Products
25001 products
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"Degenerated Music" for clarinet & piano
$16.99CDTactus
May 02, 2025TC870004 -
"Hammerklavier" - Sonatas
$20.99CDProspero Classical
Jun 06, 2025PROSP0111 -
"In Chains of Gold", The English Pre-Restoration Verse Anthe
$19.99CDSignum Classics
Feb 28, 2025SIGCD931 -
"Kannst du das Lied verstehn?"
$20.99CDGenuin
Nov 07, 2025GEN 25936 -
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#50 - Berio: Coro; Zuraj: Automatones
$19.99CDBR Klassik
Nov 07, 2025BRK900650 -
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(Former) Anthems of (Former) Socialist Countries
$9.99CDMusicaphon
Feb 28, 2025M52901
!!!Hymns On The Crystal Cathedral Organ / Frederick Swann
!HOPE FOR SSSAA CHOIR
!HOPE FOR TTTBB CHOIR
""?THROUGH WHICH THE PAST SHIN
""HOT"" DANCE MUSIC
"...Und ein Kuss auf dein Herz" - Schumann: Myrten, Op. 25 & 4 Duets / Beelen, Herman, Bueren
Schumann wrote 26 songs and called them “Myrten,” which means “Myrtles,” as a wedding gift to Clara Wieck. Schumann, who grew up between piles of books in his father’s bookstore, had developed a diverse taste in literature, and in Myrten his choice of poetry is not only adventurous, but above all remarkable. All texts of the cycle are in German, but three of the poets are English, Scottish or Irish: Lord Byron, Robert Burns, and Thomas Moore. Most English texts Schumann used for his Myrten were translated by Wilhelm Gerhard, a German salesman and poet, who lived in Leipzig and was friendly with many leading poets and composers. The other poems are written by Goethe, Ruckert and Heine, who are each represented in several songs. Only one text, which inspired Schumann to write one of his most beloved songs, was written by Julius Mosen: Der Nussbaum.
"Degenerated Music" for clarinet & piano
"Hammerklavier" - Sonatas
"In Chains of Gold", The English Pre-Restoration Verse Anthe
"It's Never Over", featuring Ola Onabule and the Hazelrigg B
"Kannst du das Lied verstehn?"
"Le Patron" of the Saxophone
#50 - Berio: Coro; Zuraj: Automatones
#51 - Helmut Lachenmann, Vol. 2
#CelloUnlimited / Muller-Schott

After the suites by Johann Sebastian Bach in the early 18th century, nothing happened for a long time in the genre of works for solo cello. But the work that put an end to this period of no production was a weighty one: the almost monumental sonata by Zoltan Kodaly of 1915 set high standards for other composers. Indeed, subsequently not only many works were written, but also highly differing ones, among which the half-hour work by the Hungarian composer stands there like the “Mount Everest” (Daniel Muller-Schott). Together with works by Prokofiev, Hindemith, Henze, Crumb and Casals, Daniel Muller-Schott here introduces a work composed by himself for the first time: the “Cadenza” is to be understood in the tradition of those compositions that other cellists have always added to their recital programmes.
“Here, you can recognize influences of the solo works that have influenced me over the years. In the Cadenza, the contrasting elements of the world of my instrument appear in the closest space – the cello in pure lyricism, just as sequences catapulting themselves into the highest registers in rhythmical savagery and immediately concluding the movement after a final culmination.” (Daniel Muller-Schott)
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REVIEW:
Müller-Schott ends this formidable unaccompanied recital with Pablo Casals’s Song of the Birds, played with the intense focus, the sense of line and the gleaming purity of tone that characterises the whole disc. Müller-Schott’s ability to inflect a single line of music makes even works such as Prokofiev’s slightly dubious reconstructed Sonata and his own entertainingly eclectic Cadenza repay re-listening. He certainly has something to say.
– Gramophone
#hornlikes
& HIS ORCHESTRA 1943 VOL 1
& HIS ORCHESTRA 1943 VOL 2
& HIS ORCHESTRA 1945 VOL 4
& HIS ORCHESTRA 1945 VOL 5
& SAMMY WALKED IN
'74 JAILBREAK
'74 JAILBREAK
'Round Midnight
The title of this album comes from the Thelonius Monk piece, Round Midnight. At the time of the song’s publication, Monk was labeled an outsider. His intense harmonies and the complexities in his music put others off. The virtuosic performances on this recording, however, present an acceptable medium for such elaborate polyphonies.; Alongside this composition from a jazz great, this album also includes a wide range of moods, from the gloomy Saint-Saens Dance Macabre, to Purcell’s Fairy Queen. This album of “nighttime” themed music is performed with ease, agility, and fervor.; Performers are Falk Maertens and Raphael Mentzen, trumpet, Paolo Mendes, Horn, Andreas Klein, Trombone, and Johannes Lipp, Tuba. All are members of the Deutschen Symphonie-Orchesters Berlin.
'Tame Cat' And Other Songs / Eaves, King, Kenny
Most of the songs on this record were composed in the first half of the 20th century, not a few between the two wars. This has been an era surprisingly neglected by singers, yet many English composers produced some of their best vocal works during this period. Recently the combination of voice, clarinet and piano has proved more and more popular with composers, but it would appear that with Holbrooke’s Tame Cat, he must be counted amongst the first of English composers to write for this medium. Tame Cat is a setting by Joseph Holbrooke to words by Ezra Pound. This remarkable song, composed in 1923 is the fifth of his ‘Six Socialist Songs’ a set fully redolent of the times. It is paired with works by Gustav Holst, Arthur Bliss, Alan Bush, Benjamin Britten, and more.
'Twas the Night Before Christmas / Burning River Brass
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REVIEW:
The centerpiece is Burning River Nutcracker, swinging arrangements of six selections from the ballet. I admit to curmudgeonly skepticism when it comes to this sort of thing, but these readings won me over with lively, skillful, and tasteful playing.
– American Record Guide
(Former) Anthems of (Former) Socialist Countries
(Indian) Native Flute Ensemble: Spirit Wind - Native America
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