Ms. Patterson is a true choral alchemist, and never fails to draw truly golden sound and beautifully nuanced singing from her hard-working musicians. Sacred illumination is their mission, and they achieve it with spiritual sincerity and power."
—Lindsay Koob, American Record Guide

"Is it possible for a mixed choir of 44 voices to sing late Renaissance and early Baroque Flemish, Italian, German, and French anticopolyphony in an artistic, historically informed manner? Probably not very often – that is, unless the mixed choir in question is the Gloriae Dei Cantores. For them, the answer is an emphatic affirmative. This group sings with the clarity and control of a carefully drilled chamber ensemble a fifth their size. Phrasing, intonation, articulation, blend, and color are precisely thought out and perfectly executed."
—The American Organist

"This is quite an astonishing competitor to such celebrated ensembles as The Sixteen . . . This disc will greatly enlarge most collections of Renaissance motets with rare pieces of outstanding worth, sung with skill and devotion."
—J.F. Weber, Fanfare

Gloriae Dei Cantores Men's Schola sings these Gregorian chants of love and devotion to Mary, the Mother of God, the Theotokos, the Star of the Sea. While our names for her are as varied as the traditions that surround her being, one thing remains constant: she invariably points us to her own Son, teaching us to greet Him with that same "yes" by which she opened herself to Him, body, soul and spirit. May we all receive the blessing of her example, told through these ancient songs of faith.

This SACD features the Stabat Mater, the Marian antiphons for Compline, and selected propers from the Feasts of the Immaculate Conception, the Nativity of Mary, the Annunciation, the Visitation, and the Assumption.

This album was nominated for the 2004 Grammy Award for Best Choral Performance.

Eclipse: The Voice of Jean Langlais - A centennial celebration of Langlais' legacy of sacred music, featuring three masses and nine anthems for choir, organ works, and rare compositions for brass.

Anglican chant--a harmonized form of liturgical chanting, primarily of psalms--isn't like anything else in music. Although it's closer in style to speech than traditional monodic Gregorian chant, the harmonizations--and thus the requirement for a particular type of singing ensemble--removes it from the impersonal and functional to the realm of a more artistic, performance-conscious purpose. To sing Anglican chant--and especially to sing it properly--you need a choir of mixed voices who have mastered the myriad aspects and subtleties of phrasing, inflection, articulation, tonal balances, dynamics, and the often debatable rules of pointing, not to mention the necessities of coordinating with the supporting--and sometimes ornamented--organ accompaniment. Outside of British record shops or cathedral gift stores, you rarely see a recording of real live Anglican chant--certainly not on this side of the Atlantic--so it's refreshing to discover that the very fine Massachusetts-based Gloriae Dei Cantores, known for its many Gregorian chant recordings (among many other choral-music projects), has undertaken a three-volume series to explore, and hopefully expose new listeners to, this exceptional, unique, and affecting body of liturgical music.


There are 22 psalm settings covered here, by a wide range of composers writing in predominantly traditional styles--in other words, this volume doesn't contain any of the more recently-composed or harmonically "adventurous" settings some listeners will be familiar with. What we do get is the essence of Anglican chant sound and style--and thanks to the superb efforts of this very sensitive, responsive choir, its knowing director, and a pair of first-rate organists, we experience something of the uniquely expressive power inherent in this manner of psalm-singing, which in its most accomplished form allows phrases to flow and important individual words their full presence and meaning.


I was happy to hear several of my favorite settings--especially the Wesley for Psalms 42 and 43, the Goss for Psalm 11, and Aylward for Psalm 138--as well as many beautiful unfamiliar ones. I only wish that the choir and organ were recorded in a more favorable--that is, less noisy--acoustic. Perhaps a bit more distance, or a slight dampening or reconfiguring of the live, resonant space would help. At any rate, it's a treat to hear this music so well realized and enthusiastically sung (supported by some very nice organ work). I'm looking forward to volume 2!
--David Vernier, ClassicsToday.com

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Includes work(s) by Luca Pianca, Corinna Korff. Ensemble: Washington Memorial Pipes. Conductor: Frank Albinder.

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This program honors those who have served in the armed forces of the United States of America. “The Call”, which was commissioned by the choir, is by Dave Metzger, widely known for his many arrangements and orchestrations for films such as Training Day, August Rush, Frozen and the Broadway production of The Lion King--for which he won a Tony Award. (Gothic)

This is the first in a series recorded at the Washington National Cathedral featuring new American choral music.

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Includes work(s) by various composers. Ensemble: National Cathedral Choral Society Washington, D.C.. Conductor: J. Reilly Lewis.

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The lyrical, soulful sound of the flugelhorn is paired with the orchestral rich colors of the Wanamaker organ in this beautiful recording. Popular melodies abound, from the "Alfred Hitchcock Presents" theme to Debussy's "Clair de Lune." Peter Richard Conte celebrated his 25th year as Wanamaker Grand Court Organist in 2014. He is only the fourth person to hold that title since the organ first played in 1911. He performs concerts twice daily, six days each week, on the largest fully-functioning musical instrument in the world. Andrew Ennis is a graduate of Rowan University where he received his undergraduate degree in music education, specializing in trumpet. In addition to his full-time duties as the Orchestral Music director at the Collingswood, New Jersey Middle and High Schools, Mr. Ennis also serves as the Director of Instrumental Music and Principal Organist and Pianist of St. Joachim in Bellmawr, NJ. He also studies organ with Peter Richard Conte.

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I could, if I wanted to, but I don't... This was the alleged response of Anton Bruckner to singer Rosa Papiers question, why he wouldn't compose songs like Johannes Brahms did. Eight songs by Anton Bruckner are academically proven, which - with one exception - were composed during his time and life in St. Florian and Linz. With his latest recording, the distinguished Austrian Bass Robert Holzer devotes himself, along with Thomas Kerbl, piano and conducting, the choir Chorvereinigung Bruckner and the chamber orchestra of the Anton Bruckner private conservatory Linz, to the unjustly neglected songs and the Magnificat by Bruckner. A sensation came about in the year 2015 with the discovery of the song Der Mondabend, with it's world premiere recording being released on this album.

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On the occasion of the 300th birthday of C. P. E. Bach in 2014, this timeless recording of his popular Magnificat along with the Missa brevis of his distant relative Johann Ludwig Bach is available once more. These are brilliant recordings by Helmuth Rilling.

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