Stretching back from the stark Soviet soundscape of Shostakovich, to the early pre-modernism of Prokofiev, to the pre-revolutionary opulence of Scriabin and Rachmaninov, Septura redresses a lack of original music for brass by these great composers by charting a turbulent 70 years of Russian history. Brass instruments feature prominently in these composers' symphonic output, and Septura is a natural fit for their chamber music. The focus is piano music with one prominent exception: perhaps Septura's most ambitious transcription to date, Shostakovich's profound and deeply personal Eighth String Quartet.