The art form commonly referred to as Latin Jazz is a musical expression of the heart and soul of New York, an exciting reflection of the rhythms and spirit of the city's merging of Latino and African-American cultures. The music of Bill O'Connell is a product of that environment. Since the 1970's, when he first joined Mongo Santamaria's band, O'Connell has continually proven himself not only as a highly skilled pianist, but as an outstanding composer-arranger as well. The Afro Caribbean Ensemble, ACE for short, makes their recording debut on this album and the star-studded roster perform O'Connell's tricky arrangements with virtuoso aplomb. O'Connell says, "I've been planning on this recording for the better part of the past decade." His dedication is evident in every bar.

Jazz pianist Bill O'Connell has established a well-earned reputation as an innovative composer of jazz and Latin jazz, along with being a veteran working musician. Features long-time associate Dave Valentin on flutes, Bobby Maloch on tenor sax, bassists Charles Fambrough, David Fink and Lincoln Goines, along with drummers and percussionists Steve Barrios, Milton Cardona and Kim Plainfield. With Latin jazz fantasy, O'Connell pulls out all the stops and has created a compelling tour de force, composing songs for small groups and large orchestra with a full string and horn section. It's not only big, but it churns, bubbles and rocks.

O'Connell's forte is Latin Jazz, and he presents an album in that idiom, performing all original work on 67 minutes of music. Features drummer Steve Berrios, bassists Andy Gonzalez & Charles Farnbrough, trumpeter Randy Brecker, flautist Dave Valentin, congas/vocalist Milton Cardona, saxophonist Joe Ford & others.

TOUCH

TOUCH

Classical Music

Montauk-the easternmost point of Long Island-has enjoyed a reputation as an idyllic land of the lotus and poppy but now is fully woven in to the Hamptons summer scene. The charms and views associated with that coastal existence served as a backdrop for the creation of this recording. Notable for a number of reasons-as the first live band date in a lengthy discography, and a first on-record meeting with drumming icon Billy Hart-this O'Connell session stands out. Recorded live at the Hamptons Jazz Fest, with an outfit of top-flight artists including saxophonist Craig Handy and bassist Santi Debriano, the performance was further heightened by the appearance of ebullient trumpeter Randy Brecker and the enthusiasm of attentive and engaged listeners. "Playing live brings out different things in each musician," observes O'Connell. "So I was very happy to do this and I think it was a great night with everybody on their A-game."

It may be wintertime at this writing, a winter further darkened by the Covid crisis, but Bill O'Connell's optimistically-titled A Change is Gonna Come exudes some welcome warmth and sunshine. Even Bill's original "Covid Blues" displays a subtle sense of playfulness, entrusting the slightly off-kilter blues number to the distinctive tone color of Craig Handy's soprano saxophone. Likewise the plaintive melody of Sam Cooke's title track contains a note of optimism here. But with O'Connell at the helm we shouldn't be surprised by imaginative arrangements. He is a real triple-threat in jazz, equally well-known as a composer, arranger and instrumentalist, having honed his craft carefully from his days with Mongo Santamaria in the 70s, his involvement in the legendary ensemble, Jasmine, his gigs with Chet Baker, Gato Barbieri, Sonny Rollins and others and his long-time associations with Jerry Gonzalez's Fort Apache Band and the late Latin jazz flautist, Dave Valentin. A Change is Gonna Come features seven remarkable works by O'Connell, a four-time recipient of the Jazz Writer of the Year from SESAC, a tune by Trane, the title track by Sam Cooke and a unique take on the standard "My Foolish Heart." With Handy, Lincoln Goines, Pedrito Martinez and drummer Steve Jordon (currently taking over for the late Charlie Watts with the Rolling Stones) Bill O'Connell's latest Savant recording cements his place as a master of the broadest spectrum of musical styles, a giant of modern jazz and a member of Latin jazz royalty.

2018 release. Bill O'Connell's pianism has always been known for it's razor-sharp rhythmic sense, clean articulation and phrasing which is as affectionate as it is unfussy. And although the idiom often demands fire and verve one must never lose sight of O'Connell's graceful dynamics which give his lines interesting twists and turns that dart and swerve with spontaneous freedom. With friends like Randy Brecker, Craig Handy, Conrad Herwig, Andrea Brachfeld and Dan Carillo on hand, Jazz Latin is more than a release, it is an event.

MONK'S CHA-CHA - SOLO PIANO LIVE

HEART BEAT

When you visit a franchise restaurant, you always know what will be on the menu and what it will taste like. When you listen to a Bill O'Connell recording you may not know what is on the menu, but you're guaranteed it'll be a gourmet delight. As in O'Connell's previous recording the gifted veterans and leaders in their own right, Conrad Herwig on trombone and saxophonist Steve Slagle add their prowess to the mix. O�Connell gives his arranging chops a workout with interesting takes on Willow Weep for Me and John Lennon's �Imagine� and penned some new tunes specifically for this recording.

ZOCALO

TRIPLE PLAY