Includes cantata(s) by Georg Philipp Telemann. Ensemble: Cologne Camerata. Soloist: Ruth Ziesak.

Includes work(s) by Georg Philipp Telemann. Ensemble: Cologne Camerata.

Classical Music

Telemann surprises connoisseurs and lovers of his orchestral music again and again through his unusual combination of instruments and melodic ingenuity.There are still impressive pieces in his oeuvre that are not or only too rarely recorded.The Concerto Stella Matutina presents some of Telemann‘s orchestral art, which mix together principles of the concerto, sonata and suite genres.Founded in 2005, the Austrian Concerto Stella Matutina perform familiar and forgotten works from the 17th-18th c., extending to experimental projects in music and dance, often with artist collaboration.

Classical Music

Ino was the wife of Athamas and thus the daughter-in-law of Aeolus, the god of the winds. For reasons that are not entirely clear, she incurred the resentment of Hera, the wife of the gods, who confused Athamas to such an extent that he shot one of his own sons and also wanted to kill the second - whereupon Ino threw herself into the sea with her offspring. In the end, mother and daughter are transformed into maritime deities. When Georg Philipp Telemann set this material to music, he was already well past eighty; musically, however, he exploded like a young man with a bright future ahead of him. The Ino of our new recording comes from the ranks of the Boston Early Music Festival: Amanda Forsythe, most recently celebrated as the irresistible "Serva Padrona", opens an aria recital with this demanding role, which portrays the opera composer Telemann from monodrama to lively comedy and looks ahead to upcoming productions.

After listening to a substantial number of operas, cantatas, concertos, and chamber music left by the immensely prolific Georg Philipp Telemann, one might assume there would soon be nothing new to discover. This is far from the truth, as demonstrated by the latest production from Camerata Koln and it's director, Michael Schneider. The "Six Quatuors ou Trios 1733" are not merely a continuation of Telemann's Concerti da camera. They differ significantly: polyphonic, chromatic quirks, delicate cantilenas, highly virtuosic (and expertly executed) miniatures, and finally, a series of ancient women's portraits in the contemporary colors of the "Getreue Music-Meister" - if anything is repeated here, it is the amazement at an almost limitless, inexhaustible imagination.

Our most recent Telemann album is a special highlight for the Christmas season! It brings together three Christmas oratorios from Telemann’s Oratorischer Jahrgang for the church year 1730/31 and a cantata from the annual cycle Musicalisches Lob Gottes printed in score form in Nuremberg in 1744. The oratorios are new discoveries and premiere recordings. Even if the works concerned are of cantata length, the term “Oratorio” is in this case perfectly justified. Not only the soprano, alto, and other vocal parts sing but also personified allegories such as Faith, Hope, and Love. Telemann’s musical realization of the poetic sources of the writer and musician Albrecht Jacob Zell is distinguished by great imagination and subtle artistry. The affections and emotions contained in the texts penned by Zell and the Biblical texts inserted by him in the arias and choruses are developed logically and with great feeling: here Telemann employs and combines the whole spectrum of compositional techniques at his command. Telemann’s opulent settings were made to order for the rich resources of Hamburg’s church music, for which he had available eight vocalists as well as some twenty instrumentalists.

Telemann World-Premiere Recordings. Between 1717 and 1765 Georg Philipp Telemann composed more than 1, 700 cantatas for performance on all the Sundays of the church year. Some dozen annual cycles from his period as music director in Frankfurt am Main and above all those from his Hamburg years have come down to us. In quantitative terms, the four Sundays of Advent and the three days of Christmas are the most strongly represented – with almost about two hundred cantatas. Apart from the cantatas for solo voice and solo instrument with basso continuo from his anthology Harmonischer Gottesdienst of 1725, only a few compositions for larger ensembles from this treasure trove have been edited and recorded. This album features four cantatas by Telemann that may be regarded as world-premiere recordings. They are musical gems that impress us with their melodic originality and musical character and even after more than 250 years are very much worth being performed again!

Classical Music

Classical Music

Classical Music

12 FANTASIES RECORDER

Erik Bosgraaf is one of the foremost and most adventurous recorder players of today. His modest instrument, the recorder, is for him an inexhaustible source of inspiration and boundless possibilities. He improvises, plays jazz, uses electronics and likes to work with artists outside the box. For him there is no difference between early and contemporary music: “Early music is always new”. The sense of discovery permeates all his recordings of works by Telemann, of which he already released 4 albums for Brilliant Classics. This new recording presents Telemann’s sonatas for recorder, violin and B.C. Played by violinist Dmitry Sinkovsky, cellist Balazs Mate and harpsichord Alexandra Koreneva and the inimitable Erik Bosgraaf on recorder. The present recording includes all five surviving trio sonatas for recorder, violin and basso continuo by Georg Philipp Telemann. As an encore, there is a charming duet for recorder and violin Telemann published in 1728-29 in his music periodical Der getreue Music-Meister. There is also a duet for these two instruments hidden in the Trio Sonata in A minor (TWV 42:a1) which has no basso continuo in the trio section of the final menuet.

Arias from Berlin's Operatic History