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Epic effort.\" - Chicago Tribune from the review of the last Africa Brass CD, \"Buddy Bolden's Rag\" (DMK #481). 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Melly Stil's production for Glyndebourne find the \"delicate balance between whimsy and mysticism\" (Daily Telegraph) at the heart of the opera, which Vladimir Jurowski conducts \"with lustrous style: you can hear the birds in the score, feel the sunshine and thrill to the starlit night sky in the final scene.\" (Opera Today) \u003cbr\u003e \u003cbr\u003e Melly Still, stage director \u003cbr\u003e \u003cbr\u003e Recorded live at Glyndebourne Festival Opera, June 2012 \u003cbr\u003e \u003cbr\u003e Bonus:\u003cbr\u003e - Creating Janácek’s The Cunning Little Vixen\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePicture format: NTSC 16:9\u003c\/li\u003e\n\u003cli\u003eSound format: LPCM 2.0 \/ DTS 5.1\u003c\/li\u003e\n\u003cli\u003eRegion code: 0 (worldwide)\u003c\/li\u003e\n\u003cli\u003eSubtitles: English, French, German, Dutch, Japanese, Korean\u003c\/li\u003e\n\u003cli\u003eRunning time: 119 mins\u003c\/li\u003e\n\u003cli\u003eNo. of DVDs: 1\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eThe leading roles in this performance are sung by Lucy Crowe as the vixen (whose name is Sharp Ears), Sergei Leiferkus as the forester who tries to domesticate her, and Emma Bell as the fox that Sharp Ears meets after escaping back to her forest, marries (at a ceremony conducted by a grasshopper), and bears more children than she can count (only eight of which we see on stage). It is also important to observe that costume designer Dinah Collin chose to capture animals by a combination of suggestion and connotation. Both vixen and fox are identified primarily by their tails (which is also how we in the audience learn of Sharp Ears’ ultimate fate); but the rest of the costume tends to portray them as Gypsies, which is to say characters not quite at home in their own land.\u003c\/p\u003e\n\u003cp\u003eThe instrumental side of the score is provided by the London Philharmonic Orchestra (LPO) conducted by Vladimir Jurowski, Music Director at Glyndebourne and Principal Conductor of the LPO. He conducts with a keen sense of how Janáček tends to direct the flow of his music through the modulation of energy levels. 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