2017 release. Brian Blade & The Fellowship Band marks it's 20th anniversary with the release of their sublime fifth album, Body and Shadow, a succinct nine-track meditation on lightness/darkness that arrives like a balm for the soul, ebbing and flowing with grace, subtlety and no shortness of beauty. Blade and Cowherd wrote, arranged and produced the songs for Body and Shadow, which was recorded at the historic Columbus Theatre in Providence, Rhode Island. The experience reminded Blade of recording the band's debut with producer Daniel Lanois at the Teatro, a former movie theater in Oxnard, California.

Sweet Pea Atkinson - "Get What You Deserve" Blues singer Sweet Pea Atkinson makes his Blue Note debut with Get What You Deserve: a 10 song collection of Blues, Detroit-Soul and Funk. Produced by Don Was, Get What You Deserve features classics ranging from Bobby Bland's "Ain't No Love In The Heart of the City" to James Brown's "You Can Have Watergate"

Japanese Version featuring a Limited Edition LP Style Slipcase for Initial Pressing.

The two medleys played by Davis's 1971 quintet (with altoist Gary Bartz, keyboardist Keith Jarrett, electric bassist Mike Henderson and drummer Jack Dejohnette) combines some of his better groove tunes of the era (including "What I Say," "Miles Runs the Voodoo Down" and "Yesternow"). a spirited session of creative fusion.

WHERE ARE WE GOING

Limited 180gm vinyl LP pressing. Further Explorations documents hard-bop pioneer Horace Silver's quintet: Art Farmer, Clifford Jordan, Teddy Kotick, Louis Hayes. The 1958 session is particularly inspired, with Silver penning all but one of the compositions. "The Outlaw", one of his most lively creations, has brilliant solos from Silver, Jordan and Farmer. Ballad, "Moon Rays", gives the band plenty of room to stretch out. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

My Point Of View is pianist/composer Herbie Hancock's remarkable 2nd Blue Note album. The 1963 session has an all-star cast: Donald Byrd, Hank Mobley, Grachan Moncur III, Grant Green, Chuck Israels, Tony Williams. The sheer musicality is breathtaking, with Hancock demonstrating arranging prowess. Contains his truly essential compositions such as "King Cobra," "A Tribute To Someone," and more. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Limited 180gm vinyl LP pressing in gatefold jacket. Jimmy Smith revolutionized the use of a Hammond B-3 organ. Arguably his finest moments, the sessions with Stanley Turrentine (tenor sax) helped define jazz. Prayer Meetin' is brimming with the bluesy grooves that made their collaborations classics. Highlights include "Red Top" and the title track's incredible interplay, while Stanley delivers a ballad tour-de-force on "I Almost Lost My Mind." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Vinyl LP pressing. Archive release. A never-before-released studio album by Art Blakey & The Jazz Messengers recorded at Rudy Van Gelder's Hackensack, New Jersey studio on March 8, 1959, and featuring the legendary drummer - whose centennial is being celebrated this year - along with trumpeter Lee Morgan, tenor saxophonist Hank Mobley, pianist Bobby Timmons, and bassist Jymie Merritt. The six-song set includes two previously unissued compositions: 'Quick Trick' and 'Jimerick'.

I'LL BE GONE

Limited 180gm vinyl LP pressing. Lee Morgan's magnum opus comeback, The Sidewinder, was a coronation. The prodigious trumpeter debuted on Blue Note in 1956 at the age of 18, but personal problems in the early-60s forced him off the scene temporarily. His rebound recording was an assured, energetic set of 5 indelible originals with Joe Henderson (tenor sax), Barry Harris (piano), Bob Cranshaw (bass), Billy Higgins (drums).

Limited 180gm vinyl LP pressing. In 1967, pianist McCoy Tyner was ready for a new start, leaving seminal John Coltrane Quartet and Impulse! Records two years prior. His Blue Note debut, The Real McCoy, firmly established him as a creative force. Featuring a world class quartet with Joe Henderson (tenor sax), Ron Carter (bass) and Elvin Jones (drums), the album presented "Passion Dance," "Search for Peace," and "Blues on the Corner." This Blue Note Classic Vinyl Edition is all-analog, mastered from the original tapes.

Freddie Hubbard -"Here To Stay (Blue Note Classic Vinyl Edition)" Blue Note Classic Vinyl Reissue Series! 180g Vinyl LP! Mastered by Kevin Gray from Original Analog Tapes! Pressed at Optimal Capitol Music Group; Blue Note; Jazz; Catalog

Art Blakey & The Jazz Messengers - "Like Someone In Love (Blue Note Classic Vinyl Edition)" - The 1960 edition of the Art Blakey & The Jazz Messengers was one of the band's greatest line-ups with the drummer joined by trumpeter Lee Morgan, saxophonist Wayne Shorter, pianist Bobby Timmons and bassist Jymie Merritt. Opening with a sublimely swinging version of the title track, the rest of Like Someone In Love presented originals by Morgan and Shorter. Capitol Music Group; Blue Note; Jazz; Catalog Special Pkg:180g Heavy Vinyl. This Blue Note Classic Vinyl Edition

Grant Green - "Visions (Blue Note Classic Vinyl Series)" [180gram Heavy Vinyl LP] Grant Green embraced R&B and jazz-funk on his 1971 album, Visions, featuring Billy Wooten, Emmanuel Riggins, Chuck Rainey, Idris Muhammad, Ray Armando and Harold Caldwell. The guitarist's distinctive tone and melodicism elevate songs by The Jackson 5, Chicago, The Carpenters, Mozart and Quincy Jones' "Maybe Tomorrow," which was later sampled by Kendrick Lamar. This Blue Note Classic Vinyl Series stereo edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.