Multiple prize-winning conductor René Jacobs and the B’Rock Orchestra complete their Schubert cycle on Pentatone with the composer’s two most famous symphonies, the Unfinished and Great. In his extensive liner notes, Jacobs develops a theory that the B Minor Symphony did not remain “unfinished”, but was deliberately left unfinished, because Schubert shaped its two movements in analogy to Mein Traum (My Dream), an autobiographical narration in two parts, written in 1822, simultaneous to the creation of the symphony. While the first half of Mein Traum tells about his mother’s decease and his problematic relationship to his father, the second part enters a magical, Romantic realm, and eventually brings a reconciliation with his father. On this recording, the two parts of the narration precede the two movements of the Unfinished symphony, and are recited by Tobias Moretti. Jacobs argues that, after the dream-inspired Unfinished, the Great C Major Symphony, with its solemn character and sublime dimensions, served as a liberation for Schubert. Presenting these contrasting works forms a fitting apotheosis to a cycle that has been designed from the onset as a series of symphonic pairs. The players of the B’Rock Orchestra present these works on period instruments; transparent, but full of fire.

With Water & Fire, B’Rock Orchestra and Dmitry Sinkovsky present Handel’s Water Music alongside his Music for the Royal Fireworks. Both works were written for royal open-air ceremonies, were likely substantially drowned out by the noise of fireworks and the waves of the Thames during their first performance, and were never played again during Handel’s lifetime. Since then, they have, however, become favourites of the public, and they contain some of the most appealing instrumental music of the baroque era. B’Rock performs these works with an ensemble that approaches the ca. 50 musicians that Handel originally employed, conveying the pomp and splendour while also highlighting the coloristic richness and refinement of Handel’s scores. B’Rock Orchestra is one of today’s most forward-thinking period orchestras with a desire for encounter and exchange. The ensemble returns to Pentatone after having released Schubert’s complete symphonies with conductor René Jacobs between 2018 and 2022, as well as Antwerp Requiem c. 1650 (2022). Dmitry Sinkovsky is in demand as a conductor, violinist and countertenor, and previously appeared on Pentatone with Monteverdi: Il delirio della passione (2021).