Avanti Classic
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Rendez-Vous with Martha Argerich, Vol. 3
Gade, Gardel, Mononen & Piazzolla: World Tangos Odyssey
VOICI - 30 SONGS
FANTASY PIANO SONATA
TRIBUTE TO STPHANE & DJANGO
GOLDBERG VARIATIONS
KLEZMER KARMA
V2: RENDEZ-VOUS
VER BIN IKH!
ANTHOLOGY OF A YIDDISHE MAMA
RECITAL
HOMILIA
FIRE DANCE
OPERA BREVE
MORGEN
FANTASIE PIECES
TANGO RHAPSODY
PEACOCK
LA PASSION
Tribute to Stéphane & Django
For the first time on audio and video recording, “the fastest-fingered fiddler in the world” Roby Lakatos is joined by “speed demon” guitar hero Biréli Lagrène for a unique tribute to Stephane Grappelli and Django Reinhardt. Both musicians performed in their youth with Stephane Grappelli. For this album they surrounded themselves with the superlative big band of the Modern Art Orchestra and by two first rate Jazzmen of the younger generation: thrilling drummer Niek de Bruijn and guitar sensation Andreas Varady. This is an explosive tribute to Manouche Jazz with standards such as “Djangology,” “Nuages,” “Stella by Starlight” and “Nuits de Saint-Germain-Des-Pres.”
VIOLIN CONCERTOS
Hommage - Music of Chopin, Ravel & More / Tiempo
Sergio Tiempo, the electrifyingly brilliant pianist hailed by The Sunday Times, has brought together an exceptional cast of mentors for his latest album. These individuals have all played a pivotal role in shaping Tiempo's artistry: Lyl Tiempo, a world-renowned music pedagogue and Sergio's mother, the iconic Martha Argerich -who is recording for this album Schubert's Fantasy in F minor D. 940 for the first time in studio-, legendary pianist Nelson Freire, Alan Weiss, one of the most sought-after professors and pianists, incomparable cellist Mischa Maisky and Karin Lechner, Sergio's sibling and lifelong musical partner. The album is a tribute to the cooperative efforts of some of the most renowned musicians of our time and is a showcase of Tiempo's exceptional artistry.
Martha Argerich Plays Beethoven & Ravel / Shani, Israel Philharmonic
In the opening Allegro con brio movement of the Piano Concerto No. 2, Beethoven follows Classical rules, concentrating on the two principal subjects of a double exposition—orchestra first, the soloist next—then a development section, and finally, a recapitulation. The main themes in their cheerful confidence are distinctly Beethoven’s. However, their working out is clearly influenced not only by Haydn but also by the recently departed Mozart. The middle movement—Adagio, in E flat major—hints at the slow movement of the Fourth Concerto to come a decade later. It is, in effect, an accompanied fantasia that resembles a carefree theme and variations, with an attention-getting solo recitative-like passage at the end. The twice-rewritten finale, Molto allegro, combines sonata and rondo forms, with perhaps the nicest surprise of all saved for last: a brief solo rumination which the orchestra brusquely interrupts with a terminal tantara. Mozart may have been his model, but the spirit here is pure young Beethoven.
Far from any kind of drama, the first movement of Ravel's G Major Concerto emphasizes joy, elegance, and cheerfulness. It all starts with a crack of a whip! Ravel sets out five thematic figures with Spanish influences and glissando-like jazz sounds; “circus-like elements” are also particularly evident in his extensive use of percussion. The Adagio offers the greatest possible contrast to this. The movement is characterized by simplicity and discretion. The final movement, Presto, abruptly tears the listener away from the melancholy mood. The music unfolds at a breathtaking speed, defined by circus-like percussion. The piano-playing is determined by frantic activity, indeed, by breathlessness. The motifs are sometimes onomatopoeic, now and then syncopated, at times march-like and grotesquely distorted, but always tempestuously pressing ahead until the fanfare from the beginning abruptly ends the work.
Tchaikovsky: Violin Concerto; Arensky: Quartet
Roby Lakatos With Musical Friends
With Musical Friends is a unique journey to heart of Jazzland.
Roby Lakatos has always been famous for his incredible ability to improvise in every possible style. Curious about many musical repertoires, Roby has played jazz since childhood. After many experiments with established masters, he decided to produce an album entirely devoted to Jazz and choose the most incredible standards: From Dave Brubeck’s Blue Rondo á la Turk to Miles Davis' Four, via Charlie Parker’s Donna Lee and Paganini’s 24th Capriccio, this album is an extraordinary opportunity to discover his limitless talent in a musical genre so dear to his heart.
?For Roby Lakatos playing jazz is above all sharing and you will discover how wonderful he is at sharing musical sets with the most incredible cast of guests.
This version includes a 2nd CD with 3 bonus tracks (24 minutes) never released before.
