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XV Nos. 14, 18, 21, 26 \u0026 31 \/ Trio Wanderer","description":"\u003cimg src=\"\/graphics\/features\/gramophone_choice.jpg\"\u003e\u003cbr\u003e  The great popularity of the piano trio enabled Haydn to explore countless formal and harmonic experiments; while the keyboard remains the central element in the musical structure, the strings give the discourse a subtle colouration, and the violin is often assigned independent musical ideas. This elegant three-way dialogue, conducted here by the Trio Wanderer, is as impressive for its originality as for its supreme stylistic virtuosity. Haydn was a past master at this little game, and still remains so centuries later!\u003cbr\u003e \u003cbr\u003e  -----\u003cbr\u003e \u003cbr\u003e  REVIEW:\u003cbr\u003e \u003cbr\u003e  These are beautifully played performances. There is enough clarity around each instrument to make every line audible, the sparer textures of the Classical trio style help greatly in this respect. It’s a treat to hear Haydn trios played with such care for their sound and texture.\u003cbr\u003e \u003cbr\u003e  – Gramophone","brand":"HARMONIA MUNDI","offers":[{"title":"CD","offer_id":44908054380778,"sku":"3149020232125","price":18.33,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3492023-2613512.jpg?v=1785840383"},{"product_id":"beethoven-complete-piano-trios-triple-concerto","title":"BEETHOVEN: COMPLETE PIANO TRIOS \u0026 TRIPLE CONCERTO","description":"This set assembles for the first time the Beethoven legacy of the Trio Wanderer. 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However, Rachmaninoff’s personality is already fully present, reaching heights of emotion and expressiveness.\u003cbr\u003e  \u003cbr\u003e  The pieces by Suk and Grieg add a further touch of character to the picture, which is painted with an exceptionally rich palette: the artistry of the phenomenal Trio Wanderer.\u003cbr\u003e \u003cbr\u003e  -----\u003cbr\u003e \u003cbr\u003e  REVIEWS:\u003cbr\u003e \u003cbr\u003e  The Rachmaninov Trios share not only a sombre soundworld but a clarity of line that’s captured engagingly in these lyrical yet unsentimental performances by the Trio Wanderer. The Wanderers’ performance, a notch faster than many, has an urgency that is highly persuasive. Grieg’s dark and impassioned Andante con moto fits right in after all this, and the disc is rounded off with a sweetly understated Elegie by Suk. – BBC Music Magazine \u003cbr\u003e \u003cbr\u003e  The Trio Wanderer’s new disc, centred around Rachmaninov’s youthful trios, has all the finesse and subtlety that we’ve long associated with this French ensemble. From the start, though, one thing struck me – how curiously un-Russian these pieces sound in their hands. 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Strauss's youthful Sonata in E-flat major, Op. 18, combines soaring melodic invention with symphonic breadth, while Respighi's Sonata in B minor unfolds as a grand, rhetorically charged architecture culminating in a majestic Passacaglia. Ponce's Sonata breve, written in Paris in 1930, distills neoclassical elegance and Mexican lyricism into a concise yet refined statement of style.    In this recording, Valerie Steenken (Concertmaster of Spanish National Orchestra) and Ricardo Alí Álvarez (Professor at Reina Sofía School) offer performances of exceptional unity and insight. Steenken's luminous tone, phrasing of great naturalness, and expressive precision find in Álvarez's pianism an ideal counterpart-sensitive, detailed, and dynamically sculpted. Their dialogue reveals a profound understanding of structure and sound, bringing each work's emotional core vividly to life. 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Their passion for the beautiful melodies and harmonic soaring characteristic of this bygone musical movement led them to pay tribute to the most enigmatic and misunderstood of all \"melodists.\" As jazz musicians who practice improvisation and readily engage in reinterpretation, they find this program an ideal playground. The unique character of this duo is based on a work of adaptation, even \"reinvention\" in places, interspersed with improvised sections, allowing the listener to oscillate between two musical universes. Nostalgie du Ciel offers a unique take on the composer's melodies through this original arrangement for guitar and vocals.    The album, recorded in an Alpine church, strives to recreate the natural acoustics of the setting, allowing the listener to perceive the sound as it was generated at the source.","brand":"Stradivarius","offers":[{"title":"CD","offer_id":45985700905194,"sku":"8011570579515","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4495327-3532968.jpg?v=1785891894"},{"product_id":"brahms-contemporaries-vol-3","title":"Brahms \u0026 Contemporaries, Vol. 3","description":"Encounter brings together two towering works of contemporary chamber music that speak across cultures, histories, and inner worlds. Osvaldo Golijov's The Dreams and Prayers of Isaac the Blind and Peteris Vasks' String Quartet No. 6 arise from profoundly different traditions-Jewish mysticism and Baltic spirituality-yet meet in a shared search for truth, memory, and transcendence. Both works are intensely personal, rooted in lived experience and belief, and animated by music's power to give voice to what lies beyond words: longing, suffering, hope, and illumination. In this recording, these worlds do not merely coexist; they listen to, reflect, and transform one another.    Performed by the Arethusa Quartet with clarinetist Chen Halevi, Encounter is also a meeting of artistic journeys. Golijov's ecstatic, ritual-like score unfolds as a spiritual ascent through dreams, prayers, and blindness-understood as deeper inner vision-while Vasks' Sixth Quartet traces a life's arc from farewell and remembrance to a final, hushed encounter with transcendence, illuminated by echoes of Beethoven. Across both works, vulnerability and intensity are balanced by stillness and song, darkness by light. What emerges is an album that feels at once intimate and universal: an affirmation of shared humanity, and a reminder of music's enduring ability to connect past and present, earth and spirit, performer and listener.    =    Curiosa is conceived as a personal \"cabinet of curiosities\" by violinist Jorge Jiménez, bringing together music that entered his life through years of travel, collaboration, and discovery. The album spans laments, dances, preludes, fugues, and songs from both renowned and anonymous sources, ranging from the Middle Ages to the Baroque and beyond. Each piece is selected for it's emotional depth, strangeness, and expressive power, forming a living repertoire shaped in rehearsals, late-night conversations, concerts, and recording sessions. Central to the project is Jiménez's fascination with unaccompanied music and historical instruments, particularly the baroque violin and vielle, whose raw and earthy sound transports the listener into earlier sound worlds.    Throughout Curiosa, Jiménez weaves together personal heritage, musical memory, and imaginative storytelling. His own arrangements connect Bach, Dowland, Strozzi, Gaspar Sanz, and traditional tunes with vivid images. Joined by Joy Smith on early harps and Daniel Garay on historical percussion, and performing with his ensemble Tercia Realidad, Jiménez blends historical insight with spontaneity and improvisation. The result is an album that feels both intimate and expansive-music passed \"between hands, ears, and hearts,\" constantly transforming while remaining deeply rooted in shared curiosity and human connection.    Jorge Jiménez: \"These pieces entered my life through the extraordinary musicians and ensembles I've been fortunate to work with across Europe. They form a living repertoire shaped in rehearsal rooms, late-night conversations, recording sessions, and concerts.\"    =    During the darkest of the lockdowns, I took my daughter to an open field near our home. In a time when the world felt shuttered and small, walking was our only escape from the suffocating stillness. As we reached the field, a sudden sensation washed over me-a quiet awakening. It wasn't just the spring breeze or the scent of the grass; it was a sudden reminder of what being alive meant. I felt I had been touched by Zephyr, the Greek god of the west wind, sparking a renewed wish to create and perform for the world once more.    Liberte´: A piece exploring and searching for emotional freedom.    Zephyr: Named after the gentle west wind, this track served as the primary source of inspiration for the entire album.    Fushigi no Kuni: Translating to \"Wonderland\" in Japanese, this piece was inspired by Alice's Adventures in Wonderland written by Lewis Carroll.    A Troubadour in the Moonlight: A composition and improvisation depicting a minstrel serenading a loved one beneath the moon.    For Misato: A heartfelt dedication to Misato-san, my dear friend who departed too young.    The five songs above are composed by Yukari.  Eurus, Suibokuga, Pandora's Box, Don't Follow the Piper, and Au crépuscule are collective improvisations.    =    \"We can imagine some eyebrows being raised at the description of Dora Pejacevic as a contemporary of Brahms; the two composers were born more than fifty years apart, and their lives only overlapped by twelve years. Yet both works by Pejacevic are unmistakably from the same compositional lineage as that by Brahms; and both are works written early on in Pejacevic's remarkable (and, sadly, all-too-short) life. Both pieces belong clearly to the romantic tradition, displaying no hint of the more modernist directions which her later works would take. We were immediately intoxicated by the passionate sweep of Pejacevic's Piano Quartet, but also the tenderness of it's slow movement, and felt it would make the perfect bedfellow for the First Piano Quartet of Brahms, a piece to which Tom has felt particularly close since student days. Brahms's Piano Quartet is justly one of the best-loved of all chamber works, and few works are more exhilarating to perform: the first movement offers an abundance of glorious themes; the second takes us to a mysterious dreamworld; the third luxuriates in expansive lyricism; then the fiery virtuosity of the gypsy finale sends us headlong to the finish line. This album brings us to the end of our recorded journey through Brahms's three piano quartets, and it has been the greatest privilege and joy to record these works, alongside three major piano quartets by composers who deserve to be far better known. However, we are pleased to say that the series does not end here: looking beyond the piano quartets, we have further albums in preparation, pairing Brahms with his brilliant and lesser-played contemporaries.\"    -Kaleidoscope Chamber Collective","brand":"Chandos","offers":[{"title":"CD","offer_id":45994916479210,"sku":"0095115236420","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4495234-3532820.jpg?v=1785894554"},{"product_id":"fruhling-isasi-lieder","title":"Fruhling: Isasi Lieder","description":"Frühling is also a project that decisively sheds light on the figure of Andrés Isasi (1890-1940), one of the most singular and underrepresented composers of early 20th-century Spain. At the heart of the album, Goikoetxea and Fernández Aguirre offer the world-premiere recording of the complete Lieder-Album op. 16, a cycle composed in Berlin in 1913 and virtually unknown until today. These fourteen songs reveal a cosmopolitan Isasi at a moment of full creative maturity, shaped by his Central European training with Engelbert Humperdinck and attuned to the late-Romantic and Jugendstil currents of his time. The cycle blends intimate lyricism, legendary evocations, decadent impulses, and a refined harmonic language of striking modernity. Works such as Ali Bey, Frühling, Die ungetreue Luise, or Vergiftet sind meine Lieder display a uniquely personal voice that bridges the German Lied tradition with Basque imagery and an advanced European sensibility that was unusual for it's time. Goikoetxea and Fernández Aguirre stand out for their elegance, their textual insight, and their ability to convey the emotional universe-at times naïve, at times shadowed, always intensely poetic-of a composer whose vocal output was long overdue for a first-rate artistic rediscovery. The programme is framed within a broader exploration of Heinrich Heine's profound impact on European music. The album is completed with lieder by Liszt, Grieg, Ives, Rubinstein, Boulanger, Backer-Grøndahl, MacDowell, Sgambatti, and Castelnuovo-Tedesco, composers who, like Isasi, were captivated by the emotional depth and symbolic power of the German poet.","brand":"IBS Classical","offers":[{"title":"CD","offer_id":45994916511978,"sku":"8436597701136","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4495293-3532988.jpg?v=1785891697"},{"product_id":"hensel-katzer-scarlatti-tradizione-e-liberta-1","title":"Hensel, Katzer \u0026 Scarlatti: tradizione e liberta","description":"Domenico Giuseppe Scarlatti (1685-1757) devoted himself to a single form like no other composer before him. The more than 550 mostly single-movement sonatas for the harpsichord influenced numerous composers throughout the ages, from his contemporary Johann Sebastian Bach and Frederic Chopin to 21st-century artists such as Georg Katzer. The four selected sonatas K 27, K 213, K 247 and K 268 represent only a small selection of his immensely varied oeuvre and yet they illuminate all the different aspects of his extraordinarily creative composing. Scarlatti himself modestly described many of his sonatas as \"Essercizi per gravicembalo\". His sonata works contain every conceivable technical challenge, as he himself was one of the most sought-after and virtuoso harpsichordists of his time. Georg Katzer (1935-2019) composed the Five Miniatures in 1971. They are primarily to be understood as gestural music. Although the playing technique is traditional with a few exceptions (the use of the elbows or rolling hands), the miniatures reveal a wealth of ideas in musical forms of expression that evoke the most diverse sensations in a short space of time and space. The work Due to my admiration for D.S. was composed by Georg Katzer in 2001. The close relationship between Fanny Hensel (1805-1847) and her brother Felix Mendelssohn encouraged both siblings throughout their musical careers. And yet, throughout her life, Fanny Hensel fought for even remotely similar recognition of her extraordinary talent as a pianist, conductor and composer. The Four Songs for Pianoforte, Opus 2, are among the few works published by Bote \u0026amp; Bock in 1846 during Fanny Hensel's lifetime.","brand":"Ars Produktion","offers":[{"title":"SACD","offer_id":46012430778602,"sku":"4260052383698","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4348890-3201852.jpg?v=1785909650"},{"product_id":"hensel-mendelssohn-guess-who","title":"Hensel \u0026 Mendelssohn: Guess Who?","description":"Pianist Olga Pashchenko creates musical narratives with selections from Felix and Fanny Mendelssohn's Songs Without Words. 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The Graf piano, a brand favoured by Felix, has a recitative-like quality that Pashchenko uses to perfectly articulate the poetry inherent in these Lieder ohne Worte or as Fanny called them, Lieder fur das Pianoforte.","brand":"Alpha","offers":[{"title":"CD","offer_id":46012431925482,"sku":"3701624511190","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4394722-3312252.jpg?v=1785908289"},{"product_id":"symphonie-no-1-chansons","title":"Symphonie No. 1 - Chansons","description":"Principal conductor Ivor Bolton will bid farewell to 'his' orchestra, the Basel Symphony Orchestra, in summer 2025 with a 'French' album. He will hand over the baton to his successor Markus Poschner for the new season. So as a farewell, here are symphonic and vocal works by Ernest Chausson. The Symphony in B flat major recorded here is characterised by it's lyrical melody and harmonic sophistication, which builds a bridge between romantic expressiveness and impressionistic sounds. In comparison, the vocal works also presented here, such as 'Viviane' or 'Helene', often have a more intimate, vocal quality that emphasises the human voice. These differences illustrate Chausson's versatility as a composer and his ability to combine fascinating instrumentation with profound emotions in both instrumental and vocal music.","brand":"Prospero Classical","offers":[{"title":"CD","offer_id":46012433563882,"sku":"4262353970805","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4439410-3412796.jpg?v=1785898702"},{"product_id":"chausson-barbara-le-temps-des-lilas","title":"Chausson \u0026 Barbara: Le temps des lilas","description":"Le temps des lilas is an ode to Romanticism, a love song and a nostalgic reflection on the bittersweet beauty of lost happiness. Dedicated to the music of Ernest Chausson, this album oscillates between passion and melancholy, wonder and nostalgia. The Concert Op. 21, a masterly work on the borderline between chamber music and orchestra, is carried by Pierre Fouchenneret's magnetic violin and David Violi's colorful piano. I Giardini also deliver a previously unpublished version of Poeme Op. 25, reworked for violin, piano and string quartet. The album closes with Pauline Buet's equally sensitive retelling of Chausson and Barbara's 'Temps des\/du lilas', using cello in the former and singing voice in the latter. Barbara's song and Chausson's melody stand as a simple, timeless tribute to the magic of past moments and the fragility of human existence.   Le temps des lilas is I Giardini's first full-length album for PENTATONE, following an already rich discography: Nuits (which has been awarded the prestigious Diapason d'Or), Bleu, Shaw and Faure, an EP released with PENTATONE in 2024.","brand":"PENTATONE","offers":[{"title":"CD","offer_id":46012438348010,"sku":"8717306263573","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4395526-3312326.jpg?v=1785901891"},{"product_id":"una-poesia-muta-art-in-early-cinquecento-venice-30","title":"Una poesia muta - Art in Early Cinquecento Venice","description":"Una poesia muta: Art in early Cinquecento Venice is the result of a collaboration between SWR radio, Staatsgalerie Stuttgart and The Marian Consort. Specially curated by the Stuttgart museum, Germany's first ever exhibition devoted to Vittore Carpaccio and his contemporaries has inspired The Marian Consort to devise an album to accompany this artistic journey. Being one of the most prominent painters of the Early Renaissance in Venice, Carpaccio is likely to have been acquainted with the music and the composers recorded here, since all have strong links to the city at that time. If some of them are well-known today - Josquin, Jean Mouton, Adrian Willaert - others deserve wider recognition. The Marian Consort and it's director Rory McCleery have assembled a typically fascinating programme, matched with superb singing.","brand":"Linn Records","offers":[{"title":"CD","offer_id":46012438839530,"sku":"691062075022","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4384402-3290518.jpg?v=1785894437"},{"product_id":"20th-century-foxtrots-vol-7-northern-europe","title":"20th Century Foxtrots, Vol. 7 - Northern Europe","description":"In this volume we discover how composers in England, Scotland, the Netherlands and the Nordic countries responded to the waves of jazz and syncopated dance music that had crossed the Atlantic and captivated European audiences. The album features a wide selection of famous and less well-known composers who each succeed in combining the authentic energising rhythms of foxtrots, tangos and shimmies with their own unique styles. Gottlieb Wallisch's seventh and final volume in this acclaimed series features many unknown gems and world premiere recordings. A digital EP of bonus tracks by Bliss, Schnitzler and Hijman (GP962DR) is also available for download and streaming.","brand":"Grand Piano","offers":[{"title":"CD","offer_id":46012458631402,"sku":"747313995011","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4424604-3387841_5de31968-ad30-496a-a150-f553c3fb46c9.jpg?v=1785895360"},{"product_id":"donna-voce-vol-2-women-of-legend","title":"Donna Voce, Vol. 2 - Women of Legend","description":"Following on the success of her acclaimed release, Donna Voce, award winning pianist Anna Shelest continues her exploration of works by women composer in Donna Voce Volume 2 - Women of Legend. Featured are Fanny Mendelssohn's monumental feat of imagination and virtuosity Das Jahr (The Year), Melanie \"Mel\" Bonis' suite of musical portraits Femmes de Legende (Women of Legend), and contemporary Ukrainian composer Olena Ilnytska's evocative Nocturne 1.     Hailed by The New York Times as a pianist of a fiery sensibility and warm touch, Anna Shelest is an international award-winning pianist who has thrilled audiences throughout the world.","brand":"Music and Arts Programs of America","offers":[{"title":"CD","offer_id":46012462268650,"sku":"017685130922","price":12.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4353056-3201813.jpg?v=1785909348"},{"product_id":"hymne-a-l-amour-4260052386392","title":"Hymne a l‘amour","description":"\u003cp\u003eWith their new CD \"Hymne à l'amour\"; the Duo Minerva once again shows how exciting and multifaceted classical music can sound. Their arrangements; woven with great artistry; their virtuosity and their exceptionally emotional style of music-making breathe fresh life into often-heard works. With a great deal of playfulness; the well-rehearsed duo moves between the most diverse genres and combines classical masterpieces with contemporary avant-garde; folk music and a pinch of the as yet unheard on the subject of love - entirely in Duo Minerva style.\u003c\/p\u003e","brand":"Ars Produktion","offers":[{"title":"CD","offer_id":46012468920554,"sku":"4260052386392","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4237530-3141481.jpg?v=1785914407"},{"product_id":"reynaldo-hahn-le-dieu-bleu","title":"Reynaldo Hahn: Le Dieu Bleu","description":"Les Frivolites Parisiennes return to b-records with a revival of Le Dieu Bleu, a ballet by Michel Fokine which premiered in 1912, and whose music by Reynaldo Hahn had not been heard in France since then. This was an exceptional project performed with a full symphonic orchestra of more than seventy musicians. The live recording is a measure of their great attention to detail.","brand":"B Records","offers":[{"title":"CD","offer_id":46012469346538,"sku":"3770005527778","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4402469-3323979_620f96cc-dc2f-4ede-9c35-cd47c2ffd1f1.jpg?v=1785888552"},{"product_id":"clarke-rachmaninoff-dialogues","title":"Clarke \u0026 Rachmaninoff: Dialogues","description":"Dialogues by cellist Noemie Raymond and pianist Zhenni Li-Cohen present two monumental works composed by Sergei Rachmaninoff and Rebecca Clarke. The album centers around a pair of sonatas that the performers hold dear. It seeks to bridge two universes in conversations between two instruments, two musicians, and two composers. The performers write, \"it is a dialogue between you and us.\" This album explores the duality of two titanic masterpieces, from the pen of a woman and a man, both virtuoso instrumentalists with strikingly distinct musical voices. Dialogues begins with Rachmaninoff's Cello Sonata in G minor, Op. 19, composed during his most prolific period alongside his famous Piano Concerto No. 2. Considered by some to be his most successful chamber work, Rachmaninoff dedicated the sonata to Anatoly Brandukov, his best man at his wedding and a celebrated Russian cellist who also premiered several of Tchaikovsky's works. Brandukov inspired Rachmaninoff to imbue the cello line with expressiveness and intensity. The album continues with Clarke's Viola Sonata (Version for Cello \u0026amp; Piano), composed in 1919. An internationally renowned violist, Clarke is often considered a proponent of \"English Impressionism.\" Despite placing second in a prestigious composition competition, Clarke's works were not celebrated or performed as much as those of her male peers due to societal gender biases. It was not until the 1970s that Clarke emerged from obscurity, and this Sonata has since taken it's rightful place in the standard repertoire for viola. Noemie Raymond's diverse career has taken her from London's prestigious Royal Albert Hall to the Festival Internacional de Musica de Camara in Lima, the United States, Japan and beyond. She has collaborated with renowned virtuosos such as Midori, Pinchas Zukerman, Jan Lisiecki and Yekwon Sunwoo. 2024-2025 season marks Noemie's Carnegie Hall debut, and concerti appearances with the Skagit Symphony, the Orchestre symphonique de Sherbrooke and the Newfoundland Symphony Orchestra. A prizewinner in national and international competitions, Noemie has forged her reputation by earning awards at the Edwin H. and Leigh W. Schadt String International Competition and the Prix d'Europe, among others. She is a graduate of the University of Montreal and the New England Conservatory, and holds a Doctorate in Performance and Literature from the Eastman School of Music. Noemie plays the \"Ex-Curtis\" cello (1700) by Matteo Goffriller, generously provided to her by Canimex Inc. Of Drummondville, Quebec. Hailed as \"... an artist of tremendous conviction, who fascinates even as she provokes... \" by Gramophone Magazine and \"a thrillingly good pianist\" by The New Yorker, Zhenni has given solo recitals at such prestigious venues as Carnegie Hall's Zankel Hall, New York's Lincoln Center, Philadelphia's Kimmel Performing Arts Center and the Berliner Philharmonie in Germany. Zhenni is looking forward to her next recording project with Marin Alsop in collaboration with the Vienna Radio Symphony Orchestra and has appeared as a soloist with orchestras such as the Bergen Philharmonic in Norway, the Chamber Orchestra of Philadelphia and the Knoxville, Cedar Falls, Fairbanks, Bucks County, Dominican Republic, Johns Hopkins and Lower Merion Symphony Orchestras amongst others. She is currently the Associate Professor of Piano at University of Alberta and the co-artistic Director of Opus 71 Concerts, a multimedia concert series near New York's Lincoln Center. Zhenni Li-Cohen is a Steinway Artist. Get your CD copy of 'Dialogues' or listen to it on your favorite platform. 'Dialogues' is available on all major music services.","brand":"Leaf Music","offers":[{"title":"CD","offer_id":46012470657258,"sku":"3191684102689","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4357740-3205599.jpg?v=1785918532"},{"product_id":"hensel-charakterstucke-works-for-solo-piano-4260052386484","title":"Mendelssohn Hensel: Charakterstucke - Works for Solo Piano \/ Speidel","description":"\u003cp\u003eWhen Fanny Hensel, nee Mendelssohn Bartholdy, the wife of the Prussian court painter Wilhelm Hensel, died unexpectedly on 14 May 1847 at the age of 41 as a result of a stroke, the music writer and poet Ludwig Rellstab coined the beautiful phrase that she \"also shared the sisterhood of talent with her famous brother\".\u003c\/p\u003e\n\n\u003cp\u003eThis assertion has only recently been recognised in its full significance. Felix Mendelssohn Bartholdy's eldest sister, granddaughter of the philosopher and Lessing's friend Moses Mendelssohn, niece of the scandal-ridden Dorothea Schlegel, was not only a musical prodigy, an outstanding pianist and conductor, her brother's closest confidante and advisor and a brilliant writer of letters, but also \"the most important female composer of the 19th century\" (Franz Krautwurst). Jahrhunderts\" (Franz Krautwurst in Die Musik in Geschichte und Gegenwart, Supplement, article Fanny Hensel, 1979).\u003c\/p\u003e\n\n\u003cp\u003eThe present CD offers mostly first recordings of some piano compositions, primarily works that were published by the composer herself, and thus helps to gain a more differentiated picture of the creative abilities of this unusual woman.\u003c\/p\u003e","brand":"Ars Produktion","offers":[{"title":"CD","offer_id":46012475179242,"sku":"4260052386484","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4408864-3332365.jpg?v=1785894318"},{"product_id":"convivium-chausson-debussy-franck-ysaye-ode-to-lost-time","title":"Chausson, Debussy, Franck \u0026 Ysaye: Ode to Lost Time","description":"\u003cp\u003eThis new large-scale setting of the Magnificat has been written as a companion piece to J.S. Bach’s famous setting (BWV 243). Although making use of a more contemporary musical language, it uses similar instrumentation, follows the same framework of chorus and solo movements, and makes use of a number of features that are typical of Bach’s music.\u003c\/p\u003e","brand":"Convivium Records","offers":[{"title":"CD","offer_id":46012476424426,"sku":"700153370769","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4322698-3142757.jpg?v=1785906059"},{"product_id":"franck-boulanger-debussy-vermeulen-works-for-cello-and","title":"Franck, Boulanger, Debussy \u0026 Vermeulen: Works for Cello and","description":"Dutch cellist Lidy Blijdorp and pianist Tobias Borsboom, delve into the world of the Société Nationale de Musique in this programme of late-romantic and early modern French chamber music. César Franck's Sonata for Violin and Piano was transcribed, with the composer's approval, by Jules Delsart, Nadia Boulanger's Trois Pièces for cello and piano date from 1914, these lyrical and playfully virtuosic works are proof of the master pedagogue's extraordinary talent for composition. Debussy's Sonata for Cello and Piano conjures up images of nocturnal encounters, in a form and proportions that are almost classical, a performance of this Sonata in Amsterdam in 1918 after Debussy's death, inspired Dutch composer Matthijs Vermeulen to write a cello sonata of his own. Shortly after, Vermeulen moved to France, where he would work as a journalist and keep composing until after the Second World War, with seven symphonies and a wide array of chamber music works to his name, Blijdorp and Borsboom present Vermeulen's Sonate pour violoncelle et piano here.","brand":"Channel Classics","offers":[{"title":"CD","offer_id":46012478259434,"sku":"723385477266","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4474250-3493588.jpg?v=1785895604"},{"product_id":"boulanger-lang-smyth-strauss-ich-sehe-still-voruberziehen","title":"Boulanger, Lang, Smyth \u0026 Strauss: Ich sehe still voruberziehen","description":"\u003cp\u003eWith this programme, we want to show that these female composers - Josephine Lang and Ethel Smyth - can not only hold their own alongside an established and frequently performed song cycle by one of the \"big names\", Richard Strauss, but that their emotionality, quality and compositional accuracy are absolutely essential in the great canon of song literature, because that is where they undoubtedly belong, bringing a unique perspective and a message that is still far too little heard to this colourful genre in the most creative way. Duo Yvonne Prentki\/Benedikt ter Braak\u003c\/p\u003e","brand":"Ars Produktion","offers":[{"title":"CD","offer_id":46012479799530,"sku":"4260052386569","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4302687-3148178.jpg?v=1785888207"},{"product_id":"a-peter-warlock-merry-go-down","title":"A Peter Warlock Merry-Go-Down","description":"The original 1971 Merry-Go-Down LP on Unicorn Records was the brainchild of the late Fred Tomlinson, former chairman of the Peter Warlock Society, to showcase Peter Warlock's extraordinary range of musical and literary knowledge and achievements. The Peter Warlock Society and Convivium Records consider the content and performances of the pioneering LP to be of such a high standard as to require re-release, and have facilitated it's reproduction on this delightful CD. Michael Graves, Chairman, Peter Warlock Society","brand":"Convivium Records","offers":[{"title":"CD","offer_id":46012480520426,"sku":"700153370820","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4363274-3236451.jpg?v=1785904484"},{"product_id":"duets-1","title":"Duets","description":"The Venetian Barbara Strozzi did not have to emancipate herself in order to be recognized as an artist and composer. And this, despite the fact that she-the illegitimate daughter of a maid and her lord-should, according to common estimation, have been happy to have amounted to \"anything\" at all. However, her father, himself a writer and full of wit in the true sense of the word, adopted her and ensured that she received a proper education. The rest was all down to this exceptionally talented young girl herself. The worthy student of the famous Francesco Cavalli could even afford to publish her works under her own name. She was a fixture in the cultural life of her city, which obviously took great pleasure in the extraordinarily emotional worlds of this intimate music. Listen and enjoy!","brand":"CPO","offers":[{"title":"CD","offer_id":46012483043562,"sku":"761203551026","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4484279-3505474.jpg?v=1785893870"},{"product_id":"strozzi-listen-lovers","title":"Strozzi:\"Listen, Lovers!\"","description":"\u003cp\u003eA young female singer in 17th-century Venice: she is a virtuoso and extremely charming, and the gentlemen of her select audience are at her feet. They call her the \"Singing Venus\". But Barbara Strozzi wants more: she regularly publishes her compositions – more than any woman before her. The new BR-KLASSIK audio biography tells her story.\u003c\/p\u003e\n\u003cp\u003eUntil the 20th century, female composers had a hard time in a male-dominated art. And in historiography for even longer: it was not until 1978 that a female American musicologist published the first specialist article on Barbara Strozzi. Today, it is generally accepted that she is one of the most important voices in the history of vocal chamber music. She is featured on a growing number of CDs, concert programmes and websites. However, although research has begun, a lively account of her life and work, accessible to a wider audience, has been lacking.\u003c\/p\u003e\n\u003cp\u003eThis audio biography brings together all the key documents and research that represent her – and also vividly introduces us to the unique cultural space in which the composer lived. The exuberance of Carnival, the development of the fledgling art of opera, and Venice - the\"città galante\"- are all linked to the phenomenon of\"Barbara Strozzi\" and her art. Listeners unfamiliar with this music are invited to rediscover lost treasures – and to get to know one of the great women of music history. Wiebke Puls, an actress at the Münchner Kammerspiele and a singer herself, lends her voice to Barbara Strozzi.\u003c\/p\u003e","brand":"BR Klassik","offers":[{"title":"CD","offer_id":46012483141866,"sku":"4035719009385","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4412821-3337356.jpg?v=1785916730"},{"product_id":"franck-symphony-in-d-minor-chausson-symphony-in-b-flat-tinguad-rso-berlin","title":"Franck \u0026 Chausson: Symphonies \/ Tingaud, Radio-Symphonie-Orchester Berlin","description":"\u003cp\u003e\u003cspan class=\"kY2IgmnCmOGjharHErah\" style=\"-webkit-line-clamp: 3;\"\u003eCésar Franck's only symphony came at a time when the French music world was seeking to rival the great Austro-German tradition. The 'darkness-to-light' narrative of the Symphony in D minor owes a debt to Beethoven and there is a unique power within its distinctive themes, innovative cyclic form, and general gravitas. Franck's student Ernest Chausson was no doubt inspired by his teachers thematic metamorphoses, but the anguished influence of the ever-present Wagner is also ever present. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"kY2IgmnCmOGjharHErah\" style=\"-webkit-line-clamp: 3;\"\u003e\u003cem\u003eThe published score of Chausson's Symphony in B-flat includes many errors which conductor Jean-Luc Tingaud meticulously corrected after careful study of the composer's autograph manuscripts.\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46012485140714,"sku":"747313453672","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4275386-3123081_6b53e377-78a8-4efa-af34-28c653197ea1.jpg?v=1785916385"},{"product_id":"denes-varjon-plays-bela-bartok","title":"Denes Varjon plays Bela Bartok","description":"Bartók, for me, is truly one of the most important composers, on a par with Beethoven and Mozart.\" In our interview about the piano works on this album, Hungarian pianist Dénes Várjon constantly expressed deep admiration, a keen understanding of this music, and a strong affinity with the composer's personality. For this musician, bringing Bartók closer to the audience as a person and an artist is a labour of love. \"I grew up with his music. It feels like a mother tongue to me. And I'm interested in everything he wrote, from the earliest works to the late ones. It's so important to see the traditions he came from and to understand how he found his voice as a composer.\"    Várjon notes that Bartók was fascinated by the simplicity and sincerity of the people who sang these songs to him. Those two traits probably corresponded with Bartók's own personality as an artist and a human being. \"When I look at photos of him, what I see is a simple, sincere man; there seems to be nothing false or hypocritical in his character.    He also seems highly vulnerable. Bartók spoke slowly, quite naturally, but not much. He never tried to put on a show to win his audience's favour. He was truly an authentic person. At the same time, he had the energy and temperament of a volcano rumbling inside him - an energy he harnessed with an astounding amount of sheer discipline. The result was a high degree of fascinating, unresolved tension. Bartók, like Schubert, is one of the composers I find the most moving.","brand":"CAvi-music","offers":[{"title":"CD","offer_id":46012489531626,"sku":"0028948679799","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4467000-3467361.jpg?v=1785898471"},{"product_id":"in-the-mirror-music-by-women-composers","title":"In the Mirror - Music by Women Composers","description":"A Profound Tribute to Reflection and Resilience  In the Mirror is an exquisite collection of works by contemporary women composers, masterfully interpreted by cellist Heather Tuach and pianist Yoko Misumi, both members of the celebrated Greenwich Trio. This album is not just a recording-it is an emotional journey born of reflection, healing, and hope. The title piece, composed by Liz Dilnot Johnson, was commissioned specifically for this project, setting the tone for an album steeped in introspection and serenity.  The repertoire features original works and new arrangements by renowned composers including Dobrinka Tabakova and Jessie Montgomery, whose contributions enhance the album's contemplative spirit. Each piece carries it's own story, from Jocelyn Morlock's bird-inspired Halcyon to Jennifer Higdon's nocturnal reverie Nocturne. These works are tied together by a shared exploration of human resilience and the quiet strength found in moments of introspection.  The project began during the upheaval of the COVID-19 pandemic and became deeply personal for pianist Yoko Misumi, who underwent successful cancer treatment during it's recording. Returning to the piano after her recovery, Misumi found solace and renewal in these compositions, describing the experience as \"an emotional and musical healing.\"  Highlights include:  · Liz Dilnot Johnson's In the Mirror, a poignant four-movement work dedicated to personal loss and renewal.  · Jessie Montgomery's Peace, composed during the pandemic and adapted for cello and piano with the composer's blessing.  · Dobrinka Tabakova's Whispered Lullaby, an evocative piece inspired   by Goethe's Faust.  · Margaret Hubicki's lyrical Lonely Mere, a tribute to the serene landscapes of the Malvern Hills.  The album is both a celebration of female creativity and a testament to music's power to comfort and inspire. Listening to In the Mirror is an opportunity to pause, reflect and take in moments of profound calm amidst life's turbulence.  This is a must for admirers of contemporary chamber music, fans of women composers, and anyone seeking solace and beauty in music","brand":"Divine Art","offers":[{"title":"CD","offer_id":46012493299946,"sku":"809730112324","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4402498-3324034.jpg?v=1785890297"},{"product_id":"mompou-piano-works-marina-staneva","title":"Mompou: Piano Works \/ Marina Staneva","description":"\u003cp\u003eFollowing her acclaimed début recital, Marina Staneva returns with a programme of works by the Spanish-Catalan composer Federico Mompou. The programme opens with Paisajes (Landscapes), written in 1942, 1947, and 1960. The first two pieces are dedicated to the Catalan pianist Carmen Bravo, whom Mompou met after his return from Paris to Barcelona in 1942, and subsequently married. Mompou’s Variations on a Theme of Chopin were started in 1938, but completed in 1957 upon a commission from the Royal Ballet in London for a successor to The House of Birds (a 1955 ballet which used piano pieces by Mompou orchestrated by John Lanchbery). The Chopin ballet was never produced, but the piano variations remain. The twelve Cançons i danses (Songs and Dances) were composed between 1921 and 1962, and the form for each is broadly similar: a slow ‘cançó’ (song) followed by a more animated ‘dansa’ (dance), but the pattern sometimes varies, and these pieces are anything but formulaic. Mompou intended to provide ‘a contrast between lyricism and rhythm, to avoid one collection of songs and another of dances’.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEWS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThe Bulgarian pianist Marina Staneva is taking quite a large risk, but certainly not an unwelcome one, by choosing the music of Federico Mompou for her second Chandos solo recording. The programme is well selected: the poetic \u003c\/span\u003e\u003cem style=\"font-size: 0.875rem;\"\u003ePaisajes\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, showing the most Debussyan side of Mompou’s music, are followed by the \u003c\/span\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eVariations sur un thème de Chopin\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, which manages to transform that composer’s brief A major Prelude into 12 imaginative miniatures. Finally the \u003c\/span\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eCançons i danses\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, written between 1921 and 1962 (Mompou, born in 1893, died as recently as 1987), bring a chance to delve into a wealth of subtly evoked atmospheres and nuanced states of mind.\u003c\/span\u003e\u003c\/p\u003e\n\u003carticle id=\"sprylab_purple_content\" _ngcontent-purplestorefront-c1960323246=\"\"\u003e\n\u003cdiv class=\"entry-content\" _ngcontent-purplestorefront-c1960323246=\"\"\u003e\n\u003cdiv class=\"purple-inner-container purple-content-body-inner\" _ngcontent-purplestorefront-c1960323246=\"\"\u003e\n\u003cp\u003eMompou has a small but strong cult following among piano fanatics; others who have championed him include such luminaries as Stephen Hough and Arcadi Volodos. Staneva, trained in Sofia and more recently in London, nevertheless holds her own with considerable flair.\u003c\/p\u003e\n\u003cp\u003eShe draws a deep, cushioned sound from the piano and seemingly does not see any need to sacrifice thoughtfulness for plain brilliance. She brings out the dance elements that almost always lurk in the background of the Catalonian composer’s writing, whether originating in folk music or jazz, and performs with a sincerity, spaciousness, affection for the music and quiet confidence that make me eager to hear what she will do next. All of this, additionally, makes her a strong advocate for a composer who can sometimes divide his audience with that timeless yet elusive style.\u003c\/p\u003e\n\u003cp\u003e-- BBC \u003cem\u003eMusic \u003c\/em\u003eMagazine (Jessica Duchen)\u003c\/p\u003e\n\u003cp\u003eDuring the pandemic Marina Staneva was introduced to, and fell in love with, the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eVariations sur un thème de Chopin\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand has chosen to record it alongside two other collections; the twelve\u003cspan\u003e \u003c\/span\u003e\u003cem\u003esongs and dances\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand the three\u003cspan\u003e \u003c\/span\u003e\u003cem\u003elandscapes\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eVariations sur un thème de Chopin...\u003c\/em\u003eare an extended tribute with jazz influences that Staneva notes in the booklet and delicious harmonies; the first variation with its additional sevenths, ninths and other inner passing notes is very much in the style of his waltz arrangement. Like Godowsky in his arrangements of the études he honours Chopin’s affection for the mazurka and waltz – variations five and nine – and even offers a simple hymn-like version of the central melody of the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003efantaisie-impromptu\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eas a foil to the intense\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEvocation\u003c\/em\u003e, variation ten, which also alludes to his own\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCançons i danses\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eno.6.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e[In the] \u003c\/span\u003e\u003cem\u003eCançons i danses...\u003c\/em\u003eStaneva captures Mompou’s widely contrasting moods with ease, from the fragility of the third with its Catalan Christmas carol to the vigour of the sixth’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ecreole\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edance.  If Stephen Hough is a little more rhythmically flexible in the small selection he recorded, there is nonetheless plenty of charm in Staneva’s playing – number seven a case in point with its dance played as a duet between a shy and slightly halting young man and his winsome partner.\u003c\/p\u003e\n\u003cp\u003eI was taken with Staneva’s playing in her début CD\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSlavic\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eRoots, with piano music by Pancho Vladigerov on Chandos and equally so here. Her tone is rich and even and if her playing is occasionally a just a little forthright she clearly enjoys the subtleties of Mompou’s writing and his sudden harmonic twist and turns; his multi-layered and often quite delicate textures are balanced beautifully.\u003c\/p\u003e\n\u003cp\u003e-- MusicWeb International\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSample the Variations sur une thème de Chopin, whose 12 variations have an unusual structure: the music takes on chromatic accretions and then, in the later ones, resolves to a new tonal clarity independent of the original material (from the Chopin\u003c\/span\u003e\u003cspan\u003e Prelude in A major, Op. 28, No. 7). Staneva holds this dynamic confidently in hand. She is equally effective in the 13 Cançons i Danses pieces in which a tuneful passage is paired with a dance in consistently inventive ways. Staneva catches the faint jazz influences in some of these pieces, and she lets the fundamental simplicity of Mompou\u003c\/span\u003e\u003cspan\u003e's music speak for itself. The album is beautifully and idiomatically recorded at Potton Hall in Suffolk, and it serves notice of a major emerging talent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-- AllMusic\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012493922538,"sku":"0095115227626","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4248040-3183135.jpg?v=1785920777"},{"product_id":"chandoshaydn-complete-piano-trios-vol-3","title":"Haydn: Complete Piano Trios, Vol. 3 \/ Trio Gaspard","description":"\u003cp\u003eAs with the previous volumes in this series, Trio Gaspard has conceived a programme of contrasting trios that works as a standalone recital. The musicians have again included a contemporary work commissioned as part of the project – in this instance the world première recording of Kit Armstrong’s Revêtements. The earliest trio on the album – No. 12 – takes its form from the dance suite, with an opening allemande and concluding minuet framing a minor-key polonaise. Trio No. 19 which opens the programme features two contrasting movements in the same tonality – a spirited Vivace offset by a graceful minuet. The long and complex first movement of Trio No. 25 is followed by two shorter ones. Whilst the outer movements of Trio No. 43 sit firmly in C major, the A major central movement (with an extended central minor key section) displays yet another form of contrast. Trio Gaspard is regularly invited to major international concert halls across Europe and further afield. Highlights of the 2023 \/ 24 season will include a residency at Wigmore Hall, a performance of Beethoven’s ‘Triple’ Concerto with Uppsala Chamber Orchestra, and recitals in Firenze, Lucerne, Bern, Helsinki, Gateshead, and Heidelberg.\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012496642282,"sku":"095115227923","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4322643-3140398.jpg?v=1785917648"},{"product_id":"weinberg-string-quartets-vol-4","title":"Weinberg: String Quartets, Vol. 4 \/ Arcadia Quartet","description":"\u003cp\u003eThe Arcadia Quartet’s acclaimed survey of Weinberg’s String Quartets continues with this fourth volume containing Quartets Nos 6, 13, and 15. Quartet No. 6 was composed in 1946, the composer dedicating it to his friend Georgiy Sviridov, whom he had met in Shostakovich’s circle. The Quartet is a summit of his early achievements, and its musical language is strikingly advanced in relation to traditional Soviet works in the genre. It was banned by the authorities, and as a result, Weinberg wrote no more quartets until after the death of his mentor Shostakovich. String Quartet No. 13 was composed in 1977 and dedicated to the Borodin Quartet. It comprises a single movement lasting some fourteen or fifteen minutes, making it the shortest of all Weinberg’s quartets. String Quartet No. 15, from 1979, is in many respects the most radically conceived of all Weinberg’s quartets – certainly its nine-movement design suggests so. In expressive terms, too, it is one of the most elusive. The movements carry no titles or expressive directions, and, as in the case of his previous two quartets, Weinberg confines himself to metronome indications, avoiding all specification of character.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eREVIEWS\u003c\/b\u003e:\u003c\/p\u003e\u003cp\u003eThe Arcadia Quartet's underlying technical finesse and emotional commitment duly reinforce this music’s stature.\u003c\/p\u003e\u003cp\u003e— Gramophone\u003c\/p\u003e\u003cp\u003eWhatever the music’s texture and temperature, the Arcadia group plunge in without fear, doubly armed with their sturdy technique and total commitment to Weinberg’s cause.\u003c\/p\u003e\u003cp\u003e— The Times (U.K.)\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012498116842,"sku":"095115228128","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4348913-3201826.jpg?v=1785909594"},{"product_id":"a-cello-galaxy-of-british-women-composers","title":"A Cello Galaxy of British Women Composers","description":"Extraordinary works by British Women composers,   brought to light by cellist Catherine Wilmers  In A Cello Galaxy of British Women Composers, Catherine Wilmers brings to light an extraordinary collection of works by British women presenting us with twelve premiere recordings. Drawing on diligent research, Wilmers unearths strikingly original compositions presenting us with premiere recordings by Amy Elsie Horrocks, Ethel Barns, Elizabeth Poston, Joan Trimble, Dora Bright, Susan Spain Dunk, and Sarah Rodgers, whose Mountain Airs was written for the cellist. Some of these works lay forgotten in the archives of the Royal Academy of Music, their potential stifled by societal limitations rather than artistic merit.  The album is more than a rediscovery-it is a testament to the resilience and artistry of these composers. The satisfyingly detailed liner notes reveal the challenges they faced, often in their own words or through the prejudices of their time. As late as the 1920s, the critic Cecil Gray echoed Dr Johnson's notorious remark: 'A woman's composing is like a dog walking on it's hind legs; it is not done well but you are surprised to see it done at all.' Such dismissals only fuel the need to champion these voices today.  Wilmers' deep connection to this repertoire is evident in every performance, matched sensitively by accompanying pianist, Jill Morton. A former cellist with the London Philharmonic Orchestra, Catherine Wilmers has long questioned why so few works by women have entered the standard repertoire. This album is part of her answer-a luminous and long-overdue celebration of their music.","brand":"Divine Art","offers":[{"title":"CD","offer_id":46012501328106,"sku":"809730113420","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4417605-3379428.jpg?v=1785899295"},{"product_id":"go-lovely-rose-songs-of-roger-quilter","title":"Go, Lovely Rose - Songs of Roger Quilter","description":"Born in Sussex in 1877, Roger Quilter was a fellow-student of Percy Grainger, Cyril Scott, and H. Balfour Gardiner at the Hoch Conservatory, in Frankfurt, where he studied for almost five years under the guidance of the German professor of composition Iwan Knorr. He is best known for his contribution to English art song, having composed around 150 songs, many of which remain regular recital favourites. For this album, the tenor James Gilchrist and pianist Anna Tilbrook explore his output from early works such as 'Now sleeps the crimson petal' through to late examples such as 'The Ash Grove'. All of the songs are settings of English texts, with the exception of the Four Songs of Mirza Schaffy, which set German texts by Friedrich von Bodenstedt. The musicians have arranged their selection of twenty-seven songs into thematic groups - Shakespeare songs, songs about flowers, folksongs, songs of love etc. - which makes for a fascinating and rewarding programme.","brand":"Chandos","offers":[{"title":"CD","offer_id":46012515090666,"sku":"095115232224","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4339003-3201829.jpg?v=1785906631"},{"product_id":"hahn-piano-quintet-songs-piano-quartet","title":"Hahn: Piano Quintet, Songs \u0026 Piano Quartet","description":"Praised by BBC Music magazine for his 'lucid, velvety tenor and pop-star charisma', the Lebanese-American Karim Sulayman has garnered international attention as a sophisticated and versatile artist. He joins the Kaleidoscope Chamber Collective for this album of works by Reynaldo Hahn. The founder members Tom Poster and Elena Urioste write: 'Kaleidoscope has championed many unjustly neglected composers, but in the case of Reynaldo Hahn the neglect seems particularly puzzling to us. His music is immediately approachable, soaringly beautiful, and speaks directly to the heart; audiences, on the rare occasions that they get to hear it, seem to adore it. His life story is fascinating, too: born in Caracas, to a Jewish-German father and a Catholic-Venezuelan mother of Spanish \/ Basque origin, the handsome and urbane Hahn charmed high-society Paris, enjoying great success as composer, conductor, singer, writer-lecturer, and music critic. The Piano Quintet had been on our programming wish list for some time: it was lauded as Hahn's greatest work at it's 1922 premiere, and the powerful intensity of it's first two movements in particular acts as a firm rejoinder to those who criticised Hahn as a lightweight salon composer. By the time he finished his Piano Quartet, in 1946, Hahn was a man out of place in the world; this is music which bears no trace of modernism, instead looking back nostalgically to Hahn's heyday in la belle epoque. A number of years ago, our dear friend Karim Sulayman joined Tom in several performances of a set of Hahn songs, and a shared love for the music led to a discussion about how beautifully some of the piano parts could work in chamber arrangements. Karim had first discovered Hahn through the touching recordings on which the composer simultaneously sings and plays his own songs; and we, in turn, have always been deeply touched by the direct channel which Karim seems to have to Hahn's heartfelt expressive world. For all of us, it has been a profound joy to put these new song arrangements down on disc for the first time.'","brand":"Chandos","offers":[{"title":"CD","offer_id":46012517384426,"sku":"095115232620","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4392378-3320911.jpg?v=1785902637"},{"product_id":"weinberg-string-quartets-vol-5","title":"Weinberg: String Quartets, Vol. 5","description":"The Arcadia Quartet reaches the penultimate release in it's acclaimed complete Weinberg string quartets series with this volume, featuring Quartets Nos 3, 9, and 14. As in previous volumes, the works are taken from contrasting periods of Weinberg's compositional development, and so present a varied programme that works in it's own right. Quartet No. 3, composed in 1944, could be considered as the first 'mature' quartet, and is set in three movements. The Ninth Quartet, composed in 1963, dates from his self-described 'starry decade', when his work was championed by a significant group of enthusiastic performers, including Emil Gilels, Leonid Kogan, Kirill Kondrashin, Rudolf Barshai, and the Borodin Quartet. Quartet No. 14 dates from 1978, three years after the death of Weinberg's great friend and mentor Shostakovich: a time when Weinberg was questioning and renewing his artistic identity. The album also includes the short Improvisation and Romance, from 1950.","brand":"Chandos","offers":[{"title":"CD","offer_id":46012518826218,"sku":"0095115232828","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4404945-3329236.jpg?v=1785913530"},{"product_id":"brahms-contemporaries-vol-2","title":"Brahms \u0026 Contemporaries, Vol. 2","description":"Brahms's Third Piano Quartet gestated for a long time - the first sketches were made in 1855, whilst the work was not completed until 1875. Numerous commentators tie the work to Brahms's infatuation with Clara Schumann, who certainly heard many of the various iterations of the piece before it's final version. But Brahms did not write programme music, and whatever his motivations may or may not have been, the result is, like the rest of his output, pure music. Louise Heritte-Viardot was a French singer, pianist, conductor, and composer. She was born in Paris, the eldest child of Pauline Viardot-Garcia and Louis Viardot, and sister to the violinist and conductor Paul Viardot. Her singing career was cut short by illness, but with the help of Clara Schumann she found a second career as a singing teacher at the Hoch Conservatory, in Frankfurt. In contrast to Brahms's quartet, Viardot's work is extremely programmatic. Titled I'm Sommer (In Summer), it comprises four movements which also carry evocative titles: 'Morning, in the Woods', 'Flies and Butterflies', 'Sultriness', and 'Evening, under the Oak-tree'.","brand":"Chandos","offers":[{"title":"CD","offer_id":46012519547114,"sku":"095115232927","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4413304-3364099_3926e420-fd38-47e0-9ef3-172229a61fa3.jpg?v=1785909050"},{"product_id":"haydn-piano-trios-vol-4","title":"Haydn: Piano Trios, Vol. 4","description":"Trio Gaspard continues it's acclaimed series of Haydn Trios with this programme of middle and later quartets, designed to be played (and enjoyed) as a standalone programme. As with the previous volumes, the trio include the world premier recording of a piece commissioned to compliment the Haydn's work - in this instance, Trance, by Sally Beamish. The performers note: we should like to highlight just a few examples of the ways in which the inventiveness of his musical materials continues to astound us. The Trio in B flat major for example, opens with a striking combination of opposites: a legato falling scale beginning from what was the highest note on Haydn's piano (F) and a rising arpeggio in short staccato notes climbing up from the bass. After two bars the elements swap places, the staccato arpeggio rising up in the right hand of the piano, while the legato elements continue in the bass. Together, these four bars form a perfectly balanced opening phrase. The character of this beginning feels completely natural and beguilingly elegant, yet it already contains all the main elements out of which Haydn goes on expertly to craft the rest of the movement. In the second movement of this trio, the song-like theme at the beginning is presented with an accompanying bass line. However, Haydn instructs the pianist to play both lines with 'the left hand alone' - a seeming finger-twister which actually lies surprisingly comfortably in the hand. It is an audacious idea and pianistically unique in Haydn's keyboard music.","brand":"Chandos","offers":[{"title":"CD","offer_id":46012520300778,"sku":"0095115233023","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4392379-3307304.jpg?v=1785904569"},{"product_id":"divine-arthighways-byways-rarities-recorder","title":"Highways \u0026 Byways - Rarities for Recorder","description":"\u003cp\u003e\"Highways and Byways: A Double Album of Rarities for Recorder\"\u003c\/p\u003e\n\n\u003cp\u003eA seminal contribution to the canon of recorder music, this recording assumes a pivotal role, enriching the repertoire and captivating audiences with its distinct allure and technical prowess. Serving as a valuable resource for connoisseurs of recorder music and an inviting introduction for novices, Highways and Byways features a diverse array of compositions. Through its discerning curation and expert execution, this recording not only commemorates the recorder's storied legacy but also fosters an appreciation for its enduring elegance and adaptability.\u003c\/p\u003e\n\n\u003cp\u003eJohn Turner presents recorder pieces by renowned composers such as Lennox Berkeley, John McCabe, and Thomas Pitfield. Discover rare gems by Igor Stravinsky and Alexander Gretchaninov, alongside a remarkable composition for recorder and two violas by the distinguished American composer William Bergsma.\u003c\/p\u003e\n\n\u003cp\u003eAs a special treat, the album includes two previously unknown pieces by the late Christopher Ball, along with two compositions by John Turner himself, including a homage to Ukraine. It's a veritable feast of rare and captivating music!\u003c\/p\u003e\n\n\u003cp\u003eRenowned as one of today's leading recorder players, John Turner's illustrious career spans performances with esteemed ensembles like David Munrow’s Early Music Consort of London and recordings with prestigious orchestras worldwide. With over 600 premieres to his credit, including works by Leonard Bernstein and Peter Sculthorpe, Turner's artistry has left an indelible mark on the contemporary recorder repertoire.\u003c\/p\u003e\n\n\u003cp\u003eFeaturing performances by John Turner (recorder), Stephen Bettaney (piano), Laura Robinson (recorder), Catherine Yates (viola), and Alex Mitchell (viola), \"Highways and Byways\" is a testament to the dedication of these exceptional musicians.\u003c\/p\u003e","brand":"Divine Art","offers":[{"title":"CD","offer_id":46012521480426,"sku":"809730124525","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4327386-3148577.jpg?v=1785887817"},{"product_id":"gurney-songs-vol-2","title":"Gurney: Songs, Vol. 2 \/ Farnsworth, McElroy","description":"This album of Gurney's songs, Volume 24 in the English Song series, presents a wide selection of his works. Featuring several masterpieces - among them Sleep and Severn Meadows - this collection also includes twelve world premiere recordings. Snow is performed here in it's corrected edition. Prize-winning baritone Marcus Farnsworth is accompanied by Eric McElroy.","brand":"Naxos","offers":[{"title":"CD","offer_id":46012522692842,"sku":"747313459971","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4363324-3364308.jpg?v=1785909520"},{"product_id":"la-mer-french-piano-trios","title":"La Mer - French Piano Trios","description":"The Neave Trio's new album celebrates French works for piano trio, focussing on three works composed around the turn of the twentieth century. Saint-Saens's Piano Trio No. 2 dates from 1892 and comprises five movements. Unusually for Saint-Saens, the work took a great deal of time from conception to completion (over five years) and then went through a number of revisions before Saint-Saens was finally satisfied. Mel Bonis's two pieces Soir and Matin, whilst on a smaller scale, are equally powerful works, bridging the worlds of romanticism and impressionism. The first piece is dominated by a cantabile melody, whilst Matin is more chromatic and harmonically complex. The album concludes with Sally Beamish's arrangement of Debussy's orchestral masterpiece La Mer. This three-movement symphonic work presented Beamish with an exceptional challenge, as she strove to 'reinvent Debussy's orchestral score with the piano trio in mind... This meant exploring what strings and piano can do in terms of texture, and concentrating on idiomatic and natural techniques.' By studying and recreating Debussy's colours and textures, rather than attempting to transcribe every note, Beamish produced an arrangement that presents the performers and listeners with a completely new perspective on these well-loved seascapes.","brand":"Chandos","offers":[{"title":"CD","offer_id":46012523512042,"sku":"0095115233726","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4420750-3383042.jpg?v=1785908362"},{"product_id":"arensky-rachmaninoff-romances","title":"Arensky \u0026 Rachmaninoff: Romances","description":"MM Recordings presents a seductive and captivating release of Russian art songs, an intriguing juxtaposition of Russian Romances for voice and piano by Anton Arensky (1861-1906) and his student Sergei Rachmaninoff (1873-1943). The recital, \"performed with great charm and sympathy\" (Opera Today), features two artists making their debut for SOMM: lyric coloratura soprano Anastasia Prokofieva-a rising young star in the opera world, described as \"striking\" by Opera Magazine-and London-based conductor, pianist, and vocal coach Sergey Rybin, an Associate of the Royal Academy of Music, where he studied under SOMM recording artist Malcolm Martineau.    Sergey Rybin's excellent notes, together with full texts and translations, help bring these neglected gems to light and highlight the inner connection between Arensky and Rachmaninoff. While there is no doubt that Rachmaninoff was possessed of a unique and innate musical gift, he acknowledged the profound influence of his teacher and mentor Arensky, who was his professor of harmony, counterpoint, and free composition at the Moscow Conservatory between 1885 and 1888, when Rachmaninoff was still a teenager.    Arensky's writing-and Rachmaninoff's, too-is full of eminently singable melodies that are deeply connected both to bel canto and to a Russian folk aesthetic. Sergey Rybin also makes the point that a certain virtuosic flair in the piano parts of these románsy, by both the professor and the pupil, \"are unmistakably the branches of the same stylistic tree.\"    Anton Arensky studied composition with Nikolai Rimsky-Korsakov at the St. Petersburg Conservatory, and he was just twenty-one when he began teaching harmony and counterpoint-and later, instrumentation and free composition-at the Moscow Conservatory. While his role as a teacher may well be his most lasting contribution, he remained active as a composer of operas, symphonies, concertos, chamber music, and piano works. He also wrote fifty-seven románsy, which show his affinity for intimate, emotional expression. Included among the thirteen art songs by Arensky on this release are the Five Romances, Op. 70 from 1900, and the five-song cycle Reminiscence, Op. 71, circa 1905.    Before Rachmaninoff left Russia permanently in 1917, he composed a total of eighty-three románsy for voice and piano. His gift for lush melodies, expansive emotional range, and exceptionally difficult piano works makes him one of the last great Romantic pianist-composers, and these stellar qualities are evident in his art songs.    Thirteen are presented on this programme. The earliest, from his Six Songs, Op. 8 written in 1893, include Child! You are as beautiful as a flower and Dream. The Twelve Songs, Op. 21, composed in 1902, include some of his finest vocal writing, Lilacs being an exquisite example. Rachmaninoff's last compositions in the genre of románsy were the Six Songs, Op. 38 in 1916; four from this set close the recital.","brand":"SOMM Recordings","offers":[{"title":"CD","offer_id":46012524003562,"sku":"748871071629","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4478811-3499598.jpg?v=1785887180"},{"product_id":"ferdinando-carulli-carulli-rediscovered-vol-2","title":"Ferdinando Carulli, Carulli Rediscovered, Vol. 2","description":"Ferdinando Carulli was amongst the most important Italian guitarist-composers during the first half of the 19th century, and his Guitar Method, Op. 27 is still in use today. Marcello Fantoni's first volume of Carulli Rediscovered (Dynamic 7956) was awarded the Chitarra d'Oro Prize for best guitar album of the year in Italy in 2023, and this second volume features world premiere recordings of rarely performed works. These range from the complex Grande Sonatas to three lively Neapolitan-style Ouvertures, Op. 6 [a] brought by Carulli from Italy to his new home in Paris. The album concludes with the brief but delightfully melancholy etude in B minor, Op. 192.","brand":"Dynamic","offers":[{"title":"CD","offer_id":46012532654314,"sku":"8007144080624","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4420764-3383648_ce911e20-fd5c-4a55-9293-1f5ff58fce40.jpg?v=1785901988"},{"product_id":"guitar-recital-marko-topchii","title":"Guitar Recital - Marko Topchii","description":"Ukrainian guitarist Marko Topchii (b. 1991), winner of the 2023 Guitar Foundation of America Competition, presents a diverse programme of music from across the centuries. Includes the world premiere recording of his countryman Konstantin Bliokh's Sonata No. 6 'Kharkiv'.","brand":"Naxos","offers":[{"title":"CD","offer_id":46012534849770,"sku":"747313463077","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4335138-3188778_feb81727-9486-469d-bafc-3335bbb2b293.jpg?v=1785909155"},{"product_id":"haydn-complete-piano-trios-vol-5","title":"Haydn: Complete Piano Trios, Vol. 5","description":"One of the most sought-after young chamber ensembles of it's type, Trio Gaspard is praised for it's unique and fresh approach to the score, one recent recording prompting The Times to conclude: \"Kaleidoscopic textures and sprightly wit, wonderfully conveyed by Trio Gaspard... delightful listening.\" It was founded in 2010, it's members hailing from Germany, Greece, and the UK. They studied at the European Chamber Music Academy in Vienna. Haydn's music has been of central importance to their programming over the past fifteen years, and it is rare for them to perform a concert without one of his works. Trio Gaspard writes: \"Over this series of recordings, we present Haydn's rich output for piano trio neither chronologically nor in the groups in which the works were first published. Instead, just like the preceding discs, Volume 5 is conceived as a programme of contrasting trios that can be heard in a single sitting. We also continue the series of contemporary works which we have commissioned to accompany our Haydn project and are delighted to present the world première recording of Helena Winkelman's Threesome in a High-den.\"","brand":"Chandos","offers":[{"title":"CD","offer_id":46012538126570,"sku":"0095115236727","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4488776-3517858.jpg?v=1785894789"}],"url":"https:\/\/arkivmusic.com\/collections\/classical-intimate.oembed?page=3","provider":"ArkivMusic","version":"1.0","type":"link"}