Katia Labèque/Marielle Labèque/David Chalmin/Bryce Dessner -"Sonic Wires"

Four-time Grammy-winning sextet, Eighth Blackbird (8BB), "one of the smartest, most dynamic contemporary classical ensembles on the planet" (Chicago Tribune), presents the world premiere recording of Pulitzer Prize-winning composer David Lang's composition as explanation, based on Gertrude Stein's seminal 1926 lecture of the same name. Called "Super Chamber Music" by David Lang, this multidisciplinary work incorporates elements of chamber music, theater, and performance art; it has the groundbreaking ensemble not only performing the music, but also speaking and singing Stein's text.

For the performance, the 8BB players committed themselves to a rigorous education process, including lessons in acting, diction, and the art of theater. Musical America praised 8BB's live performance of Lang's work as "every bit as witty, circular, and self-referential as Stein's own prose; it's rare, not to mention utterly satisfying, to hear a work that so completely embodies it's text. To invoke Stein, one suspects Composition as Explanation will be a work of our time for many times to come."

In 2016, 8BB asked David Lang to propose a project that they could perform at the Chicago Arts Club in conjunction with the Club's centennial year. In his research, Lang discovered that Stein had spoken at the Club in 1934; this led him to employ Stein's text as the basis for the piece.

The exquisitely decorated 15th century choir book known as the Old Hall manuscript was lost to history for the best part of 400 years until its reappearance in a Catholic seminary at the end of the 19th century. The largest surviving collection of medieval motets and mass movements, it immediately became the most celebrated source of English music of the period. It was written in the first instance by a single scribe to ensure that the music of his fellow singers was not forgotten. Many of them are known only from this manuscript, and on this album they find their voices again after more than half a millennium of silence, transformed by the singing of Trio Mediæval in the company of Catalina Vicens, alongside new music by David Lang and Marianne Reidarsdatter Eriksen. Hailed as a "fascinating journey with music of timeless beauty", Trio Mediæval’s highly acclaimed first album Words of the Angel in 2001 launched the group into the elite circles of early music ensembles and introduced them to a broad international audience. Formed in 1997, the Grammy nominated vocal ensemble consists of founder members Linn Andrea Fuglseth and Anna Maria Friman, and Jorunn Lovise Husan who joined the group in 2018. Trio Mediæval has recorded eight albums for ECM Records. An Old Hall Ladymass is their second release, following Solacium, with the Norwegian label 2L. Produced by Morten Lindberg.

Cappella Amsterdam and its artistic leader Daniel Reuss return to PENTATONE with a world premiere recording of David Lang’s the writings. For this cycle, Lang has chosen five texts from the Old Testament tied to Jewish holidays. These writings share a universal appeal, a focus on what it means to be human. Lang’s austere and repetitive score makes a profound emotional impact, fully in line with the poetry of the subjects recited. This album comes with insightful program notes by the composer, as well as an evocative analysis by his esteemed colleague Nico Muhly.

Since its foundation in 1970, Cappella Amsterdam has shown an exceptional mastery of contemporary and early vocal music, with acclaimed excurses to Romantic repertoire as well. Daniel Reuss has been Artistic Leader of Cappella Amsterdam for over three decades now, and has worked with several renowned choirs and ensembles. Their PENTATONE debut album In Umbra Mortis (2021) won an Edison Klassiek Award. Multiple award-winning composer David Lang is one of America’s most performed composers, whose deceptively simple pieces can be fiendishly difficult to play, requiring incredible concentration by musicians and audiences alike.

REVIEWS:

Assembled over 14 years, the writings is a collection of settings of texts from the Hebrew Bible that are particularly associated with holidays; they are enchanted unaccompanied choral pieces, jewel-like in their crystalline beauty and performed with just the right degree of gentle detachment by Cappella Amsterdam under Daniel Reuss.

-- The Guardian

This stunning disc features the Cappella Amsterdam ensemble on a world-premiere recording of David Lang’s The Writings, a cycle of choral works based on selections from the Hebrew Bible. Each of the scriptural extracts is associated with a different Jewish holiday, the work as a whole creating a sort of map of the Jewish liturgical year from Sukkot (a weeklong holiday during which ancient Israelites were expected to travel to the temple in Jerusalem) to Tisha B’Av (which commemorates the destruction of both Solomon’s Temple and the Second Temple). The music is, as one might expect, solemn in tone and cyclical in structure; perhaps a bit more surprisingly, it is also consistently consonant and tonal — though the mood is often dark and brooding, there is always light peeking through, and the performances by Cappella Amsterdam are absolutely exquisite.

-- Baker & Taylor CD Hotlist

Back in April 2014 at Carnegie's Zankel Hall, Augustin Hadelich's performance of David Lang's 'mystery sonatas' was praised by the New York Times as a riveting display of “magisterial poise and serene control.” That same magic penetrates this starkly beautiful recording of the work, played by Hadelich on the exquisite 1723 “ex-Kiesewetter” Stradivari, on loan to him by its current owners since 2011. Lang based his 'mystery sonatas' on the famous pieces by Heinrich Ignaz Franz von Biber, but with a modern twist. “I decided to make my own virtuosic pieces about my most intimate, most spiritual thoughts,” he explains, “[but] mine are not about Jesus, and the violin is not retuned between movements. I did keep one of Biber's distinctions. He divides Jesus's life into three phases—the joyous, the sorrowful, and the glorious. The central pieces of my mystery sonatas are called 'joy,' 'sorrow,' and 'glory,' but these are all quiet, internal, reflective states of being.”