{"title":"Arild Andersen","description":"","products":[{"product_id":"piano-quintet-cello-sonata","title":"PIANO QUINTET  CELLO SONATA","description":"Classical Music","brand":"Cyprés Records","offers":[{"title":"CD","offer_id":44716829933802,"sku":"5412217046118","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/434360.jpg?v=1778341927"},{"product_id":"affirmation","title":"AFFIRMATION","description":"2022 release. Norwegian bassist Arild Andersen, an ECM musician for more than fifty years, is a masterful player who has always welcomed a challenge. His first recording with his new quartet - including rising stars Marius Neset and Helge Lien (both bandleaders in their own right) - is almost entirely improvised. The players make the leap of faith together and find and develop forms in the moment, an object lesson in spontaneous group creativity. Affirmation was recorded in 2021 at Oslo's Rainbow Studio.","brand":"ECM RECORDS","offers":[{"title":"CD","offer_id":44913627398378,"sku":"602448285935","price":17.24,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4144891-2915322.jpg?v=1778371032"},{"product_id":"landloper","title":"LANDLOPER","description":"Arild Andersen - \"Landloper\" \/ Arild Andersen, one of the most widely acclaimed bassists in jazz, presents his first solo album. Choice of repertoire in this recital reflects on Arild's artistic journey and, alongside Andersen originals, we find Norwegian traditional music, a romantic jazz standard and new light cast upon free-jazz classics. Andersen's performances combine his masterful bass playing with real-time creation of electronic loops that bring an atmospheric dimension to solo playing and fresh opportunities for interaction. Artist Hometown: Norway. Verve Label Group; ECM; Jazz.","brand":"ECM RECORDS","offers":[{"title":"CD","offer_id":46012902375658,"sku":"602475125808","price":18.13,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4394433-3318827.jpg?v=1778370448"},{"product_id":"grieg-peer-gynt-op-23-ruud-hagegard-202564","title":"Grieg: Peer Gynt Op. 23 \/ Ruud, Hagegård, Et Al","description":"\u003cb\u003eThis is a hybrid Super Audio CD playable on both regular and Super Audio CD players.\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cimg src=\"\/graphics\/p10s10.gif\"\u003e\u003cbr\u003e If you want Grieg's complete Peer Gynt with dialogue, this is the set to own. It really does represent a new standard, musically, dramatically, and technically. Let me say up front that ordinarily I'm not a fan of music with dialogue, but these actors are so involved, and their participation is so skillfully integrated into the acoustic framework and the musical flow, that the sound of idiomatically spoken Norwegian becomes a sort of quasi-musical counterpoint all on its own. Of course, it helps that the actual music, as realized by Ruud and his Bergen forces, also is outstandingly played and sung. His interpretation has all of the necessary freshness and energy that Grieg's score requires. It's theatrical and exciting but also sensitive; rustic without being crude.\u003cbr\u003e \u003cbr\u003e  \u003cbr\u003e High points are almost too numerous to list: there's Ruud's ebullient overture and his perfectly judged accelerando at In the Hall of the Mountain King; the rush of excitement when Peer Gynt is being hunted by the trolls; the characterfully grotesque Dance of the Mountain King's Daughter; the effortless flow of Morning Mood; Anitra's sexy little belly dance; a wonderfully urgent Peer Gynt's Homecoming; a terrifying shipwreck that happily avoids tacky sound effects; and it's all capped by the beautiful vocal contributions of Marita Solberg, who sings a particularly earthy, warm-toned Solveig. As with all the participants in this performance, she seems not just concerned with getting the notes right, but she's also fully involved with the text and in communicating what the music means, almost as if it were new. The chorus also characterizes its part with enthusiasm, avoiding that \"churchy\" feel that sometimes dogs performances with voices (except, of course, in the Whitsun Hymn, where it's called for).\u003cbr\u003e \u003cbr\u003e  \u003cbr\u003e It's also worth pointing out the extreme care that BIS has taken over production values. In SACD multichannel format, not only do you get enhanced three-dimensionality with respect to the basic soundstage, but sensitive use of the rear speakers creates atmosphere--for example, at such moments as the scene with the Boyg, or at various places requiring offstage voices--without ever drawing gratuitous attention to the technical side of things. The bottom line is that this production offers an unparalleled experience of Grieg's music in which the technology is placed entirely in the service of musical and theatrical values. The packaging and presentation are also exceptional: you get two booklets, one with notes and texts (Norwegian and English), the other with production stills from the actual play. Clearly everyone concerned with this release has pulled out all of the stops, and it has paid off handsomely. An exceptional achievement. [6\/28\/2005]\u003cbr\u003e --David Hurwitz, ClassicsToday.com","brand":"BIS","offers":[{"title":"SACD","offer_id":46013270753514,"sku":"7318591441427","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1633142.jpg?v=1778333860"},{"product_id":"live-at-belleville","title":"LIVE AT BELLEVILLE","description":"This thrilling live album unveils the Norwegian\/Swedish\/Scottish bass\/tenor sax\/drums trio of one of ECM's longest-serving recording artists (this is his 38th year on the label). The veteran bassist's most exciting group to date features prize-winning tourist Tommy Smith and drummer Paolo Vinaccia in a programme that embraces hot post-bop playing, strong compositions, beautiful balladry and fiery improvising. Ask your rep for an Andersen listing, or try Selected Recordings.","brand":"ECM IMPORT","offers":[{"title":"CD","offer_id":46014945165546,"sku":"602517744486","price":14.38,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1375443.jpg?v=1778350364"},{"product_id":"holmen-oort-cloud","title":"Holmen: Oort Cloud","description":"Holmen: Oort Cloud","brand":"Dacapo Classical","offers":[{"title":"CD","offer_id":46020410966250,"sku":"636943656228","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1796733.jpg?v=1778325234"},{"product_id":"graun-grosse-passion-max-winter-andersen-schafer-145116","title":"Graun: Grosse Passion \/ Max, Winter, Andersen, Schafer, Abele, Et Al","description":"\u003cbr\u003e \u003cbr\u003e  \u003cspan class=\"COMPOSER12\"\u003eGRAUN \u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003eGrosse Passion \u003c\/span\u003e \u003cspan class=\"BULLET12b\"\u003e•\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e Hermann Max, cond; Veronika Winter (sop); Hilke Andersen (mez); Markus Schäfer (ten); Ekkehard Abele (bbar); Das Kleine Konzert; Rheinische Kantorei (period instruments) \u003c\/span\u003e \u003cspan class=\"BULLET12b\"\u003e•\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e cpo 777 452 (2 CDs: 122:28 \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003eText and Translation) Live: Dusseldorf 9\/2008 \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eThis is my third exposure to Carl Henrich Graun’s music, the other two being his operas \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eMontezuma\u003c\/span\u003e \u003cspan\u003e (libretto by Friedrich II, King of Prussia) and \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eCleopatra and Cesare \u003c\/span\u003e \u003cspan\u003e(libretto by Giovanni Gualberto Bottarelli). He is best known for his passion oratorio \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eDer Tod Jesu\u003c\/span\u003e \u003cspan\u003e (1755), which was so popular it rivaled \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eMessiah\u003c\/span\u003e \u003cspan\u003e. Graun wrote two other passions: \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eEin Lämmlein geht und träght die Schuld\u003c\/span\u003e \u003cspan\u003e and this \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eGrosse Passion\u003c\/span\u003e \u003cspan\u003e that is often referred to by its opening lyric “Kommt her und schaut” (Come here and see). It is a large-scale work: 66 numbers, with some alternatives available, calling for a large chorus and orchestra with the usual quartet of soprano, alto, tenor, bass. Supplementing the recitative-aria combinations are 10 choral numbers, five duets, and one quartet. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eThe libretto is somewhat of a rambling affair. Unlike \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eMessiah\u003c\/span\u003e \u003cspan\u003e, there are only a few Biblical quotes; instead, the narrative flow is often interrupted by reflections and even some lyrics that are redundant of previously expressed sentiments. Much of the libretto is over-written doggerel, especially in the early pages. The music, however, is a different matter. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eGraun was in his mid-twenties when he composed this \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eGrand Passion\u003c\/span\u003e \u003cspan\u003e. It is a surprisingly mature work, full of subtle gems. When first listening to this two-CD album, I wrote: “The music is very pleasant. Although it is quite tuneful, little of it is memorable and at two hours tends to wear out its welcome. There is almost a monotonous similarity of one number to the next. It needs something rousing like the ‘Hallelujah’ chorus.” Repeated hearings of this album have increased my appreciation considerably. Even Handel liked this \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003ePassion\u003c\/span\u003e \u003cspan\u003e, and quoted some of its music in his own works. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eGraun establishes a musical mood and varies little from it. The music in the \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eGrosse Passion\u003c\/span\u003e \u003cspan\u003e is not as flamboyant as Graun’s operatic work, but careful listening to the \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003ePassion\u003c\/span\u003e \u003cspan\u003e reveals a wealth of interesting details, especially in the orchestrations. The textures are very clean and transparent and occasionally command more of the listener’s attention than do the vocal lines. One number (CD 1, track 22, Choral: “Die Lust des Fleisches dämpf in mir”) sounds like a distant cousin to the familiar Doxology, \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003ePraise God from whom all blessings flow\u003c\/span\u003e \u003cspan\u003e. Instead of the virtuoso showpieces found in Graun’s operas, the \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eGrosse Passion\u003c\/span\u003e \u003cspan\u003e is very reflective and subdued. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eConductor Hermann Max and his musical forces deliver a sincere and beautifully sung and played performance. The soloists have attractive voices and pay devout attention to the musical details. If you like this musical genre, you’re likely to find this a lovely recording, performed with sensitivity and expression. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-weight:bold\"\u003eFANFARE: David L. 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The present documentary provides a thrilling and visually memorable account of the long journey taken by this version from it's inception to the first night.","brand":"C Major Entertainment","offers":[{"title":"Blu-Ray","offer_id":46025388425450,"sku":"814337011291","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2248389.jpg?v=1778319206"},{"product_id":"space-is-the-place","title":"Space is the Place","description":"Classical Music","brand":"Storyville Records","offers":[{"title":"CD","offer_id":46025608102122,"sku":"717101427123","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2007481.jpg?v=1778311045"},{"product_id":"caldara-a-nigella-e-tirsi-bononcini-a-m-tigrane-re","title":"Caldara, A.: Nigella E Tirsi \/ Bononcini, A.M.: Tigrane, Re","description":"Classical Music","brand":"Berlin Classics","offers":[{"title":"CD","offer_id":46026444374250,"sku":"782124179021","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1065372.jpg?v=1778338829"},{"product_id":"handel-dettingen-te-deum-etc-helbich-mields-224681","title":"Handel: Dettingen Te Deum, Etc \/ Helbich, Mields, Et Al","description":"Handel: Dettingen Te Deum \u0026amp; Te Deum in A Major","brand":"Naxos","offers":[{"title":"CD","offer_id":46026541039850,"sku":"636943475324","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/398355.jpg?v=1778347764"},{"product_id":"brahms-choral-works-vol-3-albrecht-et-87060","title":"Brahms: Choral Works Vol 3 \/ Albrecht, Et Al","description":"\u003cp\u003eThis superb programme combines the beautiful 'Alto Rhapsody' with the much more rarely performed 'Gesang der Parzen' and the cantata 'Rinadlo' - a work which gives us some idea of how a Brahms opera world would have sounded. 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