REVIEWS:

“This is a delightful idea for a recording... The non-musical items in the programme are done splendidly by the soprano Margarette Ashton... The performers are excellent. With original instruments joining a soprano voice that is small but admirably suited to the repertoire... The well-recorded programme really does create images of the scene that we are intended to imagine. A recommendation then for an imaginative and enterprising CD.” – Classical Music on the Web

Sullivan, A.: Cox and Box

The long and vibrant tradition of art-song in England has seen many great composers from Finzi to Vaughan Williams, Gurney to Moeran and Warlock and countless more, supported for many years now by the English Poetry and Song Society. This is the third of four album sof live EPSS concert performances made by Dunelm for private use and now on general release due to demand; it contains work sby major composers and also the seven excellent finalists in the EPSS competition of 2004. The concert commemorates the tragic victims of the 1914-8 war including poet/composer Ivor Gurney amongst others. These EPSS recordings were made on portable recording equipment and with less than ideal microphone placement and are not to our usual modern standard. However they contain fine performances and many very unfamiliar and exquisite songs, which will delight any over of late-Romantic vocal music.

Includes work(s) by Charles Camilleri. Ensemble: Bournemouth Symphony Orchestra. Conductor: Brian Schembri. Soloists: Glen Inanga, Jennifer Micallef.

British Music for Piano Duo

Chisholm, E.: Music for Piano, Vol. 5

Chisholm, E.: Music for Piano, Vol. 2

Schubert, F.: Impromptus - D. 899, 935

Avison, C.: Concertos from Opus 9

Richards, Jonathan: Forever (30 Romantic Guitar Miniatures)

Splendour and Magnificence (The Glory of the Baroque Trumpet

Snell, D.: Chamber Music for Harp

Chisholm: Music for Piano, Vol. 6

Chisholm: Music for Piano, Vol. 7

Simply a wonderful collection of Romantic works written or arranged for flute and piano, performed by top British duo Smith & Rhodes; this collection should appeal to flute connoisseurs and avid music fans but also is absolutely perfect for the casual listener or for accompaniment to an intimate party or soiree.. and definitely has potential to be a good item for the more general public. Most of the tracks were first issued on ASV on a number of albums and have been re-compile into this collection with some new additions.

Chisholm, E.: Music for Piano, Vol. 3

Barnard, Trevor: A Piano Odyssey

Chisholm, E.: Music for Piano, Vol. 4

Chisholm, E.: Music for Piano, Vol. 1

Concept of the album

‘(ré)inventions à deux pianos’ is a complete recomposition for two pianos of J.S. Bach's 15 two-part inventions by Luxembourgish pianist Chiahu ‘Chia-Chia’ Lee, arranged for her duo with Yulia Vershinina-Mukhopadhyay. It's a personal rewriting of Bach's work from the original score in the style of classical music fused with pop, minimalism and smooth jazz. The name of the album is derived from the French title of Bach’s work ‘inventions à deux voix’. Rediscover Bach’s famous work through the lens of this crossover composition which can appeal to connoisseurs and amateurs alike.

About the artists

The piano duo Vershinina/Lee (Yulia Vershinina-Mukhopadhyay & Chiahu ‘Chia-Chia’ Lee) began their collaboration with Rheinberger’s arrangement of Bach’s Goldberg Variations for two pianos, which they have performed in various concert halls in the UK and Luxembourg, including the Philharmonie in 2019, cementing their mutual fascination with Bach’s music.

The pianists met during their studies at the Royal Northern College of Music in Manchester and their enduring friendship has set the ground for an exciting musical partnership. The idea of ‘variation’ has since been a red thread throughout their projects and led both women to constantly seek inspiration outside the conventional repertoire for two pianos. In fact, the duo has made it their aspiration to spread the word about lesser-known music and even write and arrange their own music.

In their recent Actart Concert at Luxembourg Conservatoire Yulia and Chia-Chia focused on works composed in the last 20 years by contemporary women composers.

Diversions is delighted to present the January 2026 release of Bach Lute Suites for Alto Guitar, from the Finnish guitarist Vesa Lassila. Even today, it's unclear whether Bach's Lute Suites were written for a lute-harpsichord, or even a harp. While the works have been recorded many times on the modern guitar, in Water Through Ice, guitarist Vesa Lassila presents his own arrangements for the the alto guitar. Lassila states, "With a little imagination, one can easily view the alto guitar as the modern instrument version of the baroque alto lute." The alto guitar on the recording features an instrument created by Finnish luthier Keijo Krelin in 2009, and provides a rich and powerful bass register alongside a light descant and clear voice, bridging the gap between modern sounds and historic authenticity. Water through Ice also includes arrangements for alto guitar of two Suites Bach originally composed for solo violin, but which were later transcribed or arranged by him for lute-harpsichord. "As a musician, the possibilities of the alto guitar opened a wider range of bass lines, meaning that unlike when performing Bach on the modern guitar," says Lassila, "one doesn't have to reduce the rich voice in the lower register but can instead employ the full two octaves as were written for the lute. The shorter scale of the fretboard allows for more open solutions in the fingerings and articulations in order to better bring out Bach's glorious counterpoint." These beautiful, intricate and technically demanding works continue to inspire musicians today because of their exceptional quality. Lassila traces Bach's well-planned musical narrations throughout the Suites to bring forth a poetic, musical journey, that "moves as water runs through ice, with musical diversions adding to the harmonious journey." Vesa Lassila is a Finnish guitarist who grew up in the city of Ylivieska. He began to play guitar at the age of twelve and little later began to take lessons with Jorma Styng. Lassila studied classical guitar in Helsinki and Oulu Conservatory with guidance from Timo Korhonen, Ismo Eskelinen and Ilkka Virta, also with Jan Olof Ericsson in Pite� Music Hogskola in Sweden. He has taken part in masterclasses held by Oscar Ghiglia, Jukka Savijoki and Roberto Aussel. Lassila works as a guitar professor at the Institute of Music in Ylivieska, in northern Finland.

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