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La Fresque has been admired for it's 'breath-taking scenes' (La Terrasse) and it's 'dark and splendid beauty' (L'Humanit�).","brand":"Naxos AudioVisual","offers":[{"title":"DVD","offer_id":46012972007658,"sku":"747313560059","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3912198.jpg?v=1778273149"},{"product_id":"nielsen-ibert-arnold-flute-concertos-andrada-martin-290092","title":"Nielsen, Ibert \u0026 Arnold: Flute Concertos \/ Andrada, Martin, Frankfurt Radio Symphony","description":"In this album Clara Andrada, solo flutist of the Frankfurt Radio Symphony, performs three 20th century flute concertos together with the orchestra conducted by Jaime Martín. Malcolm Arnold’s delightful Flute Concerto No. 1 makes a pleasant addition alongside Nielsen’s and Ibert’s flute concertos. Jaime Martín, himself an excellent flutist, is a perfect companion to these works. This is the orchestra’s second album for Ondine, and continues the fruitful collaboration between Jaime Martín and Ondine that has already produced three albums previously. Clara Andrada de la Calleis one of the leading Flute players of her generation currently holding Solo Flute positions of both the Chamber Orchestra of Europe and the Frankfurt Radio Symphony Orchestra. Born in Salamanca, she commenced her musical studies with Pablo Sagredo and Magdalena Martínez at the Syrinx School of Music. Scholarships from the Spanish Ministry of Culture and the London Wall Trust Foundation enabled her to continue her studies at the Geneva Conservatory of Music under Prof. Emmanuel Pahud and Prof. J.D. Castellon as well as the London Royal College of Music under the guidance of Jaime Martín. As a Principal Flute player, she has worked with many leading orchestras, including the London Symphony Orchestra, London Philharmonic, Swedish Radio, Rotterdam Philharmonic, and NDR Elbphilharmonie Orchestra under esteemed conductors including Nikolaus Harnoncourt, Valery Gergiev, Colin Davis, Bernard Haitink, Vladimir Ashkenazy, Myung-whun Chung, and Lorin Maazel.\u003cbr\u003e  \u003cbr\u003e  -----\u003cbr\u003e  \u003cbr\u003e  REVIEW:\u003cbr\u003e  \u003cbr\u003e  Competition abounds in Nielsen’s Flute Concerto of 1926 but Andrada is totally inside the unsettled, quixotic nature of the music and communicates lyrical passages with ardent conviction. Jaime Martín, himself a distinguished flautist, provides lithe and vibrant accompaniment in both the Nielsen and Ibert concertos, while Andrada herself directs the strings with impressive authority in the Arnold concerto. The quality of the recording in all three works is as bright and vivid as the performances. \u003cbr\u003e  \u003cbr\u003e  – Gramophone","brand":"Ondine","offers":[{"title":"CD","offer_id":46013081649386,"sku":"761195134023","price":18.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3760274-2650389.jpg?v=1778250589"},{"product_id":"merk-20-etudes-for-cello-solo-op-11-ed-m-rummel","title":"Merk: 20 Etudes for cello solo, Op. 11 (ed. M. Rummel)","description":"Merk: 20 Etudes for cello solo, Op. 11 (ed. M. 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Already at the end of 2020, when no concerts could take place due to the pandemic, Stadtfeld had sent short musical Advent greetings to his audience via social media channels to cheer them up. The experience of this sharing and the positive response to his music gave him the idea for his new album. Right at the beginning, Stadtfeld's \"Christmas Time\" sounds, consisting of 11 atmospheric miniatures. Titles like \"Happy Time\", \"Wish List\" or \"Anticipation\" conjure up images of joyful anticipation and shining children's eyes during Christmas times. Just as in his own piano cycle, Martin Stadtfeld let's listeners participate in his Christmas imagination in his arrangements of traditional carols and pieces by classical composers. \"Christmas Piano\" also includes \"Canonische Ver�nderungen �ber Vom Himmel hoch\" (Canonical Changes on High Heaven) by Johann Sebastian Bach arranged for piano and trumpet, in which Martin Stadtfeld's brother Stephan also makes a guest appearance on the trumpet.","brand":"SONY CLASSICAL IMP","offers":[{"title":"CD","offer_id":46013122674922,"sku":"194399119228","price":11.76,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4017624-2754898.jpg?v=1778370457"},{"product_id":"dvorak-rusalka-hickox-barker-owens-martin-et-184668","title":"Dvorak: Rusalka \/ Hickox, Barker, Owens, Martin, Et Al","description":"\u003cimg src=\"\/graphics\/features\/editors_choice.gif\"\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cb\u003eMackerras unseated? This magical version from Australia comes close\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e Chandos certainly has guts, going toe-to-toe with Mackerras’s Gramophone Award-winning set. Hickox’s Australian forces need not fear the comparison. Cheryl Barker may not have the refulgent tones of Renée Fleming on Decca (who has?) but she is even more moving in conveying Rusalka’s desperation. Mackerras is still my must-own, but this runs it close.\u003cbr\u003e  \u003cbr\u003e -- Gramophone [3\/2008]\u003cbr\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46013131522282,"sku":"095115144923","price":21.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1292743_fb4bcc42-e8ca-42ae-b5d6-00a38affdb71.jpg?v=1778337017"},{"product_id":"robert-schumann-works-for-clarinet-piano-7318590009444","title":"Robert Schumann: Works For Clarinet \u0026 Piano","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":46013256237290,"sku":"7318590009444","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2263079.jpg?v=1778321029"},{"product_id":"music-from-the-time-of-tillman-riemenschneider-234804","title":"Music From The Time Of Tillman Riemenschneider","description":"\u003cp\u003eIncludes work(s) by various composers.  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Conductor: Bernhard Böhm.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46013256827114,"sku":"747313213825","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/698034.jpg?v=1778188636"},{"product_id":"handel-twelve-grand-concertos-concerti-grossi-gester-194710","title":"Handel: Twelve Grand Concertos - Concerti Grossi \/ Gester, Arte Dei Suonatori","description":"\u003cp\u003eThis is a hybrid Super Audio CD playable on both regular and Super Audio CD players.\u003c\/p\u003e","brand":"BIS","offers":[{"title":"SACD","offer_id":46013272326378,"sku":"7318591705062","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1451524.jpg?v=1778343124"},{"product_id":"nielsen-aho-clarinet-concertos-frost-vanska-lahti-83595","title":"Nielsen, Aho: Clarinet Concertos \/ Frost, Vanska, Lahti SO","description":"\u003cb\u003eThis is a hybrid Super Audio CD playable on both regular and Super Audio CD players.\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cimg src=\"\/graphics\/features\/editors_choice.gif\"\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cb\u003eAt last, a modern Nielsen to lead the field - and a future classic?\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e There are eight or so modern accounts of the Nielsen Clarinet Concerto in the catalogue, plus a few no less impressive that have come and gone. Most have fine qualities. Yet for sureness of idiomatic touch none dislodges Ib Erikson’s classic 1954 Danish accounts.\u003cbr\u003e  \u003cbr\u003e Closer to the mark than any modern rivals is this new issue from Martin Fröst, the clarinettist of the moment for all-round artistry allied to adventurous approach to repertoire. He seems to have Nielsen’s irascible masterpiece in his bloodstream, as surely as he has its technical contortions under his fingers. Vänskä ensures that the Lahti players are never fazed by the exposed edges in the accompaniment, and only the very drawn-out final bars come across as slightly self-conscious. Detail for detail, phrase for phrase, I would have to give this team the palm over the old Danish recording, even before considering BIS’s immeasurably superior sound quality. Even so, Erikson and Wöldike remain a benchmark for insight into the character of the piece.\u003cbr\u003e  \u003cbr\u003e Kalevi Aho’s Concerto starts arrestingly but without a trace of the attention-seeking that afflicts certain other clarinet concertos of recent times. There is something in Aho’s five continuous movements that recalls Nielsen’s directness and free-flowing succession of ideas, and the cadenza that forms the second movement even brings momentary echoes of Nielsen’s uncompromising skirls and flourishes. But the Finn’s sights are set more on the starkly elemental than on the quirkily personal. For Aho the Vivace con brio third movement is the “centre and culmination”, and it is certainly exuberant – dangerous, even – in its restless virtuosity, rather like Strauss’s Till Eulenspiegel driven mad by inner demons. After this a sad slow movement brings sober reflection, and an Epilogue concludes the work on a note of mystery.\u003cbr\u003e  \u003cbr\u003e Few would now question the status of the Nielsen as the finest clarinet concerto of the 20th century. Time will tell with Kalevi Aho’s concerto in the 21st. In the short term it will probably daunt as many prospective soloists and orchestras as Nielsen’s work did in its time. But there can have been few equally impressive head-on engagements with the concerto medium in recent years. In sum, a CD of rare distinction.\u003cbr\u003e  \u003cbr\u003e -- David Fanning, Gramophone [5\/2007]\u003cbr\u003e","brand":"BIS","offers":[{"title":"SACD","offer_id":46013281304810,"sku":"7318599914633","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1632866.jpg?v=1778324390"},{"product_id":"frost-friends-encores-martin-frost-240780","title":"Fröst \u0026 Friends: Martin Fröst Plays Encores","description":"\u003cb\u003eThis is a hybrid Super Audio CD playable on both regular and Super Audio CD players.\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e A calendar filled with orchestral concerts and chamber recitals in many of the world’s most prestigious venues has given the clarinettist Martin Fröst ample opportunity to develop a wide range of encores, for every occasion. Known for the imaginatively themed concert programmes he devises with various musician friends, he has also explored a number of musical genres. These aspects of his artistry are both demonstrated on this constantly engaging disc, which includes immortal gems such as Rachmaninov’s Vocalise and Kreisler’s Liebeslied as well as pieces rather less usual in a classical context: Charlie Chaplin’s Smile and the klezmer traditional Let’s Be Happy rubbing shoulders with an improvisation over the Nat King Cole standard Nature Boy. Throughout the programme Fröst receives the expert support of the pianist Roland Pöntinen, a chamber music partner of long standing who has also been involved in devising many of the imaginative arrangements, for instance of Vittorio Monti’s Csárdás. Three other musical companions of Fröst’s make cameo appearances, with mezzo-soprano Malena Ernman joining the clarinet in the head-long flight of not one, but two bumble-bees. Torleif Thedéen’s cello sings a heartfelt Ave Maria above the gyrating accompaniment of Fröst’s clarinet, while Svante Henryson, also a cellist, plays in his own duo piece Off Pist, in which the clarinet and cello chase each other up and down alpine slopes. Martin Fröst’s spectacular career on disc began in 1995, with one of his first CD reviews, in In Tune Magazine, describing him as ‘A Swedish Clarinet Star’, and continuing ‘Fröst has everything – including genius’. 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