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Classic Grammy winning album that contains 2 sought after classics: This Masquerade and Breezin'. On blue\/badge vinyl. George Benson is simply one of the greatest guitarists in jazz history, but he is also an amazingly versatile musician, and that frustrates to no end critics who would paint him into a narrow bop box. He can play in just about any style - from swing to bop to R\u0026amp;B to pop - with supreme taste, a beautiful rounded tone, terrific speed, a marvelous sense of logic in building solos, and, always, an unquenchable urge to swing. His inspirations may have been Charlie Christian and Wes Montgomery - and he can do dead-on impressions of both - but his style is completely his own. Not only can he play lead brilliantly, he is also one of the best rhythm guitarists around, supportive to soloists and a dangerous swinger, particularly in a soul-jazz format. Yet Benson can also sing in a lush, soulful tenor with mannerisms similar to those of Stevie Wonder and Donny Hathaway, and it is his voice that has proved to be more marketable to the public than his guitar. Benson is the guitar-playing equivalent of Nat King Cole - a fantastic pianist whose smooth way with a pop vocal eventually eclipsed his instrumental prowess in the marketplace - but unlike Cole, Benson has been granted enough time after his fling with the pop charts to reaffirm his jazz guitar credentials, which he still does at his concerts.","brand":"RHINO","offers":[{"title":"Vinyl","offer_id":44908032000234,"sku":"603497845149","price":30.54,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3896808-2656411.jpg?v=1780137878"},{"product_id":"live-at-smalls-jazz-club-1","title":"LIVE AT SMALLS JAZZ CLUB","description":"The 5th album in the Smalls Living Masters series finds tenor titan George Coleman in the company of pianist Spike Wilner, bassist Peter Washington and drummer Joe Farnsworth in the intimate confines of Smalls Jazz Club. 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Brother of Von and uncle of Chico Freeman, he's worked with the greats, such as Charlie Parker and Ben Webster. Appearing on the recording is legendary organist Joey DeFrancesco, going into the studio just a couple of months before his untimely death. DeFrancesco admired Freeman's work on a Jimmy McGriff LP so it is quite touching that the two were able to collaborate here. Also featured on 4 tracks is bass phenom Christian McBride stoking up some swinging performances with Freeman. Drummers Lewis Nash and Carl Allen provide propulsive rhythms throughout. 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Join in celebrating this milestone and the remarkable contributions of a true jazz giant.","brand":"HIGHNOTE","offers":[{"title":"CD","offer_id":44929448149226,"sku":"632375735623","price":16.63,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4373440-3238358.jpg?v=1778367832"},{"product_id":"morning-song-3","title":"MORNING SONG","description":"As a leader and a sideman, George Cables defines mainstream jazz piano. In addition to composing and arranging for his own albums, George Cables has contributed to recordings by Dexter Gordon, Art Pepper, Freddie Hubbard, Woody Shaw, Bobby Hutcherson and many others. 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Her kinetic, harmonically erudite basslines anchor ensemble interpretations of choice tunes culled from the blues, mainstem jazz, and the Great Brazilian and American Songbooks. She sings those Songbook numbers, and her own evocative lyrics, with an instantly recognizable voice that conveys vulnerability and emotional intelligence. 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Another British composer and another work inspired by art follow; this time Kit Turnbull and Wassily Kandinsky respectively. The title, Everything starts from a dot, is a direct quote from Kandinsky when answering a question about how he goes about starting a painting. Staying with Russia for the final work on the album, Serrano Alarcon's Second Symphony for Wind Orchestra pays tribute to the era of Russian Romantic symphonic composers. The emotional content of the music matches the powerful forces of the symphonic wind ensemble.","brand":"Innova Recordings","offers":[{"title":"CD","offer_id":46013177987306,"sku":"726708600723","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3897505_1a885078-7014-4074-b0b6-634ddcad3da9.jpg?v=1778253787"},{"product_id":"flute-sonatas-solo-works-359831","title":"Flute Sonatas \u0026 Solo Works \/ Brandon Patrick George","description":"Flautist Brandon Patrick George describes his debut album as a dialogue between the past and the future. It is indeed quite a leap in time from Johann Sebastian Bach (1685-1750) to the Finnish composer Kalevi Aho, born in 1949 – yet he has included works for solo flute by both composers on this recording. There are also two important chamber works for a flute and piano duo which represent milestones in the repertoire: a sonata by Sergei Prokofiev (1891-1953) and a sonatina by Pierre Boulez (1925-2016) – and so this release represents a walk through musical history spanning 300 years. Brandon Patrick George is the flutist of the Grammy®-nominated Imani Winds, and has performed with many of the world’s leading ensembles including the Los Angeles Philharmonic, Pittsburgh Symphony Orchestra, Orpheus Chamber Orchestra, and the International Contemporary Ensemble (ICE).\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003cbr\u003e \u003cbr\u003e What strikes the listener on this debut release by Brandon Patrick George is the chances he takes. Until the final Flute Sonata, Op. 94, of Prokofiev, George plays perilously virtuosic works, with every detail of his playing exposed by hyper-clear sound. George chooses an intelligent program that begins with the Bach's Flute Partita in A minor, BWV 1013. George's crisp, sharp-edged performance is masterly. The pieces by Pierre Boulez and Kalevi Aho not only extend the virtuoso challenges but tie into the implied Baroque counterpoint of Bach's Partita. Only with the Prokofiev Flute Sonata does the music relax, and George with it. It's an exceptionally well-structured program, flawlessly executed.\u003cbr\u003e \u003cbr\u003e - James Manheim, AllMusic.com","brand":"Profil","offers":[{"title":"CD","offer_id":46013334585578,"sku":"881488180398","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3847077-2600510.jpg?v=1778260969"},{"product_id":"verdi-g-un-ballo-in-maschera-highlights-bjorling-195","title":"VERDI, G.: Un ballo in maschera (Highlights) (Bjorling) (195","description":"Classical Music","brand":"IDIS","offers":[{"title":"CD","offer_id":46013345136874,"sku":"8021945000773","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/428748.jpg?v=1778188779"},{"product_id":"love-is-everywhere-selected-songs-of-margaret-ruthven-lang-013491340722","title":"Love is Everywhere: Selected Songs of Margaret Ruthven Lang,","description":"Classical Music","brand":"Delos","offers":[{"title":"CD","offer_id":46013385146602,"sku":"013491340722","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1796750.jpg?v=1778316335"},{"product_id":"new-love-must-rise-selected-songs-of-138161","title":"New Love Must Rise: Selected Songs Of Margaret Ruthven Lang, Vol. 2","description":"\u003cb\u003eClose your eyes, lean back and enjoy!\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e In October last year, I reviewed for MusicWeb International, the first volume of songs by American composer Margaret Ruthven Lang. She was unknown to me at the time, and naturally, I had never heard her music. Little did I know that I was in for a treat! Indeed, Volume I of Lang’s selected songs was a very pleasant surprise. The music was exquisite and beautifully matched the lyrics. It made me think: where on Earth had this composer been hiding all my life! For me, it was a revelation, which was why I selected it as one of my Recordings of the Year 2011. I have been anticipating the launch of the second volume. Well, it is here now, under the charming title of New Love Must Rise. I am very pleased to say that it does not disappoint; on the contrary, if anything, it is even better than the first.\u003cbr\u003e  \u003cbr\u003e In a brief interview to me, via e-mail, tenor Donald George, who performs the songs with pianist Lucy Mauro in both volumes, said of Lang’s work: “The songs are simple, eminently singable and enjoyable. They work in the singing voice”. For me, this is exactly why the songs have an instant appeal and the reason why one is happy to listen to them repeatedly. As with the first CD, the songs are organised into topics: The Garden, The Twilight, Nonsense Rhymes and Pictures and Tomorrow and a Lullaby. The recording opens with On an April Apple Bough; a gorgeous piece and one of my favourites in Volume II. Although not the most difficult to perform, its heart-warming, poetic melody immediately has you hooked! All the other songs within the Garden topic are equally beautiful but there are two that stand out and which I would describe as two mini-masterpieces. The first, I Knew the Flowers Had Dreamed of You, is delicate and lyrical. The second, Nameless Pain, sets a poem by Thomas Bailey Aldrich, where the music perfectly illustrates the poetry. It is vibrant, poignant and powerful all at the same time; if you close your eyes, you can almost feel the summer wind or the scent of the rose and sense the nameless pain of the poet.\u003cbr\u003e  \u003cbr\u003e These two precious gems are by no means unique. The second topic, The Twilight, begins with another of these little treasures, Song in the Songless. This is on a poem by George Meredith from “A Reading of Life”. It is an extraordinary piece, emotionally very expressive, almost operatic. It is probably one of the most difficult to sing but also one of the most effective dramatically. It works almost like a duet between the voice and the piano. Donald George does it justice and has here the opportunity of showcasing an excellent technique, with some very warm, confident high notes, a very fine crescendo and the right level of sentiment. The piano line is exquisite and engaging, particularly on its own when responding to the voice. Lucy Mauro’s delicate touch and flawless technique give us a luminous sound of great beauty, adding to the emotional impact of the song.\u003cbr\u003e  \u003cbr\u003e Besides the abovementioned little masterpieces, there is much to enjoy and admire. All the songs within the second topic, The Twilight, are simply adorable; often evocative of a certain romantic atmosphere that adds to the general charm. Then, there is the very funny, at times witty group of Nonsense Rhymes and Pictures, effectively performed by George and Mauro with humour and a real sense of fun. I felt like jumping in and singing along! The last topic, Tomorrow and a Lullaby, is perhaps, from my perspective, as a linguist, the most fascinating section of the recording. It includes a song in German Lied der Nebenbuhlerin and one in French Lament. These songs are not better than the ones in English but it is remarkable how well Lang is able to compose to languages that were not her own. It shows her versatility, knowledge and sensibility.\u003cbr\u003e  \u003cbr\u003e Tenor Donald George and pianist Lucy Mauro are in this CD, as in the first, in fine form. The musical rapport between them is transparent throughout, as is their obvious admiration for the composer. They revel in the music; their sheer delight is contagious and, like me, you will suddenly realise that you are smiling, all alone in a room, for no apparent reason!\u003cbr\u003e  \u003cbr\u003e I could go on forever, describing the intricate beauty of Margaret Lang’s songs, one by one, but then, this review would become far too long! To summarise: the songs of the second volume are as admirable as the ones of the first. Lang’s music is full of appealing melodies and sophisticated harmonies but most of all, the songs have a freshness, an innocence of days gone by. They are often deceptively simple but the more one listens, the more one grasps their delicate complexity. This collection of little musical treasures comes, yet again, in an attractive, colourful package as delightful as the music. There are some very interesting, informative notes, on the composer and her songs, written by Lindsay Kooth.\u003cbr\u003e  \u003cbr\u003e Finally, I would like to end by making a simple suggestion: Get the recording, close your eyes, lean back and enjoy!\u003cbr\u003e  \u003cbr\u003e -- Margarida Mota-Bull, MusicWeb International\u003cbr\u003e","brand":"Delos","offers":[{"title":"CD","offer_id":46013393469674,"sku":"013491341026","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1948625.jpg?v=1778333073"},{"product_id":"carousel-studio-cast-recording-robert-merrill-patrice-260148","title":"Carousel - Studio Cast Recording \/ Robert Merrill, Patrice Munsel, Florence Henderson","description":"\u003cp\u003eThe 1955 Studio Cast of Carousel was the first comprehensive recording of Rodgers and Hammerstein’s great score. 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