SWEET ON CANDY: BEST OF 1953-61

Maynard Ferguson - With His Own Bands: Early Years 1954-57 / Canadian jazz trumpeter Maynard Ferguson was something of a prodigy as a youngster, playing solos with the Canadian Broadcasting Corporation Orchestra broadcasts when he was 13 years old, and was always destined for a career in music, training at the Conservatoire in Montreal until 1948. He moved to the USA and played with the bands of Boyd Raeburn, Jimmy Dorsey and Charlie Barnet before joining Stan Kenton for an extended stint in the early '50s. The recordings featured here represent his first forays into recording leading his own bands. This 43-track 2-CD collection comprises all the titles (excluding one which could not be included for reasons of space) from his albums on the Emarcy label "The Maynard Ferguson Octet", "Dimensions", "Around the Horn with Maynard Ferguson" and "Boy with Lots of Brass", with line-ups ranging from an octet to a 13-piece big band. It features many original compositions, with a number by tenor saxophonist and arranger Bill Holman, along with arrangements of classic Songbook standards, with the musicians involved including Bud Shank, Shelly Manne, Milt Bernhart, Herb Geller, Georgie Auld, Red Callender, Nino Tempo, Ray Linn, Bill Holman, Ray Brown, Alvin Stoller, Bobby Timmons, Larry Bunker and many more. It's an intriguing and entertaining insight into his work as he leads his own bands on record for the first time

COOLEST OF THE COOL: 1952-53

WHEN DIZ MET LALO: SELECTED RECORDINGS 1960-62

SHAKE 'EM ON DOWN: COLLECTED RECORDINGS 1939-42

Barney Kessel - The Contemporary Years: Selected Recordings 1953-57 / Ranging across standards and his own compositions, it's a fascinating and enlightening showcase for a great guitarist - Barney Kessel was a jazz guitarist who is widely regarded as one of the most brilliant and versatile guitarists of the post-war era, who had a parallel career as one of the most in-demand session men in Hollywood, appearing on dozens of hit records and movie soundtracks. Emerging on the scene at the start of the 1940s he was greatly influenced by Charlie Christian, and became a fixture on bebop sessions through into the 1950s, working with the likes of Charlie Parker and Oscar Peterson and on the Jazz At The Philharmonic shows. This 43-track 2-CD collection comprises selected titles he recorded leading his own bands on albums for the Contemporary label during the middle years of the 1950s. It features tracks culled from his albums "Barney Kesssel", "Barney Kessel Vol. 2", "Easy Like", Barney Kessel Plays Standards", "To Swing Or Not To Swing", "Music To Listen To Barney Kessel By" and "Poll Winners". It includes recordings with Bud Shank, Harry Babasin, Shelly Manne, Harry 'Sweets' Edison, Jimmy Rowles, Al Hendrickson, Andre Previn, Buddy Collette, Ray Brown and other noted musicians who were members of his line-ups for these sessions. Ranging across standards and his own compositions, it's a fascinating and enlightening showcase for a great guitarist best-known for his work with other bands, but is here featured as a leader. Barney Kessel - The Contemporary Years: Selected Recordings 1953-57.

Big Joe Williams - Baby Please Don't Go: The Collection 1935-62 / Big Joe Williams was a Delta blues singer, songwriter and guitarist famous for the distinctive sound of his unique nine-string guitar, as well as for recording classic songs like "Baby Please Don't Go" and "Crawling King Snake". His career was remarkable for the fact that he recorded through every decade from the mid-1930s into the'70s, although his periods of active recording were somewhat erratic, while he maintained a constant round of 'live' performing. This great-value 115-track 5-CD set comprises most of the A & B sides of his releases on the Bluebird, Columbia, Bullet, Trumpet & VeeJay labels from 1935 to 1957, plus EP titles and the titles from his albums "Piney Woods Blues", "A Man Sings The Blues, "Tough Times", "Blues On Highway 69", "Nine-String Guitar Blues" and "Mississippi's Big Joe Williams & his Nine-String Guitar" from 1957 through to 1962. It includes recordings where he is accompanied by noted contemporaries like Sonny Boy Williamson, Ransom Knowling, Robert Lee McCoy, Judge Riley and others. He was one of the most impressive blues performers of his era who inspired many artists of later years like Bob Dylan, and this substantial collection offers an entertaining showcase for a highly original and influential artist.

The top bands and accompanists of the day during his career, including Earl Hines, Dizzy Gillespie and Erroll Garner, and became famous during the 1970s, beyond the scope of this collection, for an album he made with John Coltrane. Unlike his more middle-of-the-road peers in the world of post-war sophisticated pop, he did not make records aimed at the singles charts so is less well-known than artists like Tony Bennett, Johnny Mathis and Mel Torme, but was a singer who was highly-regarded by his peers and aficionados. This excellent-value 52-track 2-CD collection comprises material drawn from singles and albums, featuring recordings with the orchestras of Earl Hines, Dizzy Gillespie, Jimmy Carroll, George Williams, Norman Leyden, Perez Prado, Howard Biggs and Frank Hunter, plus the Errol Garner Trio. It includes selected titles from Regent/Savoy album Johnny Hartman Sings, and his albums on the Bethlehem label Songs From The Heart, All Of Me: The Debonair Mr. Hartman and And I Thought About You. He was a fine interpreter of the repertoire of the Great American Songbook, and this collection offers an insight into the talents of a performer who has not has the attention he merits, and is an entertaining showcase for his work.

STATESBORO BLUES: COLLECTED RECORDINGS 1927-1950

Lightnin' Hopkins - The Singles Collection Vol. 1 1946-53 - This substantial collection covering the early years of his recording career helps to explain and underline that view / Sam "Lightnin'" Hopkins was one of the true blues greats, a singer, guitarist, songwriter and occasional pianist from Texas, who through a life as a long-time solo performer developed a highly distinctive style, playing rhythm, lead, bass and percussion, with a legendarily unstructured approach to the 12-bar format. Musicologist Mark McCormick said that Hopkins is "the embodiment of the jazz-and-poetry spirit, representing it's ancient form in the single creator whose words and music are one act". Born in 1912, he did not get an opportunity to record until the post-war years, and then recorded prolifically for a variety of labels. Acrobat has addressed his output on 78s and 45s from 1946 to 1962 with two 3-CD sets of which this is the first. This 78-track collection comprises the A & B sides of just about all his releases during these years on the Aladdin, Modern, Gold Star and RPM labels. His RPM releases overlapped with his releases on the Sittin' In With label which begin in 1951 and start Vol. 2. It includes his hits in the US R&B charts with "Shotgun Blues", "T Model Blues" and "Tim Moore's Farm". It also includes records for Aladdin with pianist Wilson "Thunder" Smith. His New York Times obituary in 1982 said he was "one of the great country blues singers and perhaps the greatest single influence on rock guitar players", and this substantial collection covering the early years of his recording career helps to explain and underline that view.

HOW MANY HEARTS HAVE YOU BROKEN: SINGLES 1939-54

Bessie Smith, "The Empress Of The Blues", a uniquely powerful, soulful and uncompromising blues singer, was an originator and a star. She became one of the highest-paid Black performers of her time, influencing fellow blues and jazz singers for generations to come and helping transform the record industry. After treading the vaudeville boards in the 1910's alongside Ma Rainey, Smith rose to the top and was picked up by a struggling Columbia Records. Her first single Down Hearted Blues sold nearly a million in 8 months, saving Columbia from bankruptcy. Pressed on 140g black vinyl, this 13-track LP features some of The Empress' best-loved songs from her tragically short career. From her very earliest sessions in 1923, through collaborations with Louis Armstrong and Fletcher Henderson to later reflections on prohibition. A fitting tribute to one of the true heroes, not only of the blues, but musical history itself.

VOUT FLOOGIE & TUTTI FRUTTI: SELECTED RECORDINGS

Benny Goodman HITS COLLECTION VOL. 2 1939-53 - This collection comprises all hits with his orchestra and small bands during these years on the Victor, Columbia, Okeh & Capitol labels. It features his No.1 hits from these years Darn That Dream, There'll Be Some Changes Made, Somebody Else Is Taking My Place, Jersey Bounce and Taking A Chance On Love. The collection includes performances by featured vocalists such as: Louise Tobin, Mildred Bailey, Martha Tilton, Helen Forrest, Peggy Lee, Art Lund, Lou McGarrity, Dick Haymes, Jane Harvey, Dottie Reid, Peggy Mann, Liza Morrow, Eve Young, Matt Dennis, Lillian Lane, Al Hendrickson, Jimmy Ricks, Nancy Reed and Helen Ward.

Lil Green was one of leading female American blues and R&B singers and songwriters of the 1940s, with a sensuous and sinuous soprano voice, and a fine sense of phrasing and timing that made her one of the most distinctive blues song stylists of her day. Born in Mississippi, she was brought up with the music of the Delta, and performed in the juke joints there in her teens before heading to Chicago where she did all her recording. This 51-track 2-CD collection comprises just about all the A & B sides of her career releases on Bluebird, Victor, Aladdin and Atlantic labels. It includes her Top 10 R&B hit "Let's Be Friends" and her classic songs "Romance In The Dark" and "Why Don't You Do Right", with compositions from Big Bill Broonzy, Joe McCoy and other writers alongside her self-penned material and her versions of many well-known blues and jazz standards. It features performances with Champion Jack Dupree, Big Bill Broonzy, Ransom Knowling, Simeon Henry, Budd Johnson and other noted musicians from the Chicago scene. While not being an absolutely complete or definitive anthology, this collection offers a substantial proportion of here career recordings, and is a fine showcase for her highly individual style. This collection offers a substantial proportion of here career recordings

Vinyl LP pressing. Marion Little Walter Jacobs was possibly one of the most important blues artists of the post-war era. He not only revolutionised harmonica playing by using amplification to compete with the growling guitars of the Chicago blues movement, he changed the way the harp was perceived and opened up a new world of instrumentation. Walter purposely pushed his amplifiers beyond their intended technical limitations to explore and develop radical new timbres and sonic effects previously unheard from a harmonica or indeed, any other instrument. This natural distortion opened musicians ears to the possibilities of their own instruments and, in many ways, laid the foundations for the blues boom to come along in the sixties. Walter was the first, and to this point, only artist to have a No.1 hit with his self-penned, harp led instrumental Juke. He went on to have numerous R&B chart hits before succumbing to his wild, violent and hard drinking life-style. This LP features all Little Walter's biggest R&B chart hits from his debut No.1 Juke, to his last chart entry in 1959, the ironically titled Everything Gonna Be Alright.

Despite having such a short recording career, the original guitar hero Charlie Christian single-handedly revolutionised the electric guitar. With having no direct influence on his guitar playing, he used the horn and reed lines he heard from the likes of Lester Young as inspiration to develop his unique single line phrasing - and so was born the guitar solo. Christian tragically died at 25 of tuberculosis, just as he was jamming with cool cats Thelonious Monk and Charlie Parker on the East coast, developing the future sound of be-bop. Our collection features some of the best material he recorded with the legendary Benny Goodman small bands. Playing alongside such luminaries of the jazz world as Goodman himself, Count Basie, Fletcher Henderson, Papa Jo Jones, Lester Young and Lionel Hampton, Christian shone above them all with his utterly unique and pioneering playing.

Blind Boy Fuller, born in 1904 in North Carolina, was one of the noted bluesmen of the Piedmont school of blues, alongside the likes of Blind Blake, Josh White and Buddy Moss. A as a songwriter, singer and guitarist with a formidable fingerpicking style he occupies a significant niche in the history of blues during the late 1930s and into the 40/, prior to his untimely demise in 1941, His songs had honesty and integrity, reflecting his poor background, but also with a hokum humour redolent with double entendres. This 51-track 20CD collection comprises selected sides from the releases across his career on the Vocalion and Okeh labels, with tracks taken from as many of his sessions as possible in order to provide as representative an overview of his recorded output as we could, with notable titles featured including Rag Mama Rag, Get Your Ya Yas Out (borrowed by the Rolling Stones for an album title), Lost Lover Blues abd Step It Up And Go. It includes recordings with some of his noted collaborators, including harmonica luminary Sonny Terry, guitarist Brownie McGhee and washboard player Bull City Red (aka George Washington. His music is listenable and entertaining, and this collection is an enlightening showcase for a noted bluesman.

Fats Waller - All The Hits And More 1922-43 swing era, an artist with an unmistakably distinctive style and a way with a song whose work transcended the different strands of jazz that emerged during the 20 years or so when he established his reputation and enjoyed all his success as a recording artist. He was renowned as an influential innovator of the Harlem style of stride piano, but also became famous playing the organ and celeste on his sessions. Recording both solo and in small groups, and equally well-known and loved for his instrumental and vocal recordings, he had over 60 hits between 1929 and 1943, when he died suddenly from pneumonia at the tragically early age of 39. This great-value 75-track 3-CD collection contains all those hits plus selected other recordings which are among his most highly-regarded and popular work. It naturally features the recordings for which he is best-known, including his No. 1s with "Truckin'", "A Little Bit Independent", "All My Life", "It's A Sin To Tell A Lie", "Smarty" and "Two Sleepy People and classics like "Honeysuckle Rose", "Ain't Misbehavin'" and "I'm Gonna Sit Right Down And Write Myself A Letter". It's a substantial and enjoyable showcase for one of the great personalities of jazz.

Vinyl LP pressing. Etta James' approach to both singing and life was one akin to riot and rebellion that included violence, drug addiction, armed robbery and highly impulsive behaviour. She sang with unrivalled emotion and a pain that can leave the stoniest listener in emotional turmoil. The ferocity of her voice reflected her traumatic life... a neglected child, a teen drug addict, a woman constantly entering into bad relationships and an artist raging against an industry and a society that had routinely discriminated against her. Over a career spanning more than half a century Etta 'Peaches' James has become a true blues icon. Widely acknowledged as one of the most important and influential female blues and R&B singers of the post-war era, she has been cited by critics, peers, younger artists whom she influenced, industry insiders and consumer aficionados, as one of most versatile and expressive blues singers. Effortlessly bridging the divides between pure blues, rhythm and blues, rock n' roll, sophisticated pop and jazz with an intensity and passion rarely matched. From Bonnie Raitt to Beyonce, Tina Turner to Adele, Etta James stands alone in her far reaching influence. This LP shines a light on her early career, showcasing some of her greatest and earthiest recordings. From her first single as a delinquent teenager The Wallflower, through to the distinctly Motown influenced Next Door To The Blues we hear just why Etta James is the true embodiment of blues.

ALL THE HITS AND MORE 1923-1940

BARBECUE BLUES: THE COLLECTION 1927-30

Blind Lemon Jefferson - Complete Releases 1926-29 / Blind Lemon Jefferson was one of the most important, influential and successful of the early bluesmen, a singer, songwriter and guitarist who has been called "The Father Of Texas Blues", and he was one of the earliest and most prominent figures in the blues movement that developed in the Deep Ellum area of Dallas. He was one of the first solo guitarist/vocalists in the commercial recording world, being invited to Chicago in early 1926 to do his first sessions for Paramount. His high-pitched voice and unusual guitar style made him a distinctive performer, writing songs about everyday life and experiences, and his skilful guitar playing and impressive vocal range created opportunities for other solo performers like Charley Patton and Furry Lewis. This substantial and excellent-value 87-track 4-CD collection comprises, as far as we are aware, every recording he made which was commercially released, primarily comprising his releases on Paramount, but also featuring titles he made in a brief foray to the Okeh label, and including a couple of titles he made as a member of the Paramount All Stars. He wrote and recorded many classics of the genre, all of which are featured here, and the collection is a comprehensive and definitive showcase for an innovative blues pioneer.

Count Basie - The Legendary New Testament Band 1952-55 - Count Basie was one of the most celebrated and influential personalities in jazz, as pianist, organist, bandleader, composer and innovator, both during his stellar career which spanned half a century across the middle decades of the 20th century, and in the years since then. That career encompassed several musical and stylistic eras, and one of the most notable of those was the period in the early 50s, when, after a creative re-think, he formed a new orchestra, which became known as "The New Testament Band", which adopted a musical approach which was fresh and distinctive. That approach was captured on recordings which were done at sessions covering a period of around four years, with the titles being issued on several albums which came out on Norman Granz's Clef and Verve labels during the mid-1950s. This 63-track 3-CD collection comprises just about all the recordings which were released on the albums "The Count", "Basie Jazz", Basie Rides Again", "The Swinging Count", "Dance Session", "Dance Session No. 2", and "Basie". As one would expect, the performances feature some notable jazz names, including vocalist Al Hibbler, as well as renowned arrangers like Neal Hefti, Buster Harding and Manny Albam. It's a collection which offers an enlightening, entertaining and substantial snapshot of Basie's music at a key moment in his career. - It's a collection which offers an enlightening, entertaining and substantial snapshot of Basie's music at a key moment in his career.

The Acrobat catalogue contains a wealth of blues collections by artists from across the spectrum of the genre, and this fantastic-value 100-track 4-CD set comprises recordings selected from just about every artist represented in the catalogue, and offering a rich cross-section of the finest blues of the 20th century. Inevitably it draws on every strand of the blues and just about every regional variation, from country blues from the Delta, to electric blues from Chicago, post-war California blues, New Orleans blues, Piedmont blues, New York Blues and more. The genre's most influential luminaries and it's biggest stars are all here - B.B. King, Muddy Waters, John Lee Hooker, Bill Bill Broonzy, Charley Patton, Howlin' Wolf, Bessie Smith, Lightnin' Hopkins, Ma Rainey, and dozens more. Presented more or less in chronological order, it offers an extraordinary feast of music which provides not only a window on the development of the music of the African-American population of the USA, who provide the vast majority of the recordings here, but an anecdotal social commentary on their lives and observations which are the subject of many of the songs. It's a collection which anyone with the remotest interest in the blues will undoubtedly enjoy.