Immerse yourself in the tranquil beauty of the countryside with Beethoven's beloved "Pastoral" Symphony, brought vividly to life by Herbert von Karajan and the legendary Berlin Philharmonic Orchestra. This exquisite 1LP release captures one of the most iconic interpretations of Beethoven's Sixth Symphony, a deeply expressive, masterfully balanced performance that has stood the test of time. From the gentle rustle of the first movement to the dramatic storm and the joyful, hymnlike finale, Karajan's interpretation is both intimate and grand, revealing new emotional depths in every listen.
Unfolding is Jessica Moss' most meditative and plaintive solo album, and perhaps the first in the Montreal violinist/composer's decade-spanning discography that might properly be called ambient. The ex-Silver Mt Zion and Black Ox Orkestar member draws from post-classical, drone, minimalism, industrial/metal, power electronics, Klezmer and other folkways. This is not abstract ambient music; layers of violin melody, electroacoustic processing, intermittent voice, and percussion from The Necks drummer Tony Buck, bring forth deeply emotive genre-defying compositions guided by a spirit of searching and summoning that unfold in a prevailing atmosphere of incantation and mournful restraint. The inseparability of the personal and political has wrung ever tighter for Moss over the past two years. As a core member of the Montreal chapter of Musicians For Palestine, she's co-organized and played several benefit shows, and released the solo album For UNRWA in spring 2024 (garnering over 800 supporters and raising thousands of dollars). Later that year, her long-term long-distance relationship melted down over politics. Working closely with producer Radwan Ghazi Moumneh (Jerusalem In My Heart), Moss notes "Unfolding was made slowly, over the last 12 months, the second full year of genocide in Palestine, in direct response to our collective witnessing, our collective grief, as a portal to collective mourning, as a searchlight through our internal weather systems, seeking one another out in the dark." Moss was already moving towards heightened fragility and deep listening, her music becoming increasingly durational and ceremonial. Despite the plummeting financial viability of touring, her devotion to holding space, conjuring entanglement, and connecting with intimate live audiences became her creative lodestar, her solo praxis shaped by committing to and communing in these rooms. Recent political and personal upheavals have only intensified these ritualistic, reparative musical processes. The two longform tracks on Side One of Unfolding embody this sensibility. "Washing Machine" weaves layers of string drone and filigree, gently noised by distortion pedals and amplification, with indecipherably blown-out spoken voice intermittently enveloping the mix as fragmentary palimpsests of shrouded recitation and ineffable feeling. The piece traces it's origins to a phone recording of a European laundry machine, captured by Moss as she sat next to it, heartbroken on the bathroom floor, finding solace by humming a melody along to the mechanical harmonics of the washer working through it's cycles. Album centerpiece "One, Now" begins as a delicate invocation, with bass pulse, chimes and bells, plucked strings, and doleful lead violin lines influenced by Jewish and Arabic modes. Ambient noise, field recordings, and wordless vocals are added to the brew, as violin melodies layer and coalesce towards a mesmerizing dronescape: a semi-improvised living composition further vitalized by Tony Buck's paintbrush drumming throughout, and Moumneh's "yell into the void" at the end... Side Two is a work in four parts titled "no one / no where / no one is free / until all are free" that moves through ambient noise, elegiac post-classical strings, and distorted harmonic drones, towards a denouement of liturgical organ, ritual bell, and shimmering electronic tracers that set the stage for the album's closing song: the devastating choral composition "until all are free", a secular hymn comprised of Jessica's multi-tracked vocals (but which she looks forward to singing with others in concert). Unfolding is dedicated to "a free Palestine in our lifetime." Thanks for listening.
UNFOLDING
$31.49
Vinyl
CONSTELLATION
Nov 07, 2025
CNST188.1
ENESCU: STRING OCTET OP 7 BRITTEN
HARMONIA MUNDI
Available as
CD
$22.49
Nov 07, 2025
From the youthful sonic ecstasy of George Enescu's Octet to the touching late composition Lachrymae by Benjamin Britten, Ensemble Resonanz and Tabea Zimmermann invite us to rediscover two profound, world-embracing works - full of inner motion, poised between reflection, melancholy, and transcendence.
On this album, the London Symphony Orchestra and Chief Conductor Sir Antonio Pappano capture two British masterpieces that continue to astonish and inspire. Journey through the cosmos with Gustav Holst's beloved Planets suite. From the relentless energy of Mars, the Bringer of War to the jubilant optimism of Jupiter, the Bringer of Jollity, the work remains one of the most visionary creations of the 20th century. The voyage concludes in mystery with Neptune, the Mystic, featuring the voices of Tenebrae in a wordless, otherworldly chorus. Arnold Bax's Tintagel closes the album with a sweeping portrait of Cornwall's rugged coastline. Inspired by a visit to the legendary castle in 1917, Bax's symphonic poem evokes windswept cliffs, ancient history and mythology in music that surges like the sea itself.
Everything Classics Vol. 4: Decca Edition - Green Label Series (Japan Import) A special installment in the acclaimed Everything Classics campaign, this Vol. 4 Decca Edition features iconic recordings from the Decca catalog presented with a distinctive green color label coating, echoing the legacy of classic LP designs. Each title in this collection is pressed in Japan using the UHQCD (Ultimate High Quality CD) format-an advanced, audiophile-grade disc format developed by Memory-Tech. UHQCD offers superior sound reproduction and compatibility with all standard CD players, delivering enhanced clarity, detail, and depth without requiring any special equipment. Experience timeless performances with elevated fidelity in this premium reissue campaign.
Green color label coating. Features the high-fidelity UHQCD format. *UHQCD (Ultimate High Quality CD) is an upgraded version of HQCD, a high fidelity CD format developed by Memory-Tech. Decca. 2025.
Everything Classics Vol. 4: Decca Edition - Green Label Series (Japan Import) A special installment in the acclaimed Everything Classics campaign, this Vol. 4 Decca Edition features iconic recordings from the Decca catalog presented with a distinctive green color label coating, echoing the legacy of classic LP designs. Each title in this collection is pressed in Japan using the UHQCD (Ultimate High Quality CD) format-an advanced, audiophile-grade disc format developed by Memory-Tech. UHQCD offers superior sound reproduction and compatibility with all standard CD players, delivering enhanced clarity, detail, and depth without requiring any special equipment. Experience timeless performances with elevated fidelity in this premium reissue campaign.
Everything Classics Vol. 4: Decca Edition - Green Label Series (Japan Import) A special installment in the acclaimed Everything Classics campaign, this Vol. 4 Decca Edition features iconic recordings from the Decca catalog presented with a distinctive green color label coating, echoing the legacy of classic LP designs. Each title in this collection is pressed in Japan using the UHQCD (Ultimate High Quality CD) format-an advanced, audiophile-grade disc format developed by Memory-Tech. UHQCD offers superior sound reproduction and compatibility with all standard CD players, delivering enhanced clarity, detail, and depth without requiring any special equipment. Experience timeless performances with elevated fidelity in this premium reissue campaign.
Everything Classics Vol. 4: Decca Edition - Green Label Series (Japan Import) A special installment in the acclaimed Everything Classics campaign, this Vol. 4 Decca Edition features iconic recordings from the Decca catalog presented with a distinctive green color label coating, echoing the legacy of classic LP designs. Each title in this collection is pressed in Japan using the UHQCD (Ultimate High Quality CD) format-an advanced, audiophile-grade disc format developed by Memory-Tech. UHQCD offers superior sound reproduction and compatibility with all standard CD players, delivering enhanced clarity, detail, and depth without requiring any special equipment. Experience timeless performances with elevated fidelity in this premium reissue campaign.
BIZET: CARMEN
$32.99
CD
UNIVERSAL JAPAN
Oct 17, 2025
UNIJ3177598.2
MAHLER: SYMPHONY 2 RESURRECTION
UNIVERSAL JAPAN
Available as
CD
$31.99
Sep 19, 2025
Green color label coating. Features the high-fidelity UHQCD format. *UHQCD (Ultimate High Quality CD) is an upgraded version of HQCD, a high fidelity CD format developed by Memory-Tech. Decca. 2025.
MAHLER: SYMPHONY 2 RESURRECTION
$31.99
CD
UNIVERSAL JAPAN
Sep 19, 2025
UNIJ3177534.2
TCHAIKOVSKY: PIANO CTO 1 / RACHMANINOV: PRELUDES
UNIVERSAL JAPAN
Available as
CD
$21.99
Sep 19, 2025
Green color label coating. Features the high-fidelity UHQCD format. *UHQCD (Ultimate High Quality CD) is an upgraded version of HQCD, a high fidelity CD format developed by Memory-Tech. Decca. 2025.
Green color label coating. Features the high-fidelity UHQCD format. *UHQCD (Ultimate High Quality CD) is an upgraded version of HQCD, a high fidelity CD format developed by Memory-Tech. Decca. 2025.
CELEBRATING JOHN WILLIAMS
$32.99
CD
UNIVERSAL JAPAN
Sep 19, 2025
UNIJ3177556.2
RAVEL: DAPHNIS ET CHLOE
UNIVERSAL JAPAN
Available as
CD
$21.99
Sep 19, 2025
Green color label coating. Features the high-fidelity UHQCD format. *UHQCD (Ultimate High Quality CD) is an upgraded version of HQCD, a high fidelity CD format developed by Memory-Tech. Decca. 2025.
Limited silver colored vinyl LP pressing. 2025 release features 12-tracks of instrumental piano mastery from the legendary yes keysman. With 'Melancholia', Rick Wakeman completes a remarkable trilogy of solo piano works that began with 'Piano Portraits' (2017) & continued with 'Piano Odyssey' (2018) - both landmark albums that found him reaching new heights of popularity & critical esteem as a solo artist. But while those records looked outward, reinterpreting beloved melodies & exploring sweeping themes, 'Melancholia' turns inward, inviting us into the most personal, introspective & perhaps profound music of Wakeman's storied career. The album began, as so much of Wakeman's finest work has, with a quiet moment at the piano. One afternoon, his wife Rachel overheard him playing a contemplative piece - what would later become "Garo" - & was struck by it's quiet emotional power. And because she knew well that he often turned to the piano in times of sadness or inner turbulence, using music as a kind of emotional compass, she encouraged him to share it. What followed was not a conceptual record in the traditional sense, but a deeply cohesive suite, written intuitively at first & later shaped in collaboration with long-time producer & engineer Erik Jordan at The Granary Studio in Norfolk. Recorded on a beautiful Steinway Model D, the sound of 'Melancholia' is rich, resonant & stripped bare in the most delicate way.
MELANCHOLIA - 140GM SILVER VINYL
$35.49
Vinyl
MADFISH RECORDS IMP
Oct 17, 2025
MAFI5183311.1
VORTEX
ORCHID CLASSICS
Available as
Vinyl
$32.99
Nov 14, 2025
Vortex introduces a bold new chapter for the oboe and English horn, instruments too often overlooked as chamber soloists. Oboist Ari Cohen Mann, praised for their "brilliant virtuosity" (The Whole Note), joins pianist Benjamin Smith, guitarist Daniel Ramjattan, and composer-pianist Kevin Day in a program spanning wit, lyricism, turbulence, and introspection. Vortex introduces a bold new chapter for the oboe and English horn, instruments too often overlooked as chamber soloists. The journey begins with Stravinsky's Pulcinella-here newly transcribed for oboe and piano by Cohen Mann and Cornelia Sommer-where Baroque elegance collides with Stravinsky's tongue-in-cheek neoclassicism. From there, Jennifer Higdon's poignant Aria leads into the album's title track, Kevin Day's electrifying VORTEX, premiered to a standing ovation at the International Double Reed Society Conference. Works by Rodney Sharman (Famous Last Words), Jean Coulthard (The Enchanted Island), and C. Tyler Nickel (English Horn Sonata) reveal the expressive depth and modern versatility of the English horn, while Jocelyn Morlock's Verdigris, arranged for oboe and guitar, offers a gentle closing meditation. Vortex celebrates the oboe and English horn as instruments of colour, drama, and lyricism-capable of anchoring an entire sonic world.
VORTEX
$32.99
Vinyl
ORCHID CLASSICS
Nov 14, 2025
ODCL100404.1
SMETANA: MA VLAST
UNIVERSAL JAPAN
Available as
CD
$21.99
Sep 19, 2025
Green color label coating. Features the high-fidelity UHQCD format. *UHQCD (Ultimate High Quality CD) is an upgraded version of HQCD, a high fidelity CD format developed by Memory-Tech. Decca. 2025.
With his new album Farming (out this fall via Deathbomb Arc), Ted Hearne - the composer and two-time Pulitzer Prize finalist praised by Pitchfork for creating "some of the most expressive socially engaged music in recent memory" - confronts technology's ominous encroachment upon humanity's very being. Created in collaboration with the GRAMMY-winning choir The Crossing, Farming tackles the long-tail impact of settler colonialism and it's philosophical motivations on agricultural degradation, big tech utopianism, corporate religiosity, and the abstraction of community. Hearne dives headfirst into the Uncanny Valley, conjuring a soundworld fraught with neck-breaking shifts and stylistic contradictions. It's unholy marriage of ersatz Americana, digitally altered choral arrangements, and hyperpop's synapse-frying maximalism inverts technology's smoothing impulses in favor of an unwieldy, knotty expression of modern ennui and alienation. Upon it's 2023 live performance debut, The New York Times called Farming "a suggestive, chaotically ambitious, often poignant reflection on colonization, consumption, marketing, entrepreneurship." It's certainly intellectually audacious: In repurposing primary texts from William Penn and Jeff Bezos, Farming contends with the mythological constructs humans erect to justify their participation in an economy's unfeeling entropies - and reveals the ethical void at their core.
FARMING
$55.99
Vinyl
DEATHBOMB ARC
Jan 30, 2026
DBBA360.1
PORTALS / ROPE
SHELTER PRESS
Available as
Vinyl
$25.99
Oct 03, 2025
Jana IRMERT « Portals » Produced entirely from sounds recorded in the Amazon rainforest in Brazil and Colombia, Portals evokes the hidden world of sounds that lie beyond our perception. Whether concealed in ultra-sonic frequency registers or in the depths of the aquatic medium, these sounds bear witness to an unsuspected and teeming animal activity. Insects, frogs, bats and freshwater dolphins move about, hiding from our eyes and ears. Revealing this palette of sounds, in particular through transposition, and placing it back in the realm of the audible, Jana Irmert invites and guides us on a fascinating exploration of an unsuspected, speculative and non-human world of sound, which she exposes and recomposes in a way that is both respectful and personal, accompanying this teeming and fascinating sound material in a musical gesture of great clarity. Portals is an attempt to access the evocative power of an Amazonian forest on the brink of catastrophe, through a decentring of the listening experience delicately composed by Jana Irmert. 7038634357 « Rope » With uncommon mastery and precision, Rope unfolds in a suspended time that seems nonetheless ominous. As it's title suggests, Rope explores the formal figure of the rope, as an interweaving of synthetic and natural fibres that hold and amalgamate, held together by the forces of tension and friction. The rope itself, as Neo Gibson explains, is knotted at regular intervals along it's entire length, so that you can hang on to it. Rope unfolds slowly, evolving from the threshold of the perceptible towards denser, more ballasted electronic textures, but always on the brink of an upheaval to come. Then a melodic motif appears, seeming to carry within it an impossible consolation. In this respect, Rope balances strikingly between formal elegance, sonic gravity and an emotional charge that is almost uncontainable.
