A vibrant mix of creole heritage. The music of Sakili is from the island Rodrigues, a small volcanic island just east of Mauritius. The island’s European and African influences - waltzes, polka, mazurka, Scottish - all blend harmoniously with the ségadrum rhythms to intertwine the past musical traditions of African slaves with the western world. The three members of Sakili (Francis Prosper, Vallen Pierre Louis and Ricardo Legentil) had their own solo careers and were put together in 2019 by Mauritian artistic director Percy Yip Tong. The purpose of the group’s formation was for a European tour to introduce the rarely heard music of the Rodrigues island.

Zhou Yu is one of the foremost performers of the traditional Chinese instrument, the erhu. Here with his ensemble, he showcases his talents with beautiful traditional Chinese music.; Other traditional Chinese instruments accompany the erhu, including the yang qin (dulcimer), xiao , pipa (lute), guzheng (zither), ruan (lute), and sheng (mouth-blown organ).; Included in this release is an extensive booklet with an artist biography, information about the erhu, and details about each of the songs.

Indian classical music has certain modes and ragas dedicated to the seasons, which have been explored by many generations of musicians. In accordance with the Indian calendar, spring runs from mid-February to mid-April, and is known as Vasant (or Basant). The festival Holi celebrates spring’s arrival. In this album, Baluji captures the rapture of spring, expressing seasonal feelings of renewal and hope through the subtle nuances of the chosen ragas. He celebrates his mastery of the sitar with wonderful sensitivity and dexterity. There are also some thrilling moments enthused by the distinctive tabla playing of Sukhvinder Singh “Pinky”, with his vivacious renditions of 1relas and 2chakradas. Baluji cannot see the colors of flowers but he has heard their voices, and they sing out through this joyous album – Voice of Flowers.

Khöömei Beat are five outstanding musicians who excel in khöömei - Tuva’s unique style of throat singing. They layer traditional and modern instruments with their distinctive vocals to create powerful arrangements with modern rhythms and electronic sounds. Exhilarating and foot-stomping - a musical art that stretches back to the dawn of humanity, while simultaneously reaching forward to new horizons. An exhilarating mix of khöömei singing with razor-sharp drumming and earthy cello sounds that rush through the soul like the wind from an eagle’s wing. With the authentic Tuvan sounds of the doshpuluur, byzaanchyand igil, Khöömei Beat layer traditional and modern instruments with their distinctive vocals to create powerful arrangements with modern rhythms and electronic sounds.

Multiple award-winning erhu player Zhou Yu presents an album of Chinese music, played on the erhu (2-stringed Chinese fiddle) with orchestral accompaniment: pipa (lute), yangqin (dulcimer), ruan (lute), dizi, xiao (bamboo flutes), sheng (mouth-blown 'pipe organ'), guzheng (board zither) and others. A very beautiful, enjoyable album with a mystical, dreamy mood.

Classical Music

This new release is both a valuable cultural document and a rare collectors' item. It features historical, unrehearsed live field recordings of traditional music made in Thailand in 1973 by ethnomusicologist Deben Bhattacharya. As in most countries of Asia, Thai music consists of two distinct features: the folk songs and dances which belong to the village traditions, and the piphat orchestra with it's complex structure, no doubt developed and played for the elite, both in villages and towns. The village music in the main is melodic, with songs and dances accompanied by woodwind and stringed instruments, as well as drums and metal percussion instruments for providing the rhythm. The piphat band, on the other hand, employs a rich collection of percussion instruments belonging to the metallophone and the xylophone families and played with drums, gongs, and cymbals. These are divided into two sections, one providing a melody and the other the rhythm. Sometimes the orchestra is led by a single woodwind instrument, the pi nai, which belongs to the oboe family, like the Indian shehnai. The music is played in a diatonic scale with seven equidistant notes but without any semitones between the steps of the octave. This album begins with the music of the piphat orchestra played for Ramakien, the epic which represents the political and the cultural history of Thailand since ancient times

Folk songs are the songs of the people. From ancient times to the present, regardless of location, each era will inevitably produce a unique historical story, due to differences in culture, language, and religion. Most Chinese love songs are about human emotions and reflect the culture and tradition. In a conservative culture with generational differences, true love was not always easy nor always had a happy ending. Sometimes young lovers needed to fight their way through. This release is a stunning collection of Chinese love songs, including well-known traditional folk tunes and new compositions based on famous poems from dynasty poets. The works are performed by the renowned Heart of the Dragon Ensemble and played on traditional instruments with both male and female voices.

David Fanshawe (1942-2010) was a composer, ethnic sound recordist, photographer and TV personality. His ambition to record indigenous folk music began in the Middle East in 1966, and intensified on subsequent journeys through North and East Africa (1969-75).David's legacy is cemented in the Fanshawe Collections, some 3000 tapes and 60,000 images recorded on his travels in Arabia, Africa, South East Asia and the Pacific between 1967-94. This colorful album of exotic and beautiful music from Thailand and Laos, recorded by Mr. Fanshawe, is enchanting, hypnotic and full of charisma.

For Baluji Shrivastav to be such an accomplished and respected musician is a minor miracle. Blinded as a child, Baluji is largely self-taught. His skill, as well as his versatility, is what makes Baluji shine as a musician. Baluji has accompanied such major stars as Coldplay, Massive Attack, Annie Lennox and Noel Gallagher. He received the Order of the British Empire for his contribution to music by His Majesty the Prince of Wales in 2017, and is founder of the blind Inner Vision Orchestra. Baluji is widely recognized as an ingenious musical pioneer. Indian Classical Interactions is an album of vibrant instrumentation, choral prayers and musical revelations. This intriguing new album of original compositions truly highlights Baluji’s poetic and philosophical insight into Indian Classical music.

Situated in the world's highest mountain range, the Himalayas, Nepal is the home of Mount Everest. It is a Hindu kingdom with over 26 million inhabitants, of which approximately three quarters are Hindus, the rest Buddhists and some animists belonging to the aboriginal communities. The majority of the population are of two distinct racial stocks: the Mongolians from the north and the Aryans from the south. The blending of these two main races has produced a number of ethnic sub groups with unique habits. This album is made up entirely of field recordings, showing all that is unique and memorable about music in Nepal.

Nayan Navaa is an album full of life, sun, kindness, compassion and joy. NAMGAR contribute to the preservation of the Buryat language, one of the listed endangered languages of the world. NAMGAR’s aim is to save and promote traditional Buryat melodies by working with archives, collecting songs, and performing them both in their homeland and around the world. In 2019, band members Evgeny Zolotarev and Namgar Lkhasaranova worked in the archives of St. Petersburg, Moscow and Ulan-Ude, Buryatia, collecting 100 forgotten traditional Buryat songs, a selection of which feature on this album.

Nature, the cosmos and humanity are the inspirations for Joji Hirota's latest solo album, Prayer's Tale. Single-handedly playing 40 different Japanese and Asian instruments, combined with vocals, he weaves sounds of nature, emotions and colors of the universe into a beautiful soundscape. With Joji's circular instrument set up (various taiko drums, 13 different sizes of kin [prayer bells], six sizes of gongs, various bells and wind chimes) he can stand in the center and respond intuitively. "Everybody has their own personal circumstances... their own sense of 'universe'. Here, I try to express my own personal sense of Earth's history, human history, and my own outlook on the future through musical scenes, emotions, colors and nuances of sound." (Joji Hirota)

Fiesta Filipina is an album of traditional music from the various regions of the Philippines features music that accompanies ritual and ceremonial dances of the mountain dwellers of Luzon and the remote hinterland of Mindanao played with hand-held gongs, bamboo flutes, clappers and drums.Spanish influenced music with small mandolins and guitars rubs shoulders with the music of Filipino Muslims and their markedly different musical traditions.

This new release is a beautiful album of traditional music from Eastern Polynesia that was taken from David Fanshawe's monumental Pacific Collection. The Pacific Collection was recorded over the course of fourteen years (1978-88), and focuses on the rich variety of authentic himene (hymns) indigenous to Tahiti, the Cook Islands, the Society Islands and others. David Fanshawe was a composer, ethnic sound recordist, guest speaker, photographer, TV personality, and a Churchill Fellow. He was born in 1942 in Devon, England and was educated at St. George's Choir School and Stowe, after which he joined a documentary film company. In 1965 he won a Foundation Scholarship to the Royal College of Music in London. His ambition to record indigenous folk music began in the Middle East in 1966, and was intensified on subsequent journeys through North and East Africa (1969-75) resulting in his unique and highly original blend of music and travel. His work has been the subject of BBC TV documentaries including African Sanctus, Arabian Fantasy, Musical Mariner, and Tropical Beat.

Classical Music

These mask dances, folk songs, and ceremonies come from the state of Jharkhand in India. This is energetic and up-tempo music played on purely traditional instruments, flutes, folk oboes, various drums, and percussion. Three of these tracks were made during the Karam Festival. On the eleventh day of the moon in the month of Bhad the head of the family brings home two branches of the karam tree and in the evening plants them side by side in the courtyard of the house. He then makes an offering of milk, ghee, and bread made of rice flour to the gods. Meanwhile the inhabitants of the house dress up and sing and dance in the courtyard or by the house. Performing these works is the Chhau and Nagpuri group.

These live recordings were performed on traditional Indian instruments, capturing local field recordings of ceremonies, praying recitals and other unique sounds of the holy city of Varanasi in India. + The character of the city is reflected in the authentic, colorful sonic combination of Sanskrit recitals, sounds of streets and animals, ceremonial bells and drums, composed and improvised music, as well as traditional and classical Indian music. + ‘The Sounds of Varanasi’ is a unique story about the intimate atmosphere of Varanasi, about the sounds and the music that is born and lives there.

Classical Music

Seasons of India has captured the essence of Indian life that is infused with the customs and cycles that have shaped generations over millennia. There are regional variations in the timings and precise nature of the seasons, but there are major seasonal festivals celebrated throughout India alongside local customs. Baluji Shrivastav grew up in rural India experiencing first-hand the rhythm of the seasons flavored by sounds, smells, songs, dances, legends and poetry. Although India is being modernized, for the majority of people those seasonal festivals, foods and customs remain the same. The intense power of nature and her influence on music is encapsulated through the knowledge and imagination of this great multi-instrumentalist virtuoso and composer. It is the reflection of a life dedicated to the rich and boundless beauty of Indian music.

Producer Joji Hirota writes: “The Italian taiko group KyoShinDo is very unique in their approach to taiko music. They are not only taiko drummers, but also karate experts. Their mentor, former karate champion Luciano Parisi, has influenced them enormously. I met the group in 2003 when they came to see my concert at Genoa’s Mediterranean Music Festival. They were fascinated by taiko music as an ensemble, both its sound and its movements. I have been teaching them for over ten years in the techniques of both traditional and contemporary Japanese taiko music. Their skills as karate experts adds a unique flavour to the technique I teach: taiko with a martial arts touch. I trust that their drive and ambition to develop further makes them one of the great and most unique taiko groups. I am proud to present KyoShinDo to the world.”

Joji Hirota’s prolific career spans over thirty years and sixteen albums, sculpting dynamic landscapes of rhythm and haunting melodies with the themes of nature and the beauty in every-day life. Since receiving a commendation from the UK Japanese Embassy from Ambassador Orita in 2003 for his contribution to Japanese culture overseas through his musical activities, he has continued to work on a vast number of diverse projects, and with his recent Beyond the Requiem charity concert tours with the London Metropolitan Orchestra in the UK and Japan, has strived to make a difference by supporting the people affected by the Earthquake disaster of 2011 through music. The music featured on this release was used in the recent Martin Scorsese film “Silence,” released in 2017.

Tseng's students are all professional flautists in their own right by now - he should have done this recording long ago! "With talen tlike that, he qualifies as a real national treasure!" On the flute, Tseng readily grasped the essentials of all the fundamental stylistic schools, studying with thirteen different teachers, including Liu Guan-yue and Hu Ping-chi, though he is most reputed as a representative of the Northern School. He boasts a bold and assertive performing style that reveals his deep passion for the music, while his full tone is backed with all the technical command necessary - and his attainments in the musical world reflect his range of expression and the depth of this artistic conceptions. Many of Yung-Ching's original compositions have been recorded and are here for the first time.

Classical Music

Classical Music

The two masters of the Japanese shakuhachi, Hidekazu Katoh (shakuhachi, nishaku-issun, nishaku-yonsun) and Richard Stagg (shakuhachi), present atmospheric shakuhachi duets ranging from ancient to modern pieces. Hidekazu Katoh began learning shakuhachi as a member of the Chikuto Group at Chuo University. He became a student of Katsuya Yokoyama, and graduated at Gedai, later completing a postgraduate course there. Hidekazu is a member of Pro Musica Nipponia and of the Bamboo Orchestra. He regularly accompanies the acclaimed enka artist Ayako Fuji in her concerts. Richard Stagg has been a professional orchestral flute player for the last thirty five years, working in the Scottish National Orchestra and then in the BBC Symphony Orchestra in London, from which he recently retired. In the early nineteen-eighties he was a pupil of the late Iwamoto Yoshikazu, and has been studying the shakuhachi and performing on it for over thirty years. With Aiko Hasegawa and Kikuko Satoh he cofounded the Yamato Ensemble in 1988. He now teaches shakuhachi and also makes, repairs, and tunes instruments. He regularly performs on the shakuhachi in Japan

The guqin zither and pipa lute are the two oldest and most celebrated traditional Chinese stringed instruments, both with over two thousand years’ history. Their musical tradition is closely liked with the self-cultivation of literati and scholars, and the four arts of the Chinese gentleman- guqin, Chinese chess, calligraphy and painting. The strings were made of silk and plucked with the fingers. This album features not only traditional pieces, but also many spontaneous improvisations and contemplations that were inspired by the musicians’ contemporary thoughts, current socio-cultural context and surroundings. It is largely a reflection of 21st century Chinese literati’s musicianship and sentiments. The album was recorded in the context of the London International Guqin Festival in August 2018, organized by the London Youlan Qin Society in collaboration with SOAS, University of London with funding by Arts Council England.

Essence of Raga Tala is unique and compelling take on Indian musical tradition. Presented by producer and composer Kuljit Bhamra MBE, nine Indian ragas and selected talas are re-imagined for both traditional and western instruments in new and exciting directions. Kuljit Bhamra MBE is a prolific composer, musician and record producer whose main instrument is the tabla. He is best known as one of the record producers who pioneered the British Bhangra sound and for his many collaborations with musicians from different genres and continents. Kuljit has worked on numerous film scores, including Bend it Like Beckham, Bhaji on the Beach, A Winter of Love, and he appears on soundtracks for The Guru, The Four Feathers and Charlie & The Chocolate Factory. He is the recipient of many awards including a platinum disc for outstanding record sales presented by the much-loved BBC Radio DJ John Peel, who was a big fan of his music. His cutting-edge projects and ground-breaking educational work earned him the prestigious honor of MBE in Her Majesty The Queen’s birthday list 2009.

The talented Yatga (board zither with movable bridges) master Chinbat Baasankhuu (b. 1975) is featured here performing well-known, traditional Mongolian melodies adapted by their composers and the performer for the 13- and 21-string yatgas heard on this CD. Ms. Baasankhuu, who began formal studies on her instrument in 1988, is Professor at the Mongolian State Culture and Art University. This is the first full Yatga recording widely available outside of Mongolia.

Field Recordings from the archives of the late Deben Bhattacharya from various temples of the Sikh, Buddhist and Hindu religions, recorded on location between 1954 and 1973. Discover the roots of much of India's music in their purest and original form. Extensive information about India's religious music and each of the pieces.