Emanuel Gruber and Arnon Erez's classic account of Beethoven's music for cello and piano has been remastered for this 2-CD release. The Jerusalem Post called Gruber "one of our great artists" citing "his extraordinary capacity for projecting the deepest meaning of the music". Gruber was awarded the Pablo Casals prize by the Israel Philharmonic Orchestra. Arnon Erez has been the head of the Chamber Music Department at the Buchmann-Mehta School of Music at Tel Aviv University for nearly two decades. With Emanuel Gruber, Erez has recorded the complete cello and piano Sonatas by Beethoven, Mendelssohn, and Brahms.

Marcy Rosen and Diane Walsh present fresh readings of three masterpieces from the cello repertoire. Ms. Rosen studied Barber's cello sonata with Orlando Cole, who worked closely with Barber on the editing of the composition, later premiering the work with Barber at the piano at New York City's Town Hall in 1933.

A winner of both the Charles Ives Scholarship and Fellowship from the American Academy of Arts and Letters, Russell Platt is currently a Professor at Vanderbilt University. In earlier years, Platt was an editor at The New Yorker, where he won the ASCAP Deems Taylor Award for Music Criticism in 2010. This recording presents premiere performances of Platt's music, including songs composed for Metropolitan Opera tenor, Paul Appleby.

Leading British critic Stephen Johnson called Poul Ruders "The Richard Strauss of the computer-aged orchestra", and indeed the Ruders six symphonies, collected here for the first time, sparkle with vivid color and brilliant orchestral virtuosity. Ruders is best known for his score to the opera "The Handmaid's Tale", based on Margaret Atwood's dystopian American tale, produced by opera companies throughout Europe and North America.

Bridge Records is pleased to issue the latest recording by Partch Ensemble, the Grammy Award winning new music group specializing in the music and instruments of the iconoclastic American composer Harry Partch. Partch's "The Wayward" in the composer's own words, is "a collection of musical compositions based on the spoken and written words of hobos and other characters-the result of my wanderings in the Western part of the United States from 1935 to 1941." This is the world premiere recording of Partch's complete cycle.

Cellist Louise Dubin's new collection of French cello works include pieces by masters Debussy, Faure and Koechlin, side by side with rarities by the lesser known Auguste Franchomme (1808-1884), and contemporary composer Philippe Hersant (b. 1948). Ms. Dubin's last award-winning album was devoted to the compositions of Franchomme. This new recording features both Franchomme's arrangements and original compositions.

Much of Arlene Sierra's compositional output centers on the natural world, addressing the subjects of landscape, evolutionary biology, and the sounds, processes and behavior of birds and insects. Arranged into three books, Sierra's Birds and Insects comprises 15 movements composed across a twenty-year period. The three books are performed brilliantly here by pianists Steven Beck (Books 1 and 2) and Sarah Cahill (Book 3). The album is the fourth in Bridge's ongoing Arlene Sierra series.

The two books of David S. Lefkowitz's Preludes and Fugues for Piano were performed by a team of four pianists, a cantor, and the composer himself. Lefkowitz asks: "What does it mean to write a fugue in a post-tonal world, in which "major" and "minor" scales have been left behind? 12 of the 13 preludes and fugues in my first book are based on newly-invented scales." Lefkowitz's second book goes even further, using the rich possibilities of a prepared piano, vocal sounds and a finale for two pianos. Lefkowitz's huge musical palate is near-Mahlerian in this challenging and rewarding cycle that spans nearly three hours.

This CD marks the first commercial release of recordings by the great Czech guitarist, Petra Polackova. Producer David Starobin writes: "A few years ago I came upon some stunning video of the guitarist Petra Polackova. Since then I've avidly followed her work, and have marveled at her passionate performances of repertoire spanning the centuries. What a pleasure it was to finally meet in 2024 for these recording sessions in New York City. Petra is a musician after my own heart - a deep player, who seduces the listener into the dreamworld of that consummate Romantic, J. K. Mertz. Hearing Mertz's music as he performed it, on a "Romantic Guitar" with added basses, gives these small gems nearly symphonic range, without sacrificing their exquisite intimacy."

The Opus Two violin-piano duo presents new arrangements of musical highlights from Stephen Sondheim's brilliant Broadway shows. Arranger Eric Stern reminisces about his work with Sondheim: "I was one of the many lucky ones who got to work with Sondheim and experience close hand his genius, collaborative nature, and inherent kindness." Stern's work with Sondheim included the 1984 revival of Pacific Overtures, conducting Sunday in the Park with George in the second year of it's original run, co-music directing the first production of Into the Woods, conducting productions of Follies, and conducting Merrily We Roll Along at the Kennedy Center. Mr. Stern writes that "My last conversation with him was about the Little Night Music suite which you'll find on this album. We are all extremely grateful for his enthusiastic endorsement of the arrangement and performance, muted only by our sorrow that the rest were written after his passing."

Jaffe: Concerto for Cello & Orchestra, Homage to the Breath,

Volume 4 in Louis Karchin's ongoing Bridge series includes both instrumental and vocal music. Karchin is a prominent figure in American music, having composed more than 100 works, and served as conductor of ensembles, including the Harvard Group for New Music, the Chamber Players of the League-ISCM, and the Orchestra of the League of Composers. Karchin's music has been praised for it's "fearless eloquence" (The New Yorker), "bare-nerve intensity" (NY Times) and "coruscating beauty" (San Francisco Chronicle).

Volume 18 of BRIDGE'S Paul Lansky series is a percussion spectacular, featuring the American mallet virtuoso, Gwendolyn Dease. The wide-ranging program includes a percussion solo, a percussion and violin duo, a percussion quartet, and a concerto for percussion and wind ensemble, all by the celebrated American composer Paul Lansky in honor of his 80th birthday. Assisting Ms. Dease are percussionists Ji Hye Jung, Jisu Jung, and Ayano Kataoka; violinist Yvonne Lam; and the Michigan State University Wind Symphony, Kevin Sedatole, conductor.

The previous volumes of William Bland's piano sonata cycle have met with ecstatic praise from the international press. American critic Ken Meltzer writes: "Compelling music, superbly performed. A marvelous presentation of the Romantic piano in full flight." And from British critic Colin Clarke: "The range of expressive tools is vast. It's grand music, with grand playing from Kevin Gorman. It is fervently to be hoped that this series continues." The Atlanta Audio Society wrote of Vol. 2: "In the last analysis, this is one of the best new piano recordings of the year." The brilliant 30-year old American pianist Kevin Gorman's new recording presents premieres of two sonatas: No. 6 in c minor, Bestiary - con Amore (2001) and No. 15 in e-flat minor (2004).

Classical Music