Jazz
Charlie Holmes
6 products
Morton Subotnick: The Wild Beasts
Morton Subotnick is a living legend. A leading innovator of electronic music, he has used many important technological breakthroughs in his work as a composer. This release, originally recorded and released in the 80s on LP by Nonesuch Records, has been specially remastered for this reissue. It features The Wild Beasts, a work inspired by an exhibition of Les Fauves paintings, and After the Butterfly, a concerto-like work for trumpet, instrumental ensemble and electronics.
Tippett: The Symphonies / Hickox, Bournemouth SO
To celebrate the centenary of the birth of Sir Michael Tippett, Chandos is releasing Richard Hickox's acclaimed recordings of his symphonies and the Suite from the opera New Year, packaged in a handsome box - and at a special price: 3 discs for the price of 2.
In Ireland - Orchestral Works By Hamilton Harty
This is the third reissue of Chandos' set of Hamilton Harty's complete orchestral works, and if you haven't heard this incredibly derivative but equally incredibly charming composer you're in for a treat. The influences range from Dvorák (Irish Symphony) to Rachmaninov (Piano Concerto), with plenty of Irish color in evidence everywhere else--but the one constant is Harty's skill at orchestration and general level of craftsmanship. The performances, featuring Bryden Thomson and the Ulster Orchestra in their first flush of success, have not been surpassed. It's a little sad to hear a set like this and recall just how exciting a label Chandos was at the time, how much new music there was to savor, and what a pace-setter these recordings were technically. Whether you listen out of nostalgia or simply to find something new and interesting, by all means do listen!
--David Hurwitz, ClassicsToday.com
Beethoven: Canons & Musical Jokes / Holmes, Cantus Novus Wien, Ensemble Tamanial
Grainger: Music for Saxophones
Percy Grainger called the saxophone ‘the world’s finest wind-tone tool, the most voice-like’, and wrote for it a series of fascinating but hitherto little-explored works. These arrangements are special in that, unusually, Grainger largely abandoned his idea of ‘elastic scoring’ and noted specific instrumental configurations. The selections include the music of J.S. Bach, British and Norwegian folksongs, old polyphonic instrumental and vocal music, as well as two original compositions, each indelibly stamped with Grainger’s experiences as pianist, folk-song collector, and proponent of early music.
