Sufism is the mystical branch of Islam. The Sufi strives for a direct connection with God. The rapture of music and dance is frequently used to create a transcendental experience in which the ego falls away, allowing direct experience of the divine. There is a saying: ‘If a man claims to be a Sufi, he is not, and any true Sufi will never claim to be one’. To call a music ‘Sufi’ is to thereby bring into question its authenticity. If we claim this is Sufi music, it therefore must not be. What we can say, though, is that Shafqat Ali Khan’s music is thoroughly rooted in the Sufi tradition. Many of the songs are ghazals, a poetic musical form in which the singer, taking the woman’s perspective, longs for the return of her lover. This longing, expressed in a romantic form, is understood to be a metaphor for the soul’s longing to be connected with the divine. The spiritual expression of Sufi music is robust and intensely emotional. This is no quiet background music for meditation, but deeply passionate music that wrestles with strong emotions, from melancholy and despair to rapturous ecstasy. By directly going into the emotion, in a way somewhat akin to how an American blues or gospel singer might, we find transcendence. The music takes us on a journey, and we emerge somehow changed.

Essence of Raga Tala is unique and compelling take on Indian musical tradition. Presented by producer and composer Kuljit Bhamra MBE, nine Indian ragas and selected talas are re-imagined for both traditional and western instruments in new and exciting directions. Kuljit Bhamra MBE is a prolific composer, musician and record producer whose main instrument is the tabla. He is best known as one of the record producers who pioneered the British Bhangra sound and for his many collaborations with musicians from different genres and continents. Kuljit has worked on numerous film scores, including Bend it Like Beckham, Bhaji on the Beach, A Winter of Love, and he appears on soundtracks for The Guru, The Four Feathers and Charlie & The Chocolate Factory. He is the recipient of many awards including a platinum disc for outstanding record sales presented by the much-loved BBC Radio DJ John Peel, who was a big fan of his music. His cutting-edge projects and ground-breaking educational work earned him the prestigious honor of MBE in Her Majesty The Queen’s birthday list 2009.

A potent cocktail of explosive footwork, haunting singing, virtuoso guitar playing and percussive handclapping from southern Spain with some of flamenco’s finest award-winning artists. This album was recorded live at a flamenco bar in the heart of Andalusia. JALEO began touring outside Spain in 1988, and ever since, their rigorous touring schedule has become more demanding each year including recording, theatre performances, workshops, TV and radio work. For three decades Jaleo have captivated the attention of audiences of all ages and walks of life with the universal appeal of their art. Their authentic and charismatic approach to performance – sometimes serious, sometimes humorous, but always sincere – has won them many followers and considerable critical acclaim from both press and public alike. Formed by award-winning flamenco artists from Seville who have each earned great recognition within their own country, Jaleo has now firmly established an international reputation as a very exciting and dynamic dance company with an innovative approach.

Modou Tour�, of Dakar, Senegal, plays highly-groovy rhythms; Afrobeat, pop-rock and funk. This album features sharp guitar playing harmonized with drums, bass, percussion and electric guitar. Tour�'s voice is powerful and sublime as it soars over energizing, contemporary music. Heir of the legendary group Tour� Kunda, the first West African group to achieve worldwide fame in the 1980s, Modou Tour� was born into music. His voice strikingly echoes that of his father, Ousmane Tour�, who was the inspiration for his choice of career. Passionate about music from a tender age, he was to be found regularly singing up a storm and playing the drums under his neighbors' windows in the modest district of HLM4 in Dakar, where he spent his childhood.

An album of soulful compositions with heartfelt melodies, each piece highlighting a particular Egyptian instrument. Following Hossam Ramzy's high standard in dance pieces it washes onto the shores of world music with a hypnotic and exotic flavor. Includes four bonus practice tracks for dancers, and explanations to each of the songs.

"• Kurdish singer and composer Sakîna presents passionate and captivating songs from Kurdistan portraying life of the people in the Kurdish regions of Turkey, Iran and Iraq. • Sakina combines regional singing styles with traditional and experimental interpretative techniques. • Traditional and modern instrumental accompaniment. • Booklet contains information about the artist and each of the pieces in English and German."

Modern Bellydance: Lebanese Nights

Nayan Navaa is an album full of life, sun, kindness, compassion and joy. NAMGAR contribute to the preservation of the Buryat language, one of the listed endangered languages of the world. NAMGAR’s aim is to save and promote traditional Buryat melodies by working with archives, collecting songs, and performing them both in their homeland and around the world. In 2019, band members Evgeny Zolotarev and Namgar Lkhasaranova worked in the archives of St. Petersburg, Moscow and Ulan-Ude, Buryatia, collecting 100 forgotten traditional Buryat songs, a selection of which feature on this album.

Macedonian bellydance music has a distinct ''Balkan'' flavour with its typical instrumentation blended with contemporary instruments - modern, exciting, quirky, and very ''bellydanceable''!

Hossam Ramzy, Egypt’s Ambassador of Rhythm, was born in Cairo. His musical career began early, when at the age of three he was given his first drum- an Egyptian table. His passion for percussion was noted by his family who encouraged him to master his craft by studying with the leading music teachers of Egypt. A move to Saudi Arabia introduced Hossam to many of the Bedouin tribes who gave the young Hossam a rich insight into the cultural origins of Middle Eastern music that became the inspiration for many of his later rhythmic directions. Faddah (“Silver”) is an album of classical style Egyptian Dance compositions, created by Hossam Ramzy. Creating music for a dance routine is rather complex and requires vision and innovation. You have to be able to see the dancer in your mind while writing such music for her, counting her every step, caring about her every move and working it out rhythmically, melodically and making sure it flows from mode to mode, from beat to beat with logically worked-out transitions.

The santoor is one of the oldest instruments in the world, originating in the Middle East. It is among the simplest stringed instruments, belonging to the category of zithers. The strings are struck with two hammers, called mesrabs. The name santoor first appeared in an eleventh century poem by the Iranian Manucheri. The instrument itself was not depicted until the thirteenth century where we find it in a drawing. The wall paintings of Chehel Sotun, the “catalogue” of Safauad musical instruments, also depict the santoor. It is also found in later paintings and photographs from the Qasar period. During the twentieth century the santoor gained much popularity and is now one of the major instruments in Iran. Hossein Farjami has long counted among the most respected and best-loved Iranian musicians. He combines natural talent with rigorous discipline, and musicianship with professional ethics. Born in Teheran, Iran, he started his musical studies at the age of 13, and his life has been devoted to music ever since. For the past five decades he has been based in London, where he has achieved a high reputation, not only among the large Iranian community living in the West, but throughout the Middle East as well.

This release features bouncy and sinuous bellydance music by Emad Sayyah. He writes soft and harmonious arrangements, avoiding quarter tones, using traditional instruments as well as modern ones. His compositions have found many admirers among professional belly dancers, but beginners and non-dancers will also enjoy these exciting songs. Emad Sayyah was born in Beirut, Lebanon. He has been performing professionally for more than three decades across Kuwait, Jordan, Syria, as well as Europe. Besides using traditional oriental instruments like the derbacki, rik, kanoun, nay, and santur, Emad also utilizes modern instruments like the saxophone, oboe, clarinet, accordion, keyboards, and violin.

This album features original Egyptian dance compositions as well as traditional pieces with a modern touch, by Essam Rashad. Essam Rashad was born in Cari, Egypt. He learned music from his father early in hi life. In his twenties, he worked as a composer for the national Egyptian radio station. After his father’s death, he began to study violin and joined a small orchestra, recording a great number of songs by various Middle Eastern composers. Thus he gained a great wealth of knowledge and wide-ranging experience in different musical styles and techniques. Gradually he became highly regarded as a talented musician, whereupon he was appointed to join the Egyptian National Classical Orchestra as a specialist of the oud, his first instrument. In 1981, he came to England. He then began to teach music privately, while also looking for an opportunity to release his musical works. He worked on arrangements for Indian and Western music with his special skills. At present, he is completing work on original pieces of full orchestrated modern classical music.

An exciting album with a fine collection of fiery Flamenco. 14 pieces, sung, as well as instrumental, from the very traditional to today's modern renditions, presented by some of the finest exponents in the genre.

Recorded by the ethnic folk music expert and producer Deben Bhattacharya in the year of his death (2001) for the film “Music According to Deben Bhattacharya”, this album of field recordings focuses on the Murshidi (spiritual master) singers from Bangladesh. Devotional rites and esoteric poetry set in folk music, the melodies are often nostalgic and slow. Sometimes, as can be heard on this album, the rhythm is made faster so as to make the songs more attractive. Extensive information about the history, music and instruments can be found in the accompanying booklet.

Rhythms of West Africa, tapestries of authentic African voices, Senegalese / West African blues fusion, a cappella from Southern Africa, Namibian songs on guitar, serenades from Ethiopia and more... This African compilation is a stunning journey across the continent. The songs compiled on this release have been hand-selected from Arc’s vast catalog of African music albums. Musicians include Nii Okai Tagoe, Tinyela, Modou Toure and Ramon Goose, Musa Mboob and XamXam, and many more. Details on each song, the musicians, and the albums from whence these pieces were chosen are all included in the booklet.

Viguela is a five-member band from Castilla-La Mancha, who has been sustaining their homeland’s traditional music for over three decades. Their music fuses traditional songs with more modern aspects and sounds from other areas in the Iberian Peninsula and Northern Africa. Temperamento is being released alongside their 2016 European tour, which will take the group through Spain, Sweden, and Germany. “Viguela’s CD is a treasure. Full of reality, human presence, intensity – and musically and technically perfect.” (Janusz Prusinowski, Mazurkas of the World Festival)

After their successful first album ‘Old Tunes, Dusted Down’ – a concept album devoted to the impressive fieldwork of folklorist Hubert Boone – MANdolinMAN dug even deeper into Flemish folk music with the album ‘Unfolding the Roots’. Played on four mandolins, the music took on new forms and the historic melodies were injected with a modern and contemporary vigor. Instrumental Flemish Folk music had never sounded so exotic! For their next project, they decided to again breathe new life into tradition, but this time looking a little further afield than Flemish Brabant and Flanders. With this new album – ‘MANdolinMAN plays Bossa Nova’ - the foursome explores the bossa style of Brazil and gives the sound of South America a new original touch.

Seasons of India has captured the essence of Indian life that is infused with the customs and cycles that have shaped generations over millennia. There are regional variations in the timings and precise nature of the seasons, but there are major seasonal festivals celebrated throughout India alongside local customs. Baluji Shrivastav grew up in rural India experiencing first-hand the rhythm of the seasons flavored by sounds, smells, songs, dances, legends and poetry. Although India is being modernized, for the majority of people those seasonal festivals, foods and customs remain the same. The intense power of nature and her influence on music is encapsulated through the knowledge and imagination of this great multi-instrumentalist virtuoso and composer. It is the reflection of a life dedicated to the rich and boundless beauty of Indian music.

Calypso is a form of folk music and dance from the Caribbean. Historically, Calypso can be traced back to the arrival of African slaves in the Caribbean islands in the seventeenth century. It has its roots on the island of Trinidad. The words of calypso songs are witty and humorous, usually involving social or political commentary in satirical form. The lyrics are characterized by arbitrary shifts in the accentuation of everyday English words. The infectious Calypso music is set in duple meter. It is a vital component of any carnival celebration in the Caribbean, and there are annual calypso competitions which are themselves a premier aspect of the carnivals. Born in Africa in 1968, King Selewa got into music through Jamaican 70s calypso, ska, rock-steady and early reggae music which he and his elder brother, Lord Skalipsoul, then performed live all over Europe in 1995. King Selewa and Chico, his guitar player, soon formed their own band of experienced musicians- their “Calypsonians,” in order to go deeper into the roots of Caribbean music, that is to say, Calypso. As Lord Invader said: “Calypso is folklore of Trinidad, a style of poetry recounting current events in song.”

Indian classical music has certain modes and ragas dedicated to the seasons, which have been explored by many generations of musicians. In accordance with the Indian calendar, spring runs from mid-February to mid-April, and is known as Vasant (or Basant). The festival Holi celebrates spring’s arrival. In this album, Baluji captures the rapture of spring, expressing seasonal feelings of renewal and hope through the subtle nuances of the chosen ragas. He celebrates his mastery of the sitar with wonderful sensitivity and dexterity. There are also some thrilling moments enthused by the distinctive tabla playing of Sukhvinder Singh “Pinky”, with his vivacious renditions of 1relas and 2chakradas. Baluji cannot see the colors of flowers but he has heard their voices, and they sing out through this joyous album – Voice of Flowers.

Maasai Footsteps is a project that reveals the evolution of the Maasai culture and shows the value of their traditions in the world today. To illustrate this development, Anuang’a brings modern choreography to the traditional performance of song and dance. Anuang’a describes it as “a show that travels to the ancient times and connects to the present, while revealing how much of the present-day culture is influenced by the past... This is a show that brings out the beauty of the Maasai culture and the unique rhythm of powerful voices and dance.” Anuang’a explains that the dancers are not professionals, and that he wanted to demonstrate the raw talent that exists in the local villages, those who sing and dance as part of their daily routine. The three clans involved are Purko from Maasai Mara, Loodokilani from Magadi and Kisonko from Amboseli. Each of the three clans bring their own combination of rhythm, voices and movements to traditional Maasai songs. While the groups perform a cappella, the contemporary dance that Anuang’a displays is a tribute to the Maasai community.“Tradition is what makes people who they are. If you lose it, you lose your identity.” – A.F.

A vibrant mix of creole heritage. The music of Sakili is from the island Rodrigues, a small volcanic island just east of Mauritius. The island’s European and African influences - waltzes, polka, mazurka, Scottish - all blend harmoniously with the ségadrum rhythms to intertwine the past musical traditions of African slaves with the western world. The three members of Sakili (Francis Prosper, Vallen Pierre Louis and Ricardo Legentil) had their own solo careers and were put together in 2019 by Mauritian artistic director Percy Yip Tong. The purpose of the group’s formation was for a European tour to introduce the rarely heard music of the Rodrigues island.

Ten piece band Mariachi Azteca are a group of professional musicians led by Orlando Rincon Padilla. The ensemble performs across Europe, and have appeared on television multiple times. The group performs on traditional mariachi instruments, violin, vihuela, jarana, trumpets, guitarron, and accordion. This exciting and vibrant album features traditional Mexican mariachi music, as well as several modern tunes.

This new release features an Andalusian flair, with exciting tracks of traditional Flamenco and Flamenco Nuevo.; These thrilling tunes feature quick rhythms, exciting guitars, zapateados (“feet”), palmas (clapping), and jaleos (cheers).; Telling stories about love, folk customs, and festivals, these songs will transport the listener into the romantic world of Flamenco.