ALFONSO X: Cantigas

RAMEAU: Thetis / Le Berger fidele / Pieces de clavecin en co

DUFAY / COMPERE / ARNOLD DE LANTINS: Songs and Dances from t

Monteverdi & Marazzoli: Combattimenti!

GOUNOD / SAINT-SAENS / LALO: Songs

CHANTS DES MOMENTS PERDUS EN MASSIF CENTRAL

LE JEUNE: Motets for the Catholic Religion and Protestant Ps

Le Sommeil d'Ulisse

Pergolesi: Stabat Mater - Marian Music from Naples

ALLA NAPOLETANA, VILLANESCHE &

LOUIS SCLAVIS AND QUATUOR HABANERA: L'Engrenage

Johann Sebastian Bach has made the reputation of Caf� Zimmermann ever since the ensemble was formed in 1999. This new recording presents the music of the Leipzig Kantor from a different angle, that of the notebooks in which musicians wrote down pieces and movements they particularly liked. This recording brings together works composed by Bach in the late 1740s which may be described as intimate in character, including the famous trio sonata from his Musical Offering. The Baroque idiom of this 'experimental' sonata is contextualized by the innovative style developed by his son Carl Philipp Emanuel in one of his own trio sonatas. A number of arias by J. S. Bach are also presented here with exclusively instrumental forces. Under the direction of violinist Pablo Valetti and harpsichordist C�line Frisch, the ensemble even ventures into Mozartian territory with the Aria and Fugue K404a, taken from two pieces by Bach that Mozart himself had annotated and arranged in his own musical notebook. Finally, a chorale that Bach was particularly fond of, a three part fugue played here by harpsichord and flute. Carl Philipp Emanuel had it printed at the end of his father's musical testament, The Art of Fugue: 'Before thy throne I now appear'.

SEYVOS: Max et les Maximonstres

TRADITIONAL MUSIC FROM THE HEART OF FRANCE

MASS FOR SAINT MICHAEL AND ALL THE BLESSED ANGELS (A)