Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

Classical Music

This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.

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The lute music from this period represents some of the best ever written for the instrument. Under Lindberg's fingers, and on his beloved Sixtus Rauwolf lute (c. 1590), even the relatively straightforward anonymous Scottish pieces included here are imbued with the same affecting lyricism he lavishes on the [other] works.

– Gramophone

***** (out of 5)
The sound of Jakob Lindberg's lute, made by Sixtus Rauwolf in the last decade of the 16th century, is unusually warm. A meticulously voiced recital that moves between court, theatre, and tavern. Lindberg conjures an age that was as perilous as it was rich in musical invention.

– BBC Music Magazine

JACOBEAN LUTE MUSIC • Jakob Lindberg (lt) • BIS 2055 (81:12)

Works by: DOWLAND, ROBINSON, R. JOHNSON, BACHELER, HELY, J. GAULTIER, ANONYMOUS

Jakob Lindberg here turns to familiar territory, and deals with it in exemplary, historically informed fashion. His phrasing is impeccable, and the articulation of multiple lines, always clear and balanced. Great reserves of color can be heard in the slower, longer works, such as the pavans by Robert Johnson and Danile Bacheler, while all the divisions in the many faster pieces are tossed off with deceptive ease, and on occasion, an appropriate dash of humor. Not the least of the disc’s charms is the program itself, cleverly varied by length, character, complexity, and textures over a succession of works.

In short, this is one of Lindberg’s most immediately accessible releases to date. I’ve heard him accused in the past of too great a sense of restraint, but never found this true, myself; and here there certainly is no room for that complaint. Without ever waxing sentimental, a rich vein of expressiveness should be obvious to all on this generously timed disc. Highly recommended.

FANFARE: Barry Brenesal

Classical Music

Classical Music

Classical Music

Rarely appearing together on disc, William Walton's two symphonies are separated by some 25 years. The First Symphony was composed after his dazzling early success, beginning with Façade and culminating in two scores written before Walton reached the age of thirty: the Viola Concerto and the oratorio Belshazzar's Feast. After this, composition became more difficult, and progress on the symphony was tortuous and protracted. Nevertheless, the work has a strikingly positive tone - perhaps in celebration of the victory over the many demons and difficulties that had attended its creation. Twenty-two years later, in 1957, the musical world was a very different place, but Walton's response was not to seek solace in reflective nostalgia. It is rather as if he conceived the Second Symphony as a follow-up to his terse and bubbly Partita for orchestra, building on the confidence that the success of that score had given the always self-doubting composer. Owain Arwel Hughes, who conducts the present recording, first made his name with an electrifying televised performance of Walton's Belshazzar's Feast which received a notable accolade from the composer. During his distinguished career Hughes has recorded a number of discs for BIS, including a complete cycles of the 13 symphonies of Vagn Holmboe. In the French magazine Répertoire his 3-disc series of Rachmaninov's symphonies was described as 'the great modern Rachmaninov cycle', while the reviewer in International Record Review stated that 'Hughes is the first conductor to convince me that the First Symphony is on a par with its two successors.' On this recording he brings Walton across the English Channel and conducts one of the leading French orchestras, Orchestre national de Lille, for their first appearance on the BIS label.

Classical Music