Classical Music

The Places - the places visited are on the coast of Southern France, from Frejus and Cannes to Marseille. They include the Che�teau of King Renein Tarascon and the famous island Che�teau d'If, where the fictional Edmond Dantes was held prisoner in the Count of Monte Cristo. There is particular attention given to the flat marshland of the Camargue, with it's wild horses and it's associated festivities in Arles. The Music - the music that accompanies the tour is all by French composers, from Saint-Saens and Offenbach to Debussy and Ravel. Included are Gabriel Faures evocative Berceuse, Sicilienne and Pavane, and Ravel's nostalgic Pavane sur une infante defunte. The tour starts in cheerful mood with Chabrier's Marche Joyeuse.

Also available on Blu-ray

This new release from Opus Arte is a live recording from the Glyndebourne Opera House, Lewes, taken in October of 2015, of the first ever professional UK staging of Donizetti’s Poliuto. This masterpiece is rarely performed, but is nevertheless a masterwork that shows the magnanimous genius of this bel canto opera composer. The exhilarating American tenor Michael Fabiano sings the role of Poliuto, and fellow world-class singers Ana Maria Martinez and Igor Golovatenko round out a spectacular cast. “Every now and then the world of opera unearths a forgotten masterpiece […] Poliuto needs at least three world-class singers, and Glyndebourne has them” (What’s on Stage) Extra features include “Passion & Faith: Preparing for a UK premiere” and “Love & Opression: An interview with Mariame Clement.”

Picture Format: 16:9
Audio Formats: PCM 2.0, DTS 5.0
Subtitles: English, French, German, Japanese, Korean
Region Code: 0 (Worldwide)
Running Time: 117 mins, 15 mins (Bonus)

BERLIN - A Musical Tour of Germany's Capital City

The Places
Berlin was transformed into the capital of Brandenburg under the Elector Friedrich II in the 14th century, to become the capital of Prussia and then, in the 19th century, of a united Germany.

The Music
Beethoven’s Fifth Symphony accompanies the tour to Berlin, with his third Leonora Overture and his overture to Goethe’s play Egmont.

Picture format: NTSC 4:3
Sound format: PCM Stereo 2.0
Region code: 0 (worldwide)
Running time: 56 mins
No. of DVDs: 1

As compositions, the three works featured on this release echo the intensity, visions, and personal character of the composers. Benjamin Britten’s 1937 work Variations on a Theme of Frank Bridge was composed at the request of Boyd Neel. Neel later conducted the premiere at the 1937 Salzburg Festival. The composition, which launched Britten into international acclaim, was dedicated “to F.B. A tribute with affection and admiration. Bridge had been Britten’s teacher beginning in 1927. Vaughan Williams’ Fantasia on a Theme by Thomas Tallis was composed in 1910 and premiered later that year at the Three Choirs Festival. Many of Vaughan Williams’ compositions are inspired by music of the Renaissance, this piece, however, is the most directly linked. It is based on a theme by Thomas Tallis (1505-1585), one of the most well known Renaissance composers. A ballet in two tableaux, Stravinsky’s Apollon musagete was composed between 1927 and 1928, and choreographed in 1928. The story is based on the Greek legend of Apollo, the God of music, and his visit from the Muses.

Classical Music

Also available on Blu-ray


MOZART Così fan tutte & • Sylvain Cambreling, cond; Anett Fritsch ( Fiordiligi ); Paola Gardina ( Dorabella ); Kerstin Avemo ( Despina ); Juan Francisco Gatell ( Ferrando ); Andreas Wolf ( Guglielmo ); William Shimell ( Don Alfonso ); Teatro Real de Madrid O & Ch • C MAJOR 714508 (2 DVDs: 202:00+18:00) Live: Madrid March 2013


& kulTour with Holender: Michael Haneke


Così fan tutte is quite an unconventional little opera and unique for its time. It treats the subject of female inconstancy in romance, a topic that proved too controversial for 18th- or 19th-century tastes, but one that still piques our interest today, even if now considered a bit cynical and chauvinistic. If librettist Lorenzo Da Ponte had written a more conventional tale about male inconstancy instead, it likely would have already faded into operatic history. Perhaps Da Ponte got lucky in his choice of subjects, but then he always seemed to get lucky in his endeavors with W. A. Mozart. Perhaps we are underestimating the man. Of course, a sublime score from a true musical master does the mutual product no harm.


Here award-winning film and stage director Michael Haneke takes Da Ponte’s story even a bit further, with somewhat mixed results. Instead of two romantic couples we now have three, with Don Alfonso married to ladies’ maid Despina. This pair seems to bicker and fight like the best of modern couples, but they live in a sumptuous villa overlooking the Mediterranean. Set designer Christoph Kanter has located all the action in the couple’s modern drawing room, with low bookcases and a well-stocked wet bar on the left, and built-in couch and marble fireplace on the right. Three steps in the rear lead up to ceiling-high French doors that open onto a patio with ornate columns overlooking the sea. When we join the action, there is a costume cocktail party going on, 18th-century period costumes apparently optional. Of our six protagonists, only Don Alfonso is in period garb, although Despina wears what appears to be a clown suit (she also dons a red clown nose in her appearance as the medico at the end of act I). Fiordiligi wears a red party dress and Dorabella a black pant suit with t-shirt with her boyfriend’s visage on it. Later the t-shirt comes off, providing damning evidence to Ferrando that his lady has been rather naughtier than nice.


The two young naval officers begin by wearing suits and ties, but when they reappear ready for duty they are in naval greatcoats with powdered wigs and ceremonial swords reminiscent of Lord Nelson or John Paul Jones. Costume party or something else intended? The suitors’ Albanian disguises amount to colorful vests, patently false mustaches, and their neckties, now worn around their heads. The disguises, never serious, are gone completely by the end of act I, raising the issue of the girls’ complicity in the swap of mates. Curiously, the two couples pair up as originally until the little duet in act II where the girls choose up sides. Although making for a dramatic moment, one would think Don Alfonso and director Haneke would be promoting the swap of partners from the outset, as in most productions. Lurkers are another issue, those inappropriate characters who lurk silently on stage when they aren’t supposed to be there. For instance, the opening trio where the ladies’ faithfulness is questioned by Don Alfonso and defended rather ineptly by the young suitors is attended by the ladies in question. Their subsequent duet in praise of their prospective husbands’ effigies seems now a rather sardonic reply. Haneke gives us plenty of lurking, but it is never clear exactly why. In any case, this ploy has been used to excess in other so-called modern productions. Despina is portrayed here as angry and sad, a rather significant change in mood from her written role in what is supposed to be light comedy. I’m not saying director Haneke has completely set us adrift, it’s just not very clear to me exactly where his boat is steering.


Happily, the music-making is first-rate. I am a sucker for this particular Mozart score, so I may be no true judge, but it seems to me the Fiordiligi of Anett Fritsch is quite wonderfully sung, as is the Ferrando turned in by Juan Francisco Gatell. The others are all well above the norm and they all sing exceptionally together in the many ensembles. If I were picking nits, I would say Despina’s voice is not as clearly differentiated from the other young ladies as it might be and Don Alfonso lacks a certain baritonal heft found on many competing sets. Three musical numbers are cut, about average for a live performance, but Haneke has his singers taking extra time and vocal care with Da Ponte’s important recitatives, which are given virtually uncut. Hence the disc timing extends to nearly four hours, perhaps a bit long for modern tastes.


The trend today in opera recording is to live videos, and Così is no exception. The number of Così productions available on video disc is now nearly 20, but only four to date on high definition Blu-ray, this one included. I cannot pretend to have seen them all, but Fanfare ’s staff has reviewed many of them over the years; these reviews available to subscribers at the online Archive. Currently, I am partial to a Riccardo Muti-led performance from Salzburg I reviewed in Fanfare 34:6 with Margaret Marshall and Ann Murray as the two sisters. This Madrid production raises some interesting questions about the opera and is quite well sung. Recommended.


FANFARE: Bill White

Also available on Blu-ray

Performed on the Bregenz Festival's vast lakeside stage, this production of Turandot is captivating and spectacular. Giacomo Puccini's final opera is set in China and is an interesting love story that is sure to enrapture audiences. Puccini died before he completed the opera left instructions that Riccardo Zandonai should finish the work but Franco Alfano was the one to complete the third act. Paolo Carignani conducts the Wiener Symphoniker with the staging done by Marco Arturo Marelli. Leading the cast are Mlada Khudoley, Riccardo Massi, Guanqun Yu, and Michael Ryssov.

Giacomo Puccini
TURANDOT

Turandot - Mlada Khudoley
Altoum - Manuel von Senden
Timur - Michail Ryssov
Calaf - Riccardo Massi
Liù - Guanqun Yu
Ping - Andrè Schuen
Pang - Taylan Reinhard
Pong - Cosmin Ifrim
Un mandarino - Yasushi Hirano

Prague Philharmonic Chorus
(chorus master: Lukáš Vasilek)
Bregenz Festival Chorus
(chorus master: Benjamin Lack)
Vienna Symphony Orchestra
Paolo Carignani, conductor

Marco Arturo Marelli, stage director and set designer
Constance Hoffman, costume designer
Davy Cunningham, lighting designer

Recorded live at the Bregenz Festival, July 2015

Picture format: NTSC 16:9
Sound format: PCM Stereo / DTS 5.0
Region code: 0 (worldwide)
Subtitles: Italian, English, German, French, Spanish, Korean, Chinese, Japanese
Booklet notes: English, German, French
Running time: 125 mins
No. of DVDs: 1 (DVD 9)

Also available on Blu-ray

Recorded live from the Royal Concertgebouw, April 2012

Picture format: NTSC 16:9
Sound format: PCM Stereo / DTS 5.0
Region code: 0 (worldwide)
Subtitles: Latin, German, English, French, Spanish, Chinese, Korean, Japanese
Running time: 99 mins
No. of DVDs: 1 (DVD 9)

This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

Also available on standard DVD

Adam’s Passion is the moving first collaboration between two “masters of slow motion who harmonize perfectly with each other” (Frankfurter Allgemeine Zeitung). In the spectacular setting of a former submarine factory, American director and universal artist Robert Wilson creates a poetic visual world in which the mystical musical language of the Estonian composer Arvo Pärt can cast its meditative spell. Three of Pärt’s major works – Adam’s Lament, Tabula rasa, and Miserere, as well as Sequentia, a new work composed especially for this production – are brought together here using light, space, and movement to create a tightly-woven Gesamtkunstwerk in which the artistic visions of these two great artists mirror each other.

Arvo Pärt
ADAM’S PASSION

Lucinda Childs
Michael Theophanous
Estonian Philharmonic Chamber Choir
Tallinn Chamber Orchestra
Tõnu Kaljuste, conductor

Robert Wilson, stage director, set and lighting designer

Recorded from Noblessner Foundry, Tallinn, 12 May 2015

Picture format: 1080i Full-HD
Sound format: PCM Stereo / DTS-HD Master Audio 5.1
Region code: 0 (worldwide)
Subtitles: Latin, Russian (orig. sung languages), German, English, French, Korean, Japanese
Running time: 94 mins
No. of Discs: 1 (BD 25)

Also available on Blu-ray

A Film by Paul Smaczny & Günter Atteln

Founded in 1212 the St. Thomas Choir Leipzig is one of the most famous and prestigious boys' choirs in the world. This documentary accompanies “Die Thomaner”, aged between 9 and 18 years old, over a period of one year. Their unique world, from motets to boarding school and the football pitch, is distinguished by success, pressure to perform, doubt, pride, homesickness, and friendship. The film charts the breadth of the boys' experience from the classroom to traveling on tour to South America.

BONUS Two tracks from Johann Sebastian Bach’s “St. Matthew Passion” performed by the choir for which it was written - St. Thomas Boys Choir - in St. Thomas Church, Leipzig, where the composer worked and is buried. No. 1 Chor: "Kommt, ihr Töchter, helft mir klagen" No. 39 Arie (Alto): "Erbarme dich"

TRIBUTES-Pulse is a collaboration between American filmmaker Bill Morrison (b. 1965) and Danish composer and percussionist Simon Christensen (b. 1971).

Christensen originally conceived of the project as a tribute to four American composers, Charles Ives, Conlon Nancarrow, Steve Reich and Trent Reznor. The project is comprised of four movements, with the themes of Shifting (slightest change), Multiple (simultaneously different), Across (different directions) and Beat (moving synchronized) respectively corresponding to each composer.

The idea of "Pulse" is explored in both the music and the film. Christensen conceived of the role of Pulse - the rhythmic recurrence of vibration - in the music of these four composers. But pulse is also explored as the through-line in a life, civilization, and nature. Using exquisitely deteriorating nitrate-based archival film, Morrison weaves a story from the remnants of disparate narratives. The episodes appear intermittently between the undulating pulse of the film's decay, the imagery compromised - yet made all the more poignant - by a dying celluloid medium. The four sections correspond visually to the four elements as a frontier for Man - Water, Earth, Fire and Air. The first glimpses moments in a woman's life. The second cuts between two frontier stories, when buffalo freely roamed the plains. The third examines industry and the loss of the frontier. The fourth explores flight, humankind's attempt to escape to the heavens, and Man's inevitable return to earth.

Classical Music

BOLCOM: Songs of Innocence and of Experience

Gioachino Rossini’s one act opera L’inganno Felice is categorized as a farsa, as it is a melodrama with buffo elements. The work, which features libretto by Giuseppe Maria Foppa, was an instant success after its premiere in 1812. This production, directed by Jochen Schonleber, was recorded at the Rossini in Wildbad Opera Festival in the summer of 2015. This particular performance received international acclaims, due to stellar directing by Schoenleber and the stars Lorenzo Regazzo and Silvia Della Benetta.

Picture Format: 16:9
Sound Format: PCM 2.0
Subtitles: Italian, English, French, German
Region Code: 0 (Worldwide)
Running Time: 94 mins

Also available on Blu-ray

In 1957, Paul Anka’s debut hit single “Diana” immediately catapulted the 16-year-old into Hall of Fame status. For decades now, Anka has been one of the most successful composers around, penning the lyrics to such hits as Tom Jones’ “She’s a Lady” and Frank Sinatra’s signature song “My Way.” He has released over 120 albums, sold over 100 million records, and been named the 21st most successful artist in Billboard history. He is known today as the last great crooner. When he translates his own as well as cover songs into elegant swing and gives free reign to his charm on stage, Anka embodies the purest form of entertainment.

Poet E.T.A. Hoffmann (200th anniversary of death in 2022) as the protagonist of his own fantastic tales: In his encounter with three women - Olympia, Antonia and Giulietta - he searches in vain for love and for himself. Will he draw strength for art from his failure in life? Or will he fail in himself, drown in alcohol? Like in a kaleidoscope appear ever-new constellations and shimmering colours of German romanticism and French esprit. Stage director Daniele Finzi Pasca brings an enchanting, fairy-tale-like spectacle to the stage with all the colourful means of theatrical magic. French star tenor Benjamin Bernheim shines in his role debut of Hoffmann: "Benjamin Bernheim's art of orchestrating timbre will continue to cause emotional turmoil for days to come for those who were able to experience this operatic bliss" (S�ddeutsche Zeitung).

MASS IN B MINOR DVDA

C Major continues it's Tutto Verdi edition with his Messa da Requiem. This film includes a 52-minute bonus documentary introducing US to Verdi's beautiful homeland, the region of Parma; from the little village where Verdi was born, to the estate close to Parma where Verdi always came back to and chose to spend most of his life.

Recorded at Tokyo Bunkamura Orchard Hall, 15th June 1996. This 1996 Tokyo recital is a celebration of the distinguished Spanish tenor Alfredo Kraus's 40 year career. After warming his voice with two classical arias transcribed by Parisotti, Kraus launches into an anthology of music from the French, Spanish and Italian repertoires. The recital includes a duet from the first act of Lucia di Lammermoor and the famous aria "Pourquoi me r�veiller?" from Massenet's Werther, an opera in which Kraus was considered an outstanding interpreter of the title role. Each and every piece is managed with extreme elegance, noble aplomb and ease, qualities that he attained through a formidable technique and a careful career pacing. At sixty nine Kraus sings without any apparent effort and with that aristocratic nonchalance that was one of the most charming aspects of his style. Language: Italian Language: Italian, German, English, French, Spanish. Edemiro Arnaltes (Piano) Emiko Suga (Soprano) Asier Polo (Cello) Alfredo Kraus (Tenor).

Blu-ray pressing. Paul Anka is known as the last great crooner. On this live release, Anka promotes his successful Rock Swings project by performing many of the tracks live alongside his own classics including 'Diana', 'My Way', 'New York New York', 'Put Your Head on My Shoulder' and more.

Note: This Blu-ray Disc is playable only on Blu-ray Disc players, and not compatible with standard DVD players.

Also available on standard DVD

Recorded live from the Teatro Regio di Parma, 8 October 2011

Bonus:
- Verdi’s Backyard – A documentary by Sergej Grguric

Picture format: 1080i High Definition
Sound format: PCM 2.0 / DTS-HD Master Audio 5.1
Region code: 0 (worldwide)
Subtitles: Italian, English, German, French, Spanish, Chinese, Korean, Japanese (concert) / English, Italian (documentary)
Running time: 95 mins (concert) + 52 mins (documentary)
No. of Discs: 1 (BD 50)

Also available on Blu-ray

Fierrabras of 1823 is the last of Franz Schubert's stage works. Rarely performed to this day, this heroic-romantic opera has now been staged for the first time ever at the Salzburg Festival by famous director Peter Stein. The strong cast includes the "marvellously expressive miracle Dorothea Röschmann" (Die Zeit) and "Michael Schade, who exudes his exceptional tenor in Fierrabras's heroic arias" (Der neue Merker). Under the energetic baton of lngo Metzmacher, the Vienna Philharmonic unfold "the melos, the poetry, the sweetness and the dramatic force of Schubert's highly refined and atmospheric sound worlds" (Kleine Zeitung) in highly romantic fashion. Bonus: The Making of Fierrabras.

Franz Schubert
FIERRABRAS

König Karl - Georg Zeppenfeld
Emma - Julia Kleiter
Roland - Markus Werba
Eginhard - Benjamin Bernheim
Boland - Peter Kálmán
Fierrabras - Michael Schade
Florinda - Dorothea Röschmann
Maragond - Marie-Claude Chappuis

Vienna State Opera Chorus
Vienna Philharmonic Orchestra
Ingo Metzmacher, conductor

Peter Stein, stage director
Ferdinand Wögerbauer, stage designer
Annamaria Heinreich, costume designer
Joachim Barth, lighting designer

Recorded live during the Salzburg Festival, 2014

Bonus:
- The Making of Fierrabras

Picture format: NTSC 16:9
Sound format:PCM Stereo / DTS 5.0
Region code: 0 (worldwide)
Subtitles: German, English, French, Spanish, Chinese, Korean, Japanese Booklet notes: English, German, French
Running time: 164 mins (opera) + 10 mins (bonus)
No. of DVDs: 2 (DVD 9)

-----

REVIEW:

Peter Stein's Salzburg Festival production sets Fierrabras more or less in its historical period. All four main roles are convincingly taken, with the palm going to Julia Kleiter's Emma, alluringly voiced and phrased, and soaring without shrillness into the stratosphere.

– Gramophone

The starting point and destination of Heinz Spoerli's new ballet is the "Magnificat" by Johann Sebastian Bach. From the beginning of the "Allemande mouvement" of the "Partita in A minor for solo flute" through the joy of living of "Brandenburg Concerto No. 3 in G major", this is the the question of faith, which sparked Heinz Spoerli's interest in this piece. Heinz Spoerli intensifies the wealth of expanded emotions here, by inserting the two arias from the cantatas "Wo soll ich fliehen hin" ("Where shall I flee") and "Ich habe genug" ("I have enough"). This is an important aspect for Heinz Spoerli in his discourse with the text of the "Magnificat", in which his deep respect for all religions, or rather every faith, for him is not about the worship of a certain creator-figure, but more about the conditions and prerequisites of this for the expression of a profound devoutness, which also involves rejection, exlusion, uncertainty and separation. Images coming out of the silence and returning back to it, which Heinz Spoerli would like his audience to take with them, images which create individual stories and references. The Orchestra La Scintilla is conducted by Marc Minkoswki.

Choreography: Heinz Spoerli
Set design: Peter Schmidt
Format: NTSC 16:9 HD
Region Code: 0 (All Region)
Recorded: live from the Zurich Opera House February, 2012

This DVD is accompanied by Harry Christophers and The Sixteen's  audio recording of Monteverdi's Vespers of 1610 (COR16126). In the BBC documentary, actor and former chorister Simon Russell Beale invites us into the heart of the Vespers and the world of their creator. It is the story of a Renaissance Duke and the composer who worked for him - and how their volatile relationship would create one of the most revolutionary and beautiful collections of music ever published: The Monteverdi Vespers of 1610.