Double vinyl LP pressing. 2015 album from the legendary award-winning blues icon. Born To Play Guitar is the follow-up to his 2013 double disc release Rhythm & Blues, which debuted at #1 on Billboard's Top Blues Albums chart. Born To Play Guitar was produced by Grammy Award winning producer/songwriter and longtime collaborator Tom Hambridge. The recent recipient of the 2015 Grammy Lifetime Achievement Award, Buddy Guy's incredible career spans over 50 years with just as many albums released. Career highlights include seven Grammy Awards, 28 Blues Music Awards, Kennedy Center Honors, NARM Chairman's Award for Sustained Creative Achievement, Billboard Music Awards' Century Award for distinguished artistic development, and the Presidential National Medal of Arts.

2019 release. Having famous fans such as Joe Bonnamassa and Glen Hughes and being described by Jools Holland as a dazzling talent, it's hard to deny that Joanne Shaw Taylor has certainly mastered her craft and become one of the world's most formidable guitar players. Having signed to Sony/Silvertone at the beginning of 2018, Joanne is back for her sixth album, Reckless Heart, which was recorded during the summer of 2018 at Rust Belt Studios in Michigan.

Classical Music

Following their successful 1994 return to recording, Jay Geils (Jay Geils Band) and Magic Dick document their love affair with the blues on these new studio tracks. Geils' superior guitar work and Dick's powerful harmonica playing give this blues record an added edge.

As a trio, we have been jammin' for a couple of years. We thought it would be nice to bring the group into a studio and make a recording. Here is the result, featuring some tunes written by me and others. Hope you'll enjoy! (Max Schultz) Max Arndth Schultz, born August 31, 1960 in Stockholm, is a Swedish jazz guitarist who plays and composes music in the jazz, blues and pop genres. He started playing a guitar at the age of 10 after seeing a concert with Jimi Hendrix in Stockholm, and began touring in 1979 with the band Rena Liquid. Max Schultz has collaborated with jazz musicians and artists like Håkan Broström, Herbie Hancock, Bob Moses, Nils Landgren, and Esbjörn Svensson, Svante Thuresson, Anna Nederdahl and Tommy Körberg. Max Schultz has also worked as studio musician on recordings with Marie Fredriksson, Rebecka Törnqvist and other artists. The Max Schultz Trio also features Andreas Hellkvist and Daniel Olsson.

Deemed a "record to die for" by Stereophile magazine, this DVD-Audio/Video disc features blues tunes by Dorian Michael, joined by Albert Lee and Laurence Juber. This disc contains 66 minutes of SD Video including bonus video interviews and behind the scenes footage, as well as biographies, discography and an extensive photo gallery.

2X Grammy ward winner Keb' Mo releases his 5th Epic album, Keep It Simple. Special guest on this album include Robben Ford, Robert Crayn, Vince Gil, Amy Grant, and Shannon Curfman.

(2-CD set) The legendary star Big Joe Williams was one of the major creators of Delta blues and played an important role in orchestral Chicago blues before holding a key position in the sixties folk boom - indeed, he can be thanked for the discory of Bob Dylan! This album covers the first part of the career of this blues great, from his most celebrated composition, "Baby Please Don't Go," to "She Left Me," his last hit for the black public in 1951.

(2-CD set) If John Lee Hooker is a wise man of today, the remarkable debut of his commercial career must not be forgotten. He was once a sort of crazy young dog, the heart-throb of manu a dame who heard him play in the cabarets of Detroit's black ghetto. Young and wild... This boxed set depicts the first musical years of one of the biggest names in the history of the Blues. Includes a 24 page booklet with both French and English notes.

Featuring: David Herzhaft - Thierry Reocreux - Philippe Jeoffroy - Vincent Cordel - Philippe Gaillot - Renaud Van Welden Apres Jean-Jacques Milteau, David Herzhaft s'affirme comme le nouvel harmoniciste francais.

(2-CD set) T-Bone Walker was immensely successful after the war and strongly influenced the evolution of the blues. He was also one of the great pioneers of the electricguitar, perfecting a clear and flowing style which influenced blues and rock guitarists, from B.B. King and Clarence ‘Gatemouth’ Brown to Buddy Guy, Eric Clapton and Stevie Ray Vaughan. This boxed edition traces the first part of R-Bone Walker’s career, from when he led Blind Lemon Jefferson through the streets of Dallas to his national acclaim. Includes a 24 page booklet with both French and English notes.

"Patrick & Steve Verbeke are more than the heirs to the entire North-American tradition; they’re craftsmen when it comes to contemporary portrayals of this human and artistic story, and they use the musical setting of the blues, not forgetting its scathing humour over life’s misfortunes, in an exceptional fusion that is resolutely French. A savoury conversation between father and son that not only serves the blues, but gives you the irresistible urge to listen to “tu m’as menti”, “la tangente” or “La p’tite cein ture” on repeat, time and time again." Benjamin GOLDENSTEIN

Bookeroo

For the first time ever in his 30-year career Robert Cray's live performance is felt on CD on his first live album release: The Robert Cray Band LIVE FROM ACROSS THE POND. Includes 2-CDs worth of live music!

Otis Taylor has found a unique niche in the blues continuum, dubbing his music "Trance Blues". Having played professionally for 30 years in Europe and the U.S., Otis has eight releases to date. His fifth Telarc release RECAPTURING THE BANJO, focuses on the Banjo, tracing the history of the instrument to it's African origins.

Whiskey Store

Jukin'

Jesus Is Waiting

Although not a specific genre there was a style to the way Blues were recorded in Los Angeles in the immediate post-war years. Here are 50 examples spread over two CDs featuring many of the greatest names and as many obscure ones to have recorded in the City. Migrants came from all over America to work in the War plants and other industries that were springing up in the City and a musical style quite different from those of Chicago or New Orleans developed. It emphasized ballads crooned in the style of Nat King Cole and fluid electric guitar solos, much of which had it's roots in Texas, and storming horn sections. It's all included here and the track listing speaks for itself.

Victoria Spivey was a blues and jazz singer who enjoyed significant popularity during the 1920s and '30s, performing with many well-known accompanists and ensembles, with a vivacious personality that made her a successful stage performer, later making a comeback into prominence in the 1960s after spending many years involved in religious music. Most notably, she recorded a considerable number of sides with the great guitarist Lonnie Johnson, and their collaborations represent some of her most highly-regarded work. She also worked with other major figures of the day like Clarence Williams, King Oliver, Henry 'Red' Allen and Louis Armstrong, as well as leading her own ensembles in the '30s. This 48-track 2-CD collection comprises a substantial proportion of her releases from her studio debut in 1926 through to 1937, after which she made no significant recordings until the '60s. It draws from many of her sessions, including performances with all the artists mentioned above, and provides an enjoyable cross-section of her core career, giving a platform for her distinctive voice which was equally effective working with single guitar or piano accompaniment or larger jazz-oriented bands.

Roosevelt Sykes was a hugely popular and influential exponent of the rollicking barrel-house style of blues piano playing and composition whose core career spanned the decades spanning WWII. Recording initially under a variety of names, and finding his greatest popularity when he adopted the soubriquet 'The Honeydrippers', he recorded a substantial body of work variously for the Okeh, Decca and RCA Victor labels, which included classics of the genre like "The Honeydrippers", "Night Time Is the Right Time", "44 Blues", "Boot That Thing" and "Driving Wheel Blues". This great value 75-track 3-CD set selects material from across those key decades of his career from his earliest recordings through to the time when he began to be overtaken by the new electric blues in the late '40s. It includes solo recordings along with those as a duo with a drummer, and, in the later years, with a variety of small groups.

Despite their relatively short career together and an equally limited recording output, The Moonglows were one of the most important and influential doowop vocal groups of the 1950s, their career spanning the years of the rock 'n' roll explosion in pop as well as the time when mainstream pop artists and labels were plundering the R&B charts for potential crossover hit songs. Led by the legendary Harvey Fuqua, who went on to marry Berry Gordy's sister and became a hugely successful writer and producer at Motown, and featuring his long-time colleague Bobby Lester sharing lead vocals, they recorded initially for Alan Freed's Challenge label, before he got them a deal with Chance, and moved to Chess, with whom they scored their biggest success with R&B No. 1 Sincerely, which was covered by The McGuire Sisters to score a pop No. 1. This great-value 56-track 2-CD set comprises the A and B sides of every single they released before they parted company, their music encompassing rocking up-tempo bluesy R&B as well as smooth, immaculate ballads, with beautifully textured harmonies. It naturally features all their chart entries, including the R&B Top 10 hits Most Of All, Sincerely, We Go Together, See Saw, Please Send Me Someone To Love and The Ten Commandments of Love. It's a comprehensive trawl across a brief but significant career.

Bobby Bland, often known as Bobby "Blue" Bland, was one of the best blues, R&B and soul singers of the post-war era, recognised as one of the finest interpreters of blues-influenced songs, comparable within his genre to the likes of Frank Sinatra in the broader popular spectrum. The Rock and Roll Hall of Fame described him as "second in stature only to B.B. King as a product of Memphis's Beale Street blues scene". He enjoyed chart success right through until the 1980s, but this extensive collection of his formative decade and more includes all his R&B No. 1s plus other landmark recordings. He recorded initially with Roscoe Gordon for both Modern and Chess before joining the Duke label - this great-value 56-track 2-CD set comprises the A and B sides of all his Duke singles through until 1962, plus selected sides from his early releases with Roscoe Gordon. It features the R&B No. 1s "Farther Up The Road", "I Pity The Fool" and "That's The Way Love Is", plus other Top 10 classics such as "I'll Take Care Of You", "Don't Cry No More", "Turn On Your Love Light" and the iconic "Stormy Monday Blues". It's a fine showcase for a unique and highly-regarded talent.

Blues singer and harmonica player Sonny Boy Williamson II performed originally during the 1930s and '40s as Aleck or Alex Miller, Rice Miller and Little Boy Blue before adopting the name of earlier blues artist Sonny Boy Williamson, born around the same time but who died in 1948 - during the 1940s they were both using the name.

Robert Nighthawk, also known during the early years of his career by the name of Robert Lee McCoy, as well as other pseudonyms like Ramblin' Bob and Peetie's Boy, was a blues slide guitarist, singer and songwriter whose influence far outweighs the recognition and visibility his recordings have enjoyed in subsequent decades. Born in Arkansas, he was an itinerant musician, working in Memphis and St. Louis, before doing his first recordings for Bluebird in 1937 in Chicago, and continued his rambling lifestyle during what was a fitful recording career over the next fifteen years. Having recorded initially for Bluebird with Sonny Boy Williamson I (the original "Sonny Boy") as Robert Lee McCoy and Ramblin' Bob, he recorded in 1940 for Decca under the name Peetie's Boy, and during the late '40s for Aristocrat and it's later guise as Chess under the name Robert Nighthawk, taking the name from the best-known title from his first sessions "Prowlin' Nighthawk". His final recordings during this era were in 1951 and '52 for the United and States labels. He was rediscovered during the '60s and enjoyed a brief revival before his death in 1967. This great-value 48-track 2-CD set comprises the main body of his significant recorded output under his own names, with noted performers like Speckled Red, Willie Dixon, Ernest Lane, Pinetop Smith and Ransom Knowling featured on his sessions, and is a showcase for the intense bottleneck style he developed as he made the transition from acoustic to electric guitar which charted the way for the likes of Elmore James and others, for whom he was a significant influence.