Northern (Redux) is a complete reimagining of Deupree's acclaimed 2006 album featuring new piano contributions written and recorded by Fraites along with renewed versions of the original tracks composed by Deupree. The result is a hypnotic, majestic album filled with sweeping atmospheric melodies and rich, transformative soundscapes.

CORONA

This 4CD boxset features music from the golden era of this superb musician and composer's long musical career, comprising as it does eight original albums first released between the mid-1950s and the early-1960s. Serving as an ideal introduction to Taylor's music, as well as a first class collection of his best work, this set will delight all those who take the time to listen.

A grand reunion of sorts in Berlin on the first day of November, 1996. Under the auspices of Free Music Production, Cecil Taylor, the great pianist and one of the premier musical minds of the 20th century, joined forces with his early comrade, drummer Sunny Murray, for a set of improvised duets. Murray was part of Taylor’s important groups starting in 1959, including the trio with alto saxophonist Jimmy Lyons, with which Taylor toured Europe in 1962 and 1963, recording the seminal Nefertiti, the Beautiful One Has Come and Live at the Café Montmartre. On the latter tour, Murray met Albert Ayler when the saxophonist joined Taylor’s group for some concerts; they would go on to record one of the greatest free jazz records in history, Ayler’s Spiritual Unity. Thirty-six years later, Taylor and Murray were back together and better than ever. Never to do things a straightforward manner, Taylor began the concert by inviting eight members of his band to kick things off with an intonation choir, the master himself leading the sound poetry incantation. Taylor and Murray then moved into a 48-minute exchange of energies, peaks and valleys of expressive intensity rolling along, the two veteran improvisors slipping back into sync as if the decades had simply vanished. This extraordinary music has never been publicly released on CD. Gorgeously recorded, with action photos by Dagmar Gebers and a cover painting by Jacqueline Humphries, the music is issued under license from FMP. And yes, the title was all Taylor’s, as if he knew his music would be released during a virus of the same name.

INDENT

Cecil Taylor - "Unit Structures (Blue Note Classic Vinyl Series)" The intrepid free jazz pianist Cecil Taylor made his Blue Note debut with the explosive 1966 album Unit Structures featuring trumpeter Eddie Gale, saxophonists Jimmy Lyons and Ken McIntyre, bassists Henry Grimes and Alan Silva, and drummer Andrew Cyrille. The four extended pieces performed here scale the pinnacle of the mid-1960s jazz avant-garde. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, & pressed on 180g vinyl at Optimal.

CD reissue. The World of Cecil Taylor is an album by Cecil Taylor recorded for the Candid label in October 1960. The album features performances by Taylor with Archie Shepp, Buell Neidlinger and Denis Charles. Some of the tracks the pianist chose to release on this album were improvised, single-take pieces, while others were the result of multiple takes.

IT'S A MATTER OF PRIDE

Taylor was classically trained and was one of the pioneers of free jazz. His music is characterized by an energetic, physical approach, resulting in complex improvisation often involving tone clusters and intricate polyrhythms.

The Jazz Platinum 1100 - Jazz Expo 2025-2026' is a special, limited-time campaign where 19 record labels, ranging from prestigious to unique, have gathered to offer a curated selection of 187 jazz titles, including both classic staples and hidden masterpieces. Solid. 2025.

CLASSIC ALBUMS

Ebo Taylor, the Ghanaian guitarist, composer, bandleader, and producer is a seminal figure when it comes to highlife music. Remined is proud to present these two classics as a 45 for first time, in conjunction with Mr. Bongo. "Will You Promise" and "Maye Omama" are both taken from Taylor's 1976 release "My Love And Music." Grab doubles and watch the dance floor fill up.

The Cecil Taylor Unit's performance at Salle Pleyel in Paris on November 3, 1969, was a notable moment in avant-garde jazz. Featuring Cecil Taylor on piano, Jimmy Lyons on alto saxophone, Sam Rivers on tenor/soprano saxophone and flute, and Andrew Cyrille on drums, the concert showcased the group's intense, free jazz style. The recording was transferred from the original tape reels at INA and restored and mastered by Matthew Lutthans at The Mastering Lab. Includes an extensive booklet with rare photographs from the show and liner notes by acclaimed jazz critic and author Phil Freeman.

As keyboard maestro James Taylor arrives at his 40th year leading his Quartet, he has re-signed with his original label Acid Jazz and is embarking on a series of the most radical projects he has ever worked on. Following his first classical album, Shadows and Dreams earlier this year, he brings the Quartet together for a remarkable new album. Te Deum sets the ancient, 4th-entury Christian text to intense jazz, funk, and Latin grooves. The music sees the James Taylor Quartet working alongside the children of the Benenden Chapel Choir, and a guest horn section and legendary Acid Jazz percussionist Snowboy. Lead track, "Have Mercy On Us," mixes Brazilian samba with Gregorian chants, "The Comforter" sounds like a Donald Byrd with voices Blue Note Records experiment, and last year's radio favorite "Wildflower," mixes bossa nova with sunshine pop harmonies and a positive message.

As keyboard maestro James Taylor arrives at his 40th year leading his Quartet, he has re-signed with his original label Acid Jazz and is embarking on a series of the most radical projects he has ever worked on. Following his first classical album, Shadows and Dreams earlier this year, he brings the Quartet together for a remarkable new album. Te Deum sets the ancient, 4th-entury Christian text to intense jazz, funk, and Latin grooves. The music sees the James Taylor Quartet working alongside the children of the Benenden Chapel Choir, and a guest horn section and legendary Acid Jazz percussionist Snowboy. Lead track, "Have Mercy On Us," mixes Brazilian samba with Gregorian chants, "The Comforter" sounds like a Donald Byrd with voices Blue Note Records experiment, and last year's radio favorite "Wildflower," mixes bossa nova with sunshine pop harmonies and a positive message.

Released to celebrate soul legend Johnnie Taylor's 90th birthday, One Step From The Blues is a 12-song collection from the "The Philosopher of Soul." Delivered in Taylor's distinctive style with roots in blues and gospel, the tracklist includes "Steal Away," "Cheaper To Keep Her," "Stop Doggin' Me," and the Hayes/Porter penned "I Had A Dream." One Step From The Blues is released on Stax Records and available on Softpak CD with liner notes by Memphis journalist Andria Lisle.

The soundtrack of the 1978 movie version of Stephen Sondheim’s Broadway masterpiece, A Little Night Music finally finds its way to CD. Directed by Hal Prince, the all-star cast features Elizabeth Taylor, who sings the famous “Send in the Clowns,” Diana Rigg, Lesley-Ann Down, Len Cariou and Hermione Gingold. This newly-remastered CD is transferred from the original stereo masters, and includes a previously unreleased instrumental cue, along with two other instrumental cues taken from the mono soundtrack of the film. The complete version of "Every Day a Little Death" is also included from the mono soundtrack, as the carriage ride verse written for the film was not included on the stereo master. Featuring liner notes by Sondheim archivist Peter E. Jones.

MUSICAL NUMBERS

1 OVERTURE / NIGHT WALTZ (LOVE TAKES TIME) 4:20
Orchestra, Company
2 THE GLAMOROUS LIFE 4:52
Chloe Franks
3 NOW / SOON / LATER 7:53
Len Cariou, Lesley-Anne Down, Christopher Guard
4 YOU MUST MEET MY WIFE 3:51
Len Cariou, Elizabeth Taylor
5 EVERY DAY A LITTLE DEATH 2:28
Diana Rigg, Lesley-Anne Down
6 NIGHT WALTZ 1:06
Orchestra
7 A WEEKEND IN THE COUNTRY 6:04
Company
8 IT WOULD HAVE BEEN WONDERFUL 4:20
Len Cariou, Laurence Guittard
9 SEND IN THE CLOWNS 4:17
Elizabeth, Taylor, Len Cariou
10 POOR OLD FREDERICK 1:53
Orchestra Previously unreleased
11 SEND IN THE CLOWNS (REPRISE) / FINALE 4:31
Elizabeth, Taylor, Len Cariou, Company

BONUS TRACKS

12 EVERY DAY A LITTLE DEATH (FILM VERSION) 4:00
Diana Rigg, Lesley-Anne Down
Previously unreleased, mono recording
13 NIGHT WALTZ (FILM VERSION) 1:47
Orchestra
Previously unreleased, mono recording
14 END CREDITS (FILM VERSION) 1:27
Orchestra
Previously unreleased, mono recording

The purpose of the album "Little Cathedrals" is to create that ambience for the listeners to transport them and take them to a higher and nobler dimension within themselves. Born in Chicago, Jonathan Sargent began his musical studies at the age of five with celebrated guitarist Irene Lorence. After graduating from Columbia University in New York City, he was granted a full scholarship on the classical guitar in Washington D.C. with Sophocles Papas (Andres Segovia’s emissary in the U.S.) Switzerland. Jonathan completed his formal guitar education with performances at the master classes of: Alirio Diaz, Angel Romero and Musica de Compostela

In the tradition of the West Africa griots and the ancient Greek epic poets / storytellers, calypso music has long provided a form of social commentary for the Trinidadian and Tobagonian peoples. • Originating from the kaiso music of Western Africa and evolving with various influences over time, calypso is to Trinidad and Tobago as reggae is to Jamaica and samba is to Brazil. • Despite tackling often-serious subject matter, a calypsonian conveys it all in a humorous – sometimes bawdy – but always inherently enjoyable manner. • This collection highlights a selection of classic and modern calypsos.

Hear the images; see the music. Here in a few words is what touches me in New Wave cinema (Godard, Truffaut, Malle, and Demy). How to bring together the music of these films into a single program? This disc was conceived as an image of what I love in these films. The musical themes were only very slightly arranged and were regarded as raw material, leaving room for respectful improvisation and thematic appropriation, while retaining the greatest uniting principle: freedom. - Stéphane Kerecki

Handel's Saul is an operatic oratorio with ever intensifying action and increasingly drastic scenes. Handel seems to have been especially moved by this particular text. He gives each of the five main soloists a distinctive profile. Even the vocal supporting roles are unique and intentionally individual. In none of his other oratorios does Handel call for a more differentiated orchestra. Alongside the strings, he uses oboes, recorders, bassoons, trumpets, timpani and trombones. For me, Saul is one of the great high points of Handel's works. All of the performers on this recording thoroughly enjoyed taking on the challenges brought forth by this music. - Helmuth Rilling

Classical Music

Exceptional singers like Thomas Quasthoff and Ingeborg Danz Recorded during the Oregon Bach Festival "Beautifully crafted and very lovely" (Soundscapes)"... a consummate performance leaving nothing to be desired" (Seddeutsche Zeitung)

Classical Music

Bach, J.S.: Christmas Oratorio, BWV 248 (Highlights)