A complete, previously unreleased performance in brilliant stereo sound quality by the legendary Bill Evans Trio. Audio transferred from the original stereo tape reels and mastered by Matthew Lutthans at the Mastering Lab. Recently found in the Kongsberg Jazz Festival archives, it was widely believed that this concert had not been recorded, and as such it doesn't appear on any of the Bill Evans discographies! Featuring Eddie Gomez on bass and Marty Morell on drums.

Bill Evans was one of the most distinctive and influential jazz pianists of all time with a rich legacy that remains undiminished since his untimely death in 1980. He recorded over fifty albums as a leader, received thirty one Grammy nominations, and has had an inescapable impact on virtually every jazz piano player of prominences who came after him. This DVD brings together two Bill Evans Trio Concerts (1996 and 1980) that have never been on the market before, both featuring Evans in prime form. Bill Evans was a major side-man with Miles Davis and played and equal role with Miles in composing Kind of Blue the best selling jazz album in history. This DVD offers performances of Davis' tune 'Nardis,' along with standards and trademark favorites such as 'Stella by Starlight,' 'Autumn Leaves,' 'Days of Wine and Roses' and much more. A special bonus included on the DVD is an interview conducted after the 1980 concert where Evans discuses his music as well as the current jazz scene.

The first of two albums recorded at the legendary final appearance of the Bill Evans Trio at the Village Vanguard, these recordings have long been recognized as capturing the unique interaction that characterized the trio of Evans, LaFaro and Motian. This new edition of Sunday At The Village Vanguard is released as part of the OJC Series and is pressed on 180-gram vinyl at RTI with all-analog mastering from the original tapes by Kevin Gray at Cohearent Audio. It is presented in a Tip-On Jacket.

Deluxe two CD set from the Jazz legend containing two previously unreleased live sets recorded in Greenwich Village on October 23, 1968. This double disc set includes two complete, never before released concerts. Contains 28-page booklet with essays by Nat Hentoff, Gary Burton, Eddie Gomez, Marty Morell, George Klabin & Art D'Lugoff's son Raphael D'Lugoff. Booklet also includes iconic photos by Tom Copi, Jan Persson, Raymond Ross, Fred Seligo, and Herb Snitzer and interesting historical documents includes contracts, postcards, family photos, and more.

Two CDs. Live at Ronnie Scott's is the third official Resonance release of previously-unissued recordings of the Bill Evans trio with Eddie Gomez and Jack DeJohnette. The nearly 2 hours of music has been remastered from the original tape reels. Live at Ronnie Scott's was captured in July of 1968. On the cover of this deluxe 2CD set is a never-before-published drawing by artist and illustrator David Stone Martin. Package includes an extensive booklet with rare photos, essays and interviews.

Two CD set. Inner Spirit: The 1979 Concert at the Teatro General San Mart�n Concert, Buenos Aires is the first official release of pianist Bill Evans with Marc Johnson and Joe LaBarbera captured live on September 27, 1979. Remastered from the original tape reels and includes an extensive booklet with rare photos from the actual concert, plus essays and new interviews with Marc Johnson, Joe LaBarbera, and pianist Enrico Pieranunzi.

Two CD set. Morning Glory: The 1973 Concert at the Teatro Gran Rex, Buenos Aires is the first official release of pianist Bill Evans with Eddie Gomez and Marty Morell captured live on June 24, 1973. Remastered from the original tape reels and includes an extensive booklet with rare photos from the actual concert, plus essays and interviews with Eddie Gomez, Marty Morell, and pianist Richie Beirach.

Limited 180gm vinyl LP pressing housed in deluxe tip-on jacket. The brilliant arranger, composer, and pianist Gil Evans had already collaborated with Miles Davis on Birth of the Cool and Miles Ahead and made his own debut album Gil Evans & Ten for Prestige when he signed with World Pacific Records in 1958 and made the first of two albums for the label: New Bottle Old Wine with featured soloist Cannonball Adderley. The next year Evans was back in the studio to record the follow-up Great Jazz Standards with two different ensembles featuring the likes of trumpeter Johnny Coles, trombonists Curtis Fuller and Jimmy Cleveland, soprano saxophonist Steve Lacy, tenor saxophonist and clarinetist Budd Johnson, guitarist Ray Crawford, drummer Elvin Jones, and others. As the title promises, the album presents a program of great jazz standards leading off with Bix Beiderbecke's "Davenport Blues," a showcase for Coles, before launching into a shimmering version of Thelonious Monk's "Straight No Chaser" where Coles, Lacy, Fuller, and Evans all get the spotlight. A stunning presentation of Fran Landesman and Tommy Wolf's "Ballad of the Sad Young Men" and a no-nonsense take on Clifford Brown's "Joy Spring" close out the first side. On the flipside, John Lewis' "Django" gets an impressionistic arrangement full of surprises, while a modernistic version of Don Redman's "Chant of the Weed" is a solo vehicle for Johnson's clarinet. The album culminates with a soaring performance of the Evans original "Theme," later known as "La Nevada." Mastered by Kevin Gray from the original analog master tapes.