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And Wendy Warner’s addition to that number is a stellar confirmation of its popularity to audiences and particular appeal to performers.\u003cbr\u003e  \u003cbr\u003e That same popularity applies to the C major concerto, written in the 1760s, some 20 years earlier than the D major, yet only re-discovered in 1961 and given its modern premiere in Prague a year later. This work features even more brilliant bursts of virtuosic writing for the soloist—and Warner really digs in: you can just picture the flashing bow strokes, the swift, fluid motion of fingers, and a resultant musical enunciation that seems so easily and effortlessly produced, so absolutely natural, and so articulate and artful that you wouldn’t care if the tune were “Twinkle, twinkle little star”, you’d be just as impressed and satisfied. In fact, in view of the grand heap of Haydn cello concerto recordings, Warner’s playing places this one at the very top.\u003cbr\u003e  \u003cbr\u003e Warner’s impressive command of style and technique also serve to convince us that the “other” concerto on the program—a little-known work by Czech composer, and friend of Mozart, Joseph Myslivecek—is a more than worthy companion to the Haydn pieces; in fact, if you’re not paying very close attention, you won’t notice the transition from the Haydn C major concerto to Myslivecek’s work in the same key—the style and quality of Myslivecek’s composition makes an easy, almost seamless flow from one piece to the next. Combining this work with the two Haydn concertos was a smart bit of programming that, along with the unquestioned virtuoso performances of Wendy Warner, gives this disc an extraordinary value not only for collectors but for those who have yet to acquire a recording of these essential Haydn works. Praise for the orchestra and its conductor Drostan Hall must not go without mention—they are outstanding collaborators whose appropriately styled, energetic playing and remarkably tight ensemble complement every note and expressive utterance from Warner’s Guarneri cello. The sound, from College Church in Wheaton, Illinois, is consistent with Cedille’s highest standard. 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There aren't any risky choices on Desmond's volume, but that's fine, since each of the title's 11 cuts -- including \"When Joanna Loved Me,\" \"Body and Soul,\" \"My Funny Valentine,\" \"Embarcadero,\" and \"Then I'll Be Tired of You\" -- sustains a mellow, romantic mood. This record may not really be necessary, but for anyone looking for lovely, romantic music from Desmond, it's not a bad choice at all. \u003cbr\u003e  \u003cbr\u003e  -- Stephen Thomas Erlewine, AllMusic.com \u003cbr\u003e \u003cbr\u003e  Personnel includes: Paul Desmond (alto saxophone); Albert Richman (French horn); Gene Bianco, Gloria Agostini (harp); Jim Hall (guitar); Eugene Wright, Gene Cherico, Milt Hinton (bass); Robert Thomas (drums, percussion); Connie Kay (drums).\u003cbr\u003e \u003cbr\u003e  Recorded at Webster Hall and RCA Studio A in New York, New York between 1962 and 1964. Includes liner notes by Joshua Sherman. \u003cbr\u003e \u003cbr\u003e  Digitally remastered by James Nichols (BMG Studios, New York, New York).\u003cbr\u003e \u003cbr\u003e  This is part of RCA Victor's Falling In Love With series. \u003cbr\u003e \u003cbr\u003e  Personnel: Paul Desmond (alto saxophone); Jim Hall (guitar); Gene Bianco, Gloria Agostini (harp); Al Richman (French horn); Robert Thomas (snare drum, percussion); Connie Kay (snare drum). \u003cbr\u003e \u003cbr\u003e  Liner Note Author: Joshua Sherman. \u003cbr\u003e \u003cbr\u003e  Recording information: RCA Studio A, New York, NY (1962-1964); Webster Hall, New York, NY (1962-1964).","brand":"RCA","offers":[{"title":"CD","offer_id":46039836623082,"sku":"090266362028","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4317357-3384348.jpg?v=1778818748"},{"product_id":"hometown","title":"HOMETOWN","description":"With HOMETOWN, trumpeter and composer Jared Hall brings listeners into a musically rich reflection on place, purpose, and artistic growth. 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