Aaron Copland
51 products
American Road Trip / Hadelich, Weiss
Copland: Appalachian Spring, Billy The Kid; Britten / Ormandy
A Copland Celebration, Vol. 3: Vocal & Choral Works
Copland, A.: Dance Panels / 8 Poems of Emily Dickinson / Sho
Copland, A.: Rodeo / 4 Piano Blues / Old American Songs
APPALACHIAN SPRING
Copland: Dance Symphony, Short Symphony, Etc / Slatkin
This disk presents a vivid picture of Aaron Copland's growth in the decade from his arrival to the creation of his early masterpieces. The 1924 'Organ Symphony' shows the enfant terrible throwing crashing dissonance and jazzy accents around with such high spirits that conductor Walter Damrosch told the premiere audience "if a young man can write like that at twenty-three within five years he will be ready to commit murder." The 1929 'Dance Symphony' recycles music from a never-staged ballet, which accounts for its somewhat episodic nature, while the 'Short Symphony' of 1933, modest in dimension and taut in structure, reveals a dramatic increase in the composer's powers, a development first signaled by the 1930 'Piano Variations,' arranged by Copland in 1957 as the 'Orchestral Variations.'
Leonard Slatkin and the Saint Louis Symphony are old and trusted hands with Copland's music, having recorded nearly all of the major orchestral works for RCA and EMI. These performances are right on, full of energy catching the young composer's heady mix of French color and American attitude. The recording is excellent, having both atmosphere and punch, with the featured organ captured impactfully in Christ Church Cathedral, Saint Louis.
Copland, A.: Violin Sonata / Vitebsk / Sextet
Copland, A.: Music for Piano
Copland: Music for the Theatre & Appalachian Spring Suite
Copland: 81st Birthday Concert
Music for 2 Pianos
V1: WORKS FOR PIANO
V2: WORKS FOR PIANO
Copland, A.: Violin and Piano Music (Complete)
Copland: Billy the Kid, Rodeo, El Salon Mexico & An Outdoor Overture / Litton
Having taken up the post of music director with the Colorado Symphony in 2013, Andrew Litton has chosen a highly fitting program for the orchestra's first recording on BIS: the Wild West, its folk music, traditions and legends loom large in Aaron Copland's ballet scores Billy the Kid and Rodeo. The two works were the result of the composer's search during the early 1930's for a new musical language. Copland himself described his reasons for this as follows: 'An entirely new public for music had grown up around the radio and the phonograph. It made no sense to ignore them and to continue writing as if they did not exist. I felt that it was worth the effort to see if I couldn’t say what I had to say in the simplest possible terms.’ In the two ballets, this new direction can be felt in the immediacy of the music, but also in Copland's use of cowboy tunes. A similar approach, but with Mexican themes, characterizes the slightly earlier El Salón México, inspired by a visit to a dance-hall in Mexico and the atmosphere he experienced there. Whereas these three works belong to the most popular in Copland's entire production, the opening piece, An Outdoor Overture, is something of a rarity – especially on disc. Composed in the same year as Billy the Kid, the overture was part of an educational campaign with the slogan 'American Music for American Youth' and its snappy rhythms and colorful orchestration will have made it as successful in its original purpose as it is here, as a curtain raiser. The Colorado Symphony is obviously enjoying itself in this all-American program, as is its conductor Andrew Litton, who joins the revelry as honky-tonk pianist in the Celebration section of Billy the Kid and the Ranch House Party in Rodeo, before bringing the disc to a rollicking end in that ballet’s closing section, Hoe-Down.
Copland & Bernstein: Clarinet Sonatas - Dankworth: Suite for
COPLAND, A.: City (The) (NTSC)
AMERICAN PIANO MUSIC
Copland: Piano Music / Ramon Salvatore
Daniel Rieppel Plays Mozart, Copland & Schumann
Daniel Rieppel, a native of Minnesota of Austro-Hungarian descent, performs Mozart’s Fantasy and Sonata in C minor, the Piano Variations of Aaron Copland and Symphonic Etudes by Robert Schumann. Dr. Rieppel performs widely in North and South America and Europe (most recently in Iceland) and has been Professor of Music at Southwest Minnesota State University for over a quarter century. He has international recognition for his research into Schubert’s incomplete sonatas, finishing several that will be the subject of his next recording.
American Orchestral Music / Falletta, NOI Philharmonic
JoAnn Falletta conducts the National Orchestral Institute Philharmonic in works by four extraordinary mid-20th-century American composers who helped shape the country’s musical destiny: Aaron Copland, Walter Piston, Paul Creston and Ulysses Kay. Includes two world premiere recordings – Paul Creston's Saxophone Concerto and Ulysses Kay’s poignant and elegiac Pietà.
American Century / Walden, U.S. Navy Band
After World War I, composers would cast off the moorings of the traditional European styles to create something inexorably new. This was the beginning of the American Century. The four composers featured are the pinnacle of that achievement. Schuman, Persichetti, Ives, and Copland blazed a trail into a new era of distinctly American classical music on this incredible album from the United States Navy Band Washington D.C.
Copland, Harbison, Higdon et al: Duos for Flute & Piano / Sulick, Mayhood
Kelly Sulick currently teaches at the University of Virginia and serves as Principal Flute in the Charlottesville Symphony. Prior to her appointment, she served as Principal Flute with the Evansville Philharmonic Orchestra and as Consortium Instructor of Flute at the University of Evansville for three years. She earned her Master of Music degree in Flute Performance from the University of Southern California; prior to her graduate studies, she earned a Bachelor of Music degree in Flute Performance and a Bachelor of Arts degree in English Language and Literature from the University of Michigan, where she graduated with highest honors and was named a James B. Angell Scholar for her academic achievements. Pianist John Mayhood enjoys a busy performance schedule that in recent seasons has taken him across the North America and Europe in a wide variety of solo and collaborative settings and in repertoire that spans from the English virginalists to music of the present day. His concerts often explore the works of a single composer, combining solo piano and chamber music – he has dedicated complete evenings to the works of Poulenc, Hindemith, Feldman, and Schubert, and to new works by emerging composers.
The Legacy of Aaron Copland / U.S. Army Field Band Soldiers' Chorus
The Legacy of Aaron Copland is an eclectic collection of works written by the great American composer Aaron Copland. Regarded as the "dean of American music", Copland's works are said to evoke the limitless American landscape as they achieve a difficult balance between modern music and American folk styles. (Altissimo)
