Classical Music

Classical Music

The fifth in Signum’s series of Charles-Marie Widor’s Organ Symphonies, performed by Joseph Nolan on the magnificent Cavaillé-Coll organ of L’église de la Madeleine, Paris. Widor (1844-1937) was born to the organ, his Lyonnaise kinsfolk being organ-builders. He showed early talent for the instrument, and for decades embodied its might and splendor across the Gallic domain – his ‘Organ Symphonies’ were genre-defining in their influence. “…the Widor Organ cycle of the decade” - Musicweb Int’l

Classical Music

Charles-Marie Widor (1844-1937), one of the most influential French organists of the late 19th and early 20th centuries, jokingly referred to himself as the substitute organist of the church of St. Sulpice, Paris, despite his 64-year tenure there. While best known for his ten organ symphonies, Widor composed in a wide variety of sacred and secular genres: chamber music, orchestral works, ballet, operatic music, works for piano, and most importantly for this recording, melodies. In his day, Widor won respect as a composer, organist, professor, and cultural ambassador of France. In 1890 he became Cesar Franck's immediate successor as Professor of Organ at the Paris Conservatoire, and, in 1896, he succeeded Theodore Dubois as Conservatoire Professor of Composition. Widor's students in organ and composition included such distinguished names as Marcel Dupre, Louis Vierne, Charles Tournemire, Darius Milhaud, Albert Schweitzer, and Edgard Varese. Widor composed over 100 songs which have been overshadowed by his immensely popular organ works. His genius with melody, comprehensive piano writing, and discerning poetic text settings distinguish him as a gifted song composer unusually sensitive to the capabilities of the voice. Throughout his extensive career, Widor was concerned with achieving the best possible musical result in his compositions and continually developed, revised, and republished his works. A publishing custom of the time was to group sets of six songs in a single opus number; however, the songs of each of Widor's sets are not necessarily related by poet or theme. The songs were not intended to be presented as a cohesive cycle. With that in mind, the songs in this recording are not presented by chronological opus numbers. Widor's melodies exhibit a wide variety of musical influences, from the works of the German lieder composers to French vocal genres, such as the bergerette and opera lyrique. His songs range from straight-forward strophic settings to intricate through-composed forms. Widor's harmonic language can find beauty in purely diatonic sonorities while others take advantage of the more remote modulations. Elements of Orientalism, popular in his day, color the exotic musical language and mood of several songs. Widor's songs represent his quest for a perfect marriage of music and text. His melodies feature the poetry of such beloved and respected literary figures as Victor Hugo, Theodore de Banville, Rene-Francois Sully-Prudhomme, Paul Bourget, and Pierre-Jules Theophile Gautier. Unlike many of his contemporaries, Widor - thrillingly - was inspired to include poems by women whose work he admired among his song settings. Some of them are contained in this album's offerings. To quote Widor biographer John Near, "We experience very great charm when happy fortune permits us to hear a page of Mr. Widor, harmoniously vying with Victor Hugo, Sully Prudhomme, or Paul Bourget."

Classical Music

Classical Music

The fourth volume in our series of Charles-Marie Widor's Organ Symphonies, performed by Joseph Nolan on the magnificent Cavaille-Coll organ of L'eglise de la Madeleine, Paris. Widor showed early talent for the organ; for decades he was the embodiment of it's might and splendor across the Gallic domain - his 'Organ Symphonies' were genre-defining in their influence. Joseph Nolan is an internationally renowned organist, acclaimed as 'brilliant and such an astute musician' (Gramophone UK).

Joseph Nolan follows his five internationally acclaimed volumes of the Complete Organ Symphonies of Charles-Marie Widor with a collection of the composer's other works for solo organ. The release includes his Trois Nouvelles Pieces, March americaine and Marche Nuptiale and Memento - a collection of transcriptions of works by J.S. Bach. This release completes a collection of 6 albums that span Widor's complete solo organ works, performed by Nolan on period Cavaille-Coll organs from the French churches of St. Sernin, Toulouse, St. Francois-de Sales, Lyon and La Madeleine, Paris.

Classical Music

Charles-Marie Widor was a hugely influential and venerated musician in his day, and his innovative organ symphonies are both a pinnacle of the repertoire and a testament to his creative and technical mastery of the instrument. These spectacular works are in the grand Romantic manner, but Widor was keenly aware of his musical ancestry, referring to music of the past such as Bach's St. Matthew Passion in the opening of the Third Symphony. The Scherzo of the Fourth Symphony is one of Widor's finest symphonic movements, exploring the organ's sonic beauties. The original E major Scherzo from the Symphony No. 2, which Widor subsequently replaced with a Salve Regina can be heard on Track 6.

This is Volume 1 in what will be the complete organ works of Charles-Marie Widor (1844-1937). In this series, five magnificent Aeolian-Skinner and E.M. Skinner instruments render Widor symphonies and other works with an "American Classic" accent. Joby Bell clearly loves these works, and proves to be an ideal performer for them. Organist Joby Bell brings to his performances a contagious affability and a keen sensitivity toward increasing an audience's appreciation for organ music. His recital programming demonstrates a varied and interesting repertoire, always enhanced by illuminating program notes designed to embrace all audiences. His acclaimed blog deals with a comprehensive range of organ-related topics including teaching philosophies, recital preparation, church music, and professional concerns.

This is Volume 3 in Centaur's ongoing series of the complete organ works of Charles-Marie Widor (1844 - 1937), performed by Joby Bell. This recorded cycle is a labor of love for Joby Bell, who has a special affinity for Widor's works. Since 2004, professor Joby Bell has served on the faculty of the Hayes School of Music, where he teaches organ and church music studies. His church music teaching emphasizes the practical knowledge needed for a solid undergraduate foundation toward successful work and further studies in sacred music. His organ teaching specializes in practice techniques, memorization, service playing, choral accompanying, and maintaining grace under pressure - lessons always best taught by example. Dr. Bell is known for "the breadth of his repertoire, technical virtuosity, and for the personal warmth which shines through in his performances. " His acclaimed blog at www. JobyBell. Org deals with a comprehensive range of organ-related topics including teaching philosophies, recital preparation, church music, and professional concerns.

This is Volume 4 in Centaur's traversal of the complete organ works of Charles-Marie Widor (1844-1937), performed by Joby Bell. This is clearly going to be the seminal recording of these works. Since 2004, professor Joby Bell has served on the faculty of the Hayes School of Music, where he teaches organ and church music studies. His church music teaching emphasizes the practical knowledge needed for a solid undergraduate foundation toward successful work and further studies in sacred music. His organ teaching specializes in practice techniques, memorization, service playing, choral accompanying, and maintaining grace under pressure – lessons always best taught by example. Dr. Bell is known for "the breadth of his repertoire, technical virtuosity, and for the personal warmth which shines through in his performances." His acclaimed blog at deals with a comprehensive range of organ-related topics including teaching philosophies, recital preparation, church music, and professional concerns.

This is Volume 5 in Centaur's traversal of the complete organ works of Widor, performed by Joby Bell. The works in this series are performed on five magnificent Aeolian-Skinner and E.M. Skinner instruments; hence, the "American Classic" label. Since 2004, professor Joby Bell has served on the faculty of the Hayes School of Music, where he teaches organ and church music studies. His church music teaching emphasizes the practical knowledge needed for a solid undergraduate foundation toward successful work and further studies in sacred music. His organ teaching specializes in practice techniques, memorization, service playing, choral accompanying, and maintaining grace under pressure – lessons always best taught by example.