What does it mean for Schumann's Kreisleriana to be Romantic? Is it the violent contrasts, the mercurial shifts in mood, the fragmentary architecture, the raw and unfiltered expression? Is it the breathtaking lyricism? Or is it the spectre of the tormented kapellmeister Kreisler haunting this work that dissolves the boundaries between music, literature, and psychological portraiture? Acclaimed virtuoso Paolo Giacometti brings both poetry and psychoanalysis to Kreisleriana and Kinderszenen, performing them on a resplendent 1838 E�rard born in the very year these works first saw the light.

Hakan Hardenberger and Roland Pontinen have enjoyed a fruitful artistic relationship for over forty years. They have played, toured and recorded together and have devoted much time and energy to repertoire ideas. 'For us to create a new programme is an exciting, stimulating and fun process', says Pontinen. 'A process that often mirrors our mutual interest in jazz, film and other art forms. The idea of juxtaposing works of contrasting characters, or composed centuries apart, can often shed new light on the music itself.' We are treated here to recently composed works, arrangements, favourites of both musicians and standards from the Great American Songbook. The centrepiece of the programme is Three Autumns by Staffan Storm, atmospherically connected to Anna Akhmatova's poetry, a reflection on elegiac autumn moods. Among contemporary composers, Mark-Anthony Turnage and HK Gruber, who have provided Hardenberger with more works than any other composers, are also represented. Roland Pontinen contributes two pieces, one of them a meditative work inspired by the simplicity and mood of Thomas Newman's masterful film scores. Legende by George Enescu reflects the impressionistic style of the composer's teachers. The recital is also interspersed with shorter pieces, arrangements and reinterpretations of classic American songs, and includes legendary jazzman Ornette Coleman's Chanting, a favourite encore in Hardenberger/Pontinen programmes - always improvised, every time different.

Les Presses Universitaires de France et Fremeaux & Associes proposent cette biographie de Leon Gambetta, analysee et expliquee par Eric Anceau, professeur d'histoire contemporaine a l'Universite de Lorraine, et specialiste de l'histoire politique et sociale de la France et de l'Europe. Leon Gambetta (1838-1882), don't la vie a ete aussi breve qu'intense, est une figure centrale de la Troisieme Republique. Rien ne predestine ce petit-fils d'immigre italien a devenir un homme d'etat si ce n'est cette passion de la politique qui l'anime des son plus jeune age. Avocat, orateur impetueux, depute, journaliste, esprit brillant aime des Francais, Gambetta est une personnalite incontournable, de la fin du Second Empire aux annees fondatrices de la Troisieme Republique, en passant par la guerre franco-allemande, la Commune et les premiers grands combats republicains : ceux des institutions, de l'ecole, de l'armee et du retour de la France sur la scene internationale. Il incarne l'esprit republicain, l'aspiration a l'egalite et la grandeur de la nation. Son heritage perdure. Claude COLOMBINI FReMEAUX Presses Universitaires de France and Fremeaux & Associes offer this biography of Leon Gambetta, analyzed and explained by Eric Anceau, Professor of Contemporary History at the University of Lorraine, and specialist in the political and social history of France and Europe. Leon Gambetta (1838-1882), whose life was as brief as it was intense, was a central figure of the Third Republic. Nothing predestined this grandson of an Italian immigrant to become a statesman other than his passion for politics from an early age. Lawyer, impetuous orator, member of parliament, journalist and a brilliant mind beloved by the French, Gambetta was a key figure from the end of the Second Empire to the founding years of the Third Republic, through the Franco-Prussian War, the Commune and the first great Republican battles: those of institutions, schools, the army and France's return to the international stage. He embodied the republican spirit, the aspiration to equality and the greatness of the nation. His legacy lives on. Audiobook, in French. Claude COLOMBINI FReMEAUX CD1 - FORMATION ET ASCENSION D'UN GRAND OPPOSANT a L'EMPIRE : UN PETIT-FILS D'IMMIGRe - L'eTUDIANT EN DROIT a LA VIE DE BOHeME - L'OPPOSANT AU SECOND EMPIRE - LE CANDIDAT DU PROGRAMME DE BELLEVILLE - LE DePUTe POPULAIRE AUX FORMULES CHOC - LE GRAND ORATEUR RIVAL DE L'EMPIRE - LE BASCULEMENT DANS LA GUERRE FRANCO-ALLEMANDE - L'HOMME QUI PROCLAME LA IIIE RePUBLIQUE. CD2 - DeFENDRE LA PATRIE ET FONDER LA RePUBLIQUE : L'HOMME FORT DU GOUVERNEMENT DE LA DeFENSE NATIONALE - LE MINISTRE DE LA GUERRE ORGANISE L'ARMeE - GAMBETTA MET EN AVANT LES QUESTIONS SOCIALES - LE REMPART FACE a LA MONARCHIE - LE GRAND ADVERSAIRE DES BONAPARTISTES - LE TRIOMPHATEUR DE MAC MAHON. CD3 - APOGeE, TRAGeDIE ET MeMOIRE : L'EXPOSITION UNIVERSELLE DE 1878 - REDONNER SA PLACE a LA FRANCE DANS LE MONDE - L'OPPOSITION DE GAUCHE a GAMBETTA - GAMBETTA ACCeDE ENFIN AU POUVOIR - LA CHUTE DE GAMBETTA - UNE MORT TRAGIQUE ET INATTENDUE - LE CULTE D'UNE IC�NE RePUBLICAINE. DIRECTION : OLIVIER COQUARD, PRODUCTION : CLAUDE COLOMBINI FReMEAUX POUR PUF-FReMEAUX

The latest innovative release from The Orchestra Now and their founder-conductor Leon Botstein evokes the age-old practice of transcribing music from one set of instruments or voices to another. Transcription as Translation brings together two symphonic transcriptions by two major 20th-century conductors who were eager to perform from the podium some of their favourite non-orchestral works and present them to a wider audience. Turn of the 20th century Austrian composer and conductor Felix Weingartner had an illustrious international career that included the directorship of the Vienna Philharmonic and regular guest conducting of the Boston Symphony. He was at the vanguard of the era of acoustic recording and was the first conductor to make commercial recordings of all nine Beethoven symphonies. Weingartner's Beethoven credentials informed his orchestral transcription of Beethoven's "Hammerklavier" Piano Sonata. The name of Hungarian-born conductor George Szell remains synonymous with the Cleveland Orchestra, where he was Music Director from 1946 - 1970, to this day. He had previously worked for many years in Prague where he developed a special affinity for Czech music which is attested to his orchestration of Smetana's String Quartet No. 1 ("From My Life").

Ce recueil de textes sur la nature de George Sand, interpretes avec finesse par Marie-Christine Barrault, met en lumiere l'alliage harmonieux entre la nature, l'engagement ecologique et la modernite intemporelle de l'ecrivaine. a travers la diversite des sujets abordes et la richesse des styles, il devoile des facettes meconnues de son oeuvre prolifique. Ses ecrits sur la botanique temoignent d'une erudition remarquable en sciences naturelles, ou l'observation precise de la flore se mele a des reflexions metaphysiques empreintes de poesie. Voyageuse infatigable, elle relate ses explorations avec une curiosite profonde et un respect des ecosystemes qui traversent son ecriture. Son style litteraire, d'une elegance rare, capte les beautes de la nature et invite a une admiration emerveillee, revelant l'ame poetique d'une femme en resonance avec les enjeux de notre epoque. Claude COLOMBINI FReMEAUX This collection of George Sand's texts on nature, interpreted with finesse by Marie-Christine Barrault, highlights the writer's harmonious blend of nature, ecological commitment and timeless modernity. Through the diversity of her subjects and the richness of her styles, it reveals little-known facets of her prolific oeuvre. Her writings on botany bear witness to a remarkable erudition in the natural sciences, where precise observation of flora blends with metaphysical reflections imbued with poetry. A tireless traveler, she recounts her explorations with a deep curiosity and respect for ecosystems that run through her writing. Her literary style, with it's rare elegance, captures the beauty of nature and invites us to admire it in wonder, revealing the poetic soul of a woman in tune with the issues of our time. Audiobook, in French. Claude COLOMBINI FReMEAUX SeLECTION DES TEXTES ET MISE EN MUSIQUE PAR PATRICK SCHEYDER DIRECTION ARTISTIQUE : CLAUDE COLOMBINI

David First's "Revolutions" is a large scale, long duration exploration of the drone. Perhaps First explains it best: "my best intention, and greatest hope, is to simply take you, the listener, to a place where you experience something beyond the daily, infinite cycles. Or better yet, tune you into them - all the way to the far-flung galaxies and back into your infinite bodily atoms and molecules. If you feel you can, trust us for an hour or so. Open yourself up and let us all in. Maybe you'll find yourself on a journey of your own creation-your own story of discovery." And, as Sarah Hennies puts it in the liner notes: "There is technical rigor here, the result of a lifetime honing a highly personal compositional approach, but there is also levity and freedom, and the ability to lose oneself entirely in the work. "Revolutions" with it's enveloping drones and surprising twists and turns of form gives the sense that one is more connected with where we come from but also hints at the wild surprises in the vast unknown. Liner notes by Sarah Hennies and David First.

While the famous Te Deum secured Charpentier's place in history, it was undoubtedly his Messe de Minuit that most contributed to his renown. True to Charpentier's genius, this mass is a perfect synthesis of the secular and the sacred, popular melodies and refined composition, offering a piece of remarkable originality and joy. These melodies, familiar to all, peasants and gentlemen alike, are enriched by orchestral parts and interwoven with subtle counterpoint and renewed harmony. The pleasure of music is thus offered to everyone: to recognise a familiar tune, or to grasp it's extraordinary arrangement. Under the direction of Gaetan Jarry, the Marguerite Louise ensemble sublimates these Latin oratorios and French pastorals, infusing the Christmas celebration with unparalleled fervour!

In the autumn of 1725, as France celebrated the union of Louis XV and Marie Leszczynska, the French ambassador in Venice entrusted Vivaldi with the composition of a serenata in honor of the young royal couple. This commission inspired a sumptuous work, carried by two allegorical figures: Imeneo, god of marriage, and Gloria, the radiant embodiment of French majesty. In turn, these voices rise, echo each other, and gracefully contend in virtuosity, before blending in a sumptuous final duet, sealing their tribute in perfect harmony. Logan Lopez Gonzalez and Nicolo Balducci lend their talent and sensitivity to these roles, exalting Vivaldi's music. In the profusion of his work, this brief yet striking piece stands out as much for it's diplomatic finesse as for it's inspired brilliance - an enchantment offered to the French Court.

Rossini's Adina is a one-act farsa sentimentale or semiseria set in a seraglio in Baghdad where we find the Caliph determined to marry Adina who is also loved by Selimo. To this standard story Rossini brought an unexpected psychological depth, augmented by coloratura arias and male choruses of richness and daring. However, for unknown reasons he omitted a vital Terzetto, which has made the work problematic to fully realise in performance. This recording employs the Terzetto from Giovanni Pacini's opera La schiava in Bagdad, a solution first proposed in 1861, much to the benefit of the opera's pacing.

For over four decades, Danish guitarist and composer Pierre Dorge has pushed the boundaries of jazz with a highly personal voice-combining Nordic lyricism with global rhythms, and crafting what critics call "pan-cultural jazz." On Songs for Mbizo, Dorge returns in a stripped-down quartet setting that showcases his singular tone and spiritual depth, this time in tribute to South African bassist Johnny "Mbizo" Dyani, whose legacy courses through Dorge's music like a vibrant thread. Following celebrated small-group releases such as Ballad Round the Left Corner and Blui, this new live recording features Kirk Knuffke, Thommy Andersson, and Martin Andersen (drums)-a dynamic international lineup that breathes fresh intensity into Dyani's compositions.

The musical culture that Josephine de Beauharnais (1763-1814), Empress of the French and Napoleon Bonaparte's wife, developed with her family and at court kept pace with fashion and even shaped the French musical taste of the period. Josephine organised weekly concerts at the Chateau de Malmaison, her preferred residence, that featured many of the most famous musicians in Paris and Europe. Informal musical soirees were also held on an almost daily basis. This recording presents excerpts from operas of the period transcribed for chamber performance, in which the most passionate emotions are expressed alongside nostalgic romances and alternate with instrumental works to recreate the spontaneity of a musical evening in Josephine's salon. This original project offers music lovers an immersion in a musical universe that is largely unknown to audiences today.

Thibault Noally and his ensemble here reaffirm their love for and expertise in Alessandro Scarlatti's music as they celebrate his anniversary year with his famous and yet mysterious Stabat mater, a work that displays Scarlatti's more intimate side. In Noally's own words, "this is an extreme example of his stylistic eclecticism. The piece juxtaposes duets in passionate counterpoint with arias in the Neapolitan style, echoes of what he heard around him, as if they formed part of a mosaic. There is no synthesis between the different musical languages; what is most mysterious is that the motets are the musical illustration of a text or an emotion, whilst the Stabat mater requires a completely different approach. The music is no longer directly related to the text. It's as if it had become a world in itself." Noally also presents two Mottetti sacri and a Sonata a quattro, all in the da chiesa style. His collaborators here are soprano Emmanuelle de Negri, a long-time colleague, and Paul Figuier, a highly promising countertenor.

In the second instalment of the Consone Quartet's cycle, the foursome continues it's exploration of Felix Mendelssohn's string quartets, simultaneously delving into the work of his sister Fanny, with her only work in the genre. Despite it's turbulent character, Felix's String Quartet in E minor, Op. 44 No. 2, was written three months after the composer's marriage, during a period of stability and creativity. In contrast, the String Quartet in F minor, Op. 80, was composed while he was recovering from shock, following Fanny's premature death. It is a work of striking bitterness and agitation, an unambiguous reflection of his distraught mental state. Fanny's String Quartet in E flat major is an attractive and well-crafted work, which, due to her family discouraging her pursuit of a career in composition, remained unpublished until 1988. It is given a vibrant performance here by the Consone Quartet, the first period instrument quartet to be selected as BBC New Generation Artists.

Dominique Bourg, philosophe de l'ecologie et de la politique, et Jean-Vincent Holeindre, politiste et specialiste de relations internationales, croisent leurs regards sur un phenomene majeur de notre epoque : le retour de la guerre en Europe, avec l'invasion de l'Ukraine par la Russie en fevrier 2022. en interrogeant les liens entre multilateralisme, conflits armes et crise climatique, ils revelent des dynamiques jusqu'ici trop rarement pensees ensemble. a travers une perspective historique, les auteurs devoilent les liens souvent ignores entre la guerre que l'humanite mene contre la nature et celle qu'elle se livre a elle-meme. Ils montrent que les conflits armes et les crises climatiques s'entrelacent et se renforcent mutuellement. Cette reflexion appelle un renouvellement profond des cadres de pensee strategiques et ecologiques, pour mieux comprendre et affronter les defis du monde actuel. Claude COLOMBINI FReMEAUX et Patrick FReMEAUX Dominique Bourg, a philosopher of ecology and politics, and Jean-Vincent Holeindre, a political scientist and specialist in international relations, offer their perspectives on a major phenomenon of our time: the return of war to Europe, with Russia's invasion of Ukraine in February 2022. By exploring the connections between multilateralism, armed conflict, and the climate crisis, they reveal dynamics that have rarely been considered together. Through a historical lens, the authors uncover often-overlooked links between humanity's war on nature and the wars it wages against itself. They demonstrate how armed conflicts and climate crises are intertwined and mutually reinforcing. This reflection calls for a profound renewal of strategic and ecological frameworks, in order to better understand and confront today's global challenges. Claude COLOMBINI FReMEAUX and Patrick FReMEAUX DIRECTION COLLECTION CLAUDE COLOMBINI ET PATRICK FReMEAUX

Jimmy Gourley (1926-2008) est un guitar hero americain qui a faconne l'histoire du jazz, notamment a Paris ou il s'installe en 1951. Cette anthologie evenement qui parait avec sa biographie officielle, reunit les titres les plus emblematiques de l'oeuvre du guitariste, don't certains jamais reedites. Que ce soit avec les champions americains ou francais dans l'intimite d'un duo pere-fils avec Sean Gourley, voici une plongee dans l'oeuvre enregistree de celui don't les cordes de jazz ont fait vibrer la capitale pendant plus d'un demi-siecle. Augustin BONDOUX et Patrick FReMEAUX Born in 1926, American musician Jimmy Gourley was an early "guitar hero" who shaped the history of jazz, particularly in France where he settled in 1951. This anthology, which appears together with his official biography, is a major event that brings together the guitarist's most emblematic recordings, including tracks that have never been released until now. Before he passed away aged 82, Gourley played not only with American stars but also in more intimate surroundings, such as his duo with son Sean Gourley. This set gives real insight into how this great guitarist's six strings had the French capital vibrating for half a century. Augustin BONDOUX / Patrick FReMEAUX CD1-1951-1954 : HENRI RENAUD : A NEW DATE - VENEZ DONC CHEZ MOI - PARIS JE T'AIME - BOBBY JASPAR : TOUT BLEU, TOUT BLEU - THE END OF A LOVE AFFAIR - LEE KONITZ : YOUNG LEE - LOST HENRI - CLIFFORD BROWN : ALL THE THINGS YOU ARE - GOOFIN' WITH ME - HENRI RENAUD/JIMMY GOURLEY : NOT REALLY THE BLUES - WHO CARES? - MY HEART BELONGS TO DADDY - IT'S DE-LOVELY - GIGI GRYCE/CLIFFORD BROWN : BABY - HENRI RENAUD/BOBBY JASPAR : CAPRI - SCHABOZZ - EXPANSION - ZOOT SIMS : CALL IT ANYTHING - ZOOT'S SUITE - THE THIRD HERDSMEN : EMBARKATION. CD2-1954-1961 : BOB BROOKMEYER : STEEPLE CHASE - ROY HAYNES : MINOR ENCAMP - RED ROSE - BUDDY BANKS : BAG'S GROOVE - YESTERDAYS - SANDY MOSSE/EDDIE BAKER : STRAIGHT LIFE - LET'S GO - CHUBBY JACKSON BIG BAND : FLYIN' THE COOP - LESTER YOUNG : THREE LITTLE WORDS - NEW D.B. BLUES - LOU BENNETT : AMEN - BROTHER DANIEL - WHAT A DIFFERENCE A DAY MAKES - (PARIS BLUES) LOUIS ARMSTRONG : BATTLE ROYAL - (PARIS BLUES) JIMMY GOURLEY : GUITAR AMOUR - JIMMY GOURLEY : FOR HEAVEN'S SAKE - THREE LITTLE WORDS. CD3-1972-2002 : JIMMY GOURLEY + RENe URTREGER : TAFIRA ALTA - JIMMY GOURLEY + EDDY LOUISS : FREEDOM JAZZ DANCE - JIMMY GOURLEY + TEXIER/HUMAIR/LUBAT : GRAFFITTI - COMON' OVAH - MISS MAGIC - JIMMY GOURLEY : REPETITION - JIMMY GOURLEY + STAN GETZ : EMBRACEABLE YOU - JIMMY GOURLEY : MONTAGNE MADNESS - SHAMEFUL ROGER - LADYBIRD - JACK DIeVAL : S.F.P. BLUES - JIMMY GOURLEY : OUR DELIGHT - JIMMY GOURLEY + ANDRe VILLeGER : MAYBE YOU'LL BE THERE - JIMMY & SEAN GOURLEY : BILOXY BLUES WALK - JIMMY GOURLEY : BY MYSELF. DIRECTION ARTISTIQUE : JEAN BUZELIN ET JEAN-PAUL RICARD