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Australian Water Music for flute and harp, is inspired by the ocean and fresh water lakes of Australia, and also Handel's Water Music, this being a recurrent theme for Edward Cowie, both as a composer and a visual artist. The tremendous velocities of flute and harp capture the speed of a stream of water and it's liquid sound, as well as bringing delicious richness and expressive qualities. Each instrument plays alone, but also thematic and motivic materials are resounded and re-worked in a dynamic dialogue between them.    Darkness Into Light came from a discussion with Alice and Laura about their shared experience of darkness and light. The resulting work takes the form of a transcendence into some sort of divine light from impenetrable and engulfing darkness (of mind and spirit), all done in one continuous and shared exploration. 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Bach and Mozart are works by living composers including Australians Elena Kats-Chernin, Sally Greenaway, Lachlan Skipworth and Jessica Wells, and indigenous composer Christopher Sainsbury. 20th century works by Jacques Ibert and Witold Lutoslawski are juxtaposed with Erik Satie’s timeless Gymnopédies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEWS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSomething Like This\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a beautifully programmed collection of well-known works performed in sumptuous style and ensemble by Walker and harpist Emily Granger.\u003c\/p\u003e\n\u003cp\u003eIn a superbly executed Bach\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSonata in G Minor,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eGranger shines with sprightly and impeccable technique. 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Walker’s tone is rich and indulgent, almost weeping in its expressiveness with Granger’s style full of colorful nuance, just as the music requires—its original intent was to accompany a play. Similarly, Jessica Well’s delightful\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eSati—\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSanskrit for mindfulness—offers the duo room to experiment with shadings of hue, phrasing and musical line, sometimes at peace, other times menacing. Beginning mindfully serene, the piece explodes to an ecstatic reverie of sonorities. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFor just sheer beauty of line and tone, the three short\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePoems\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Sally Greenway are astonishing miniatures. You dare not breathe in order not to miss a thing. The inspiration comes from the poem\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRoses du Soir\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eby Pierre Louÿs which describes lovers finding a secret spot in the forest where a magical rose bush grows. Walker and Granger create a sound as if one instrument with delicate passion. This sensibility appears again in Christopher Sainsbury’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDjagamara\u003c\/em\u003e, a work written to honor the life of a young indigenous friend.\u003c\/p\u003e\n\u003cp\u003e-- The Harp Column\u003c\/p\u003e","brand":"Avie Records","offers":[{"title":"CD","offer_id":46012431106282,"sku":"822252262629","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4408884-3332454.jpg?v=1786690532"},{"product_id":"vacchi-complete-music-for-guitar","title":"Vacchi: Complete Music for Guitar","description":"\u003cp\u003eBorn in 1949, Fabio Vacchi stands among the pre-eminent Italian composers of his generation. Working primarily in the operatic field, he has had pieces staged at the Teatro alla Scala and by the Opéra Comique in Paris, the Opera de Lyon, the Maggio Musicale in Florence and the Teato Comunale in his home city of Bologna. Vacchi’s instrumental pieces have attracted similar high-profile performances. His chamber cycle Luoghi Immaginari (1987-1992), has been given across the world, including at the Salzburg Mozarteum conducted by Daniel Harding. Other pieces were commissioned by Claudio Abbado and by the Tokyo Quartet.\u003c\/p\u003e\n\u003cp\u003eThe most substantial piece on this new collection of his chamber pieces was commissioned by the Swedish guitarist Magnus Andersson and first performed by him in 1997 as a guitar concerto; this Quintetto Notturno Concertante dates from 2012 and is a masterful condensation of the complexities of the original, rich instrumental texture, while preserving its fleeing moods and subtly shifting changes of harmony. At the other end of this collection, Livia Rado sings Flow my Dowland, a rapturous transformation of five songs by the Elizabethan lutenist, in which the original vocal part is richly embroidered by Vacchi’s own modern reimagination of the accompanying part, scored for a small ensemble of winds, strings, vibraphone and harp, to melting and magical effect. In between come a pair of solo works, though in fact Plynn quotes Britten’s Nocturnal after John Dowland as a study of harmonics on the guitar, evoking its most dreamlike and insubstantial timbres. The earliest piece here is a Suite for flute and guitar, dating from 1971. Here, the 22-year-old Vacchi is at his most experimental in terms of both form and harmony, employing extraneous elements such as pen and paper and sending both instruments to the extremes of their register, though always with an intrinsically idiomatic sympathy. Any listener with an ear for the Italian postwar avant-garde will find this newly recorded album full of delight and discovery.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012437758186,"sku":"5028421969763","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4223209-3130276.jpg?v=1786640368"},{"product_id":"osvaldo-coluccino-diade-various-artists","title":"Osvaldo Coluccino: Diade (Various Artists)","description":"Duality as essence The fullness of an almost empty space within which only two presences distil their separated essences; the completeness of only two subjects representing all the rest; the awareness in subordinating oneself to the magnetism of the subtracted and the missing; the consistency of silence, immobility and timelessness; the essential value of otherness. Each of the titles of these duets, all of a single word, carries semantic potentialities inherent in duality, a contradiction resolved in the ideal of recomposing dualism into unity. Ali (Wings), equivalent laterality as duality, which divides in two and equally holds together; Diade (Dyad), couple, duality, and in biology the chromosome of germ cells formed by two homologous chromatids united, maternal and paternal; Talea (Cutting), in botany the birth of a life through another that mutilates and grafts itself; Appulso (Appulse), in astronomy the apparent approach of a star to a planet, so that the star seems to touch it; Giano (Janus), the twoheaded god, who can look at the two entities future and past but not at the present, in charge of thresholds, of passages, who presides over all beginnings; Specchio (Mirror), the reflecting \"other\", in the mutual comparison of every couple or duo; Cenere (Ash), matter inclusive of the original fullness - simulacrum of what it was - and of it's dissipation, emblem of the invisibility to come; Gemina (Twin), that which is double, an adjective declined here, in Italian, in the feminine, leaving open the interpretation (double musical expression?, a double union of performers?... ), and in genetics the \"bivalent pair\" of chromosomes, which merges and then splits; Stati (States), in addition to being a noun - the word that in Italian in one of it's meanings is related to staticity, from the Latin status, \"that which stands still\" -, is also a past participle that makes the subjects exist in the same time for how they are now and for what they have \"been\", \"stati\" (thinking of this piece, divided into three parts, in the sequence stasismotionstasis: «You alone knew that motion is not different from stasis.» Eugenio Montale, from Satura); Stigma (Stigma), explicit imprint of an implicit owner of it, but also, in botany, the part of the pistil destined to receive and germinate; Etra (Air), a kind of air that, here, makes physical wind and metaphysical wind copresent, which mix in a haunted vortex... Osvaldo Coluccino","brand":"Stradivarius","offers":[{"title":"CD","offer_id":46012438151402,"sku":"8011570373427","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4459351-3453439.jpg?v=1786682528"},{"product_id":"alter-ego-music-for-flute-piano-taio-grisanti","title":"Alter Ego - Music for Flute \u0026 Piano \/ Taio, Grisanti","description":"\u003cp\u003eRebecca Taio’s choice to program these well-known pieces from the great repertoire for violin and piano has to do with the technical challenges they pose, both instrumentally and interpretatively.\u003c\/p\u003e\n\u003cp\u003eWhile the transcription of the Five Pieces by Respighi is a first (no one having thought to arrange them for flute and piano before), the sonatas by Faureì and Franck are already a part of the chamber tradition for flute and piano. Nonetheless, the artists have made further revisions to these two works, coming up with alternative solutions to the ones normally used in such a way as to be as close as possible to the originals. Franck’s Sonata in A major for violin and piano (1886) creates the ideal end-piece for this musical journey.\u003cbr\u003e\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012438642922,"sku":"5028421969770","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4230666-3141836.jpg?v=1786639947"},{"product_id":"sancan-a-musical-tribute-yan-pascal-tortelier-bbc-philharmonic","title":"Sancan: A Musical Tribute \/ Bavouzet, Tortelier, BBC Philharmonic","description":"\u003cp\u003eWithout question born a little too late in a century of huge upheavals, Pierre Sancan has almost completely disappeared from our memories. He nevertheless occupied a place at the heart of the history of French music in the second half of the twentieth century: composer, pianist, teacher, and an extremely endearing personality, as one will discover on this disc.\u003c\/p\u003e\n\u003cp\u003eThis program of the Piano concerto, orchestral works, works for solo piano, and the flute Sonatine (played by Adam Walker) serves as a personal tribute to Sancan from both pianist and conductor, and will hopefully help to raise awareness of this gifted composer.\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012449325290,"sku":"095115215425","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4201659-2975984.jpg?v=1786680256"},{"product_id":"gates-of-dream-iva-ugrcic-plays-flute-works-by-doina-rotaru-iva-ugrcic-satoko-hayami-dave-alcorn-james-mckenzie-garrett-mendelow-michael-koszewski","title":"Gates of Dream - Flute Works by Doina Rotaru \/ Iva Ugrčić PURGATORY","description":"\u003cp\u003eGates of Dream features a selection of solo and chamber works for the flute family by the Romanian composer Doina Rotaru as performed by Serbian flutist Iva Ugrcic.\n\u003cbr\u003eRotaru works with archetypes and symbols that she carefully weaves into liquid-like heterophonies, blending archaic Romanian influences with contemporary techniques and structures. With the flute as her chisel, she sculpts inventive sonorities while drawing from the past evoking a melancholic atmosphere and feeling of a painful beauty.\u003c\/p\u003e\n\n\u003cp\u003eAward-winning flutist Iva Ugrcic (pronounced Ooo-gr-cheech) is one of the most exciting and adventurous flutists in the international pantheon. Winner of The American Prize in Woodwind Performance 2023, named BRAVA Magazine’s 2022 “Woman to Watch” and “Musician of the Year for 2018” by The Well-Tempered Ear, Ugrcic is known for her technical brilliance, expressive musicianship, and remarkable versatility. She has garnered international acclaim for her performances, both as a soloist and a collaborator in chamber and orchestral settings in venues across the world.\u003c\/p\u003e\n\n\u003cp\u003eThree world premiere recordings!\u003c\/p\u003e","brand":"Music and Arts Programs of America","offers":[{"title":"CD","offer_id":46012460892394,"sku":"017685130724","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4299852-3139270.jpg?v=1786661044"},{"product_id":"475-jahre-sachsische-staatskapelle-dresden","title":"475 Years of the Saxon State Orchestra of Dresden","description":"\u003cp\u003eThe preserved “miraculous harp:” 475 years of orchestra history – and a whole century is there to be listened to. This CD box is an invitation to a musical journey through time with one of the world’s best orchestras! Not only that, it is one of the world’s oldest, founded in 1548 and active without a break ever since. The former Hofkapelle, the court orchestra of Saxony, now proudly bears the name Sachsische Staatskapelle Dresden. “Kapellkonzerte“ since the beginning of sound recordings under conductors like: Fritz Busch, Richard Strauss, Karl Böhm, Joseph Keilberth, Kurt Sanderling, Otmar Suitner, Herbert Blomstedt, Giuseppe Sinopoli, Bernard Haitink, Fabio Luisi, Christian Thielemann and many more\u003c\/p\u003e","brand":"Profil","offers":[{"title":"CD","offer_id":46012461089002,"sku":"0881488230079","price":42.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4391523-3325940.jpg?v=1786691234"},{"product_id":"armstrong-bartok-chopin-noble-ortiz-piazzolla-takemitsu-wanderlust-3191684102177","title":"Wanderlust \/ Lara Deutsch, Adam Cicchillitti","description":"\u003cp\u003eWanderlust is a voyage around the world of folk and the traditions that emerged from each countries’ unique blend of traditional music. Ranging from the rolling hills of Romania to the jagged cliffs of Newfoundland, flutist Lara Deutsch and guitarist Adam Cicchillitti have compiled a survey of folk music naturally suited to the flute and guitar. Drawing on the roots of folk traditions from around the world, the duo gracefully navigates a plethora of styles through their own unique identity as predominantly classical players.\u003c\/p\u003e","brand":"Leaf Music","offers":[{"title":"CD","offer_id":46012463874282,"sku":"3191684102177","price":9.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4230858-3140471.jpg?v=1786639935"},{"product_id":"schneider-4-flute-sonatas","title":"Schneider: 4 Flute Sonatas","description":"World premiere recordings of beguiling flute sonatas written on the cusp of the early-Romantic era in Germany.  Almost completely forgotten in our own time, Johann Christian Friedrich Schneider (1786-1853) once enjoyed substantial fame as a pianist, composer, teacher and musical organiser. He was born in 1786, 16 years after Beethoven, in the same year as Weber and the Brothers Grimm, and received his first musical education from his father. His talent was evident from an early age, as he learnt the piano and several other instruments. Breitkopf \u0026amp; Hartel published his Op.1, a set of piano sonatas, in 1804; he went to study in Leipzig, where he became organist of the Thomaskirche, and settled there for his 20s, giving the local premiere of Beethoven's 'Emperor' Concerto in 1811.   A standard German work of reference from 1838 cites Schneider 'among the living German masters of music'. From the evidence of these four sonatas for flute and piano, it is hard to see why his name should have so comprehensively vanished from view. Schneider composed the first of them, his Op.18, in 1808, and it follows the same Classical exemplar as Beethoven's first eight violin sonatas, and all of Mozart's in being written for a pianist with an accompanying melody instrument rather than the other way around. Over the course of the following three sonatas, the flautist becomes more independent, and his Op.61 Sonata of 1827 requires a virtuoso.   Schneider wrote the first three sonatas in a four-movement form, breaking ground in this way by elevating the flute sonata from it's previous association with pretty variation sets and pot-pourris of operatic themes. This originality extends to the finales of all four sonatas - notably the Second, which is cast in G minor against the prevailing G major tonality (foreshadowing in this way the 'Italian' Symphony of Mendelssohn).   In his booklet essay for this new recording, the flautist Daniele Ruggeri pays tribute to the 'simple but bewitching' trios of each sonata, and to Schneider's 'profound understanding of the expressive character of the different registers of the flute' in the slow movements. Based in Venice, Ruggeri has played across the world and recorded for many major labels. With this album of Schneider he revives an unjustly neglected contemporary of Beethoven and Schubert, and does so on an instrument of the period.    - Johann Christian Friedrich Schneider was a German composer, conductor, organist, and pianist of the early Romantic period. Born in Saxony, he was a highly respected musician during his lifetime, known for his contributions to church music, orchestral works, and chamber compositions. He earned his place in history as the pianist premiering Beethoven's 5th piano concerto.  - Schneider's flute sonatas are elegant and expressive works that reflect the stylistic transition from the Classical to the Romantic era. Blending lyrical melodies with intricate harmonic textures, the sonatas are technically challenging and musically rewarding for performers. The flute sonatas follow the traditional sonata form, typically structured in three or four movements, combining virtuosic passages with expressive slow sections.  - Played by Italian flutist Daniele Ruggieri and pianist Luigi Caselli.","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012465053930,"sku":"5028421970608","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4426893-3394340.jpg?v=1786672068"},{"product_id":"martin-complete-music-with-flute","title":"Martin: Complete Music with Flute","description":"A unique combination on record of chamber music by the Swiss composer, surveying the development of his voice and career through the medium of the flute.     One of music's late starters, Martin grew up as the tenth child of a Swiss pastor and his wife, surrounded by the music of Bach and Mozart. Only once Ernest Ansermet had founded the Orchestra de la Suisse Romande in 1918 did the 28-year-old Martin begin to discover and become captivated by the sensuality of Debussy and Ravel, and this stylistic dichotomy continued to play out in his own music.     Among the most polished and individual of his early works is the set of four love-sonnets composed in 1921 to poems by the 16th-century balladeer Pierre de Ronsard. Already the influence of modernism is apparent on the angular and even ascetic shape of Martin's melodic invention, and yet a gentle, atmospheric mood pervades the cycle; this, too, would become a hallmark of his sound-world.     In 1939, Martin began what would become a series of instrumental ballades with the competition piece which is still his best-known work for flute. In the same year, he followed it up with a Ballade for alto saxophone which he then arranged for flute; both works are fine examples of Martin's ability to reconcile serialism with tonality. A neoclassical (or rather, neo-Baroque) spirit infuses the Sonata da Chiesa of 1940 with solemn, Protestant gravity, yet the flute part still sings with the lyricism of the early Sonnets.     From after the war, the Trois Chants de Noel (1947) distil the mystery of Christmas into three brief settings of texts by the Swiss poet Albert Rudhardt (1894-1944). A trio of Minnelieder (1961) masterfully strips Martin's language to the bone in a distinctive 'late style', where flute and guitar support and punctuate the sung line with an archaically flavoured modernity. Almost all these works have attracted no more than one or two recordings, but gathered together by these expert Italian musicians, they paint a new and compelling portrait of Martin as a spiritually engaged modernist.    - Frank Martin (1890-1974) was a Swiss composer, who lived for most of his life in The Netherlands. Hs oeuvre spans orchestral works, oratorios, and chamber music. Martin's style defies easy categorization, blending elements of neoclassicism, serialism, and Gregorian chant. His vocal works reflect his spiritual depth and musical mastery.   - Frank Martin wrote a not a large but a significant number of works for flute, including the Ballade for flute and piano (1939), the Deuxieme Ballade for flute and piano (1939) and the Church Sonata for flute and organ (1941). Of these three, only the Ballade is an original work for flute, as the Deuxieme Ballade and the Church Sonata are the author's transcriptions of earlier scores. Also included in this new recording are works for soprano and instrumental ensemble, featuring flute, oboe, harp, viola and cello.  - A fascinating collection of a highly original voice in 20th century music!   - Played by Daniele Ruggieri, Monica Bacelli and several excellent Italian instrumentalists.","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012466168042,"sku":"5028421970615","price":11.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4353009-3201876.jpg?v=1786636479"},{"product_id":"reynolds-wind-concertos-esbjerg-ensemble","title":"Reynolds: Wind Concertos","description":"\u003cp\u003eWith three upcoming albums, Ekkozone Records celebrates the work of the trailblazing American composer Roger Reynolds and his collaboration with Danish musician and producer, Mathias Reumert.\u003c\/p\u003e\n\n\u003cp\u003eThe first album in the series, Wind Concertos, features the World Premiere recording of Reynolds’s oboe concerto, JOURNEY, combined with his landmark electroacoustic flute concerto, Transfigured Wind III.\u003c\/p\u003e\n\n\u003cp\u003eThe composer describes JOURNEY as a work that “does not give up its secrets easily”. Written for the pre-eminent modern oboist Jacqueline Leclair, who is featured as soloist on the recording, JOURNEY is a work of immense subtlety, in which the solo part weaves in and out of the polyphonic orchestral texture. The unusual harmonies of the ensemble writing are based on Leclair's trademarks oboe multiphonics, which are captured with stunning richness in this state-of-the-art recording.\u003c\/p\u003e\n\n\u003cp\u003eReumert conducts one of Scandinavia's finest ensembles, the Esbjerg Ensemble, whose flutist Kerstin Thiele interprets the extraordinary solo part in Transfigured Wind III. Widely considered a masterwork of the late 20th century, this large-scale concerto represents a pinnacle in Reynolds’ exploration of the potential of electroacoustic composition.\u003c\/p\u003e\n\n\u003cp\u003eIn a wide-ranging interview included in the booklet, the composer calls the new recording of Transfigured Wind III \"revelatory\" and discusses the collaborative process on JOURNEY: \"In the best collaborations, each participant adds dimensionality and enriches the proposed content. In this case, it developed that I too had achieved something beyond what I had expected. Ultimately, Jackie, Mathias, and the ensemble brought the piece to life in a way that I had not imagined was possible\".\u003c\/p\u003e","brand":"Ekkozone","offers":[{"title":"CD","offer_id":46012472819946,"sku":"809730000423","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4313792-3144053.jpg?v=1786660496"},{"product_id":"reynolds-the-promises-of-darkness","title":"Reynolds: The Promises of Darkness","description":"The Promises of Darkness marks the next chapter in the visionary collaboration between Pulitzer Prize-winning composer Roger Reynolds and conductor\/producer Mathias Reumert. Released by Ekkozone, this landmark album showcases world premiere recordings of four major works, tracing four decades of Reynolds's trailblazing contributions to contemporary music.  The title work, The Promises of Darkness (1975), pays homage to Reynolds's mentor Roberto Gerhardt. Scored for an ensemble of 11 players, this piece masterfully conjures vivid colors and an almost cinematic sense of dread, revealing Reynolds as a composer unafraid to probe the edges of musical and emotional experience.  From 1985 comes Mistral, for strings, brass, and amplified harpsichord. Although inspired by an encounter with the forceful Mediterranean wind, the piece is \"neither illustrative nor programmatic,\" according to the composer. Mistral has previously been released in a lo-fi live recording, but the highly refined score - with it's crystalline articulate harpsichord - is finally brought to life in this new version, which Reynolds himself has hailed as \"a triumph.\"  A relentless exploration of the interplay between two harmonic strata, Dionysus (1990) involves \"a blend of metaphor and pragmatics\" and is captured in a breathtakingly precise performance, with expressive solos from flutist Helene Navasse and trumpeter Laszlo Molnar.  Closing the album is the electroacoustic Positings (2013), where the Mathias Reumert Group is joined by computer musician and Reynolds collaborator Paul Hembree. Seamlessly blending live performance with electronic textures, Positings embodies Reynolds's innovative spirit, pushing the boundaries of sound and structure.  This release follows the critically acclaimed Wind Concertos, the first in the Reynolds\/Reumert series, which earned Album of the Year (The Five Best) from the Danish Broadcasting Corporation in 2024. With The Promises of Darkness, Ekkozone solidifies it's reputation as a home for groundbreaking contemporary music, curated with Reumert's exacting vision.","brand":"Ekkozone","offers":[{"title":"CD","offer_id":46012473540842,"sku":"809730000522","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4397879-3315122.jpg?v=1786683078"},{"product_id":"henze-reinventions-arrangements-mozart-c-p-e-bach-vitali-caroli-tifu-battigelli","title":"Henze: Reinventions of Mozart, C.P.E. Bach \u0026 Vitali \/ Padova-Veneto Orchestra","description":"\u003cp\u003e﻿German composer Hans Werner Henze’s (1926–2012) admiration for the great masters of the Baroque and musical Classicism manifested in compositions born from a desire to transcribe, rework and transform 17th- and 18th-century masterpieces into new orchestral textures. The project Travestimenti (Disguises), managed by conductor Marco Angius and the Orchestra di Padova e del Veneto, from which this CD was created, makes reference to Henze’s ‘reinventions’ of masterpieces by Mozart, C.P.E. Bach and Vitali, clothed in new, modern fashion.\u003c\/p\u003e\n\u003cp\u003eFor the Drei Mozart’sche Orgelsonaten, Henze takes up three of Mozart’s one-movement Kirchensonaten (church sonatas or trio sonatas). Sonatas 17 and 15 are in an Allegro tempo, whereas the Sonata K.67 is marked Andantino, so Henze, in his transcription, places the latter between the two livelier tempos, thus reconstructing the tripartite structure of a classical three-movement sonata. Scored for an ensemble of 14 players that includes the less common, softer variants oboe d’amore and viola d’amore, it aims to underline the darker instrumental timbres, favouring the sombre sonorities of the alto flute in G, the bass flute in C, the bass clarinet and the bassoon. During the last year of his life, in 1787, Carl Philipp Emanuel Bach composed a Fantasia libera per tastiera sola (Free Fantasia for keyboard alone) which he expanded into the Clavier-Fantasie mit Begleitung einer Violine (Fantasy for harpsichord with violin accompaniment), one of his most personal and expressive works.\u003c\/p\u003e\n\u003cp\u003eHenze transcribed it for solo flute, harp and strings, aiming to project the extremely interesting and expressive harmonic material of the composition into a larger instrumental apparatus, thus making its future-oriented harmonic structures more manifest and moulded. He proposed two options for division of the: string quartet + string quintet or string quartet + tutti (the latter version is recorded here).\u003c\/p\u003e\n\u003cp\u003eAlthough it was probably composed in the early 18th century, Vitali’s Ciaccona ‘Il Vitalino’ – whose musical form is inspired by dance and consists of variations on a ground bass – was only rediscovered in 1867, published by the German virtuoso violinist Ferdinand David. Henze’s Il Vitalino raddoppiato – called “raddoppiato” (“doubled”) because of his extension of the composition by means of interpolated variations of each original section in the style of 18th-century doubles – retains Vitali’s bass almost throughout the entire composition. It alternates Vitali’s variations on his chaconne theme with Henze’s variations of Vitali’s variations, in an ever-changing dialogue between the 18th-century past and Henze’s present.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012474065130,"sku":"5028421970776","price":8.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4247982-3141848.jpg?v=1786650766"},{"product_id":"wisdoms-source-oo","title":"Wisdom's Source 'O'o","description":"Ekkozone Records is thrilled to release WISDOM's Sources\/'O'o, a ground-breaking new album from Pulitzer Prize-winning US composer Roger Reynolds, which continues his visionary collaboration with producer Mathias Reumert, and features all premiere recordings. The album shows Reynolds' experimental fervor remains undimmed. Each work discovers in sound, and in the case of WISDOM's Sources, in imagery as well - a way of thinking through the conditions of being alive in the 21st century. Together, they testify to the depth of Reynolds's friendships and the range of his imagination, with both works growing out of collaborations with performers long entwined with Reynolds's creative life.    Cast for flute and strings, 'O'o was written for and is performed by the eminent Canadian flutist Robert Aitken, a friend and collaborator with Reynolds since the 1960s. The work also features the award-winning and distinguished Canadian violinists Yolanda Bruno and Mark Lee, violist Rory McLeod, and cellist Leana Rutt. Similarly, WISDOM's Sources, a duo for violin and viola, was composed for the legendary violinist Irvine Arditti and illustrious violist Ralf Ehlers during a visit to San Diego in the summer of 2024.    In Reynolds's words, a creative project \"burns fuel of some sort.\" That fuel may be emotional, philosophical, experiential, even technical. Each, rooted in the exploration of timbre, 'O'o and WISDOM's Sources represent two distinct stories - one involving the haunting tale of an extinct Hawaiian bird, the other the search for wisdom across cultures - and each burns it's way toward revelation.    In 'O'o, the novel sonic chemistry of juxtaposing the harmonic capacity of multiple strings with the melodic character of the flute provides a sonic environment within which outlines of calling and responding gradually emerge; evolving into the identities of the players as well as the last male and female pair of the now-vanished songbirds. In WISDOM's Sources, \"one of the most adventuresome pieces I've ever attempted,\" the spark of collaboration becomes the fire itself - an exploration of 'wisdom' conceived through Reynolds' creative bond with Irvine Arditti during the COVID pandemic. The close alignment of friendship, musical sensibility, and shared ways of thinking is echoed in the sonorous match of the viola and violin.    From the outset, Reynolds envisioned WISDOM's Sources as a multimedial creation, and his longtime associate, filmmaker, and video artist Kyle Johnson created an independent visual composition that unfolds in parallel to the music. The work represents a new mode of multidimensional creation that Reynolds is determined to pursue.    Imagination unspent and curiosity as keen as ever, Roger Reynolds continues to write music that explores how sound can reflect, question, and transform experience.","brand":"Ekkozone","offers":[{"title":"CD","offer_id":46012474294506,"sku":"809730000621","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4484298-3505488.jpg?v=1786675254"}],"url":"https:\/\/arkivmusic.com\/collections\/classical-flute.oembed?page=14","provider":"ArkivMusic","version":"1.0","type":"link"}