Limited 180gm vinyl LP pressing in gatefold jacket. The soulful, elegant pianist Sonny Clark brings his A-game to My Conception, a program of originals recorded in 1959, but not released until 1979. Joining the pianist are a cast of hard bop masters including Hank Mobley, Donald Byrd, Paul Chambers, and Art Blakey. Highlights include "Junka," "Minor Meeting," and Hank Mobley's solo on "Royal Flush." Blue Note Tone Poet Series features all-analog, remastered recordings. Produced by Joe Harley. Mastered by Kevin Gray.
MY CONCEPTION
$43.49
Vinyl
BLUE NOTE RECORDS
Aug 06, 2021
BLUNB003300601.1
Trio '64 (Verve Acoustic Sounds Series) [Vinyl]
VERVE
Available as
Vinyl
$43.49
Aug 27, 2021
Bill Evans' first trio album for Verve, Trio `64, marked a reunion with drummer Paul Motian and Evans' only recorded work with bassist Gary Peacock. The album matches up with Evans' finest trio sessions, with his shimmering piano lines dancing between Peacock's sharp bass lines and Motian's usual sublime work on the drums. Verve Acoustic Sounds Series features transfers from analog tapes and remastered on 180-gram vinyl in deluxe gatefold packaging.
Trio '64 (Verve Acoustic Sounds Series) [Vinyl]
$43.49
Vinyl
VERVE
Aug 27, 2021
VRVB003312301.1
LIVE AT MIDEM 1983
GOOD TIME
Available as
CD
$13.99
Sep 21, 2021
Recorded live January 28th, 1983 at the Palais Des Festivals, Cannes, during the MIDEM Jaz Gala - Brubeck invites jazz and blues legends B.B. King (guitar), Jimmy Heath (saxophone), Pat Metheny (guitar) and many more to showcase an array of classic compositions including 'Lover Man', 'Take Five' and 'Big Bad Basie'.
LIVE AT MIDEM 1983
$13.99
CD
GOOD TIME
Sep 21, 2021
GODM14191616.2
NEWS
ECM RECORDS
Available as
CD
$17.99
Aug 27, 2021
Andrew Cyrille Quartet -"The News" The new album from the quartet led by innovative jazz drummer, Andrew Cyrille, carries the story forward from the 2016 release, The Declaration of Musical Independence. Each of the players (Bill Frisell, Ben Street and David Virelles) has space for improvisational expression, but it is Cyrille's communicative sensibility and what the New York Times called his "watchful, flowing pulse" that guides the band.
NEWS
$17.99
CD
ECM RECORDS
Aug 27, 2021
ECMB003358902.2
Swiss Radio Days, Vol. 46 - Montreux Jazz Festival 1967 / Charles Lloyd Quartet
TCB MONTREUX RECORDS
Available as
CD
$17.49
Jul 05, 2024
Saxophonist Charles Lloyd is renowned for fearlessly reinventing himself to explore some recently discovered facet of his personality and art. A few years after his final recording in the band of drummer Chico Hamilton and the same year as the saxophonist’s Forest Flower was released, Lloyd took a star-studded ensemble to the Montreux Jazz Festival. Vividly depicting a band that was functioning at its peak, Montreux Jazz Festival 1967 (Swiss Radio Days Jazz Series 46) serves to fill out listeners’ understanding of Lloyd’s work with pianist Keith Jarrett and drummer Jack DeJohnette. (Ron McClure’s on bass, though Cecil McBee frequently accompanied the saxophonist at the time.) - DownBeat Magazine
REVIEW:
Vividly depicting a band that was functioning at its peak, Montreux Jazz Festival 1967serves to fill out listeners’ understanding of Lloyd’s work with pianist Keith Jarrett and drummer Jack DeJohnette. (Ron McClure’s on bass, though Cecil McBee frequently accompanied the saxophonist at the time.)
The bandleader’s decision to include “Lady Gabor,” which originally appeared on a Hamilton disc Lloyd helped record, is just curious given that he had decades of the genre to pick through for inspiration. Lloyd and guitarist Gabor Szabo, who wrote the tune, got their start performing in the relatively unheralded Hamilton groups of the 1960s. And while Szabo dispatched a handful of pretty memorable Technicolor leader dates, there haven’t been too many folks who’ve interpreted his songbook.
This live 1967 recording—which sports a 27-minute rendition of “Forest Flower,” replete with an intense DeJohnette drum solo—lends an air of relevance to Hungarian guitarist Gabor Szabo’s work almost 40 years after his death. The rendition here is all entrancing flute moves from the bandleader and block-y chords from Jarrett, adding a contemplative vibe to a set of tunes that also takes a run at the pianist’s “Days And Nights Waiting,” and Lloyd’s “Love Ship” and “Sweet Georgia Bright.”
-- Downbeat (Dave Cantor)
Swiss Radio Days, Vol. 46 - Montreux Jazz Festival 1967 / Charles Lloyd Quartet
$17.49
CD
TCB MONTREUX RECORDS
Jul 05, 2024
TCBM2462.2
EXPANSIONS
BLUE NOTE RECORDS
Available as
Vinyl
$43.49
Aug 06, 2021
Limited 180gm vinyl LP pressing in gatefold jacket. Pianist McCoy Tyner was an acknowledged force of nature. On the aptly named Expansions, Tyner fronts a remarkable band consisting of Woody Shaw, Wayne Shorter, Gary Bartz, Ron Carter, Herbie Lewis, and Freddie Waits. Standouts in a program of four Tyner originals and one standard include the masterpiece "Peresina" and the opening track "Vision." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging. Produced by Joe Harley. Mastered by Kevin Gray.
EXPANSIONS
$43.49
Vinyl
BLUE NOTE RECORDS
Aug 06, 2021
BLUNB003300401.1
BEST OF BIG BANDS
SONY
Available as
CD
$14.99
May 29, 1990
BEST OF BIG BANDS
BEST OF BIG BANDS
$14.99
CD
SONY
May 29, 1990
SNY45341.2
KARMA
GRP RECORDS
Available as
CD
$16.49
Nov 07, 1995
KARMA
KARMA
$16.49
CD
GRP RECORDS
Nov 07, 1995
GRP153.2
Orff: Carmina Burana
PENTATONE
Available as
CD
$19.99
$15.99
Jun 26, 2026
The Detroit Symphony Orchestra and it's Music Director Jader Bignamini present Carl Orff's Carmina Burana, one of the most electrifying works of the twentieth century. Drawing on thirteenth-century manuscripts from Benediktbeuern Abbey, Orff transformed the exuberant, irreverent texts of wandering scholars and rebellious clerics into a monumental scenic cantata. From the iconic opening of "O Fortuna" to the exuberant outdoor dances, tavern scenes, and courtly love interludes, the work pulses with elemental rhythms and striking orchestration, with chorus, percussion, two pianos, and celesta playing central roles. Motifs from "O Fortuna" recur throughout, linking the contrasting worlds of humour, erotic longing, and the inexorable wheel of fate. Orff balances diatonic simplicity with rhythmic ostinati, while movements such as the flute-timpani duet, castanets solo, and piano-percussion passages evoke primal energy and recall Stravinsky's Les noces. From the introspective soprano arias in "In trutina" to the sardonic baritone tavern numbers, the score alternates between joy, melancholy, and satire, culminating in the final return of "O Fortuna" to close the cycle. Following their acclaimed release of Marsalis' Blues Symphony in March 2025, the Detroit Symphony Orchestra and Jader Bignamini return to PENTATONE, reaffirming their mastery of landmark repertoire.
On Sale
Orff: Carmina Burana
$19.99
$15.99
CD
PENTATONE
Jun 26, 2026
PTC5187519
Anatomy of Angels: Live at the Village Vanguard
VERVE
Available as
CD
$14.99
Aug 02, 2019
This title was recorded live at the historic Village Vanguard in NYC in the Fall of 2018 during Jon Batiste's residency and incorporates original material and covers. The music on this release is primarily instrumental music aside from "The Very Thought of You" featuring Lake Street Dive's Rachel Price on vocals. Liner notes were written by Jaron Lanier.
Anatomy of Angels: Live at the Village Vanguard
$14.99
CD
VERVE
Aug 02, 2019
VRVB003057102.2
Alternatives / Sonny Rollins
RCA
Available as
CD
$17.99
Oct 05, 2010
Track Listing 1. Four 2. Four - (alternate take) 3. St. Thomas 4. St. Thomas - (alternate take) 5. I Remember Clifford 6. I Remember Clifford - (alternate take) 7. 52nd Street Theme 8. 52nd Street Theme - (alternate theme) 9. Bluesongo - (bonus track) 10. Jungoso
Personnel: Sonny Rollins (tenor saxophone); Thad Jones (cornet); Herbie Hancock (piano); Bob Cranshaw, Ron Carter (bass); Roy McCurdy (drums); Candido (congas).
Producer: George Avakian.
Reissue producer: Orrin Keepnews.
Engineers include: Ray Hall.
Recorded at RCA Victor Studios, New York, New York between May 14, 1962 and April 14, 1964. Includes liner notes by Orrin Keepnews.
This CD is what too few "previously unreleased" collections are: a well-documented, well-annotated recording with a purpose and a point of view. In a thoughtful essay, producer Orrin Keepnews discusses what these early Sixties recordings of Rollins reveal about the tenorist's approach to repertoire and improvisation and, more pragmatically, about his relationship to the recording studio and to record companies in general. Each of the first four tunes can be heard in two different versions. "Four" was recorded both with a trio (with Roy McCurdy on drums and Bob Cranshaw on bass) and a quartet (with Herbie Hancock on piano and Ron Carter replacing Cranshaw on bass)
The versions of "I Remember Clifford" and "52nd Street Theme" were recorded with Hancock on piano and Thad Jones on cornet added to the basic trio. "Bluesongo" and "Jungoso" are trio pieces with Rollins, Cranshaw, and Candido on congas. Keepnews explains that these two cuts, which were originally released on the album WHAT'S NEW in 1962, have not been reissued anywhere else recently (unlike the balance of the material from WHAT'S NEW) and have consequently been included here.
Alternatives / Sonny Rollins
$17.99
CD
RCA
Oct 05, 2010
RCA61124
LIVE AT WARSAW JAZZ JAMBOREE 1991
GOOD TIME
Available as
CD
$13.99
Aug 24, 2021
Founded in 1977 by Lionel Hampton, the Who's Who in Jazz label existed as a means to present to the world the best musicians that the jazz world had to offer. With Lionel chairing the recording sessions (and also featuring on several of the sessions himself), these recordings have truly earned their title featuring jazz greats such as Buddy Rich, Charles Mingus, Terumasa Hino, Sonny Stitt, Teddy Wilson, St�phane Grappelli and Dave Brubeck, amidst the many others. 730167321648 GODM14141749.2 41995730 9.79 13.98 .26 GOOD TIME COMPACT DISCS POP JAZZ 08/24/2021 https://mediacdn.aent-m.com/prod-img/500/70/4006170-2740524.jpg 100 1 N
THOMPSON,ROACH ROACH THOMPSON First released in 1997, Roach Thompson is the self-titled solo studio album by blues and jazz guitarist Roach Thompson. Performing earlier in his career (1991-92) under the Roach Thompson Blues Band, he was awarded the B.B. King Lucille Award for Best Unsigned Blues Band in the U.S.A. as well as being presented with the Jammy Award Winner-Best Blues Band in State of Florida. Re-issued on CD first the first time in over two decade, this record is a must have for any blues fan. 730167321570 GODM14141758.2 41995747 9.79 13.98 .26 GOOD TIME COMPACT DISCS POP JAZZ 08/24/2021 https://mediacdn.aent-m.com/prod-img/500/71/4006171-2740522.jpg 100 1 N
TYNER,MCCOY LIVE AT WARSAW JAZZ JAMBOREE 1991 Founded in 1977 by Lionel Hampton, the Who's Who in Jazz label existed as a means to present to the world the best musicians that the jazz world had to offer. With Lionel chairing the recording sessions (and also featuring on several of the sessions himself), these recordings have truly earned their title featuring jazz greats such as Buddy Rich, Charles Mingus, Terumasa Hino, Sonny Stitt, Teddy Wilson, St�phane Grappelli and Dave Brubeck, amidst the many others.
LIVE AT WARSAW JAZZ JAMBOREE 1991
$13.99
CD
GOOD TIME
Aug 24, 2021
GODM14141764.2
American Classics - Fuchs: Canticle To The Sun, Etc
Naxos
Available as
CD
$19.99
$9.99
Jan 29, 2008
Fuchs’s distinctive voice, flair for orchestral colours and sheer lyricism shine through.
Kenneth Fuchs is fortunate indeed to have not one but two discs of his music recorded by the London Symphony Orchestra. The first, in 2003, was nominated for two Grammys in 2005 and the second, recorded in 2006, should do well too, such is the quality of both the music and music-making. Holding it all together in the orchestral pieces and the mixed quintet is conductor JoAnn Falletta, who made such a strong impression in her recent disc of Respighi (review).
United Artists, the first item on the disc, was written specifically for the LSO as a gesture of thanks for their earlier recording of Fuchs’s works (Naxos 8.559224). At its core is a four-note motif, presented first in the Coplandesque opening fanfare. But this isn’t derivative music; indeed, the composer’s distinctive ‘voice’ is evident from the outset, and his flair for orchestral colours and sheer lyricism shine through in this atmospheric opener.
Quiet in the land is another of those vast musical landscapes that might provoke comparisons with Copland, yet Fuchs’s evocation of the Midwestern Plains just as the Iraq war was beginning is rather more complex and ambiguous in its sentiments. As the composer writes in the liner notes, ‘I wondered how quiet the spirit of our land might be’.
Even without this programme the opening bars hint at harmony, subtly undermined by vague discord - just listen to that quiet, agitated figure that begins at 1:30, beneath the more lyrical and expansive melody above. It is such lucid, ‘hear-through’ writing, yet it’s full of warmth. The members of the LSO manage to bring out both these aspects of the score, blending precision with feeling. And what a haunting close, too.
The recording venue – St Luke’s in London’s Old Street – is very well captured by the engineers, with no hint of brittleness or edge. The musicians seem ideally placed, too, which is particularly welcome in Fire, Ice, and Summer Bronze for brass quintet. Subtitled an ’Idyll ... after two works on paper by Helen Frankenthaler’ the first movement yokes together two eternal opposites – fire (the restless first section) and ice (the more muted second section).
There seems to be an underlying creative tension in some of these pieces, perhaps an attempt to reconcile musical and emotional extremes. For instance, in Summer Bronze the music is strangely mercurial – now lyrical, now dissonant, now both. But it’s that other dichotomy, between outward virtuosity and inner feeling, that these seasoned players – always secure, always poised – convey so well.
Based on a painting by Jackson Pollock, Autumn Rhythm does contain some jazzy snippets, but the emphasis seems to be on sonorities, with long, lyrical melodic lines and, at times, a quirky bass. It is a strangely ‘in-between’ piece; to use the autumn analogy, summer is not quite done, yet winter is on its way. In his notes Fuchs describes how the two states are drawn together and, indeed, how one becomes the other: ‘An unusual aspect of this composition is that in its final section the flute, oboe, and clarinet metamorphose into their lower – perhaps autumnal – counterparts, the alto flute, English horn, and bass clarinet.’ It’s a remarkable sleight of hand, deftly constructed and seamlessly executed.
Canticle of the Sun – a hymn tune based on 13th-century texts by St Francis of Assisi – is built on a four-note motif. Written for the LSO’s principal horn player, Timothy Jones, this 20-minute gem has a radiant, all-embracing optimism that is just irresistible. Indeed, it is not unlike a stained glass window, all those fragments of high colour glowing in the light behind. But at the centre of it all is Jones’s supple and passionate playing, surely as seductive a performance of this piece as we are ever likely to hear.
As with Respighi’s Church Windows, Falletta displays a sense of line and phrase that is most welcome in this music. And while I’ve grumbled about the sound on some Naxos releases I’m prepared to eat humble pie on this one. The engineers have done an exceptional job capturing the sound of the LSO at St Luke’s; what a pleasant change from the dry-as-dust Barbican.
Early days, I know, but this could be one of my discs of 2008.
Dan Morgan, MusicWeb International
On Sale
American Classics - Fuchs: Canticle To The Sun, Etc
$19.99
$9.99
CD
Naxos
Jan 29, 2008
8559335
WINTERWOOD
ROYAL POTATO
Available as
Vinyl
$24.49
Sep 17, 2021
Vinyl LP pressing. Winterwood is JFJO's never before released, final studio album with founding member and bassist Reed Mathis. Recorded at Winterwood Recording Studio in the Ozark Mountains of Arkansas in 2008, Mathis left the band shortly after tracking the LP resulting in the record being left in the vaults. While there was a high level of friction among band members at the time, Mathis felt like the sessions captured JFJO at their creative and experimental peak. With time on his hands in 2020 following the cancelation of tour dates and session work due to the pandemic, Mathis dusted off the audio and remixed the album from scratch.
WINTERWOOD
$24.49
Vinyl
ROYAL POTATO
Sep 17, 2021
RYPO2110.1
OUT OF THE COOL
IMPULSE RECORDS
Available as
Vinyl
$32.99
May 24, 2019
Vinyl LP pressing. A classic big-band album and one of the first-ever releases on the Impulse! Label, this 1961 recording features a superb line-up including Jimmy Knepper on trombone, Ron Carter on bass and a fiery Elvin Jones on drums.
OUT OF THE COOL
$32.99
Vinyl
IMPULSE RECORDS
May 24, 2019
IMP7746429.1
INTRODUCING JOHNNY GRIFFIN
BLUE NOTE RECORDS
Available as
Vinyl
$32.99
Jun 14, 2019
Limited 180gm vinyl LP pressing. Tenor saxophonist Johnny Griffin blew out of Chicago and made his debut album for Blue Note Records in 1956 steering a nimble quartet with pianist Wynton Kelly, bassist Curly Russell, and drummer Max Roach through a fantastic set of originals and standards. From the blistering opener "Mil Dew" to the loping "Chicago Calling" and bluesy "Nice and Easy" Griffin's staggering technical ability and buoyant swing is readily apparent at every twist and turn. Griffin would follow with two more standout Blue Note albums-A Blowing Session featuring John Coltrane and The Congregation-the next year.
INTRODUCING JOHNNY GRIFFIN
$32.99
Vinyl
BLUE NOTE RECORDS
Jun 14, 2019
BLUN7745064.1
QUARTET
SUNNYSIDE
Available as
CD
$16.49
Sep 17, 2021
Quartet+ is music composed and arranged by women, made possible by a NYC Women's Fund grant. Largely conceived during the Covid-19 pandemic, it celebrates the dynamic creativity of the city I call home, a place that I still find magical, where wonderful things can happen that probably aren't possible anywhere else - like this project! In addition to my compositions, I am delighted to present new arrangements of works by landmark women in jazz: Mary Lou Williams, Geri Allen, Marian McPartland, Carla Bley, and Toshiko Akiyoshi, true pioneers and giants all. I also loved writing for strings and recording in this "double quartet" format, getting the chance to draw from my years of studying classical violin. Looking back over the past year or so, if I remember anything, it will be the bittersweet reminder of the impermanence of all things. I imagine this is why musicians make records - in live performance once the last note is played, the moment is over and everyone moves on... at least until the next concert where we do it all over again. May there be many more such concerts, and let us keep coming together to share music whenever we can - hopefully in person again, very soon! -Helen Sung (NYC, 2021)
QUARTET
$16.49
CD
SUNNYSIDE
Sep 17, 2021
SYS1624.2
PORTALS VOL. 1: MOURNING
SUNNYSIDE
Available as
CD
$16.49
Aug 27, 2021
One challenge of this frustrating time has been finding methods to handle grief. The loss of loved ones, enforced isolation, and abounding uncertainty have only heightened anxiety and it's painful effects. Learning how to cope with grief and work through it is imperative for one's mental health. // Saxophonist and composer Caroline Davis has done much to try to allay her own emotions after the harsh period she dealt with in 2019. Davis lost her father early in the year and was trying to cope with this devastating event when the pandemic descended. She turned to research and creation to work herself out again. Her new recording, Portals, Volume 1: Mourning, is a culmination of a year of suffering, accepting, and channeling her mourning through a unique process to find equilibrium through composition and reflection. // Davis has always found ways to deepen her musical work by allowing her current preoccupations drive the generation of her art. When her father suddenly passed, Davis was stunned and needed to find a way to express her feelings. She read about grief and trauma, studying the work of Bessel van der Kolk, Mary Oliver, Resmaa Menakem, and Margaret Stroebe. Kubler-Ross's five stages of grief did not occur in a similar sequence for Davis, so she looked toward the self-help and mystical teachings her father expressed interest in, even up until his passing. // Looking back on her time with her father, Davis began to realize that she must deal not only with the immediate results of his passing but with the legacy of residual pain that he inflicted, intentionally or not. Living at a distance from one another, and his workaholic lifestyle, made things difficult in their relationship. Davis was still wrestling with this. // A welcome aid to Davis's recovery and work was a residency at the McDowell Artists' Colony in New Hampshire. At McDowell, she was able to begin sculpting what would become the pieces on Portals, Volume 1. A grant from the Jerome Foundation made it possible for her to complete the remainder of the compositions and recording in 2020. // Portals, Volume 1 is a collection of pieces that Davis wrote for her current quintet along with a string quartet, her first time orchestrating for this instrumentation. The quintet has been her regular group since 2019 and features trumpeter Marquis Hill, pianist Julian Shore, bassist Chris Tordini, and drummer Allan Mednard. For the string quartet, Davis knew that she desired string players who placed improvisation at the center of their practice. Having had the good fortune to work previously with a number of multi-talented players, she was able to recruit violinists Mazz Swift and Josh Henderson along with violist Joanna Mattrey and cellist Mariel Roberts. // The recording was made at Oktaven Audio in Mt. Vernon, New York during December 2020. The studio was a perfect environment for the musicians, and each had COVID tests prior to the dates. Engineer Ryan Streber offered advantageous assistance, helping with pacing and following the musical scores, insuring that every nuance was captured. // The experience of trauma is remembering, and reflecting on the past helps to consolidate, as feelings can be complicated and change over time. Examining her bodily reactions and re-drawing physical elements like heart rate, breathing, and eye movements, became a central part of Davis's practice. These strategies recognized the full scope of using her body as a portal in the process of healing.
PORTALS VOL. 1: MOURNING
$16.49
CD
SUNNYSIDE
Aug 27, 2021
SYS1628.2
TUMBAITO
GOOD TIME
Available as
CD
$13.99
Aug 24, 2021
Founded in 1977 by Lionel Hampton, the Who's Who in Jazz label existed as a means to present to the world the best musicians that the jazz world had to offer. With Lionel chairing the recording sessions (and also featuring on several of the sessions himself), these recordings have truly earned their title featuring jazz greats such as Buddy Rich, Charles Mingus, Terumasa Hino, Sonny Stitt, Teddy Wilson, St�phane Grappelli and Dave Brubeck, amidst the many others. 730167320948 GODM14141692.2 41995648 9.79 13.98 .26 GOOD TIME COMPACT DISCS POP JAZZ 08/24/2021 https://mediacdn.aent-m.com/prod-img/500/61/4006161-2740709.jpg 100 1 N
SANDOVAL,ARTURO TUMBAITO This early solo album by trumpeter Arturo Sandoval was recorded in Madrid, Spain a few years before his defection from Cuba. Sandoval performs six high-power sides (five original compositions plus "A Night in Tunisia") showcasing tremendous technique and ability with his ferocious and rapid licks. The recordings here feature pianist Hilario Dur�n and guitarist Jorge Chicoy.
TUMBAITO
$13.99
CD
GOOD TIME
Aug 24, 2021
GODM14141698.2
I PUT A SPELL ON YOU
VERVE
Available as
Vinyl
$33.49
Sep 30, 2016
Vinyl LP pressing. I Put a Spell on You is the 1965 album by Nina Simone, and features some of her best known songs. "I Put a Spell on You" is a song originally by Screamin' Jay Hawkins. The original version gave the song an ironic theme, but Simone transformed it into a thrilling love song, complete with horns and strings. It had become one of her most well-known songs. Nina Simone was an American singer, songwriter, pianist, arranger, and civil rights activist who worked in a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop. Simone's musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice.
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On Sale
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