As a youth in North Carolina, Sonny Terry-who lost his sight during his teen years-never imagined he'd eventually find fame as a musician on record, at festivals, and on Broadway in the musical, Finian's Rainbow. This album presents Terry's fine music, and the liner notes include elaborate stories of his life.

This album by harmonica player Sonny Terry and guitarist Brownie McGhee, with Coyal McMahan on maracas features traditional blues songs, spirituals, and originals by the three singer-instrumentalists. Each musician has his own distinctive style, and together they create a sound that is simultaneously melancholy and joyful.

Blind harmonica player and singer Sonny Terry recorded a few records during the 1930s and 1940s, but found wider fame in the folk revival of the 1950s and 1960s. This recording features a washboard band-an ensemble that includes washboard, washtub bass (a development from the African earth bow), bones, and sometimes guitar, or as heard here, harmonica.

While recording in the South in the early 1960s, producer, writer, and music historian Samuel Charters was inspired not only by the sound of Furry Lewis's guitar, but by the patterns of movement in his hands and fingers as he played. Thus Charters decided to make a film that would document aspects of the blues that couldn't be put on a phonograph record. In the sweltering summer of 1962, Charters journeyed through St. Louis, Memphis, Louisiana, and South Carolina to shoot the film the Blues and record this soundtrack. Artists featured in addition to Lewis are J.D. Short, Baby Tate, and Sleepy John Estes. Liner notes include details of the making of the film and biographies of the artists.

In the spring of 1965 pianist Don Ewell began his four-week engagement in Toronto that lasted seven months. David Gillman, a jazz fan and one-time promoter, started hanging at the Golden Nugget and was reminded of another stride legend Willie "The Lion" Smith who he had presented in the '40s. Fast forward to '66, Gillman brings Ewell and Smith together for a Canadian TV filming. While in town the two jam together often at the Nugget and informal, live recordings are made (issued as Stride Piano Duets, DMK 249). The following year the two are brought together into a recording studio and this album is the astonishing result.

DELMARK'S 70th ANNIVERSARY BLUES ANTHOLOGY Featuring 10 of the finest tracks from the Delmark blues music vaults. Seventy years on, Delmark is the oldest independent jazz and blues record label in the world, boasting a catalog bulging with over twelve thousand recordings by a virtual who's who of jazz and blues.� Although Bob Koester retired in 2018, under the leadership of President/CEO, Julia A. Miller and Artistic Director�Elbio Barilari, Delmark has released over 30 thirty albums in five years, has made digitally available over twelve thousand songs and continues it's mission.

Dave Specter'S 30 YEAR MUSICAL JOURNEY ON DELMARK showcases the guitarist, songwriter and vocalist surrounded by a stellar lineup of special guests including: OTIS CLAY, JIMMY JOHNSON, RONNIE EARL, LURRIE BELL, BILLY BRANCH, WILLIE KENT, JORMA KAUKONEN, JACK McDUFF, LYNWOOD SLIM, SHARON LEWIS, JESSE FORTUNE, BARKIN' BILL SMITH, STEVE FREUND, FLOYD McDANIEL, TAD ROBINSON, LENNY LYNN and more! Specter's career has been intertwined with the deepest roots of Chicago blues and Delmark's rich musical history. This double CD release constitutes a definitive testimony to one of today's most tasteful and versatile blues artists featuring Specter in a wide variety of styles, all played with six string soul., ALL TRACKS REMASTERED AT DELMARK'S RIVERSIDE STUDIO BY JULIA A. MILLER. INCLUDES GATEFOLD JACKET WITH EXTENSIVE DISCOGRAPHY, LINER NOTES BY HISTORIAN DICK SHURMAN, DIGITAL DOWNLOAD CARD OF THE COMPLETE DOUBLE CD EDITION FEATURING 11 MORE TRACKS.

Now in his 90s, this enduring Chicago blues great entered the studio to create his first album in a decade-and it's on Delmark, for whom he first recorded 40 years ago! His Delmark homecoming blends his originals with takes on some classics: "I Need You So Bad," "My Ring," "Lead Me On," "Love Me or Leave Me," "Rattlesnake" and more blues with that trademark Jimmy Johnson R&B flavor. Delmark.

Tribute is now available on LP in a limited edition of 1,000 with numbered jackets. Newly recorded blues celebration of Delmark's 65th Anniversary Tribute features Delmark's current roster of artists paying tribute to founder Bob Koester and artists that recorded for the label in the 1960s and 70s. Jimmy Johnson & Dave Specter pay tribute to Magic Sam. Omar Coleman pays tribute to Junior Wells. Lil' Ed pays tribute to J.B. Hutto. Corey Dennison pays tribute to Sleepy John Estes, Lurrie Bell & The Bell Dynasty pay tribute to their dad Carey Bell. Linsey Alexander and Billy Flynn pay tribute to Jimmy Dawkins. And more!

The Heat is turned up again for another chapter in the 25-year history of Pierre Lacocque's Mississippi Heat. The Living Blues review of their previous album said "Warning Shot (DMK 839) showcases bandleader and principal songwriter Lacocque's eloquent harp playing, supported by a cast of heavy hitters that delivers the trademark big band sound and one of the hottest, tightest bands in Chicago today, and the original songs on this album are pure fun and are worthy additions to the great history of Chicago blues." Cab Driving Man features 15 new songs with Inetta Visor and Michael Dotson as lead vocalists again. The songs are a wonderful blend of Mississippi, Chicago, boogie, swing and south of the border.

Mike Wheeler Band - CD - "TURN UP" - Delmark Records - Mike Wheeler: "Mike Wheeler has been a fixture on the Chicago blues scene for almost 30 years and his eloquent Delmark debut. Faster than a speeding bullet, more powerful than a locomotive, able to leap tall buildings in a single bound. Look up on the stage. It's SuperMike, who can change the course of mighty rivers, bend steel strings with his bare hands, and who, disguised in Chicago sports caps as mild-mannered average guy, fights a never-ending battle for blues, soul and the true funktified way. In 2012 Delmark released Self Made Man. In his Living Blues magazine review David Whiteis wrote "Wheeler's music virtually explodes with affirmation... Throughout, Wheeler's solos resonate with the joy of exploration and discovery, as well as with emotional power." This new album features 12 new originals including "You Won't Do Right", "Brand New Cadillac" and the burning title track., TURN UP !!

This collection assembles the range of sources that Robert Johnson heard and learned from including songs from his mentor Son House and from other Delta performers and from sources that show aspects of the musical world in which he lived. His tastes ranged far and wide and he had a gift for absorbing sounds of all kinds, including from tin pan alley to hillbilly songs. He was a brilliant creative musician who managed a stunningly effective fusion of his Delta roots and the smoother approach of the then prominent contemporary blues artists. As with any genius in any field he was able to produce great work only because he was standing on the shoulders of previous great artists. This collection provides an introduction to a number of them and gives a sense of how Johnson adapted and combined their styles. It presents music that can still excite and inspire us today just as it did to Robert Johnson back in the first golden age of the blues.

Limited 180 gram vinyl re-release of B.B. King's classic album Live At The Regal. Recorded November 21, 1964 at the Regal Theater in Chicago and released the following year, the album is considered one of the greatest blues recordings ever, with Rolling Stone naming it 141 on it's 500 Greatest Albums of All Time. It is also included in the National Recording Registry at the Library of Congress. King, talking about the album, admitted "that particular day in Chicago, everything came together." Includes 'Sweet Little Angel', 'You Done Lost Your Good Thing Now', 'How Blue Can You Get?' and his signature song 'Every Day I Have The Blues'.

This LP features two previously unknown radio programs hosted by blues/folk legend Huddie Ledbetter (a. ka. Lead Belly). "The Story of Folklore" was a weekly radio program broadcast on Sunday nights on WNYC New York. The programs were recently discovered and acquired by OJL, with the assistance and cooperation of the Lead Belly Estate. Available in a 1950s-styled 10-inch LP with album notes by Lead Belly biographer Kip Lornell with song notes by Lornell and Cary Ginell.

HOOCHIE COOCHIE MAN IN MONTREAL

SEEMS LIKE YESTERDAY - COLLECTORS CLASSICS

MIDNIGHT CREEPER

Sonny Terry and Brownie McGee are considered the odd couple of the blues world. Both had different back grounds musically, both had different styles of music they played, and their on stage outbursts and arguments were completely real. But this competitiveness kept them true to their art and neither of them compromised, which led to a surprisingly long 40 year career together. WALK ON was recorded live in Montreal on July 22, 1980, and this collectors disc features bonus tracks by Lightnin' Hopkins and Louisiana Red who both performed at the same show that day.

Blues guitarist Tab Benoit, born and raised in Louisniana, may be a relative newcomer to the region's rich and centuries old musical history but he's clearly a product and a disciple, of the same multicultural aestheic. This album is a contemporary bluesman's nod to a Cajun and Zydeco elements embedded in the Louisiana blues story.

LEGACY features 14 must-have tracks from the reigning Delta Roots guitarist/vocalist/songwriter.

Cajun-souled blues guitarist Tab Benoit releases his latest and most impressive effort FEVER FOR THE BAYOU. "...[Tab Benoit] is one of the best young American blues artists - Boston Herald.

Maria Muldaur follows up on the critical-acclaim of her 2003 release of Peggy Lee songs with the intimate and engaging Love Wants to Dance.

OTIS TAYLOR COLLECTION

Award winning blues guitarist is back again with his unique blend of contemporary Chicago blues that has a Delta feel mixed with R&B & soul.

The 2 United sessions on this album were done in the basement digs of producer Al Smith, feat. Pejoe's bouncy, rhythmic guitar playing w. a blasting Texas tinge.