The goal of the Telemann Festival Days in Magdeburg is to perform the works by Georg Philipp Telemann in concert with artists of international rank. The focus of the festival program is formed by full-length, magnificent compositions including operas, oratorios, passions, and cantatas. Telemann’s "absolutely stunning productivity" (Georg von Dadelsen) manifests itself in special measure in his cantata oeuvre. And in the cantatas heard on this new CD, recorded during a concert held at the next-to-last day of the festival, Telemann again proves to be among the eighteenth-century’s most important composers of sacred music.

Throughout his life Telemann collaborated with outstanding poets who wrote his sacred music texts mostly for complete annual cycles. This practice enabled him to design each annual cycle – seventy as a rule - with two cantatas for each Sunday and feast day, in accordance with distinctive program concepts. Telemann's compositions of great variety are often opulently endowed with a full instrumental ensemble and in this way emphasize the significance of each particular feast day. Telemann often goes far beyond the customary expressive intensity of the traditional two-part form involving the setting of biblical quotations, resulting in highly gripping and brilliant music!

- CPO [Translated from German notes]

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TELEMANN: Triple Concertos

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Much has been written about the contrasting Italian and French musical styles at the beginning of the 18th century, but Telemann was among the first composers who attempted to fuse these contrasting styles into an expressive, emotionally rich church music. The three cantatas featured on this recording are all festive works written by Telemann for performance variously during 1716/17 and 1720 church years, and exhibit the composer's ingenuity at adapting the Italianate style for use in the Lutheran church. The music is easy-going, tuneful with moments of virtuosity and characteristic tone painting.

With 3600 works to his credit, Georg Philipp Telemann is rightly regarded as of one of the most prolific composers of all time. This superlative however has brought him less honor than one may have hoped, because with so many works came the suspicion that quality may have been sacrificed in the process, a view that prevailed especially throughout the 19th century. As a result, the objective study of Telemann and his protean work only began in earnest in the late 20th century, resulting in many discoveries and first performances that show the seriousness and depth of the composer's genius. The present CD features a trio of cantatas from the so-called "Engel-Jahrgang" (lit. "Angel cycle" named for the image of an angel that appears on the cover of the printed scores) dating from 1748/49. In these works, Telemann has already begun to explore the Rococo style, which had just begun to take root and demonstrates his compositional skill and originality at every turn. Three festive cantatas ring out in glorious tones: "Der Herr lebet" for the first day of Easter, "Ehr und Dank sey Dir gesungen" for the Feast of St, Michael and "Der Geist giebt Zeugnis" for the Day of Pentecost. The Bach-Chor Siegen, the Hannoversche Hofkapelle, singers Miriam Feuersinger, Franz Vitzthum and Klaus Mertens and director Ulrich St�tzel are in their element with Telemann - having previously released several Telemann albums with h�nssler CLASSIC - and present another installment of enchanting and accomplished performances of rarely heard music from one of the greatest masters of the Baroque.

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