Norman Brown's most popular album of the last 20 years!!! Grammy Award-winning Contemporary Jazz/R&B superstar Norman Brown has sold over 4 million albums in his extraordinary career and virtually lives at the top of the Billboard Contemporary Jazz sales and radio charts. Having shared the stage with virtually every Contemporary Jazz superstar from Boney James to Dave Koz to Gerald Albright, Norman is also touring nationwide as co-leader of the supergroup BWB (Norman Brown, Kirk Whalum and Rick Braun)!! Let's Get Away which is already approaching 100 million streams, has Norman Brown's hit-making talents on full display. Featuring inspired original compositions such as the vibey "LA Chill," the funk/blues tinged "Talk It Out," and the romantic tribute to Wes Montgomery, "Heading Wes," Norman tops it all off with a brilliant rendition of the classic "Down Here On the Ground!"
Grammy Award-winning Contemporary Jazz/R&B superstar Norman Brown has sold over 5 million albums in his extraordinary career and virtually lives at the top of the Billboard Contemporary Jazz sales and radio charts. Having headlined with with virtually every Contemporary Jazz superstar from Boney James to Dave Koz to Gerald Albright, Norman's non-stop touring has electrified audiences from coast to coast! Authentically Norman has Norman Brown's hit-making talents on full display. Highlights include the uber-funky "Home Stretch," the romantic "Valentine," the joyful "Chillax'" and much more.
Rich Brown bought his first six-string bass in 1999, "Everyone made fun of me" he recalls with a characteristically warm smile - since then he's established a reputation as first-call player for the leaders of an impressive variety of adventurous projects, from Steve Coleman to Rudresh Mahanthappa to James 'Blood' Ulmer. Over the past two years, whenever time allows, he's been paying regular visits to the studio of his friend, the guitarist and producer Elmer Ferrer. Away from the pressures of the commercial industry, Rich seized the opportunity to explore and expand the vocabulary of his instrument. 'NYAEBA' took shape: written and performed entirely on the bass guitar. Rich drew inspiration from the many remarkable musicians he's supported as a bassist, or encountered in the richly multicultural music scene in his adopted hometown of Toronto. Throughout the album, the commitment to melody and story ensures that the technique, though prodigious, never overshadows the tale. Each tune was built up with multiple tracks in the studio, with no looping or sequencing involved. The sonic versatility on display is astounding, but the album retains the organic, intimate feel of a performance. This album will no doubt sit comfortably among the essential solo bass albums, showcasing what's possible on the instrument. While many solo bass records center the instrument itself, what's unique about Rich's approach is that he puts the composition and music first, using the electric bass as the vehicle. With a focus on texture, movement and melody, and a striking range of voices, this is not your average electric bass album. A1. Ukudlala A2. The Sum of Our Tears A3. Heart of a Lonely Woman A4. Nyaeba (The Griot) B1. Kalagala Ebwembe B2. Sowetoeira B3. Turiyasangitananda - The Transcendental Lord's Highest Song of Bliss (A Meditation for Alice Coltrane) B4. The Kingdom of Heaven is Within
Originally recorded in 1954, Brown and Roach Incorporated is a foundational hard bop album featuring the virtuosic collaboration between trumpeter Clifford Brown and drummer Max Roach. This 180-gram vinyl edition includes the original quintet's dynamic performances along with bonus tracks.
Recorded in late 1954 and early 1955, this set marks the pinnacle of what some called the "most definitive bop group of the era" until Clifford Brown's fatal car accident in 1956. The second of four albums Brown and Max Roach made together, Clifford Brown & Max Roach enlisted the duties of Harold Land (tenor saxophone) with Richie Powell (piano) and George Morrow (bass) solidifying the rhythm section around Roach. Brown's compositions "The Blues Walk," "Joy Spring," and "Daahoud," are spotlighted as some of the finest in hard bop, with notable mentions of Bud Powell's "Parisian Thoroughfare," and Duke Jordan's "Jordu." Verve Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Two time Grammy winner Paul Brown, both as an artist and producer, is re-sponsible for more that 100 #1 jazz radio hits! Paul has produced and sharedthe stage with a who's-who of jazz greats such as George Benson, Patti Austin, Boney James, Norman Brown and Peter White just to name a few!With So Much To Say, Paul Brown reaches thepeak of his prodigious creativity. The album kicks offwith the joyful title tune "So Much To Say, " followedby a brilliant reinvention of the classic, "Summertime."Other surefire smooth-jazz hits include the in-the-pocket "Vice Versa, " the uber-funky "The Get Down, "the romantic "Take Me As I Am, " and much more!
Produced by Paul Brown and Wirlie Morris. Grammy Award-winning Contemporary Jazz/R&B superstar Norman Brown has sold over 3 million albums in his extraor- dinary career and virtually lives at the top of the Billboard Contemporary Jazz sales and radio charts. Having headlined with virtually every Contemporary Jazz superstar from Boney James to Dave Koz to Gerald Albright, Norman's non-stop touring has electrified audiences from coast to coast! It Hits Different has Norman Brown's hit-making talents on full display. Highlights include the uber-funky "Chicken Shack," the romantic "Too Forever," the joyful "Strollin'" and much more.
Clifford Brown - "Memorial Album" / The incomparable trumpeter Clifford Brown recorded two leader sessions for Blue Note in 1953 (a co-led quintet date with Lou Donaldson and his own sextet date) that were compiled on the Memorial Album shortly after his tragic death in 1956. Brownie's star burns bright from the blistering "Cherokee" to the stunning ballad "Easy Living." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180gram vinyl at Optimal : [Blue Note Classic Vinyl Series] [LP]
Limited 180gm vinyl LP pressing. Guitarist Mel Brown's 1967 Impulse! Debut is possibly the funkiest and most unique album ever released on the label. His clean blues picking style - honed while playing in John Lee Hooker's and T-Bone Walker's bands - marinates funkily with the swinging soul-jazz organ of Gerald Wiggins. The title track and the simmering lament of "I'm Goin' to Jackson" standout. Verve By Request Series features transfers from the analog tapes.
2022 release. Two time Grammy winner, Paul Brown, both as an artist and producer, is responsible for more than 60 #1 jazz radio hits! Paul has produced and shared the stage with a who's-who of jazz greats such as George Benson, Patti Austin, Boney James, Norman Brown, and Peter White, just to name a few. With Promised Land, Paul Brown reaches the peak of his prodigious creativity. The album kicks off with the spirited "Secret Sauce," a surefire contemporary jazz radio #1, and delivers with "Don't Stop," Paul's sexy collaboration with Marion Meadows, and the Bluesy, in-the-pocket, "7and7," featuring Euge Groove!!
Born October 13, 1926, in Pittsburgh, Pennsylvania, Ray Matthew Brown took piano lessons from the age of eight, but after noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took on the upright bass. As a young man Brown became increasingly well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russell band. After graduating high school, having heard stories about the burgeoning jazz scene on 52nd Street, he bought a one-way ticket to New York. He arrived in the city at the age of 20, met up with Hank Jones, with whom he had previously worked, and was introduced to Dizzy Gillespie, who was looking for a bass player. Gillespie hired Brown on the spot, and he soon played with such established musicians as Art Tatum and Charlie Parker. Between 1956 and 1965, Ray Brown released a number of albums on which he performed as leader or co-leader. He made four records alongside Barney Kessel and Shelley Manne between '57 and '60, performing as The Poll Winners, and in the early sixties made two with his old buddy Milt Jackson. Brown was later adopted by the rock and pop fraternity and has appeared on albums by Steely Dan, Linda Ronstadt, Barry Manilow, Maria Maldaur, Elton John, Lionel Ritchie, Stephen Bishop, Nick Lowe and Elvis Costello. While never reaching the status of many of his contemporaries, Ray Brown's legacy is virtually unparalleled in the history of jazz, having appeared on literally hundreds of albums during his lengthy career, and remaining a name to drop in all the right circles. This delightful 4CD set features many of Brown's finest early albums, up to the mid-1960s, and includes recordings he made alongside Ella Fitzgerald, Milt Jackson, The Pollwinners, and of course all the records from this era on which he performed as leader.
Norman Brown again teams up with superstar producer Paul Brown to create more magic! Grammy Award-winning Contemporary Jazz/R&B su-perstar Norman Brown has sold over 2 million albums in his extraordinary career and virtually lives at the top of the Billboard Contemporary Jazz sale sand radio charts. Let's Get Away has Norman Brown's hit-making talents on full display. Featuring inspired original com-positions such as the vibey "L.A. Chill," the funk/bluestinged "Talk It Out," and the romantic tribute to Wes Montgomery, "Wes Side Story," Norman tops it all off with a brilliant rendition of the classic "Down Here On The Ground!"
Perhaps more than any other artist, Ruth Brown helped lead the way in bridging the gap between R&B and pop as far as female artists were concerned, paving the way for the likes of Mary Wells and Aretha Franklin in the '60s. So successful was she that she became known as "The Queen Of R&B" and her record company Atlantic was sometimes referred to as "the house that Ruth built", so much did her hits contribute to the label's commercial fortunes. Between 1949 and 1962 she racked up 25 R&B hits, including five No. 1s, with several crossing into the pop charts. This great-value 109-track 4-CD set comprises just about all the A & B sides of her singles on Atlantic and Philips during these years, which include the titles from her albums "Rock 'n' Roll" and "Miss Rhythm", plus most of the titles from her albums "Late Date With Ruth" for Atlantic and "Along Comes Ruth" for Philips. It features all her 25 career R&B and pop chart hits including the R&B No. 1s "Teardrops From My Eyes", "5-10-15 Hours", "(Mama) He Treats Your Daughter Mean", "Oh What A Dream" and "Mambo Baby". It's a substantial and comprehensive overview of her primary career as a chart artist, and a highly entertaining showcase for her unique talent as a pop and R&B song stylist.
Limited 180gm vinyl LP pressing in gatefold jacket. One of the most lauded (and brilliant) trumpet players in the history of jazz, Clifford Brown adds to his luster on this varied program of nine engaging tunes. Featuring the 1955 version of the Clifford Brown/Max Roach Quintet, a group also including tenor saxophonist Harold Land, pianist Richie Powell, and bassist George Morrow. One of the premiere early hard bop units.
Beethoven started composing Leonore in January 1804. The subject – the release to freedom of an unjustly imprisoned man by his devoted wife – was part of the genre of ‘rescue operas’ which were very popular at the end of the 18th century. The premiere of Leonore, given before an uncomprehending audience at a time of political upheaval, was a failure and Beethoven responded by shortening the work from three acts to two, which was the version performed in 1806. After further revisions it was to emerge in 1814 as Fidelio. This performance is from Opera Lafayette’s Leonore Project which included a performance of Pierre Gaveaux’s Léonore, ou L’Amour conjugal (available on Naxos DVD 2.110591 and Blu-ray NBD0085V) – the opera on which Beethoven modelled his Leonore.
Beethoven started composing Leonore in January 1804. The subject – the release to freedom of an unjustly imprisoned man by his devoted wife – was part of the genre of ‘rescue operas’ which were very popular at the end of the 18th century. The premiere of Leonore, given before an uncomprehending audience at a time of political upheaval, was a failure and Beethoven responded by shortening the work from three acts to two, which was the version performed in 1806. After further revisions it was to emerge in 1814 as Fidelio. This performance is from Opera Lafayette’s Leonore Project which included a performance of Pierre Gaveaux’s Léonore, ou L’Amour conjugal (available on Naxos DVD 2.110591 and Blu-ray NBD0085V) – the opera on which Beethoven modelled his Leonore.
Piece of Mind: Adonis Rose Live at Blue Llama / Rose, Fuller, Brown, Masakowski, Hayama, Weaver
Storyville Records
CD
$19.99Sep 25, 2020
Piece of Mind is an all-star group that features some of the most talented voices in jazz today. The concept of the group was inspired by the VSOP Quintet from the late 1970s with the intention of being both a touring and recording group. During his career, Rose has worked with each member of the group at different times, as have the other members. The new collective brings together the highly regarded players who, when united onstage, deliver an exciting and fluid musical experience. In Spring 2019, the group recorded their first album, presented here, which features highlights from their series of live concerts at the Blue Llama in Ann Arbor, MI. Members of the group include Adonis Rose: drums; Tia Fuller: alto sax; Maurice Brown: trumpet; Sasha Masakowski: vocals; Miki Hayama: piano; and Jasen Weaver: bass.
This "new hard bop" group plays originals by it's members. Damon Brown has been around for more than twenty years, critically acclaimed by the public and the press. The Evening Standard called him "best British mainstream trumpetist". He played alongside Benny Golson, Steve Grossman, Dave Liebman and Peter King. Belgium-based Stephane Mercier still tours around the world. One could hear him with Mark Turner, Avishai Cohen, Chris Cheek, Seamus Blake, Aaron Goldberg in New-York. He also leads the Jazz Station Big Band in Brussels. The two leaders met in Paris, and recently toured in Asia, UK and Europe.
The echoes of war are poignant and nostalgic, stirring and sorrowful, reflecting times of intense living and dying. Emma Brown and Han-Louis Meijer present music from and about the First and Second World Wars, including uplifting songs of hope and love, and songs of remembrance and loss. Emma read music at Cambridge and then moved to the Netherlands to study singing and composition at the Royal Conservatoire in The Hague. Her music is published by Edition HH.
The music of Jesper Koch (b. 1967) is in a constant and fruitful dialogue with the past. Often melodious with tonal connotations and with a dreamlike quality that seeks to escape from reality in the cello concerto Dreamscapes, feels at home in oases of happiness and nostalgia in the violin concerto Arcadia Lost. And finally, the clarinet concerto Lonesome deals with different aspects of loneliness. The three concertos are presented here in world premiere recordings featuring the soloists they were written for. They, in turn, share a deep connection with the Odense Symphony Orchestra, always close to the composer's heart. Born in England, conductor Justin Brown studied at Cambridge University and Tanglewood Institute with Seiji Ozawa and Leonard Bernstein. Internationally acclaimed in both the symphonic and operatic repertoire, Justin Brown is General Music Director of the Badisches Staatstheater Karlsruhe in Germany and was Music Director of the Alabama Symphony Orchestra in the United States.
John Christopher Williams, OBE (born 24 April 1941) is an Australian virtuosic classical guitarist renowned for his ensemble playing as well as his interpretation and promotion of the modern classical guitar repertoire. In 1973, he shared a Grammy Award in the Best Chamber Music Performance category with fellow guitarist Julian Bream for Julian and John (Works by Lawes, Carulli, Albéniz, Granados). Guitar historian Graham Wade has said: "John is perhaps the most technically accomplished guitarist the world has seen." This third instalment in the IDIS John Williams Beginning of a Legend series includes works recorded in the studio in 1961, when John was only 20 years old. Works include compositions by Ponce and Torroba as well as traditional songs for voice and guitar.
A political prisoner awaits death in his cell. A woman puts herself in mortal danger to seek justice. With its atmosphere of revolution and tale of devotional romance and a dramatic rescue from captivity, Pierre Gaveaux’s Léonore, ou L’Amour conjugal was the direct forerunner to Beethoven’s Fidelio. Having been entirely overshadowed by its famous successor and lain hidden for centuries, this both darkly somber and entertainingly celebratory opéra comique is seen here in an acclaimed modern premiere whose timeless and inspiring story of female heroism and political injustice is as relevant today as ever. The Washington Post wrote of this production: “Opera Lafayette’s smart, efficient production brought the brief opera comique fully to life with vivid playing and singing… events such as this… are a rarity anywhere and a gift...”
A political prisoner awaits death in his cell. A woman puts herself in mortal danger to seek justice. With its atmosphere of revolution and tale of devotional romance and a dramatic rescue from captivity, Pierre Gaveaux’s Léonore, ou L’Amour conjugal was the direct forerunner to Beethoven’s Fidelio. Having been entirely overshadowed by its famous successor and lain hidden for centuries, this both darkly somber and entertainingly celebratory opéra comique is seen here in an acclaimed modern premiere whose timeless and inspiring story of female heroism and political injustice is as relevant today as ever. The Washington Post wrote of this production: “Opera Lafayette’s smart, efficient production brought the brief opera comique fully to life with vivid playing and singing… events such as this… are a rarity anywhere and a gift...”
The St Catharine's Girls' Choir, Cambridge, with director Edward Wickham, celebrate ten years since their foundation with this album of works for upper voices. In marking the momentous occasion in 2008 when St Catharine's created the first college-based girls' choir, the current choristers of this acclaimed group present a varied programme of secular works from British composers including Britten, Bennett and a world premiere by Sally Beamish. The St. Catharine's Girls' Choir- the only college-based girls' choir in the UK- was founded in 2008. The choir sings weekly in the College Chapel, as well as giving regular concerts and it's repertoire extends from the early Middle Ages to the twenty-first century, with several works written specially for it. The choir is made up of twenty girls, aged between eight and fifteen, drawn from local schools; and for this recording is augmented by former choristers. The choir has performed in some of the UK's leading venues, and has performed live in Radio 3's The Choir and toured to Poland and Hungary.
![Gaveaux: Leonore, ou L'amour conjugal / Brown, Opera Lafayette [Blu-ray]](http://arkivmusic.com/cdn/shop/files/3844017.jpg?v=1786827092&width=800)
![Gaveaux: Leonore, ou L'amour conjugal / Brown, Opera Lafayette [Blu-ray]](http://arkivmusic.com/cdn/shop/files/3844017.jpg?v=1786827092&width=400)
