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Appropriately and exuberantly patriotic, this piece is particularly memorable for the passage for solo violin that rises above a single-note rhythm played by double basses.\u003cbr\u003eWalton's Sinfonia Concertante is a mercurial and stately work that occasionally brings Prokofiev to mind, especially the sparkling final movement, which recalls that composer's third piano concerto. The Andante con modo, an exceptionally beautiful movement, features a lyrical string section against the falling figures of the piano.\u003cbr\u003eVariations on a Theme by Hindemith (drawn from Hindemith's Cello Concerto) was written as a return favor to Paul Hindemith who helped bring about the first performance of Walton's Violin Concerto. The Scherzando is memorable for its percussion while the skittery Vivacissimo is a delight for its carefree spirit. The March was originally intended for the 1959 television series, A History of the English-Speaking Peoples. 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On their new recording, Song for My Daughter, the Bertaults present a program that celebrates their bond and allows listeners a glimpse.  The collaboration between Camille Bertault and Paul Bertault has been the longest and most meaningful of their lives. It is only natural that a father and daughter pairing should evince a special connection and natural but unique communication. 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A splendid opportunity to admire Paul Lewis's infinite range of touch, with it's combination of rigor and imagination, which brings out all the poetry of these famous works.","brand":"HARMONIA MUNDI","offers":[{"title":"CD","offer_id":44908062933226,"sku":"3149020945650","price":19.69,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4083877-2976640.jpg?v=1778358859"},{"product_id":"espana-chabrier-favourites-lalo-namouna","title":"ESPANA CHABRIER FAVOURITES LALO : NAMOUNA","description":"Paray's whimsically relaxed and sparkling account of Espa�a gives great pleasure and his rubato in the F�te is equally winning... wholly delightful... warm and polished... beautifully balanced [Lalo Namouna Suite] \"What delightful music this is, particularly in such expert hands\" (both: Penguin Guide 3*)","brand":"ALTO","offers":[{"title":"CD","offer_id":44908079939818,"sku":"5055354414312","price":11.01,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3942787-2675359.jpg?v=1778378195"},{"product_id":"rebounds-concertos-for-percussion-evelyn-glennie-97202","title":"Rebounds - Concertos For Percussion \/ Evelyn Glennie","description":"REBOUNDS FOR PERCUSSION","brand":"RCA","offers":[{"title":"CD","offer_id":44912130162922,"sku":"090266127726","price":14.86,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2346446.jpg?v=1778376447"},{"product_id":"vindonissa-3","title":"VINDONISSA","description":"VINDONISSA","brand":"ECM IMPORT","offers":[{"title":"CD","offer_id":44929451393258,"sku":"044006606927","price":14.82,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1144785_da282963-f3b7-4b5a-a214-9f8d5518e5e1.jpg?v=1778368097"},{"product_id":"barrage-1","title":"BARRAGE","description":"BARRAGE","brand":"ESP DISK LTD.","offers":[{"title":"CD","offer_id":44930230354154,"sku":"825481010085","price":13.41,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1440349.jpg?v=1778352020"},{"product_id":"closer-1","title":"CLOSER","description":"CLOSER","brand":"ESP DISK LTD.","offers":[{"title":"Vinyl","offer_id":44930233172202,"sku":"825481102117","price":31.44,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3724562.jpg?v=1780136926"},{"product_id":"flow-2","title":"FLOW","description":"Pianist-composer Paul Giallorenzo (GitGO, Hearts \u0026amp; Minds) assembles a new trio for his second Delmark release. 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Whether flowing calmly along or sweeping weightlessly through the expanses of ambient soundscapes, whether the concentrated energy of free improvisation shatters the song structure or eruptive clusters of sound and hard-edged grooves emphasise the physical aspects of the music, in the club-friendly anthem 'Maths', the multi-layered sound art of District Five is compellingly direct and builds up a hypnotic momentum.","brand":"INTAKT RECORDS","offers":[{"title":"CD","offer_id":44936857714922,"sku":"7640120193089","price":18.35,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3781500_2d947059-a61f-45f9-96d0-1fc6fc101bb2.jpg?v=1778350703"},{"product_id":"promised-land-3","title":"PROMISED LAND","description":"2022 release. Two time Grammy winner, Paul Brown, both as an artist and producer, is responsible for more than 60 #1 jazz radio hits! 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In Dominic Dromgoole's intelligent, faithful and entertaining new production, Sir John Falstaff, that 'sweet creature of bombast', might have stopped for a pint of sack in Southwark en route for a rendezvous with Doll Tearsheet at the Boar's Head.\"\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003eThe Guardian\u003c\/em\u003e)\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"review\"\u003e\"It is the first time these wonderful plays have been staged at the reconstructed globe and it may be one of this theatres finest achievements.\"\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cem\u003eThe Daily Telegraph\u003c\/em\u003e)\u003c\/p\u003e","brand":"Opus Arte","offers":[{"title":"DVD","offer_id":46012772909290,"sku":"809478010760","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4037935-2773944.jpg?v=1778268845"},{"product_id":"piano-trio-in-d-major-sonata-in-g-for-violin-and-piano-piano-quintet-in-g-minor-the-legend-of-the-canyon-from-the-land-of-the-sky-blue-water","title":"Piano Trio in D major \/ Sonata in G for Violin and Piano \/ Piano Quintet in G minor \/ The Legend of the Canyon \/\nFrom the land of the Sky-Blue Water","description":"CADMAN: Piano Trio in D Major \/ Violin Sonata \/ Piano Quinte","brand":"Naxos","offers":[{"title":"CD","offer_id":46012843032810,"sku":"636943906729","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/398292.jpg?v=1778184071"},{"product_id":"bach-a-life-in-music-vol-2-weimar-years","title":"BACH: A LIFE IN MUSIC VOL. 2 - WEIMAR YEARS","description":"For the second volume in this series devoted to each new stage in Bach's life, Paul Agnew and Les Arts Florissants show us how the composer appropriated the usages of the church cantata to his own ends. 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Even better, the performances are persuasive and finely played and recorded. \u003cbr\u003e    \u003cbr\u003e  This would amount to a recommendation even were the music not so attractive, which is not to say it’s transparent, as there are moments of occlusion and introspection along the way. The First Sonata is actually the unnumbered D minor of 1912. I agree wholly with Anyssa Neumann’s booklet notes that the opening embeds genuine ‘pathos’—it’s the pathos of popular song, in my view, to which Laurence Kayaleh responds with pervasive and elegant portamenti and effusive lyric intensity. There’s a degree of agitato in this work and Brahmsian striving, and it’s understandable that it was not published during Honegger’s lifetime in a sense, given the influences. But it’s still a big, confident utterance from the young composer. The slow movement is engagingly done, with its odd Delian moments, and the March section is well characterised. The confident and puckish finale is interrupted by a moment of baroque reportage, before a nobly conceived  \u003ci\u003emaestoso\u003c\/i\u003e sweeps us to the finish. As she does throughout, Kayaleh plays with a refined tonal palette. She doesn’t make a big sound, but it is finely coloured. \u003cbr\u003e    \u003cbr\u003e  The first numbered sonata was written during the last two years of the First World War. It’s a more focused work, less effusive, and sites the fast movement centrally between two essentially slow ones. The central panel of the Presto is played with the mute, and the whole thing is freely ruminative, though I detect Franck still in his musical handwriting. Stark intoning begins the finale, and here Kayaleh powerfully intensifies her vibrato width. It’s hard not to read into this movement something of the same spirit, but not the same means, that informs John Ireland’s contemporaneous Second Violin Sonata. \u003cbr\u003e    \u003cbr\u003e  By contrast the 1919 Second Sonata has rather dreamlike qualities. It takes in a fugal moment, whilst remaining strongly chromatic, indeed compact in its reach — it’s 12 minutes in length in this performance. The finale’s ebullience removes the rather heavy atmosphere brilliantly, fully conveyed by Kayaleh and Paul Stewart. The solo sonata is becoming ever more popular and this performance will not harm that status in any way. 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(and) comfortably participating in the chaos of our times.” HEWES, Saturday Review\u003cbr\u003e  \u003cbr\u003e “A tonic anthology of the great man’s work compiled by himself, and easily the funniest show on Broadway ... music which is unfailingly spruce and witty.” TYNAN, The New Yorker\u003cbr\u003e  \u003cbr\u003e “If there is one proposition upon which every intelligent English-speaking man, woman and child is in hearty agree- ment, it is that James Thurber is incom- parable as wit, humorist and sage ... (A Thurber Carnival) is a civilized joy ... there is cause for nothing but delight.” WATTS, Post\u003cbr\u003e  \u003cbr\u003e “A joyous, magnificently lunatic festival ... anybody who shuns this house of laughter is crazy...” CHAPMAN, News\u003cbr\u003e  \u003cbr\u003e COMPLETE TRACK LIST:\u003cbr\u003e  \u003cbr\u003e 1 . OPENING 2:30 Don Elliott Quartet \u003cbr\u003e  2 . 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