Audite Musikproduktion
194 products
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Andras Schiff plays Scarlatti & Kurtag - Lucerne Festival Hi
$20.99CDAudite Musikproduktion
Oct 17, 2025ADT97838 -
Gregor Joseph Werner, Vol. 5 - Festive Masses
$20.99CDAudite Musikproduktion
Mar 20, 2026ADT97836 -
Bach: Arrangements & Transcriptions
$20.99CDAudite Musikproduktion
Jun 20, 2025ADT97834 -
Beethoven, Schubert & Vorisek: Works for Cello & Fortepiano
$20.99CDAudite Musikproduktion
Sep 12, 2025ADT97829 -
Bach & Gubaidulina
$20.99CDAudite Musikproduktion
Nov 21, 2025ADT97830 -
Dvorak: String Quartet, Op. 96, String Quintet, Op. 97 & Hum
$20.99CDAudite Musikproduktion
Oct 24, 2025ADT97828 -
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Bruckner: Symphony No. 3
Beethoven: Complete String Quartets, Vol. 8
Beethoven: Complete Works for Cello & Piano / Coppey, Laul
This release features a live concert recording from St Petersburg. Beethoven composed a total of eight works for cello and piano, whose sheer joy and ingenuity are hard to beat and are wonderfully captured in this live recording. The French cellist Marc Coppey and Peter Laul, his St Petersburg partner at the piano, perform these works with great character and energy, creating an impeccable, sparkling sound in the popular variations and substantial sonatas. Even in a live situation, the technical perfection of the performers is impressive. As a venue for their "Beethoven marathon", they opted for the Small Hall of the St Petersburg Philharmonia: its historical ambience, steeped in tradition, and the supremely attentive audience create atmosphere as well as inspiration. Both are features of this recording, setting it apart from other complete recordings of these popular works, most of which are studio recordings. The hall's resident Steinway and the recording equipment from the former Melodya studios complete the Saint Petersburg ensemble.
REVIEW:
Coppey and Laul put forward a highly effective case for this great music. Their sound is well balanced, the recording much more satisfying. There seems very little audience noise and no applause, and the players are technically remarkable. These two musicians play together as one, and their sensitivity for when to pause and how to make the most of Beethoven’s music is just as I would wish to play it myself. In a word, these are outstanding interpretations of some of the greatest cello music.
– American Record Guide
Schubert: Symphony No. 7 - Beethoven: Symphony No. 2
Stravinsky: Divertimento - Shostakovich: Violin Sonata
Tchaikovsky: Piano Trio, Op. 50
Dvorák: Serenade, Op. 22 - Tchaikovsky: Serenade, Op. 48
Prokofiev: Works for Violin & Piano – Violin Sonatas, Op. 80
Haydn: The Amadeus Quartet Recordings, Vol. 6 (Berlin, 1950-1969)
Joseph Haydn’s string quartets, often rated as the basis for playing quartets, represented far more than an obligation to the Amadeus Quartet. During their entire career, which spans four decades, they thoroughly and continually dedicated themselves to these works, especially those of Haydn’s middle and late periods. Most of their concert programs featured a quartet by Haydn and in their sonic legacy, Haydn’s string quartets make up more than a fifth of the total. The musicians held these works in such high esteem due, on the one hand, to their relative technical ease and, on the other, their high musical demands.
REVIEW::
This batch is devoted entirely to Haydn, and includes works that the Amadeus never recorded commercially: Opp 9/3, 20/5, and 33/2 (The Joke). For the last, the Amadeus cut a forceful profile in the scherzo and make an affectionate beeline for the gentle ‘joke’ at the close of the finale. Their playing of the F minor Quartet (Op 20/5) suggests implied parallels with Mozart’s G minor Quintet in the scherzo, while the lilting Adagio is given the loveliest reading imaginable. The C major Quartet Op 54 No 2 features a brief Adagio that can only be described as cantorial: the solo violin wails expressively over supportive chords, the effect not unlike the ‘beklemmt’ passage in Beethoven’s Cavatina (the Quartet Op 130). We’re given a complete recording of the Quartet from 1969 and that movement alone as recorded in 1950, both extraordinarily moving. Fifteen works are included overall (the majority originating in Haydn’s later period), including The Seven Last Words which is additionally available as a downloadable ‘extended version’ with German texts. An unmissable collection.
— Gramophone
Debussy, Faure, Franck, Saint-Saens & Francoeur: Works for C
Beethoven: Complete Works for Piano Trio, Vol. 6
Romanticism: The Amadeus Quartet Recordings, Vol. 5 (Berlin,
Prokofiev: Violin Concertos / Cristian, Pietsch, Deutsches Symphonie-Orchester Berlin
Lucerne Festival Historic Performances, Vol. 10: Wolfgang Sc
Andras Schiff plays Scarlatti & Kurtag - Lucerne Festival Hi
Gregor Joseph Werner, Vol. 5 - Festive Masses
Bach: Arrangements & Transcriptions
Vaclav Neumann Conducts Dvorak & Smetana
Werner & Caldara
Beethoven, Schubert & Vorisek: Works for Cello & Fortepiano
Bach & Gubaidulina
Dvorak: String Quartet, Op. 96, String Quintet, Op. 97 & Hum
J.S. Bach: Trio Sonatas for Organ, BWV 525-530
J.S. Bach: The Toccatas
Fauré authentique - Complete Works for Cello & Piano / Coppey, Dumont
Gabriel Fauré, a master of song, piano, and chamber music, particularly appreciated the modulation-rich sound of the Érard grand piano. Its rich overtones and clear bass tones made it the ideal instrument for the French salon. This release presents not only Fauré's musical vision but also the sound world of the Érard grand piano, which played an important role in the musical scene at the time. Marc Coppey fully embraces the fluid rhetoric of Fauré's musical language. His interpretation deliberately eschews stylistically unfamiliar permanent espressivo and instead delves deep into the nuances and facets of Fauré's compositions. "Fauré authentique" thus presents not only musical brilliance but also an authentic journey through the French composer's complete works for cello and piano, embedded in the beautiful sound of the Érard grand piano.
