Terra Nova, the second opus in the Poema series, explores themes of the search for meaning and the human experience. Alexander Shelley offers an interpretation of Strauss' Also sprach Zarathustra that highlights the fragile balance between light and darkness, knowledge and mystery, inspired by Nietzsche's eponymous book. Canadian composer Ian Cusson's work, 1Q84: Sinfonietta Metamoderna, resonates with Strauss' work by drawing parallels between the world views of the German author and Japanese author Haruki Murakami, writer of the novel 1Q84. The National Arts Centre Orchestra delivers a performance that transcends music to reflect on our humanity.

The guitar duo of Adam Cicchillitti and Steve Cowan presents a new album of their original arrangements of 19th and 20th century piano repertoire. Lyrique features the works of Edvard Grieg, Maurice Ravel, Erik Satie, Germaine Tailleferre, John Cage, and Federico Mompou. Though varied in style, these pieces invite listeners into a rich and multifaceted dialogue with the concept of 'lyrical' in instrumental music. The guitar's rich tonal palette and nuanced capacity for expression brings new life to these iconic works.

Volume 11 of Mathieu Gaudet's complete Schubert piano sonatas cycle brings us the fascinating second book of Impromptus D. 935, including the immortal Theme and Variation in B flat major. The youthful Sonata no. 2 in C major D. 279 and the � Noble � Waltzes D. 969 round up this spectacular album, full of singing melodies, contrasting atmospheres and romantic drama.

On this double album, acclaimed violinist James Ehnes joins forces with Canada's National Arts Centre Orchestra, an ensemble he's had a friendship and artistic partnership with for more than three decades, to fulfil his longtime goal of recording Johann Sebastian Bach's complete violin concertos. Bach's masterful writing for violin is highlighted through several styles and instrumental combinations. This landmark recording showcases James Ehnes's affinity for Canada's National Arts Centre Orchestra and his deep connection to Bach's legacy.

Charles Richard-Hamelin continues his exploration of the works of Chopin, combining them with rare Spanish works composed at the turn of the 19th century. Frederic Chopin, Isaac Albeniz and Enrique Granados were all virtuoso pianists whose music is characterized by rich melody, refined harmony and fantasy. The pieces that make up this program echo each other by interweaving poetry and dance through both familiar and obscure melodies.

Poema 1. Ad Astra is the first in a series of recordings by Canada's National Arts Centre Orchestra in which Music Director Alexander Shelley asked Canadian Composers to craft compositions that respond to masterpieces by German Composer, Richard Strauss (1864-1949). Kelly-Marie Murphy responds to Don Juan and Kevin Lau to Death and Transfiguration. This latest cycle of recordings, a dialogue between the past and our modern era, strikes a perfect balance between the exhilaration of the new and the charm of the timeless classic.

ET PUIS

CANTUS ANGELICUS: Gregorian Chants

Jacques Hetu was a firmly established musical figurehead in Canada when he was commissioned by the Toronto Symphony Orchestra to write the Symphony No. 5. As a student of Clermont Pepin in Montreal and later of Henri Dutilleux and Olivier Messiaen in Paris, his tonal language bridged the Atlantic, making his choice of eluard - one of France's most celebrated poets (and Resistance members) - a natural one. Three short weeks before the symphony's premiere in 2010, Hetu passed away. Alexander Shelley brings this work back to life surrounded by two great Canadian orchestras, Canada's National Arts Centre Orchestra and l'Orchestre symphonique de Quebec, and a choir, the Toronto Mendelssohn Choir.

Montreal-based string nonet Collectif9 presents another innovative programme, featuring works by Hildegard von Bingen, Arvo Part, Michael Tippett, Nicole Lizee, Bryce Dessner, and Jocelyn Morlock. Rituaels is a new collection of music from the medieval to the modern era with a narrative - an artistic gesture - that recalls the human tradition of passing on knowledge and practices in culture and art. An element of continuity ties each work of music to the next, whether introduced as a drone or held note, a chord that imperceptibly transforms, or a group of continuously repeated notes. The earliest performances included dance and movement, an idea that influenced the interpretation and development of the programme that is revealed on this album.

For the tenth volume in his series of Schubert's Complete Sonatas and Major Works for Piano, Mathieu Gaudet turns to a work of unabashed Romanticism: Sonata No. 4 in A minor (D. 537), composed in 1817. Whilst the outer movements are highly dramatic in character, the central slow movement features a long and enchanting melody of an almost fragile delicacy. He returned to this melody eleven years later in 1828, using it as the theme of the last movement of the Sonata No. 19 in A major D. 959, his penultimate sonata. This Allegretto is perhaps the most "Schubertian" of all: it is generous, graceful, full of hope despite a weighty melancholy, and always in motion. Schubert's return to the melody that he had composed when he was twenty years old attests his particular love for it; it was his personal hymn, his secret melody.

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