A new recording of world premieres addressing a topic of our national discourse: diaspora. If There Were Water, from Philadelphia’s 2017 Grammy-nominated choir, The Crossing, is a testament to the expressive range of the human voice. These two strikingly diverse, yet equally compelling unaccompanied compositions were commissioned for The Crossing’s Month of Moderns festival and premiered in June 2017. Drawing from literary and historic sources, the works are highly personal reflections that speak with clarity to contemporary concerns of displacement, while weaving together past and present. In Crossings Cycle, Greek composer Stratis Minakakis creates a visceral musical response to the experience of observing Syrian refugees on the Isle of Lesbos. ‘un/bodying/s’ by composer Gregory W. Brown explores the history of the displaced populations of Quabbin, the Swift River Valley in Western Massachusetts, including the Native Americans moved by incoming Europeans, and then those Europeans relocated by the State when creating the massive reservoir that supplies Boston with water. Gregory and librettist Todd Hearon tell these stories from a variety of perspectives. The Crossing is a professional chamber choir conducted by Donald Nally and dedicated to new music. Consistently recognized in critical reviews, the ensemble regularly collaborates with some of the nation’s most accomplished ensembles and imaginative composers. It is committed to working with creative teams to make and record new, substantial works for choir, most often addressing social issues. The group is the American Composers’ Forums’ 2017 Champion of New Music.