Jean-Joseph Cassanéa de Mondonville was greatly admired in his day. His opera Titon et l’Aurore was one of his most popular works, being held up as a triumph over the rival Italian style during the Parisian Querelle des Bouffons in the 1750s. The narrative of this spectacular opéra-ballet follows the tumultuous and seemingly unbreakable liaison between the goddess L’Aurore and her lover the shepherd Titon. Jealous gods and goddesses try to interfere through murderous intent and dramatic abduction, but true love ultimately conquers all in stage director Basil Twist’s acclaimed feast for the senses.

REVIEWS:

This is a remarkably interesting production on several fronts. The music is a rarity, the composer almost unknown, the staging as close to the original as can be achieved, the period performance very fine and the history of the piece of unusual cultural significance.

The superb orchestra and chorus of Les Arts Florissants play and sing as if unaware of the lack of any audience and the presence of COVID masks in the pit—not the stage! This was all done in the middle of our pandemic. What a treat this would have been for an audience…

…This disc has to be given a strong recommendation. The picture is appropriately bright and sparkling, the sound is absolutely clear and clean with enough ambience to give it the feeling of being there.

-- MusicWeb International (Dave Billinge)

Highly rewarding for both the staging and the musical accomplishments – it should be at the very top of one’s shopping list.

The cast that was selected for this first production in modern times is a knockout one in every respect. William Christie and Les Arts Florissants are in crisp energetic form. Whenever the camera focuses on Christie it is obvious that he is enjoying himself every bit as much as his singers. Perfect picture and sound engineering guarantee that every fleecy moment is preserved with distinction.

-- MusicWeb International (Mike Parr)

Recorded at the Opéra-Comique last year, although without an audience, this recording of Mondonville’s Titon et l’Aurore is another triumph from William Christie.

-- Gramophone

Le Carnaval du Parnasse, Mondonville's heroic ballet, was a dazzling triumph at its premiere in 1749, eclipsing Rameau's Zoroastre, which premiered the same year. Dedicated to the Marquise de Pompadour, muse of the arts and the omnipotent favorite of the King, this whimsical carnival is nothing short of a delicious marivaudage: on Mount Parnassus, Apollo and his Muses indulge in feasts of the senses and entertainments of the heart… Mondonville displays prodigious virtuosity throughout, depicting unheard-of orchestral colors and imagining unbridled dances and vast ceremonial choruses comparable to those in his great motets. Alexis Kossenko and his ensemble Les Ambassadeurs ~ La Grande Écurie, joined by the eminent vocal power of the Chœur de Chambre de Namur, have made an exceptional rediscovery of this masterful reincarnation of the splendors of the Court of Louis XV, then at its apogee.