Schock/Otto/Ksirova/Walter/Rias-Unterhaltungs orchester.

Chris Williams: Songs of the Coromandel Coast

KEIN SCHÖNER LAND

The echoes of war are poignant and nostalgic, stirring and sorrowful, reflecting times of intense living and dying. Emma Brown and Han-Louis Meijer present music from and about the First and Second World Wars, including uplifting songs of hope and love, and songs of remembrance and loss. Emma read music at Cambridge and then moved to the Netherlands to study singing and composition at the Royal Conservatoire in The Hague. Her music is published by Edition HH.

This collection features songs drawn from opposite corners of England which during the 20th century experienced catastrophic decline in their traditional local industries: Cornwall now relies heavily on tourism and Tyneside has become a center for science-based technology. Traditionally, both have maintained a proud tradition of community music-making and we feature sea songs with Cornish baritone Ben Luxon and the Holman-Climax Male Voice Choir, whilst much-loved Geordie bass Owen Brannigan sings airs from Tyneside, and patriotic songs (Heart of Oak, Bay of Biscay).

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Elisabeth Schilz Grummer was a German soprano. She has been described as "a singer blessed with elegant musicality, warm-hearted sincerity, and a voice of exceptional beauty" (Gregory Berg, Journal of Singing). BR Klassik presents this historical recording from the years 1956, 1960 and 1962.

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DELIUS: CELLO CONCERTO LLOYD

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As the notes point out, Buxtehude "never held a position that required him to compose vocal music," but as these works show, he was no stranger to the practice, writing for the voice with adept concision that shows a remarkably wide expressive range and engaging tunefulness. The works are not complex by any means, and employ a minimal contingent of strings and/or organ just sufficient to support and add color to the vocal parts, and to supply textural and occasional imitative or contrasting thematic interest.

These little cantatas--each lasting between five and eight minutes--feature four or five voices (in one case, only a solo singer), with texts in Latin or (in two instances) Swedish, drawn from the Psalms or religious poetry. In addition to the cantatas--and a welcome organ Praeludium and Passacaglia--we hear the Kyrie and Gloria of a Missa alla brevis, Buxtehude's "only strictly liturgical work"; the extraordinary and delightfully surprising chromatic passages in the final few pages of the Gloria make this one of the program's more memorable--and immediately repeatable--moments.

Paul Hillier's one-voice-to-a-part configuration works very well for these pieces whose style often seems closer to the earlier 17th-century Italian madrigal than to northern European church music of the late 1600s (the opening vocal flourishes and overall expressive character of "Ecce nunc benedicite Domino", for instance). All of these singers are excellent, but among them Else Torp is particularly fine in her solo-cantata "Att du Jesu vill mig höra" (That you will hear me, Jesus). The instrumental ensemble and continuo playing, as well as the solo-organ renditions by Buxtehude expert Bine Bryndorf, are equally stylish and assured--and everything is recorded in state-of-the-art sound, from the church of St. Mary's, Elsinore (Helsingør), where Buxtehude once served as organist, and who played the (now restored) instrument heard here.

--David Vernier, ClassicsToday.com

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The vocal ensemble known as Les Compagnons de la Chanson enjoyed a career lasting more than forty years, one of the finest examples of longevity in vocal groups. Their many performances on the world's stages, including concerts with some of the most famous artists of their times, and the subtlety of their vocal and instrumental arrangements, were just some of the factors that contributed to the exceptional success of a group who remained faithful servants of the French Chanson genre for a whole lifetime. The 36 songs included in this boxed-set - timeless pieces recorded between 1946 and 1958 - are evidence of an extraordinary career; they document a repertoire that is incomparable in it's diversity, including works by Charles Trenet, Charles Aznavour, Gilbert Becaud, Georges Brassens, Henri Salvador... Claude Colombini Fremeaux & Dany Lallemand

Region by region, Fremeaux & Associes Geographic constructs a geography of sounds. It presents the listener with a series of authentic, unaltered landscapes without reconstruction or addition. The approach focuses on natural and technological soundscapes and the way these change with each passing hour or season or as the heavens open. Fremeaux & Associes Geographic baut eine Geographie der Töne auf, deren Region die Werkeinheit ist. Die CD bietet dem Gehör eine Folge von authentischen Landschaften, ohne Umwandlung, ohne Rekonstruktion und ohne Hinzufügung. Der Ansatz interessiert sich für unser Besitztum und ist auf natürliche und technologische Tonlandschaften orientiert, ihre Entwicklungen je nach Uhrzeit, Jahreszeit, die Niederschläge… Fremeaux & Associes Geographic construye una geografía de sonidos, donde la región constituye la unidad de la obra. El disco propone escuchar una serie de paisajes autenticos, sin transformaciones, sin reconstrucciones ni anadidos. El enfoque pretende destacar el patrimonio y está orientado hacia los paisajes sonoros naturales y tecnológicos, y su evolución segun la hora, la estación, la climatología… Fremeaux & Associes Geographic costruisce una geografia dei suoni, la cui regione e l’unitA d’opera. Il disco propone all’ascolto una serie di paesaggi autentici, senza trasformazione, ricostruzione o aggiunta. In questi paesaggi... L’approccio e patrimoniale e si orienta verso paesaggi sonori naturali e tecnologici, verso le loro evoluzioni a seconda dell’ora, della stagione, delle precipitazioni atmosferiche... Fremeaux & Associes Geographic stelt een geografie van geluiden op, waarbij de streek een deel van het oeuvre vormt. Fremeaux & Associes Geographic brengt een opeenvolging van authentieke landschappen ten gehore, zonder vervorming, reconstructie of toevoegingen. De benadering is patrimoniaal en is gericht op natuurlijke en technologische geluidslandschappen, en hun ontwikkeling die afhangt van de tijd, het seizoen, de neerslag…

Region by region, Fremeaux & Associes Geographic constructs a geography of sounds. It presents the listener with a series of authentic, unaltered landscapes without reconstruction or addition. The approach focuses on natural and technological soundscapes and the way these change with each passing hour or season or as the heavens open. Fremeaux & Associes Geographic baut eine Geographie der Töne auf, deren Region die Werkeinheit ist. Die CD bietet dem Gehör eine Folge von authentischen Landschaften, ohne Umwandlung, ohne Rekonstruktion und ohne Hinzufügung. Der Ansatz interessiert sich für unser Besitztum und ist auf natürliche und technologische Tonlandschaften orientiert, ihre Entwicklungen je nach Uhrzeit, Jahreszeit, die Niederschläge… Fremeaux & Associes Geographic construye una geografía de sonidos, donde la región constituye la unidad de la obra. El disco propone escuchar una serie de paisajes autenticos, sin transformaciones, sin reconstrucciones ni anadidos. El enfoque pretende destacar el patrimonio y está orientado hacia los paisajes sonoros naturales y tecnológicos, y su evolución segun la hora, la estación, la climatología… Fremeaux & Associes Geographic costruisce una geografia dei suoni, la cui regione e l’unitA d’opera. Il disco propone all’ascolto una serie di paesaggi autentici, senza trasformazione, ricostruzione o aggiunta. In questi paesaggi... L’approccio e patrimoniale e si orienta verso paesaggi sonori naturali e tecnologici, verso le loro evoluzioni a seconda dell’ora, della stagione, delle precipitazioni atmosferiche... Fremeaux & Associes Geographic stelt een geografie van geluiden op, waarbij de streek een deel van het oeuvre vormt. Fremeaux & Associes Geographic brengt een opeenvolging van authentieke landschappen ten gehore, zonder vervorming, reconstructie of toevoegingen. De benadering is patrimoniaal en is gericht op natuurlijke en technologische geluidslandschappen, en hun ontwikkeling die afhangt van de tijd, het seizoen, de neerslag…

"Region by region, Fremeaux & Associes Geographic constructs a geography of sounds. It presents the listener with a series of authentic, unaltered landscapes without reconstruction or addition. The approach focuses on natural and technological soundscapes and the way these change with each passing hour or season or as the heavens open." Patrick FReMEAUX Fremeaux & Associes Geographic baut eine Geographie der Töne auf, deren Region die Werkeinheit ist. Die CD bietet dem Gehöreine Folge von authentischen Landschaften, ohne Umwandlung, ohne Rekonstruktion und ohne Hinzufügung. Der Ansatz interessiert sich für unser Besitztum und ist auf natürliche und technologische Tonlandschaften orientiert, ihre Entwicklungen je nach Uhrzeit, Jahreszeit, die Niederschläge… Fremeaux & Associes Geographic construye una geografía de sonidos, donde la región constituye la unidad de la obra. El disco propone escuchar una serie de paisajes autenticos, sin transformaciones, sin reconstrucciones ni anadidos. El enfoque pretende destacar el patrimonio y está orientado hacia los paisajes sonoros naturales y tecnológicos, y su evolución segun la hora, la estación, la climatología… Fremeaux & Associes Geographic costruisce una geografia dei suoni, la cui regione e l’unitA d’opera. Il disco propone all’ascolto una serie di paesaggi autentici, senza trasformazione, ricostruzione o aggiunta. In questi paesaggi... L’approccio e patrimoniale e si orienta verso paesaggi sonori naturali e tecnologici, verso le loro evoluzioni a seconda dell’ora, della stagione, delle precipitazioni atmosferiche... Fremeaux & Associes Geographic stelt een geografie van geluiden op, waarbij de streek een deel van het oeuvre vormt. Fremeaux & Associes Geographic brengt een opeenvolging van authentieke landschappen ten gehore, zonder vervorming, reconstructie of toevoegingen. De benadering is patrimoniaal en is gericht op natuurlijke en technologische geluidslandschappen, en hun ontwikkeling die afhangt van de tijd, het seizoen, de neerslag…

This previously unrecorded opera composed by Isabelle Aboulker is ment to bring the children to discover Moliere, one of the greatest masters of comedy in our literature. The CD alternates a narration by Roland Giraud and songs interpreted by a choir of children. In French.