Elmer Bernstein - Movie Themes, Mood Music & More 1952-62 - Elmer Bernstein was a composer and conductor who became renowned for his work in films and TV, writing, scoring and recording some of the most renowned and recognisable themes in in Hollywood history. He is not related to the renowned composer of stage musicals Leonard Bernstein. Born in 1922, he served in the USAF in WWII, working in Armed Forces Radio, and came to the fore in the early 1950s when he started writing for movies. This 44-track 2-CD collection primarily features soundtrack and commercial recordings of themes and other music written for films and albums during the first decade of his career. In addition, it includes selected titles from his albums "Blues And Brass" for Decca and "Movie & TV Themes" on the Choreo label. It includes "The Man With the Golden Arm", "Staccato's Theme", "The Magnificent Seven", and "Walk On The Wild Side", plus themes from "The Ten Commandments", "The Comancheros", "To Kill A Mockingbird" and more. Although he composed for many different genres of film, his style was very distinctive, characterised by dramatic and atmospheric melodies and arrangements that invariably conjured up the mood and imagery of the subject. Comprising a selection of works from his early career, this collection offers an entertaining and evocative showcase for that style.
Andre Previn - Early Years 1945-53 / Among his remarkable musical accomplishments, he was a brilliant pianist, and even at this early stage of his career - Andre Previn was a celebrated German/American pianist, composer and conductor, whose long career - he died in 2019 at the age of 89 - encompassed movie music, jazz and classical music. He composed or arranged music for more than 50 films, and was music al director and conductor for many top symphony orchestra as well as composing classical art music. This collection focuses on his early career as a jazz pianist. His family, who were Jewish, left Berlin for Paris and then the USA in 1938, and when he graduated from high school in Los Angeles in 1946, started working at MGM studios. However, by then he was already playing jazz piano in Hollywood clubs and had made his first records. This 66-track 3-CD collection comprises most of his recordings from these early years as a solo pianist, with small groups and with strings, released on the Sunset, V-Disc, Monarch, RCA-Victor and Tops labels. It includes the titles from his "Andre Previn Plays George Gershwin" and "Andre Previn Plays Fats Waller" albums. He was especially noted for his recordings with his trios, and this set features trio and quartet recordings with Irving Ashby, Red Callender, Lee Young, Al Viola, Charles Parnell, Jackie Mills, Bob Bain, Ralph Collier, Lloyd Pratt, Art Shapiro, Irv Cottler, Al Hendrickson Buddy Clark and Shelly Manne. Among his remarkable musical accomplishments, he was a brilliant pianist, and even at this early stage of his career, his playing is fast, fluent and imaginative, and this collection offers a fine showcase for those talents.
Florence Foster Jenkins was a New York socialite who, despite being a hopelessly incompetent 'singer', believed herself to be an operatic soprano of note, and performed for invited audiences at recitals for thirty years or more until her death in 1944, just weeks after her only public performance at Carnegie Hall, which attracted an incredulous response. She was unable to pitch a note accurately or hold a tune, nor did she have any sense of rhythm or timing, and this collection of the private recordings she made in the early 1940s admirably portray her singular lack of talent. She acquired a cult legendary status over the years, to the extent that in 2016 a high profile feature film biopic is being released, starring Meryl Streep and Hugh Grant, which will prompt a new surge of interest in her recordings. This release contains all the pieces she consigned to disc, comprising coloratura arias from well-known operas along with contemporary art songs, two written by her regular piano accompanist Cosme McMoon. It is simultaneously astonishing and hilarious, and for once the description of "unique" is amply justified.
Born in Mississippi in 1915, Al Hibbler, who was blind from birth, was a baritone vocalist whose career transcended the divide between big band jazz, rhythm and blues and sophisticated pop. Starting with the band of Jay McShann, he became the vocalist with Duke Ellington's orchestra in 1943, recording memorable hits with him and staying with Ellington until 1951, but along the way also forging a career as a solo recording artist, enjoying a string of R&B and pop hits, both in the USA and the UK. This 75-track 3-CD set comprises most of his A and B sides on the Aladdin, Sunrise/Miracle, Chess, Atlantic, Mercury/Clef/Norgran and Decca labels during this era. It includes all his career chart entries, most notably his US No. 3, R&B No. 1 and UK No. 2 in 1955 with "Unchained Melody" and his US pop Top 10 hits with "He" and "After The Lights Go Down Low", plus Top 10 R&B hits with "Trees", "Lover Come Back To Me", "Danny Boy" and "What Will I Tell My Heart". It includes a couple of fine recordings with the Count Basie Orchestra. Al Hibbler occupies a unique place in American popular music, and this substantial and comprehensive overview of his primary career as a chart-focused artist provides an enjoyable showcase for his smooth and distinctive vocal style.
Trumpeter and bandleader Harry James was one of the most important, successful and influential personalities of the swing and big band era, his unmistakeable bravura trumpet style providing an inspiration and benchmark for trumpeters across the jazz and orchestral genres. He was hugely popular on radio, as a 'live' attraction and on record with his music not only appealing to cutting edge jazz and big band enthusiasts, but also, through his recordings of "sweeter" orchestral material, featuring the many male and female vocalists who launched their careers with his bands, capturing a wider audience to achieve a remarkable string of big-selling hits from his debut as a bandleader in the late '30s right through into the 1950's just before the dawn of the rock 'n' roll era. This great-value 71-track 3-CD set comprises just about all his records which featured in one form or another of the charts during his career, including the few that were listed as being Top 10 hits before the launch of the record sales charts in Billboard in 1940, and those which featured thereafter in one or other of the published Billboard charts or related listings. It naturally includes his No. 1 hits "Sleepy Lagoon", "I Had The Craziest Dream", "I've Heard That Song Before", "I'll Get By", "I'm Beginning to See the Light" and "It's Been a Long, Long Time". Among the featured vocalists are Frank Sinatra, Dick Haymes, Helen Forrest, Kitty Kallen, Johnny McAfee, Buddy DeVito, Betty Grable, Willie Smith, Ginnie Powell, Marion Morgan, Art Lund and Dick Williams, and it also includes Harry's 1950s hits with Doris Day and Rosemary Clooney. It's a hugely entertaining overview of the commercially successful output of one of the great stylists and innovators of the big band era.
J.J. Johnson and Kai Winding were among the leading innovators and primary exponents of the trombone in modern jazz, exploring the instrument's potential in the challenging musical era following the emergence of bebop in the 1940s, where trumpet and saxophone were more suited to the medium's rapid tempos and demand for technical mastery. Having established their reputations as soloists, they came together in 1953 for the first time to collaborate on a series of projects in different group environments. This 77-track 4-CD set features most of the titles they recorded together during this period before they went their separate ways again. It includes material from the "Live at Putnam Central Club" performances plus tracks from the albums "Reflections" on Savoy, "An Afternoon At Birdland" on X, "Jay & Kai" on Prestige, "K + J.J." on Bethlehem, and "Trombone For Two", "Jai & Kai Plus 6", and "Jai & Kai At Newport" on Columbia, as well as titles with Quincy Jones' Orchestra. Among the musicians with whom they perform in the various line-ups are John Lewis, Charles Mingus, Kenny Clarke, Dick Katz, Quincy Jones, Lucky Thompson, Paul Chambers, Milt Hinton, Shadow Wilson, Hank Jones, Ray Brown and others. It makes for fascinating and enlightening listening as they present both familiar and original jazz repertoire in a variety of unusual musical settings, which include their renowned trombone octet, and it's an entertaining showcase for two of the most renowned jazz trombonists of their era.
Composer, arranger and conductor Henry Mancini is renowned for his involvement in music for the movies, none more so than his memorable and legendary collaboration with lyricist Johnny Mercer on "Moon River" for the classic Audrey Hepburn film "Breakfast At Tiffany's". However, he also wrote and recorded non-movie material for singles and albums, and this collection dips into both strands of his work during the early era of his recording career. This great-value 52-track 2-CD set comprises A & B sides of his s singles during these years on the Liberty, Coral and RCA labels, plus selected titles from his Liberty album "Driftwood And Dreams" and his RCA albums "The Blues And The Beat" and "Combo", which included arrangements of pop standards as well as his own compositions. It features his hits from this era, including the Academy Award winning "Moon River" and "Days Of Wine And Roses", plus the themes from "Mr. Lucky", "The Great Impostor" and "Hatari". Other movie and TV music featured in the set includes the themes from "Peter Gunn", "The Brothers Karamazov", "Experiment In Terror" and "Phaedra" plus "Baby Elephant Walk" from "Hatari". It's a fascinating and varied showcase for Mancini's unique skill as a composer of screen music but also offers a window onto his wider contribution to popular music.
Gerry Mulligan, who was primarily known as a baritone saxophonist, but was an expert exponent of other saxophones, clarinet and piano as well as being a highly-respected arranger, was one of the giants of post-war modern jazz and was one of the leading lights in the "cool jazz" movement focused on the USA's West Coast. In 1952 he began a legendary collaboration with the young lyrical trumpeter Chet Baker, newly-arrived on the jazz scene after an Army career, with the primary era of their professional relationship ending in 1953 when Mulligan was jailed on narcotics charges. This great-value 46-track 2-CD set comprises most of the recordings they made together during this time as part of Gerry Mulligan's quartet (Baker also featured in Mulligan's Tentette line-up and a quintet that included Lee Konitz), initially comprising informal 'live' recordings at The Haig jazz club in Los Angeles and at the house of recording engineer Phil Turetsky, and later at the Black Hawk club in San Francisco as well as more formal studio environments. After the first session, which involved pianist Jimmy Rowles and bassist Joe Mondragon, Mulligan developed an innovative piano-less line-up, using bass and drums to make up the quartets, with the pairings being Bobby Whitlock (bass) and and Chico Hamilton (drums), and Carson Smith (bass) and Larry Bunker (drums). It offers fascinating insights into the the way Mulligan and Baker developed an intuitive rapport, and an absorbing collection of landmark modern jazz performances.
Rosemary Clooney was America's most popular female vocalist of the 1950;s. She developed into to one of the premier interpreters of American popular song and went on to become not only an icon of American popular music, but also an inspiration to those looking to climb out of poverty and hardship as she had done herself. She shot to fame in the Big Band era, originally singing with her sister before taking the solo route and hitting the big time with "Come on a My House" the first of a string of world-wide hits. This CD includes two #1 U.K. hits, "This Ole House" (later revived by Shakin' Stevens) and "Mambo Italiano" (which returned to the charts in 2000 via the group Shaft). Acrobat. 2005.
Oscar Peterson was one of the most brilliant and distinctive modern jazz pianists to come to the fore in the post-war era, as adventurous small-group music and virtuoso soloists established new strands of jazz in the wake of the demise of the big swing bands as post-war austerity took hold and public tastes evolved. Initially making his mark in his native Canada, he made his first records for RCA in Montreal, but soon captured the attention of jazz impresario Norman Granz and within a few years was recording under his auspices for Clef/Mercury in New York. This great-value 47-track 2-CD collection specifically addresses those early years, and comprises studio recordings in trio, quartet and duo settings with a variety of line-ups, performing well-known Great American Songbook standards which were the staple repertoire of jazz improvisers in that era along with original compositions. The recordings come from ten different recording sessions, and feature trio and quartet recordings with bassists Bert Brown, Albert King & Austin Roberts, drummers Frank Gariepy, Roland Verdon, Russ Dufort, Mark Wilkinson & Clarence Jones, and guitarists Armand Sampson & Ben Johnson, plus recordings as a duo with bass players Ray Brown and Major Holley. It's an entertaining showcase for the already highly developed talent of one of the great piano stylists of the genre, and offers an insight into how his music evolved during the key formative years of his career.
Sarah Vaughan was one of the illustrious coterie of female vocalists who spanned the genres of jazz, big band music and sophisticated pop during the post-war era to provide some of the finest music of their times, not only interpreting the Great American Songbook and putting their own individual stamp on it, but continuing to perform top class new material through the musical upheavals of subsequent decades. Described by renowned music critic Scott Yanow as the "possessor of one of the most wondrous voices of the 20th century" she performed and recorded consistently through to her demise in 1990. This great value 69-track 3-CD collection follows directly on in her career from our earlier release "The Early Years 1944-48" Sarah Vaughan (Acrobat ADDCD3251), and comprises the A and B sides of her releases on Columbia during her time with the label from 1948 through to 1953. It naturally includes all her eleven Billboard Top 30 entries in these years including the Top 10 hit "I Love The Guy", and features performances with Miles Davis, Bennie Green, Jimmy Jones and Budd Johnson, and the orchestras of Joe Lippman, Hugo Winterhalter, Norman Leyden, Percy Faith, Paul Weston and George Treadwell. In addition, the collection includes bonus tracks comprising 'live' recordings from this era with Jimmy Jones, Stan Getz and Dizzy Gillespie, plus her 1950 MGM singles with Billy Eckstine. It's a comprehensive overview of this important period in her career and a thoroughly enjoyable showcase for her peerless talent as she effortlessly spans the world of jazz and commercial pop.
Art Blakey's Jazz Messengers were a major influential creative force in modern jazz for over three decades, with Blakey actively leading different incarnations of the band through to his death in 1990. They were legendary as representing the archetypal hard bop school of jazz, with a driving blues-flavoured approach. These performances came from early in the development of the Messengers soon after drummer Art Blakey and pianist Horace Silver had formed the group with tenor saxophonist Hank Mobley, trumpeter Kenny Dorham and bassist Doug Watkins, and these recordings were the first 'live' performances by this line-up to be recorded and released, and so represent something of a landmark. This set comprises the performances which were subsequently released on the Blue Note label. In addition, by way of a bonus, we also feature three studio tracks which this line-up had recorded at their first session together in November 1954, which were released by Blue Note as The Horace Silver Quintet. Including several extended performances where the full range of the group's skill and style can be fully appreciated, this is a great showcase for one of the most admired ensembles in modern jazz, capturing the modern jazz zeitgeist of those years.t.
Composer, arranger and conductor Henry Mancini is renowned for his involvement in music for the movies, none more so than his memorable and legendary collaboration with lyricist Johnny Mercer on "Moon River" for the classic Audrey Hepburn film "Breakfast At Tiffany's". However, he also wrote and recorded non-movie material for singles and albums, and this collection dips into both strands of his work during the early era of his recording career. This great-value 52-track 2-CD set comprises A & B sides of his s singles during these years on the Liberty, Coral and RCA labels, plus selected titles from his Liberty album "Driftwood And Dreams" and his RCA albums "The Blues And The Beat" and "Combo", which included arrangements of pop standards as well as his own compositions. It features his hits from this era, including the Academy Award winning "Moon River" and "Days Of Wine And Roses", plus the themes from "Mr. Lucky", "The Great Impostor" and "Hatari". Other movie and TV music featured in the set includes the themes from "Peter Gunn", "The Brothers Karamazov", "Experiment In Terror" and "Phaedra" plus "Baby Elephant Walk" from "Hatari". It's a fascinating and varied showcase for Mancini's unique skill as a composer of screen music but also offers a window onto his wider contribution to popular music.
Carmen McRae was one of the finest and most highly-regarded jazz and sophisticated pop singers of the post-war era, renowned for her highly individual interpretation of the standards of the Great American Songbook. Born in Harlem of Jamaican parentage in 1920, she performed in New York's jazz clubs in the 1940s and made her first record until 1946. This great-value 97-track 4-CD set comprising her first release on Musicraft with Mercer Ellington, plus A&B sides of her singles on the Stardust and Decca labels through to 1958, including her releases with Sammy Davis Jr., and which include the titles from her "A Foggy Day" album for Stardust, plus all the titles from her albums "Carmen McRae" on Bethlehem, and "Torchy", "By Special Request", "Blue Moon" and "Afterglow" on Decca. It includes her chart entries from this era "Next Time It Happens" and "Skyliner". On these recordings, she is accompanied by orchestras arranged and conducted by Jack Pleis, Tadd Dameron, Vic Shoen and Ralph Burns, and star-studded jazz groups led by Mat Mathews and Tony Scott. It's a substantial and thoroughly absorbing overview of the first key decade and more of her career when she established herself as a highly distinctive and supremely talented vocal stylist across the jazz and pop spectrum.
The music of Glenn Miller's orchestra was central to the style and atmosphere of the Swing Era and is inextricably associated with the Allied victory in WWII, his hits keeping people's spirits up on both sides of the Atlantic, with Miller himself becoming part of the war effort until his mysterious disappearance in 1944. Such was his popularity that in the period of less than a decade from his launching his orchestra in the mid-30s through to his demise, he had over 120 hits, both with his instrumental classics and with the new songs of the time. This great value124-track 5-CD set comprises just about all of recordings on the Columbia, Brunswick, Bluebird, Victor and RCA-Victor labels which are listed as hits in standard industry sources, many from the era after the launch of the Billboard record sales charts in 1940. It features an extraordinary tally of 21 No. 1s, including "A String of Pearls", "(I've Got a Gal In) Kalamazoo", "Don't Sit Under the Apple Tree", "Moonlight Cocktail", "Chattanooga Choo Choo", "Tuxedo Junction", "In the Mood", "Blueberry Hill", "Fools Rush In" and many more. The featured vocalists include Ray Eberle, Marion Hutton, Tex Beneke, Kathleen Lane, Jack Lathrop, Dorothy Claire, Paula Kelly, Skip Nelson and The Modernaires. It's a substantial and entertaining showcase for one of the most important orchestras of the times, and an enormously evocative journey through the popular music landscape of a remarkable era in modern history.
J.J. Johnson and Kai Winding were among the leading innovators and primary exponents of the trombone in modern jazz, exploring the instrument's potential in the challenging musical era following the emergence of bebop in the 1940s, where trumpet and saxophone were more suited to the medium's rapid tempos and demand for technical mastery. Having established their reputations as soloists, they came together in 1953 for the first time to collaborate on a series of projects in different group environments. This 77-track 4-CD set features most of the titles they recorded together during this period before they went their separate ways again. It includes material from the "Live at Putnam Central Club" performances plus tracks from the albums "Reflections" on Savoy, "An Afternoon At Birdland" on X, "Jay & Kai" on Prestige, "K + J.J." on Bethlehem, and "Trombone For Two", "Jai & Kai Plus 6", and "Jai & Kai At Newport" on Columbia, as well as titles with Quincy Jones' Orchestra. Among the musicians with whom they perform in the various line-ups are John Lewis, Charles Mingus, Kenny Clarke, Dick Katz, Quincy Jones, Lucky Thompson, Paul Chambers, Milt Hinton, Shadow Wilson, Hank Jones, Ray Brown and others. It makes for fascinating and enlightening listening as they present both familiar and original jazz repertoire in a variety of unusual musical settings, which include their renowned trombone octet, and it's an entertaining showcase for two of the most renowned jazz trombonists of their era.
At King Cole was undoubtedly one of the most popular, successful and respected vocalists of the post-war era, and would have enjoyed even greater success had his career not been cut short by cancer when he was just 45 years old. His success reflected his ability to transcend the boundaries between jazz and easy listening pop, with a unique talent both as a singer and top flight jazz pianist. He initially enjoyed success in the R&B charts with his trio in the early '40s, pioneering the piano, bass and guitar line-up, before embarking on a solo career in 1947, and racking up a remarkable string of hits through until his death in 1965. This collection brings together in a great-value 115-track 5-CD set all of his US Billboard chart entries and his UK hits, both with the King Cole Trio and as a solo artist, up until 1962, and includes classic No. 1s like "Nature Boy", "Mona Lisa" and "Too Young", as well as many other iconic recordings, notably the perennial favourite "When I Fall In Love".
Charlie Parker was without doubt one of the most important and influential musicians in the entire history of jazz, as a pioneering and innovative alto saxophonist during the bebop era, as a composer of some of the enduring modern jazz standards, and as a bandleader and catalyst in a remarkable range of musical settings during a career that was all too brief, cut short by an early death as a result of the excesses of his pressurised lifestyle. Coming to the fore in the early 1940s, he was an early collaborator of like-minded luminaries such as Dizzy Gillespie and Miles Davis, and over the next decade produced a substantial and extraordinary body of recorded work. This great-value 137-track 6-CD set comprises some interesting early recordings with other leaders, and then a significant proportion of his recordings as a leader and as a prominent member of other leaders' bands, working in a variety of formats from quartets and quintets, through to noted recordings with strings. It includes most of his recordings on the Savoy and Dial labels, and on Mercury, Clef, Norgran and Verve for Norman Granz, his primary record company relationships, and features some of the finest musicians of the day, including Dizzy Gillespie, Miles Davis, Thelonious Monk, Buddy Rich, Milt Jackson, Ray Brown, Erroll Garner, Barney Kessel, Bud Powell, John Lewis, Hank Jones, Art Blakey, Sarah Vaughan, Sonny Rollins, Percy Heath, Charles Mingus and more. It does not purport to be a complete or definitive anthology, but it certainly represents about as comprehensive and representative cross-section of his work as can be accommodated in this set.
This collection comprises all hits with his orchestra and small bands during these years on the Melotone, Columbia and Victor labels. It features his No.1 hits from these years and includes: Moon Glow, It's Been So Long, Goody-Goody, The Glory of Love, These Foolish Things, You Turned The Tables On Me, Goodnight My Love, This Year's Kisses, Don't Be That Way and I Let A Song Go Out Of My Heart. It includes performances by featured vocalists Jack Teagarden, Billie Holiday, Mildred Bailey, Scrappy Lambert, Ann Graham, Helen Ward, Ray Hendricks, Margaret McCrae, Jimmy Rushing, Betty Van and Martha Tilton. It's a fascinating and enlightening overview of a key era of popular music when swing arrived on the scene, and a fine showcase for one of the most influential musicians of his times.
Dinah Washington - Hits And Classics: The Singles Collection 1944-62 - Dinah Washington was one of the most popular and successful female singers of the post-war decades, her immaculate vocal style and phrasing enabling her to encompass blues, R&B, jazz, big band and sophisticated pop with ease, and had her life not been cut short in 1963 at the age of 39, she would undoubtedly have had a lengthy career as an album artist. As it was, she was consistently successful with her single releases, racking up 60 hits across the US pop and R&B charts. This 108-track 4-CD collection comprises selected A & B sides of her releases on the Keynote, Decca, Apollo and Mercury labels from this era, with at least one side of most of her records included. It features 58 of her hits, including the R&B No. 1s "Am I Asking Too Much", "Baby Get Lost" and "This Bitter Earth", and numerous Top 5 hits including "What A Difference A Day Makes", "It's Too Soon To Know", "September In The Rain", "Teach Me Tonight" and the Top 5 duet hits with Brook Benton "Baby (You've Got What It Takes)" and "A Rockin' Good Way". It features performances with some of the top orchestras of the day, including the sextets of Lionel Hampton and Leonard Feather, and with Lucky Thompson's All Stars, plus the orchestras of Quincy Jones, Hal Mooney, Belford Hendricks, Ike Carpenter and more. It's a substantial and varied showcase for one of the great singers of the era
Chick Webb was a jazz and swing drummer and bandleader who enjoyed huge success and popularity during the 1930s before his career was tragically cut short by his death from spinal tuberculosis in 1939 at the age of 34. He was renowned for introducing the teenaged Ella Fitzgerald to the scene as his featured vocalist. With a much-admired powerful virtuoso drumming technique, he was a highly influential figure, paving the way for the likes of Gene Krupa, Buddy Rich and Louie Bellson. This 16 track LP shines a light on his most important and influential releases under his own name. It contains a significant number of recordings featuring Ella Fitzgerald, who performed on several of his 17 career hits, most notably the No.1 "A-Tisket, A-Tasket". Also featured is his original version of "Stompin' At The Savoy", plus many other classics of the era - "Don't Be That Way", "You'll Have To Swing It", "Rock It For Me", "Undecided", "T'Ain't What You Do" and more. It's a substantial overview of his recording career, and a highly entertaining showcase for his distinctive approach, not to mention his important work with Ella Fitzgerald as an emerging star of the day.
Vinyl LP pressing. Anyone with more than a merest passing interest in jazz will not need to be told that William Count Basie was one of the most important personalities in the entire history of the genre. As pianist, bandleader, and composer, he was not only one of the most influential figures in shaping the sounds that were central to jazz from the 1930s through to the 1950s, but his bands often provided a springboard for many great names to emerge onto the wider scene. We hope that this musical snapshot of the era at the start of Basie's career as a bandleader offers a fascinating insight into the foundations of his reputation. Pressed on 140g black vinyl, the set includes One O'clock Jump, Good Morning Blues, Every Tub, Swinging The Blues and Blue And Sentimental. Basie once said: If you play a tune and a person don't tap their feet, don't play the tune... This 14-track LP of songs, which captures Count Basie's Orchestra during a brief but pivotal period in his career, will certainly get you tapping those feet.
Kenny Dorham was a jazz trumpeter, composer and bandleader, born in Texas in 1924, who was always highly regarded and widely respected, without breaking into the upper echelons of the genre alongside high profile giants like Miles Davis and Dizzy Gillespie. Jazz writer Garry Giddins said that "Dorham's name has become 'virtually synonymous with 'underrated'". Beginning his recording career in 1945 as the bebop revolution took hold, he recorded as a sideman with a host of major names, most notably Charlie Parker, until recording his first session leading his own band in 1953, for the Debut label. This 2-CD collection comprises the complete original contents of four of his early albums as leader - "The Kenny Dorham Quintet" on Debut, "Afro-Cuban" and "'Round About Midnight - 'Live' At The Cafe Bohemia" on Blue Note and "Kenny Dorham & The Jazz Prophets" on ABC-Paramount. He records with various quintet and sextet line-ups (expanded with percussion on "Afro-Cuba"), which feature significant jazz names of the day, including Jimmy Heath, Walter Bishop, Percy Heath, Kenny Clarke, J.J. Johnson, Hank Mobley, Horace Silver, Oscar Pettiford, Bobby Timmons, Arthur Edgehill and more. Featuring a mixture of original compositions and standards, it showcases his qualities as both trumpeter and leader.
