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The piano roll performances presented here provide a clearer record than do their 78s because these solos were recorded using modern recording techniques from a \"live\" player piano.","brand":"DELMARK","offers":[{"title":"CD","offer_id":44930230747370,"sku":"038153081324","price":15.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1773742.jpg?v=1778366433"},{"product_id":"peppers-hangout","title":"PEPPER'S HANGOUT","description":"Jimmy proved himself as one of the best contemporary blues artists in the late '70s \u0026amp; early '80s, with 2 killer albums on Delmark; produced by the legendary Ralph Bass (James Brown, T-Bone Walker, Little Esther Phillips) in 1977, this album is Chicago blues at it's best, featuring Jimmy's soaring gospel-inflected vocals, creative guitar \u0026amp; fresh songwriting.","brand":"DELMARK","offers":[{"title":"CD","offer_id":44930239037674,"sku":"038153074524","price":15.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/341738.jpg?v=1778366545"},{"product_id":"blues-attack-1","title":"BLUES ATTACK","description":"Shirley is back with that same blend of traditional good-rockin' Chicago blues, smoldering R\u0026amp;B and poppin' soul she is known for. 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Dink played a swinging, stomping, Jelly-like piano style. He had a repertoire of tunes as unique as his style, containing many tunes of his own and other tunes long forgotten. Dink had a rollicking, contagious sense of humor which comes through on these recordings. The weirdest thing he ever did by far is, \"The Pidgeon Walk.\" at best, the tune was just another dance tune that never got off the ground but at the hands of Dink it becomes a masterpiece of something or another! It is indeed pathetic that Dink could die and leave so little in reserve for those who belatedly came to appreciate his work.","brand":"DELMARK","offers":[{"title":"CD","offer_id":44930244575466,"sku":"038153064624","price":15.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/614546.jpg?v=1778350320"},{"product_id":"johnsons-whacks","title":"JOHNSON'S WHACKS","description":"Brought in the new sound of blues in the 80's, w Johnson-guitar \u0026amp; voc, Carl Snyder-piano.","brand":"DELMARK","offers":[{"title":"CD","offer_id":44930245853418,"sku":"038153064426","price":15.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/184739.jpg?v=1778359855"},{"product_id":"love-you-madly","title":"LOVE YOU MADLY","description":"Chicago tenor sax great Eddie Johnson passed away on April 7, 2010 at the age of 89. This 1999 session was recorded at the tail end of his last active period in a long professional career that went back to the 40's. Eddie led the Jazz Masters for six years at Alexander's Steakhouse on Chicago's south side so the band was ready for the date. With Chicago piano legend John Young, bassist Eddie de Haas and drummer George Hughes. Jazz Masters trumpeter Paul Serrano did not participate as musician but was the recording\/mixing engineer. A wonderful straight-ahead jazz CD with ten songs including the Duke Ellington title track, \"Gravy Waltz\", \"Eyes of Love\", \"My Buddy\". (Previously deleted:7\/1\/07. 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Pressed to vinyl for the first time with redesigned artwork, this 20-track live double LP collection captured At New York Town Hall 1947 is filled with a set of players from all over the jazz, folk, and blues communities. A great listen for any collector, the historic Bunk Johnson and Leadbelly commandeered summit features artists like Omer Simeon, Jimmy Archey, Ralph Sutton, Freddie Moore, and many more. Sounding better than ever, the lively recordings were remastered especially for the format by Dave Gardner at Infrasonic Mastering.","brand":"ORG MUSIC","offers":[{"title":"Vinyl","offer_id":44930252439786,"sku":"711574848218","price":38.41,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3835483.jpg?v=1780137738"},{"product_id":"every-day-of-your-life-1","title":"EVERY DAY OF YOUR LIFE","description":"Now in his 90s, this enduring Chicago blues great entered the studio to create his first album in a decade-and it's on Delmark, for whom he first recorded 40 years ago! His Delmark homecoming blends his originals with takes on some classics: \"I Need You So Bad,\" \"My Ring,\" \"Lead Me On,\" \"Love Me or Leave Me,\" \"Rattlesnake\" and more blues with that trademark Jimmy Johnson R\u0026amp;B flavor. 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These nationally syndicated music broadcasts were not commercially available to the public and are unique in this regard.  The George H. Buck Jazz foundation formally purchased the World Broadcast Service company in 1969. This historic collection was sourced from existing 16\" Acetates, Test Pressings, and World Subscription Discs, and has been beautifully restored. 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The 16 page booklet includes rare images, a history of the San Jacinto Club and a detailed discography.","brand":"GHB JAZZ FOUNDATION","offers":[{"title":"CD","offer_id":44937645818090,"sku":"762447013929","price":13.86,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2154609-2548688.jpg?v=1778350439"},{"product_id":"complete-recordings-1927-1930","title":"KING OF HOLY BLUES: COMPLETE RECORDINGS 1927-30","description":"Blind Willie Johnson was a singer, songwriter and guitarist who is widely recognised as having been the leading exponent of what was occasionally called \"holy blues\" - blues music with religious subject matter that as result could also be termed gospel music, which as a result was highly distinctive and unusual. Born in Texas in 1897, he was blinded by his stepmother during a domestic confrontation when he was seven, and turned to music, performing around his native state from the 1920s through to near his death in 1945, but was active as a recording artist only between 1927 and 1930, recording four sessions in Dallas and one in Atlanta. This 30-track 2-CD collection comprises his complete recordings for Columbia across his career, on occasions accompanied on vocals by his first wife Willie B. Harris. Among the titles it features the highly-acclaimed and influential recordings \"Dark Was the Night, Cold Was the Ground\", \"Jesus Make Up My Dying Bed\", \"It's Nobody's Fault But Mine\", \"Mother's Children Have A Hard Time\", and \"John the Revelator\". It's a comprehensive and worthy showcase for a distinctive and unique artist.","brand":"ACROBAT","offers":[{"title":"CD","offer_id":44945488052458,"sku":"824046353322","price":20.04,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4378069-3270346_7ecb752a-bfa9-485d-9388-8fbf9f57517a.jpg?v=1778355512"},{"product_id":"stohr-chamber-music-vol-4-various-393699","title":"Stohr: Chamber Music, Vol. 4 \/ Various","description":"Like Korngold, Toch, Schoenberg, Zeisl and Zemlinsky, Richard Stöhr (1874–1967) was another Austrian composer driven into American exile by the Nazis. His generous output of music, being rediscovered at last in these Toccata Classics recordings, includes seven symphonies, much chamber music, songs, and choral and piano pieces. These chamber works, from his first years in the United States, show him in surprisingly relaxed mood, the Viennese lyricism of his native city maintained in his US refuge. The Flute Suite in particular – though written only four years after his flight from Vienna – can boast a number of easy-going ‘ear-worms’ that linger in the memory long after the music has stopped.","brand":"Toccata","offers":[{"title":"CD","offer_id":46012988850410,"sku":"5060113445360","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3766120-2531812.jpg?v=1778250464"},{"product_id":"the-complete-songs-of-faure-vol-2-111503","title":"The Complete Songs of Faure, Vol. 2","description":"\u003cimg src=\"\/graphics\/features\/gramophone_choice.jpg\"\u003e\u003cbr\u003e  \u003cbr\u003e","brand":"Signum Classics","offers":[{"title":"CD","offer_id":46013046227178,"sku":"635212047224","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3702961_1436bdec-0076-4693-a02b-75da0de55f42.jpg?v=1778301546"},{"product_id":"the-harmonious-echo-843634","title":"The  Harmonious Echo - Songs of Arthur Sullivan \/ Bevan, Whately, Norris","description":"\u003cp\u003eAlthough most widely remembered for his operettas in partnership with W.S. Gilbert, Sir Arthur Sullivan was the most famous of all British composers of the nineteenth century. He was revered as a composer of oratorios, and was urged by Queen Victoria to compose a grand opera. The result, Ivanhoe, achieved 155 consecutive performances (in an opera house especially built for it). Achieving equal success in his lifetime, his substantial legacy of songs fell into neglect in the twentieth century, but as this album demonstrates Sullivan's endlessly fertile melodic gifts withstand comparison with those of any other song composer. David Owen Norris and his quartet of outstanding young British singers deliver this fascinating programme with terrific style and panache.\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46013051437290,"sku":"095115223925","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3953078-2694527.jpg?v=1778229966"},{"product_id":"you-got-what-it-takes-the-complete-singles","title":"YOU GOT WHAT IT TAKES: THE COMPLETE SINGLES \u0026","description":"Marv Johnson - You Got What It Takes: The Complete Singles \u0026amp; Albums 1958-62 \/ This collection offers a comprehensive overview of his early years, as well as an entertaining showcase for his distinctive talent. The R\u0026amp;B singer and songwriter Marv Johnson was one of the first artists to be signed to the Tamla by Berry Gordy, although his records came out on United Artists, as the fledgling Motown set-up was not ready to handle him. He continued recording for UA as he racked up a string of hits and recorded several albums before rejoining Motown in the '60s. This 52-track 2-CD collection comprises the A \u0026amp; B sides of his singles on the Kudo and United Artists labels from this era, plus the titles from his albums \"Marvelous Marv Johnson\", \"More Marv Johnson\" and \"I Believe\" not otherwise released on singles. It features all his chart entries from these years, including the pop and R\u0026amp;B Top 10 hits \"You Got What It Takes\" and \"I Love The Way You Love\" and his other pop and R\u0026amp;B hits \"Come To Me\", \"I'm Coming Home\", \"Ain't Gonna Be That Way\", \"All The Love I've Got\", \"You've Got To) Move Two Mountains\", \"Happy Days\" and \"Merry-Go-Round\". He was a versatile song stylist, with his records encompassing the spectrum of pop and R\u0026amp;B styles, and also taking in gospel-flavoured material on the \"I Believe\" album, and this collection offers a comprehensive overview of his early years, as well as an entertaining showcase for his distinctive talent.","brand":"ACROBAT","offers":[{"title":"CD","offer_id":46013143548138,"sku":"824046347222","price":20.04,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4215901-3016747.jpg?v=1778359929"},{"product_id":"summer-song","title":"Summer Song","description":"Classical Music","brand":"Profil","offers":[{"title":"CD","offer_id":46013169074410,"sku":"881488100013","price":5.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1719243_6e81d10c-7ecf-4399-8f7f-0b049478a98e.jpg?v=1778338510"},{"product_id":"i-heard-you-singing-ben-johnson-james-154804","title":"I Heard You Singing \/ Ben Johnson, James Baillieu","description":"Audience Prize-winner at BBC Cardiff Singer of the World (2013), accomplished young English tenor  \u003cb\u003eBen Johnson\u003c\/b\u003e lends his dulcet tones to a programme featuring a bouquet of ballads from the British Isles. This song form enjoyed extraordinary popularity in private homes throughout the Victorian, Edwardian and Modern eras, inspiring generations of talented composers – men and women – to marry words and music in a delightful variety of styles.\u003cbr\u003e  \u003cbr\u003e Presenting the major singers of today and the stars of tomorrow, the Rosenblatt Recitals are London's only world-class season of opera recitals.\u003cbr\u003e","brand":"Opus Arte","offers":[{"title":"CD","offer_id":46013201613034,"sku":"809478090328","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3077609.jpg?v=1778300942"},{"product_id":"howells-hymnus-paradisi-a-kent-yeomans-wooing-song-095115172728","title":"Howells: Hymnus Paradisi \u0026 A Kent Yeoman's Wooing Song","description":"\u003cp\u003eThis re-release of Herbert Howells’ Hymnus Paradisi and A Kent Yeoman’s Wooing Song forms part of the new Hickox Legacy series commemorating the life and career of that great conductor. Mestro Richard Hickox’s lifelong commitment to British music in general is well-known, as is his work with the challenging, intricate music of Howells. 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Since its inaugural concert with Morten Lauridsen in 2010, Cor Cantiamo has developed a mission to work with contemporary composers resulting in many commissions and recordings. James Whitbourn is a Grammy-nominated composer and ‘a truly original communicator in modern British choral music’ (The Observer). His works are admired for their direct communication to performers and audiences. This is the seventh album devoted entirely to his choral music. His eclectic inspirations include C.S. Lewis (The Seven Heavens), Anne Frank (the very popular Annelies), notable individuals, NASA space missions and liturgical texts. In all, his music is altogether delightful. \u003cbr\u003e  \u003cbr\u003e  “From one piece to another, the language surprises with its variety, even if it remains suggestive, accessible, consonant, generous. James Whitbourn knows how to communicate. 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This incisive assessment by Georffrey Bush of his own output is indicative of his lucidity on the printed page as well as on the stave, both accomplishments the result of a compulsive urge to communicate effectively. (Geoffrey Bush) Though composition was foremost among his many gifts, Bush was something of an all-rounder. He performed as both pianist and organist, made regular broadcasts for the BBC and was also a successful writer. His eminently readable guide to music, Musical Creation and the Listener, first appeared in 1954. His wide-ranging catalogue includes music for the stage, choral works, church music, orchestral pieces, chamber music and songs. Of his two symphonies, the first, which has at its core an elegiac blues in memory of Constant Lambert, was premiered at the Cheltenham Festival in 1954 and performed at the Proms four years later, whilst the second, subtitled \"The Guildford\", was commissioned for the 700th anniversary of the City of Guildford in 1957. 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The choir is joined by the Los Angeles Guitar Quartet, the Texas Guitar Quartet, the Austin Guitar Quartet, and cellist Douglas Harvey for this release featuring compositions by Reena Esmail, Craig Hella Johnson, Nico Muhly, and Kile Smith. Conspirare is a virtuoso choir. The Grammy-winning ensemble comprises distinctive solo artists who are also committed to the highest level of ensemble performance. 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Johnson’s serene The Song That I Came to Sing, which sets a Rabindranath Tagore poem for cello and treble voices, was composed as a framing piece for the program ‘which would reflect aspects of unfulfilled purpose and a longing for intimacy with the Divine’.\u003c\/p\u003e\n\u003cp\u003e-- Gramophone\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Conspirare chamber choir, known for its interpretive depth and otherworldly sonic lushness, offers another of its captivating programs—this time joined by three superb guitar quartets—in a program remarkably relevant for our time. Conspirare’s debut album on Delos, \u003c\/span\u003e\u003cem\u003eThe Hope of Loving\u003c\/em\u003e\u003cspan\u003e, was nominated for a Grammy Award for Best Choral Performance in 2020. Here, the combination of guitar quartet and chorus is so successful that one wonders why more composers have not written for it. 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The music runs the gamut from a lush work for ten pianos and ten clarinets to a technically thorny solo and includes just about everything in between. Although the individual pieces are on their surfaces quite different from one another, they share a certain commonality—an embrace of music’s inherent sensuality. Critics have described Walker’s playing as “masterful,” “flawless,” and “true artistry.” Minnesota Public Radio’s Michael Barone called this album a “mild-mannered, soul-filling collection of contemporary ‘meditations’. . . think Satie and Morton Feldman, and you come close to the overall mood. Delicate textures prevail…the thinking-listener’s slow lane.” 21st Century Music magazine wrote, “If people are best known by the company they keep, then clarinetist Marty Walker is blessed indeed. He keeps wonderful company with an excellent series of composers…. 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Every color, from ethereal natural harmonics to frenetic bowing, is at O’Leary’s disposal, and is exploited beautifully to produce evocative and compelling soundscapes.O’Leary is imaginative and creative in her string writing, resonating the instruments’ strings in a wide variety of ways. Harmonics and arpeggiations create vast open spaces.  In the case of A Winter Sketchbook, violin sounds are integrated with those of the alto flute, matching colors and creating new blends of sound. A Winter Sketchbook resonates profoundly as it casts the indelible image of deep winter.THE PASSING SOUND OF FOREVER’s title track is composed for string quartet, which makes it a shining and exemplary representation of O’Leary’s expressive string writing. The Passing Sound of Forever, originating from a motif found in a Beethoven quartet, plays with fragmentary gestures which emerge and disappear, echo and reflect. The work is filled with a deep yearning, which is communicated by the accumulated gestures and sounds of the quartet’s four string instruments. The Passing Sound of Forever epitomizes O’Leary’s unique ability to evoke vivid emotions from the simplest aspects of string instruments’ sound.Not every work on THE PASSING SOUND OF FOREVER features strings, but all seem to engage with the same themes of space and sound. O’Leary’s clarinet and piano duo Murmurs and Echoes, for example, creates the sense that its two instruments are communicating across great time and distance, most notably so in its last movement.  When their respective gestures mirror one another’s, they do so with the distortion of an echo crossing a vast space. 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The singer calls Maud to the garden, as he hears the sound of music from the Hall, where he has not been invited. As she approaches, he is in ecstasy, but the song does not tell how their meeting is to be interrupted by Maud's brother, his quarrel with her lover, and her brother's death in the dreadful hollow, where the drama had started. In the remaining songs Maud's lover seeks exile abroad and goes out of his mind, while Maud, in his absence, dies. The cycle ends with the singer's resolve to meet his fate in war for his country. The song cycle derived from Robert Browning's James Lee's Wife was published in 1907 with a dedication to Marie Brema, a Liverpool-born singer of German-American parentage who, in 1894, was the first English-born singer to appear at Bayreuth, where she sang Ortrud in Lohengrin and Kundry in Parsifal. James Lee's Wife first appeared, under the title James Lee, in 1864 in Browning's Dramatis Personae and from the original nine poems Somervell takes five. The first version has an orchestral accompaniment, but the songs were later arranged for an accompaniment of piano quintet, and then simply with a piano accompaniment. As in other dramatic monologues by Browning, the woman of the title reveals her story, telling first of changing love, more dramatically in the second song, By the Fireside, as she tells of the rot and rust, run to dust, of a ship seemingly safe in port, as she and her husband had seemed. The same idea continues in the third song, In the Doorway, from which the middle two verses of the original poem are omitted. In the fifth of Browning's poems, On the Cliff, she sings of the parched vegetation on the rock and how from this may come color and life, as with the minds of men. 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Weaving together Latin biblical texts and poetic verse from the sixth-century philosopher Boethius, the composition explores ideas of home and the seeking of home, the elevation of home to a metaphorical or spiritual realm, and the nature of time. Magna Mysteria is at once complex yet accessible, rooted in tradition (from Brahms and Faure to Britten and Stravinsky) yet wholly contemporary. 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