefully explore the melodies. In V and VI the horn passages are handled with aplomb by Stefan Dohr, and the concert concludes without any applause. The packaging is simple yet in good taste, and the notes add considerable context to the music with stories of the Mozart family’s informal chamber music sessions.

– American Record Guide

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Mozart - Beethoven: Septets / Lucerne Festival Orchestra Soloists

~~$27.99~~ $20.99
CD

Accentus Music

Feb 12, 2021

ACC30536

Ponce: Complete Guitar Sonatas

Stradivarius

Available as CD

$33.99

Sep 12, 2025

The sonatas for guitar by the Mexican composer Manuel Maria Ponce (1882-1948) demonstrate his remarkable ability to compose music inspired by a wide variety of styles. From early romantic works like Estrellita (1912) to the more complex harmonic language of his Concierto for violin (1943), Ponce displayed extraordinary versatility. Initially influenced by French modern music and late romantic works, he developed a distinctive musical language that combined romanticism, modernism, and nationalism. His collaboration with guitarist Andres Segovia resulted in his first composition for guitar, the Sonata Mexicana (1923), blending French Impressionism with Mexican folk music. During his stay in Paris from 1925 to 1932, Ponce developed an interest in Neoclassicism and Bitonality, as evidenced in his Suite bitonal for piano. Among his most significant works for guitar is Sonata III (1927), which incorporates romantic, neoclassical, and Mexican and Spanish folk elements. His guitar music was always inspired by Segovia, who suggested numerous works, including the Sonatina Meridional (1930), a tribute to Spanish musical tradition. Ponce's other notable works for guitar include the Sonata Clasica (1927), a tribute to Fernando Sor, and the Sonata Romantica (1928), inspired by Franz Schubert. These compositions further demonstrate his unique ability to blend traditional influences with his own distinctive voice. The Mexican composer wrote eight sonatas (six sonatas and two sonatinas) for guitar, two of which were lost during the looting of Segovia's apartment in Barcelona in 1936. Manuel Maria Ponce - Complete Guitar Sonatas presents for the first time the guitar sonatas in their entirety, including the surviving movements of these lost compositions and Sonata VI, a pastiche of Paganini's famous Grande Sonata for guitar. The works are performed by a group of artists under the guidance of M° Stefano Grondona, the renowned Italian guitarist.

Ponce: Complete Guitar Sonatas

$33.99
CD

Stradivarius

Sep 12, 2025

STR37319

Böhm: Works for Flute / Gian-Luca Petrucci

Brilliant Classics

Available as CD

~~$13.99~~ $10.99

May 10, 2024

Theobald Böhm, who was born in Munich on 9 April 1794, was among the most accomplished German flautists of his age and was a composer and an ingenious inventor who perfected the construction of the flute.

Over and above his commitment to scientific and organological research, Böhm pursued activities as a composer for his instrument and continued to make transcriptions of celebrated works by the Classical and Romantic masters right up until his death on 25 November 1881. In both his pieces based on original themes and the series of variations on melodies drawn either from popular operas or from well-known popular tunes, the stylistic techniques distinguishing his compositions were fully in line with the fashions of his day.

Of a very different nature, on the other hand, is the sophistication displayed in his search for an elevated and musically complex idiomatic language for the flute in his transcriptions of works by the great composers, including Christoph Willibald Gluck, Wolfgang Amadeus Mozart and the two near-contemporaries Ludwig van Beethoven and Franz Schubert. The decision to make transcribed versions of celebrated vocal or instrumental pieces was an eloquent way of stressing that the 'new flute' Böhm had invented could perform works that posed audacious challenges, without any expressive awkwardness. Indeed, the formulas chosen by Böhm to arrange, vary and adapt these celebrated melodies to the flute can be counted among the most original, and in many respects unique, achievements of the age.

What emerges, therefore, is a sort of catalogue of the expressive possibilities of the 'new flute' and an invitation to explore the quality of sound, an aspect which he considered to be his 'primary interest as an artist.'

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Böhm: Works for Flute / Gian-Luca Petrucci

~~$13.99~~ $10.99
CD

Brilliant Classics

May 10, 2024

BRI96862

VIVUM - YOJO CHRISTEN PLAYS GERSHWIN HUMMEL &

EUROARTS

Available as CD

$17.42

Sep 15, 2023

When Yojo Christen plays the piano, his eyes light up and you realise that for him there is nothing more beautiful, nothing more significant in this world. The love story between the pianist and music started early, because as soon as Yojo could walk, he was drawn to the fascinating black grand piano in his family's living room. Yojo was taught early on by his stepfather, the successful concert pianist and composer Franz Hummel. In his youth, Hummel himself was a student of the famous Mozarteum piano professor Hans Ehlers, who in turn was a grand-disciple of Franz Liszt through his studies with Moriz Rosenthal and placed great value on teaching his students all of Liszt's secrets and playing techniques. Yojo on this CD Recording "For this CD, I have chosen a musical composition that deviates from the usual conventions. George Gershwin's "Rhapsody in Blue", a very original homage to early American jazz, is followed by a contemporary work. It is Franz Hummel's second piano concerto with the title, "War and Peace", to which he asked me to contribute the finale. From my composition IRINI (Peace), for which I won the second and audience prizes at the International Diabelli Composition Competition in Munich at the age of 18, I created an orchestral version especially for this purpose: the third movement of the piano concerto. In 2016, I premiered the work with the Regensburg Philharmonic under Tetsuro Ban, whose recording I may publish here with the orchestra's permission. The musicians masterfully realized the truly difficult score with great dedication and profound skill. As a third stylistic variant, I have given room to my desire for romanticism and recorded the four Impromptus op. 90 by Franz Schubert. I would like to present these natural, naive-philosophical gems, whose profound simplicity can move one to tears, to Schubert lovers as well as to the pop-trained ear.

VIVUM - YOJO CHRISTEN PLAYS GERSHWIN HUMMEL &

$17.42
CD

EUROARTS

Sep 15, 2023

ERAR211877.2

The Charm of the Lyre-Guitar / Lafasciano

Brilliant Classics

Available as CD

$12.99

Aug 09, 2024

The lyre-guitar was a fascinating, upmarket instrument that originated in Paris. It's inventor, luthier Pierre-Charles Mareschal, dated it's creation to around 1780. It was very popular in the elite salons of Napoleonic era-Europe, between the late 18th and early 19th century. It's refined, elegant shape recalling the ancient Greek lyre, made it a much-vaunted status symbol among women, who believed it enhanced their grace and beauty. As well as being played by noblewomen, it was also used by musicians to accompany singers, including the French tenor Joseph Dominique Fabry-Garat and the Austrian baritone Johann Michael Vogl, a close friend of Franz Schubert. The lyre-guitar used on this recording comes from Domenico Lafasciano's private collection. It was built in Paris in 1806 by Henry Lejeune, part of an important dynasty of luthiers dating back to the 18th century. Lafasciano's lyre-guitar is an original and very rare instrument: it has only 12 frets, and they are made of gut like on the lute or baroque guitar, making it suitable for playing works from the early 19th-century guitar repertoire. It is a brilliant example of the transition between the 18th and 19th centuries, a period when guitarists were still playing instruments with five double or single courses of strings, as well as six-string models. It appears that the lyre-guitar, which had six single strings from the outset, gave a definitive push to the addition of the sixth string to the guitar. This album contains some lovely musical gems written in the early 19th century by guitar-playing composers who remain largely unknown today. The first French publications, including the pieces featured on this recording, all contained the words 'pour Lyre ou Guitare' or 'pour Guitare ou Lyre', indicating very clearly that the works could be performed on either a lyre-guitar ('Lyre') or a five- or six-string guitar ('Guitare'). Other information: - Recorded November 2023, Milan, Italy - Booklet in English contains liner notes by the artist and a biography - Lafasciano plays a lyre-guitar by Henry Lejeune (Paris, 1806) strung with Aquila Ambra 800 strings - The Italian liner notes are available for download at www. Brilliantclassics. com - An exclusive and fascinating instrument, the lyre-guitar was created in Paris by the luthier Pierre-Charles Mareschal, who claimed to have invented it around 1780. It shone in the noble salons of Europe during the Napoleonic Age, between the end of the 18th century and the first decades of the 19th century. - The lyre-guitar, with it's refined and elegant shape reminiscent of the ancient Greek lyre, was at that time a 'status symbol' instrument much loved by the fairer sex, as it enhanced their grace and beauty. It was often played by noble ladies, but also by musicians who used it to accompany singing, such as the Austrian baritone Johann Michael Vogl, a great friend of Franz Schubert. Even the great guitarist Mauro Giuliani performed a few times with this instrument. - This new recording presents works written for Lyre-guitar by French composers Charles Doisy (?-1807), Alexandre Alfred Rougeon-Beauclair (?-1829), Pierre Joseph Plouvier (1750-1825) and Jean-Antoine Meissonnier (1783-1857): a feast of lighthearted, charming and enchanting music! - Domenico Lafasciano is one of the very few lyre-guitar concert performers of today. Graduated with top marks at Padua Conservatory, he perfected himself with Alirio Diaz, Alexandre Lagoya, Siegfried Behrend and Jose Luis Lopategui. He met with Andres Segovia, who let him play his own guitar, and with John W. Duarte, who dedicated one of his compositions to him.

The Charm of the Lyre-Guitar / Lafasciano

$12.99
CD

Brilliant Classics

Aug 09, 2024

BRI97346

GHOSTS

ACT MUSIC

Available as CD

$16.21

Oct 28, 2022

For Pianist Michael Wollny, songs are like ghosts. His new album "Ghosts" is a gathering of some of the ghosts that regularly haunt him. Typically for Wollny, they range from classics like Franz Schubert's "Erlkonig" to jazz standards, film music, songs with a certain fragility by Nick Cave, say, or the band Timber Timbre, and also include his own darkly evocative original compositions.

GHOSTS

$16.21
CD

ACT MUSIC

Oct 28, 2022

AECT9956.2

SCHUBERT: SYMPHONY NO. 9 IN C MAJOR D.944 GREAT

WARNER CLASSICS

Available as Vinyl

$25.49

Jun 09, 2023

George Szell's commitment to musical truth made him an intimidating figure - even among the other formidable conductors of the 20th century. His uncompromising quest for perfection drew performances of exalted quality from soloists and orchestras. In particular, his long tenure as the Cleveland Orchestra's music director (1946-1970) established it firmly as one of the world's great ensembles. This recording of Franz Schubert's masterwork, the "Great" Ninth Symphony, is one of the highlights of the discography Szell and the Cleveland Orchestra made for EMI. It is proposed here in the 2019 remastering done by Warner Japan.

SCHUBERT: SYMPHONY NO. 9 IN C MAJOR D.944 GREAT

$25.49
Vinyl

WARNER CLASSICS

Jun 09, 2023

WCL749106.1

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