Classical Music

Classical Music

Classical Music

(in the year before Dr. Walter's own death.. his friend Mahler's own 9th symphony) "he unerringly builds up consistent structure, controlling tempo closely... middle movements are sharply focussed, and the finale tough and stoically strong" (3 stars) (4th) "sound has attractively vivid detail, naturally glowing... everything Reiner does sounds spontaneous... Viennese influence strong... slow movement striking intensity... Lisa della Casa in ravishing voice" (both Penguin Guide)

16 of the best known and loved piano works by the King of Ragtime: "Bolcom is known as a pianist who made excellent LPs of ragtime, Gershwin, and several types of American 'vernacular' music. A composer himself, he brings a great understanding of the music of Joplin... one of America's most remarkable talents; possibly the first genuinely American composer. This album illustrates how adventurous this creator could be and also provides a near-perfect example of ragtime - a little masterpiece" (Gramophone).

Tirimo is a fine pianist with first-rate technical command, and understands Debussy's world well. (Gramophone). "Probably first choice for those wanting a modern digital recording offering the complete set... recording most realistic and natural." (Penguin Guide). "A most enjoyable recital, and one for which listeners will be grateful... What is Impressive is the pianist's integration of fragility and firmness, simplicity and complexity." (Gramophone). "I'm glad to be able to praise a fluid but unhurried Jeux d'eau that is well served, too, by the velvety-rich recorded sound... it 's attractive. So are the Sonatine, and the tenderly solemn Pavane pour une infante d�funte." (Gramophone). "Dickinson made Satie's music a center point of his repertoire, and his thoughtful approach to this highly rewarding music is all his own... variety of articulation and color is fully at the service of the composer." (Penguin Guide).

Some of the earliest masterworks of Jordi Savall plus his famous authentic Forerunners !

crisp, clear-sighted approach, all proceeds at a proper tempo and, where appropriate, with a spring in it's heels. The slow movements are sensitively expressive... this is basically how such works would have been heard in their time, you may feel this is the way it should be... The strings are 'authentic' and respectful of every element... I thoroughly enjoyed this and the superb recording "Ivor Bolton is close enough to be heard in realistic balance, (his) clean and incisive fingers bring the music to life in these most enjoyable recordings." (Gramophone)

Contains Delius' most essential statements. Summer Night on the River, On Hearing the First Cuckoo, Brigg Fair and the Irmelin Prelude are simply magical in their effect, and Beecham's interpretations arise out of the depths of the music itself... passages such as the introduction to Brigg Fair, seem to be outside time, one yet again wonders at the poetic rightness of every nuance, the delicately exact textural balance. His identification with the composer is so complete that one is not sure whom to credit for some features... This (collection) must surely be recognised as a gem. Sleigh Ride and the Marche Caprice are entertaining enough, but all the rest are wonderful Delius - and conducted by someone who has remained the one and only Delius interpreter. Each performance is superb. (Gramophone)

Chesnokov represents a late flowering of Russian Orthodox traditions in the years before the Revolution... composers sought to renew the style by returning it to it's roots in Medieval Slavic chant. Chesnokov excelled in this style, and in his many liturgical works was able to find an ideal balance between tradition and expression. His music was valued for it's clarity, both in his voicing of harmonies and in his setting of texts. The Liturgy exemplifies Chesnokov's approach, using traditional chant melodies and bringing them to the fore, but adding rich layers of harmony. These are made possible by the inclusion of female voices. (Gavin Dixon 2021)

He was very well thought of by Stanford, at the Royal College of Music; and not just out of sympathy with allowing a black composer a hearing in London. The Clarinet Quintet (that pleased Stanford) also received approval from Joachim. It is a very agreeable quintet, most acceptably performed and recorded, and as easy on the ear as it's more famous predecessors (Mozart and Brahms). Petite suite de concert: lovable music; Other of the piano music could have great appeal: especially so could the arrangements of Spiritual Melodies with their easygoing simplicity (MusicWeb)

I enjoyed greatly some highly attractive and charming music, sensitive playing, and clean, fresh-sounding recordings... The Lute concerto in particular has good things... Of the Mandolin concertos, this double is most interesting, done with charm, with one mandolin each to the left and to the right, and is quite delightful. Much of the music is in Vivaldi's best sombre G minor tone. (Gramophone)

in 1952 Kathleen Ferrier made her last and perhaps greatest record... four arias each of Bach and Handel. The (engineers) ensured the utmost fidelity (Penguin Guide Rosette) "This is a recording that honours all concerned and in which Ferrier shows the English art of oratorio singing at it's finest. She is in superb voice and is accompanied with scrupulous artistry by Boult and the L.P.O.... The finest thing of all is All is Fulfilled... The hushed way (she) sings "This mournful night" and the sudden broken utterance "It is finished", dwell long in the memory. Having listened to contraltos singing Return, O God of Hosts at competitions, I can pay no higher compliment to Ferrier than to say I felt I was hearing it for the first time... It is rare that a disc gives such satisfaction in almost every respect" (Gramophone)

(His) Symphony is a very likeable discovery. Both middle movements display a disarming melodic felicity and assurance, and admiring glances towards Dvor�k, although Stanford (his teacher) was never happy with the finale. It was first played by RCM students in 1896 (including Holst and Vaughan Williams !). Although it went down well, it gathered dust for over a century. Bostock's alert and affectionate lead enjoy making it's acquaintance... crisp and clear sound for this world premiere recording. In every respect, a solid thumbs-up [Gramophone] "The much-loved Hiawatha's Wedding Feast recalls the extraordinary excitement of it's first performance. Coleridge-Taylor was then 23 and the work an immediate and wild success. Parry suggested that because of the composer's West African father, "he loved plenty of sound, plenty of colour, simple and definite rhythms and, above all, plenty of tune". All these qualities kept it popular, and are admirably captured here: the Philharmonia provide the orchestral colour, and Sir Malcolm keeps the admirable Royal Choral Society on their rhythmic toes. Richard Lewis gives a suitably romantic Onaway! Awake, beloved ! Hiawatha's Wedding Feast has been done proud in every way" [Gramophone]

Amy Beach was one of the first prominent women composers in the United States. She is the first American woman to compose a symphony and to have it be performed by an orchestra. This recording presents some of Amy Beach's most popular works for piano. Originally released on KOCH this recording features pianist Virginia Eskin, a performer who has spent her career championing women composers. Alto is pleased to bring this recording back to international availability.